Scott Ingram (b. 1968 in Drumright, Oklahoma) makes work that comments on art and
architecture in human environments.
Not exact matches
Forming a plant - animal -
human trilogy with Edible Estates (est. 2005), a series of front - yard food gardens, and Animal Estates (est. 2008), initiatives for urban wildlife
architecture, Domestic Integrities focuses on the interior
environments of
humans and the ways
in which local resources are digested into their dwellings.
How as
human beings we unconsciously accumulate knowledge through our interaction with our
environment, especially the built
environment and how that has played out through history
in terms of
architecture and engineering - frequently provides the starting point for McNulty's artworks.
«David has truly changed the way I think about
architecture, with his unique perspective on and sensitivity to the relationship between the
human body and the built
environment,» says Thelma Golden, director and chief curator of the Studio Museum
in Harlem.
How we as
human beings unconsciously accumulate knowledge through our interaction with our
environment, especially the built
environment, and how that has played out through history
in terms of
architecture and engineering - frequently provides the starting point for McNulty's artworks.
The show draws on works from as early as 1917 to show recurring ways that artists use the built
environment to interpret the
human form, and how the body
in turn becomes a lens for
architecture.
Carl Andre revolutionized sculpture
in the 1960s with his flattened, modular works that abandoned verticality — and any accompanying allusions to
architecture and the
human body —
in favor of creating what he famously called «sculpture as place,» explaining, «a place is an area within an
environment which has been altered
in such a way as to make the general
environment more conspicuous.»
In a different gallery, Delphine (1999) consists of multiple projections on the walls, ceiling, and floor depicting dolphins at play; the existing architecture is renegotiated to align human movements in the space with the dolphins» movements and environmen
In a different gallery, Delphine (1999) consists of multiple projections on the walls, ceiling, and floor depicting dolphins at play; the existing
architecture is renegotiated to align
human movements
in the space with the dolphins» movements and environmen
in the space with the dolphins» movements and
environment.
You'd think that
in architecture schools, of all places, this kind of caring for the quality of an exhibition as a
human environment would be common.
, full (or accelerated) equity ownership, transportability (local conditions can change adversely over time), extremely efficient use of resources (when did mindless wastefulness become normalized
in the US), real innovation
in affordable
architecture (not green McMansions), the beginning of the end wage slavery, reduced impact on the
environment thru smaller
human lifestyle footprint, and a great antidote to a predatory lending system that is beyond accountability.