Sentences with phrase «architecture of the gallery space»

We are interested in proposals that consider the unusual architecture of the gallery space and encourage site - specific projects.
Smack Mellon is interested in proposals that consider the unusual architecture of the gallery space and encourages site - specific projects.
She will activate the space with performance on scheduled dates throughout the run of the exhibition that dramatically alters the architecture of the gallery space and result in the detritus of each performance becoming part of the exhibition.
It takes its inspiration from the architecture of the gallery space of Mario Mauroner Contemporary Art Vienna, comprising a ground floor and a basement.
For her solo exhibition at the Zabludowicz Collection, titled The Root, Ackroyd has produced a sculptural installation that responds directly to the architecture of the gallery space, covering and inverting its surfaces in a manner that suggests a turning inside out.
For her exhibition at grunt gallery, the artist will be working to create a unique installation that acknowledges the architecture of the gallery space.
In exhibiting his work, Förg assimilated the architecture of the gallery space — even doors and windows — into the work itself.
In the 1990s, Kuwayama began the ongoing series Projects, which comprise works of identical color and dimension, their installation determined by the light and architecture of the gallery space.

Not exact matches

Emerging architecture and research practice Space Popular has unveiled its UK debut, The Glass Chain, a unique installation for Sto Werkstatt's gallery space in Clerkenwell that explores an alternative future for glass in architecture, inspired by the legacy of The Glass CSpace Popular has unveiled its UK debut, The Glass Chain, a unique installation for Sto Werkstatt's gallery space in Clerkenwell that explores an alternative future for glass in architecture, inspired by the legacy of The Glass Cspace in Clerkenwell that explores an alternative future for glass in architecture, inspired by the legacy of The Glass Chain.
Their art comprises two - dimensional cut - outs and collages; free - standing sculptures; and large - scale installations that engage the architecture of the museum's gallery space.
SOLO EXHIBITIONS 2020 Forthcoming: Sir John Soane's Museum, London, UK 2019 Forthcoming: Fondazione Sviluppo e Crescita CRT, Turin, IT 2018 Bloomberg SPACE, London, UK Herald St, London, UK 2017 «The largeness of China seen from a great distance», Galleria Franco Noero, Turin, Italy «Conservatism, or the long reign of pseudo-georgian architecture», The Architecture Gallery, RIBA, London, UK Jupiter Artland, Edinburgh, UK Synthetic Landscapes, Weston Park, Sheffield, UK 2016 «Tate Britain Commission 2016: Pablo Bronstein, Tate Britain, London, UK Staatsgalerie Stuttgart, Stuttgart, DE «Haydn's creation», Garsington Opera, Buckinghamshire and Saddler's Wells, London, UK 2015 «Pablo Bronstein: studies in Mannerist decomposition», Museo Marino Marini, Florence «The Grand Tour: Pablo Bronstein and the treasures of Chatsworth», Nottingham Contemporary, Nottingham, UK «The Grand Tour», Chatsworth House, Derbyshire, UK «We live in Mannerist times», The Museum of Fine Arts, Houston «We live in Mannerist times», Galleria Franco Noero, Turin, «Art on the Underground Commission» 2015, London, UK 2014 «Pablo Bronstein: Enlightenment Discourse on The original of Architecture», REDCAT, Los Angeles «Recent History», Herald St, London
The piece, limited by architecture even in the generous gallery space of MASS MoCA, also suggests the contrary — that birds encounter predators and other obstacles, facing restrictions that are out of their control.
The sculpture is carefully arranged to emphasise and reveal the architecture of the gallery, often being presented on walls, in corners, or directly onto the floor, encouraging the viewer to be conscious of the space
The architecture they saw at the Missions informed Adjaye's design for the vaulting, skylit gallery spaces of the new building.
Similar to Owen's other works, this site - specific installation responds to the particular architectural properties — formal qualities as well as spatial patterns — of the Market and the gallery space, and is constructed out of modest and / or ephemeral materials, which seemingly grow from and within the architecture.
With an expanse of light rose liquid stretching across the entire architecture, the gallery was transformed into a pool, viewable only from a narrow doorway, built with the experience of exclusivity in mind (with space only for a few bodies to experience the principle vantage point at a time).
