Sentences with phrase «architecture of the gallery»

We are interested in proposals that consider the unusual architecture of the gallery space and encourage site - specific projects.

Four major early works made between 1968 and 1970 transform the 19th - century architecture of the gallery, combining neon with other industrial materials like glass, foam rubber and wiring.

The two - way glass above and below the posts reflects the carved blocks into infinity while still allowing a view through the glass to the real architecture of the gallery beyond.

Four major early neon works made between 1968 and 1970 transform the 19th - century architecture of the Gallery.

Located in the Yanaka district near Ueno Park, the antiquated architecture of the gallery gives it a traditional Japanese minimalism that makes the gallery worth visiting even for just the architecture alone.

Smack Mellon is interested in proposals that consider the unusual architecture of the gallery space and encourages site - specific projects.

The historic architecture of Gallery 2 at the Whitechapel Gallery, originally built as the reading room of the former Whitechapel Library, will be transformed into a stage set by Russian artist Sergey Sapozhnikov (b. 1986).

With the desire to completely reconfigure the local architecture of the gallery, even the gallery's signage will be made new and part of the work.

Is there a deconstructive architecture of the gallery?

In Discussion Island Double Exit Rig (1997), a horizontally suspended aluminum framework equipped with light bulbs designates a separate but undetermined space within the more permanent architecture of the gallery.

The work is meant to be seen in daylight as when the sun shines through the windows, it casts evocative shadows on the walls and floor, many stemming from the slender pillars (white columns) Irwin erected in the space surrounding the chambers to emphasize the original architecture of the gallery.

S - 011110 transforms the immutable architecture of the gallery into a manipulable coordinate system.

Sam Porritt works with the unique architecture of the gallery, including its movable walls, presenting site - specific drawings.

And yet, the elegant layout the artist conceived for the unusual architecture of the gallery doesn't pierce any of its surfaces.

The performance of the artist and the virtual environment are both plotted onto the dimensions of the existing architecture of the gallery; uniting the space of two physical locations through the projection of virtual space.

It is no surprise that the architects» fusion of the faux - Jacobean library with the original arts and craft architecture of the gallery has not erased the warren - like atmosphere — thank heavens.

The interplay with the specific architecture of the gallery and the way works are installed is highlighted throughout the catalogue, with images that explore the poetics of how space and work influence each other.

Here, in one of her most significant installations to date, the Los Angeles - based artist utilizes state - of - the - art equipment to wed her projections to the dramatic architecture of the gallery, dematerializing the space and creating an eerie environment.

In the 1990s, Kuwayama began the ongoing series Projects, which comprise works of identical color and dimension, their installation determined by the light and architecture of the gallery space.

The sculpture is carefully arranged to emphasise and reveal the architecture of the gallery, often being presented on walls, in corners, or directly onto the floor, encouraging the viewer to be conscious of the space

In a number of her works she alters what she describes as «existing conditions», which could be the architecture of a gallery to the use of specific objects.

Displayed on a polished black surface reflecting surrounding artworks and the architecture of the gallery, The Book and the Rose — A New Book (1988) brings to mind what is commonly termed the Mackintosh rose, a motif that appears in the gallery's building designed by Charles Rennie Mackintosh (1868 — 1928).

Their presentation implies that these objects are not intended to be interpreted as individual works so much as a matrix of things, illustrating the complex relationships between the assorted objects, light emitting elements, and the architecture of the gallery.

The artwork was arranged to emphasize and reveal the architecture of the gallery, often being presented on walls, in corners, or directly onto the floor.

Public / private, institutional space and social control are explored in the work of Renata Lucas whilst Carlos Bunga creates site specific installations in response to the history, atmosphere and architecture of the gallery.

She will activate the space with performance on scheduled dates throughout the run of the exhibition that dramatically alters the architecture of the gallery space and result in the detritus of each performance becoming part of the exhibition.

The work melds the natural world with the architecture of the gallery by engaging the sunlight and view of trees through the window.

«The architecture of the gallery gave me the idea for the show.

For this exhibition, Campbell uses prints, photographs and natural materials to respond directly to the architecture of the gallery space.

Dzama utilized the architecture of the gallery itself — an eighteenth - century Georgian townhouse — by hanging puppets from a skylight above the five - story building's central spiral staircase and placing monitors in the windows so videos were viewed from the street.

Displayed on a polished black surface reflecting surrounding artworks and the architecture of the gallery, The Book and the Rose — A New Book (1988) brings to mind -LSB-.....]

Large - scale prints transform the architecture of a gallery space into a visual deception.

It takes its inspiration from the architecture of the gallery space of Mario Mauroner Contemporary Art Vienna, comprising a ground floor and a basement.

So in this latest incarnation, it is as if the architecture of the gallery is offering a critique of the medium of painting, and the paintings of the surrounding built environment.

For her solo exhibition at the Zabludowicz Collection, titled The Root, Ackroyd has produced a sculptural installation that responds directly to the architecture of the gallery space, covering and inverting its surfaces in a manner that suggests a turning inside out.

For her exhibition at grunt gallery, the artist will be working to create a unique installation that acknowledges the architecture of the gallery space.

There is what amounts to a tradition of single work installations which radically transform the architecture of the gallery.

On closer examination, in relation to other works and the architecture of the gallery space, their subtle movement is revealed.

«I wanted to use the architecture of the gallery to create environments for my pieces, so I could work throughout each space, all the way down to the floor,» says Rhode, 39, pausing in the darkened front room filled by Light Giver Light Taker (all works 2015).

Through out the exhibition Aitken takes these elements, rendering them in a variety of forms to create an immersive installation formulated in dialogue with the architecture of the gallery.

The architecture of the gallery lends itself well to the show.

The artwork was carefully arranged to emphasize and reveal the architecture of the gallery, often being presented on walls, in corners, or directly onto the floor (source).

The height and colours of the sculptures work in collaboration with the architecture of the gallery, itself being on a corner of the street and having an interior within the interior, with corners and curves that relate to the geometries and drapes of the sculptures.

In exhibiting his work, Förg assimilated the architecture of the gallery space — even doors and windows — into the work itself.

The exhibition stages an experience both visual and physical in relationship to the architecture of the gallery that could not be experienced online, or at art fairs.

The early works I made were about the power of architectural space; the way that, when they took the frame off paintings, the architecture of the gallery became the frame.

Rhode says, «I wanted to use the architecture of the gallery to create environments for my pieces, so I could work throughout each space, all the way down to the floor»

Steinbach will reconfigure the architecture of the galleries with standard architectural building materials including metal studs, sheetrock, prefabricated shelving, paint, and wallpaper — all of which will provide new frameworks to display works from the Hessel Collection in addition to everyday objects selected by the artist.

Linnea Kniaz's first post-MFA solo exhibition finds the artist extending her sculptural, painting - based installations to the architecture of the gallery space.