A group
of important early black and white photographs, to be shown in the two other
galleries,
give historical context to and chart the trajectory
of Casebere's use
of architecture to evoke dream - like memories
of places that are familiar, but not specific.
Johnston's drawings
give new perspectives to familiar spaces; thus the striking
architecture of the Institute's top - lit
galleries - Victorian wool merchants» offices which were converted by Dixon Jones in 1993 - comes into focus.
Having turned from paper scrolls that wrapped around the
gallery walls to address the architecture itself, which I did at Anthony Reynolds Gallery in London in 1990, I realized that the imagery, whether figures or texts, were leaping off of their constraint format of the paper, to be dispersed like a dance, only, however, to accommodate the given
gallery walls to address the
architecture itself, which I did at Anthony Reynolds
Gallery in London in 1990, I realized that the imagery, whether figures or texts, were leaping off of their constraint format of the paper, to be dispersed like a dance, only, however, to accommodate the given
Gallery in London in 1990, I realized that the imagery, whether figures or texts, were leaping off
of their constraint format
of the paper, to be dispersed like a dance, only, however, to accommodate the
given space.
«The title
of the exhibition references the name
given to the style
of modernist
architecture conceived by Barragán and the artist Mathias Goéritz, who, frustrated by the cold functionalism
of modernism, embraced space, colour and light to create buildings that engendered warmth, meditation, and reflection,» said Sean Kelly
Gallery, which will show the images later this month.