Additionally, the installations will present the intricate architecture of the Austrian Cultural Forum's gallery space from a fresh perspective and will thus allow viewers to experience it in a new light.
These works will be integrated with the architecture of Frieze London; staged both on gallery stands and in public spaces throughout the fair.
In 2001, Sean Kelly gallery presented an exhibition that included works inspired by the indigenous architecture of the Caribbean Island of Nevis, traditional Japanese architecture and an imagined gallery space.
The exhibition will include works from 1999 to the present which are being shown in New York for the first time., Casebere's latest works are inspired by Thomas Jefferson's utopian Monticello, the indigenous architecture of the Caribbean island of Nevis, traditional Japanese architecture and an imagined gallery space.
It will be specifically designed by the artist and curators to take advantage of the unique soaring and expansive architecture of the Dallas Museum of Art's Barrel Vault and surrounding gallery spaces.
For the exhibition Stealing Space both the architecture of the Annely Juda Fine Art gallery and Wilson's domestic space is turned inside out and wrapped around itSpace both the architecture of the Annely Juda Fine Art gallery and Wilson's domestic space is turned inside out and wrapped around itspace is turned inside out and wrapped around itself.
The sixth floor will also feature a gallery space dedicated to architecture and design, which will display an opening exhibition of works of graphic design.
The interiors and architecture within the piece are uncanny and nearly disturbing in symmetry, pattern, and color — all of which spill out into the gallery space containing the piece.
Public / private, institutional space and social control are explored in the work of Renata Lucas whilst Carlos Bunga creates site specific installations in response to the history, atmosphere and architecture of the gallery.
To renovate the building artist Robert Irwin collaborated with the architecture firm OpenOffice, working with the building's original design, emphasizing natural light, and essentially converting the space into a white - walled, hardwood floored (I was wearing wooden heels and each step echoed through the spacious galleries) heaven of a museum.
The gallery space too becomes part of the work, as the architecture containing each group of paintings he installs by colour in three separate rooms.
By placing each fragment against opposite walls of the gallery so that the front half appears from one wall, while the back disappears into another, Paolini not only destroys the object quality of the sculpture but in doing so creates an installation which calls attention to the architecture of the particular exhibition space.
At Locust Projects he cut through the concrete floor to expose subterranean cross-sections of the gallery's foundation, revealing the space where earth and architecture intersect.
The expansion highlights the gallery's ongoing experimentations with space and architecture as well as its continued commitment to the needs and interests of its dynamic roster of artists from around the globe.
Gallery Spaces: The schools of architecture and art agree to book spaces a semester in advance (for example by early September for the fall term, mid-January for spring term) in 25 Live after which the schools agree to make available times that galleries may be open for otheSpaces: The schools of architecture and art agree to book spaces a semester in advance (for example by early September for the fall term, mid-January for spring term) in 25 Live after which the schools agree to make available times that galleries may be open for othespaces a semester in advance (for example by early September for the fall term, mid-January for spring term) in 25 Live after which the schools agree to make available times that galleries may be open for other use.
The gallery, with two sets of stairs running at longitude and latitude through the space, has an architecture that felt like a type of precipice of sorts, a division between spaces that one has to integrate into, step up and onto.
2017 context, collapse, mother's tankstation, London Trusted Traveller, Kunsthalle Sankt Gallen, St. Gallen, Switzerland citizens of nowhere, Kevin Space, Vienna 2016 sunset provision, mother's tankstation limited, Dublin Insights (crisis trolly), Frieze Artist Award, Frieze London (directory information) tree for a desert (x3), Lock Up International, Tokyo user, space, Chisenhale Gallery, London 2015 Architectures of Credibility, H.M. Klosterfelde Edition, Berlin mute conversation, commission, Institute of Contemporary Arts, London 2014 Free Traveller, Cell Projects, London colocation, time displacement, Minibar Artist Space, Stockholm, The Telfer, Glasgow, Temporary Arts Project, www.t-ap.org.uk RELiable COMmunications, Legion TV, London, First Look; New Museum, www.newmuseum.org 2012 polymer placeholder pin drop, Project / Number, London The Making of, www.bubblebyte.org e ink pearl memory, Arcadia Missa, London Faraday Cage, [SPACE], London 2011 focal - plane, Son Gallery, LSpace, Vienna 2016 sunset provision, mother's tankstation limited, Dublin Insights (crisis trolly), Frieze Artist Award, Frieze London (directory information) tree for a desert (x3), Lock Up International, Tokyo user, space, Chisenhale Gallery, London 2015 Architectures of Credibility, H.M. Klosterfelde Edition, Berlin mute conversation, commission, Institute of Contemporary Arts, London 2014 Free Traveller, Cell Projects, London colocation, time displacement, Minibar Artist Space, Stockholm, The Telfer, Glasgow, Temporary Arts Project, www.t-ap.org.uk RELiable COMmunications, Legion TV, London, First Look; New Museum, www.newmuseum.org 2012 polymer placeholder pin drop, Project / Number, London The Making of, www.bubblebyte.org e ink pearl memory, Arcadia Missa, London Faraday Cage, [SPACE], London 2011 focal - plane, Son Gallery, LSpace, Vienna 2016 sunset provision, mother's tankstation limited, Dublin Insights (crisis trolly), Frieze Artist Award, Frieze London (directory information) tree for a desert (x3), Lock Up International, Tokyo user, space, Chisenhale Gallery, London 2015 Architectures of Credibility, H.M. Klosterfelde Edition, Berlin mute conversation, commission, Institute of Contemporary Arts, London 2014 Free Traveller, Cell Projects, London colocation, time displacement, Minibar Artist Space, Stockholm, The Telfer, Glasgow, Temporary Arts Project, www.t-ap.org.uk RELiable COMmunications, Legion TV, London, First Look; New Museum, www.newmuseum.org 2012 polymer placeholder pin drop, Project / Number, London The Making of, www.bubblebyte.org e ink pearl memory, Arcadia Missa, London Faraday Cage, [SPACE], London 2011 focal - plane, Son Gallery, Lspace, Chisenhale Gallery, London 2015 Architectures of Credibility, H.M. Klosterfelde Edition, Berlin mute conversation, commission, Institute of Contemporary Arts, London 2014 Free Traveller, Cell Projects, London colocation, time displacement, Minibar Artist Space, Stockholm, The Telfer, Glasgow, Temporary Arts Project, www.t-ap.org.uk RELiable COMmunications, Legion TV, London, First Look; New Museum, www.newmuseum.org 2012 polymer placeholder pin drop, Project / Number, London The Making of, www.bubblebyte.org e ink pearl memory, Arcadia Missa, London Faraday Cage, [SPACE], London 2011 focal - plane, Son Gallery, Lspace, Chisenhale Gallery, London 2015 Architectures of Credibility, H.M. Klosterfelde Edition, Berlin mute conversation, commission, Institute of Contemporary Arts, London 2014 Free Traveller, Cell Projects, London colocation, time displacement, Minibar Artist Space, Stockholm, The Telfer, Glasgow, Temporary Arts Project, www.t-ap.org.uk RELiable COMmunications, Legion TV, London, First Look; New Museum, www.newmuseum.org 2012 polymer placeholder pin drop, Project / Number, London The Making of, www.bubblebyte.org e ink pearl memory, Arcadia Missa, London Faraday Cage, [SPACE], London 2011 focal - plane, Son Gallery, LSpace, Stockholm, The Telfer, Glasgow, Temporary Arts Project, www.t-ap.org.uk RELiable COMmunications, Legion TV, London, First Look; New Museum, www.newmuseum.org 2012 polymer placeholder pin drop, Project / Number, London The Making of, www.bubblebyte.org e ink pearl memory, Arcadia Missa, London Faraday Cage, [SPACE], London 2011 focal - plane, Son Gallery, LSpace, Stockholm, The Telfer, Glasgow, Temporary Arts Project, www.t-ap.org.uk RELiable COMmunications, Legion TV, London, First Look; New Museum, www.newmuseum.org 2012 polymer placeholder pin drop, Project / Number, London The Making of, www.bubblebyte.org e ink pearl memory, Arcadia Missa, London Faraday Cage, [SPACE], London 2011 focal - plane, Son Gallery, LSPACE], London 2011 focal - plane, Son Gallery, LSPACE], London 2011 focal - plane, Son Gallery, London
For this solo exhibition in PC - G's Hunt - Cavanagh Gallery, San Diego artist Robert Andrade presents a site - specific installation of new work that builds upon his evolving language of sculpture, public space, Modernist architecture and construction materials as fine art supplies.
The building's architecture is harmoniously tiered with generous exhibition spaces: six exhibition galleries for the display of post-1960 collections, two temporary exhibition galleries and three permanent exhibition galleries (contemporary art, Inuit artand decorative arts anddesign).
She also writes frequently on art and architecture for international books such as Automatic Cities: The Architectural Imaginary in Contemporary Art (Museum of Contemporary Art, San Diego, 2009), Space (MAXXI Museum for 21st Century Arts, Rome, 2010), and Ruins (MIT Press and Whitechapel Gallery, 2011).
In the 1960s and 70s, as the parameters of art expanded to incorporate architecture and performance and increasingly drew on urban theory and the politics of everyday life, the model of the artist - run gallery space gained enormous relevance.
Her first works, made during the 1980s, were constructions or spatial extensions of existing architecture such as Gallery inexistent, Antwerpen (1988), an installation created by stacking borrowed concrete blocks in a galleryGallery inexistent, Antwerpen (1988), an installation created by stacking borrowed concrete blocks in a gallerygallery space.
Evasion, a 4 - inch deep recessed rectangle, the size of a regular door is inset in the gallery wall, it alludes to architecture, domesticity and signification of an «other» external space; the depicted space that lies in the realm of representation and art.
Fowler's walls are at once architecture, a sculpture, an exhibition space, an object, and a subject, while Rees's paintings are simultaneously performative site - specific installations and painterly objects that are tethered to the gallery space and the temporality of the show.
Underscoring McKenzie's interest in design, theatricality, and architecture, the exhibition also includes a «sublet» of gallery space to McKenzie's peer, Scottish fashion designer Lipscombe, who will exhibit her fall clothing line in one of the constructed rooms within the gallery.
Using the gallery's condition of high visibility, Spooner considers the characteristics of corporate and museum architectures by amplifying and exaggerating certain qualities in the space through the use of soft acoustic panels, daylight bulbs, and background noise.
Adjaye has said the vaulted, skylit gallery spaces were informed by the architecture of the San Antonio missions.
In this vein, the Hessel Museum's architecture has been reconfigured to echo a series of domestic settings; various galleries have been converted into spaces that suggest a living room, bedroom, dining room, hallway, vestibule, and library or study.
Each exhibition is specific to the size and architecture of the museum or gallery space.
Hodges is currently working on mosaic - like paintings, constructed with small shards of mirror that reflect / warp the viewer and surrounding space with a disturbing elegance; site - specific wall drawings that reorient gallery architecture with a full Prismacolor palette and Lewitt like precision; and collages made with assorted sheet music that reference the Cubists and John Cage, allowing for a performable poetry that includes a «milk - y Blue per - fec - tion» located «Some - where near — the end of the skies.»
In the first gallery, a converted threshing barn with exposed beams and sandy brickwork, the artist has built her own timber lattice from cheerfully painted planks, which echoes the barn's architecture whilst standing independent of it, inhabiting the space in a provisional, makeshift sort of way (untitled: GIG [detail]-RRB-.
Tags: architecture, Association of Women Art Dealers, awad, biomimicry, CADA, exhibition, Living Space, so far the future gallery Posted in Exhibition, Members No Comments»
Photographer Adam Schreiber examines the relationship between art and architecture in eight photographs on display in the gallery space of Linda Pace's CAMPstreet penthouse apartment.
His tiled pieces (also seen at the FEEL UP collaboration with Eddie Peake at Lismore Castle in Ireland in early 2015 and his first solo show home from home at Arts & Jobs London in 2012) as well as the steam like aluminium panels (also shown at Jhaveri Contemporary in 2014 and Gwangju Biennale of the same year and at He Looked Me Up at Marian Cramer gallery in 2012) resemble the interior architecture of specific public spaces such as toilets, saunas and bathhouses.
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