The complex is designed by Godwin Austen Johnson, a renowned
architecture practice with works including Dubai Creek Golf Course & Yacht Club, the One & Only Royal Mirage hotel and Bab El Shams Desert Resort in Dubai.
Not exact matches
The Alliance was created
with the goal of producing an open
architecture, new standards and best
practices that could ultimately improve the...
The resulting
architecture is able to achieve accurate results
with relatively few parameters and consists of a single set of operations, making it easier to implement, train, and apply in
practice, and automatically adapts to different problems.
Turf Design Build provides landscape design and
architecture professionals
with the latest trends, ideas, innovations and best
practices, focusing on four key industry segments: design, hardscape, construction and irrigation.
In 2012,
with help from a grant from the Harvard Initiative for Learning and Teaching, Future of Learning piloted a human - centered design «charrette,» borrowing a
practice from the world of
architecture in which groups of people collaborate on a solution to a design problem.
Matthew demonstrated his reading, writing, and research skills through a series of projects connected to a study of
architecture: evidence - based essays pertaining to the
architecture of ancient civilizations, based on the written work of David McCauley; a profile of a fictional architect, based on an interview
with a
practicing architect; and colored blueprints of an originally designed and furnished home, which he drafted to scale and executed to code.
The district has teamed
with the American Lung Association, the University of Minnesota, and local
architecture and engineering firms, creating a set of IAQ guidelines for the design of new facilities, construction
practices, and selection of materials and furnishings.
The point of my post is that science of the
architecture of the reading brain can help us move beyond the
practices we have done over and over for decades
with no change in reading test scores.
Students of National Board Certified Teachers learn up to two months more than their peers,
with an even greater impact for students of color and low - income children.54 A career continuum supported by a system of meaningful professional learning would put teaching more on par
with other modernized professions such as medicine, engineering, and
architecture.55 Such a continuum should support every teacher to aim for accomplished
practice from the start of their career, to work in school - based teams to demonstrate and improve their knowledge and skills, and to expand their impact as accomplished teachers through a variety of leadership roles, which would allow them to continue teaching students.
The Office of the Chief Information Officer provides information technology alignment and business value by addressing business needs of the enterprise; instilling robust and disciplined processes that include a business and information
architecture as a foundation; putting into effect a robust Capital Planning and Investment Control (CPIC) program to align
with the Department of Transportation mission and support business needs; achieving common IT leadership and best
practices in IT portfolio man
These worlds are fast converging and this session will cover how education publishers can evolve towards an integrated content
architecture with best
practices, enabling e-Textbooks and other learning materials to be dynamically and seamlessly provided to individual learners.
The hotel will collaborate
with Martin Brudnizki Design Studio - the acclaimed interior
architecture and design
practice - to redesign the Sand Bar, Villa Nina and Villa Rockstar.
These tours enable small groups to learn about the music, art, spiritual
practices and
architecture through discussions
with local artists, dancers, teachers, musicians and more — through 14 - guided tours.
In her large - scale projections, which have now appeared in over 40 cities in 20 countries, stark block lettering is thrown onto landscapes and
architecture, creating a sort of ephemeral graffiti that links her early street - based
practice to her long - standing engagement
with media, and to tactics common to news and advertising.
Many of the artists share Deschenes» interest in
architecture and the sculptural potential of photography — either creating an image of three - dimensional space, such as the work of Kalpakjian, or
with the incorporation of sculpture into their
practice, as in the works of both Tonsfeldt and VanDerBeek.
His interdisciplinary
practice playfully engages spatial and social
architectures to envision temporary utopias, regularly performing and exhibiting around North America in collaboration
with various artist - run initiatives.
With a background that includes training in architecture and design, Jarrod Beck brings a multivalent temperament to his art making practice, traversing arbitrary distinctions between disciplines and materials with e
With a background that includes training in
architecture and design, Jarrod Beck brings a multivalent temperament to his art making
practice, traversing arbitrary distinctions between disciplines and materials
with e
with ease.
The modernist
architecture of Mies Van Der Rohe and Zaha Hadid — and their open - ended, problem - solving approach to refined «architectonic form» — provided a framework that resonated
with Ball's artistic
practice.
The pair will discuss the trajectory of Sala's art
practice, his commitment to working
with sound in relation to
architecture and history, and his work for the exhibition «Anri Sala: Answer Me,» which includes multichannel audio and video installations that unfold across the Second, Third, and Fourth Floor galleries and create a symphonic experience specific to the New Museum.
With the addition of the Division of
Architecture and Environmental Design in 2016, Tyler offers comprehensive offerings in
architecture and the built enviroment, the visual arts, art history, art education and community arts
practices.
Their multidisciplinary
practice engages
with the
architectures of migrancy and frameworks of space in relation to errant bodies.»
While still retaining an interest in
architecture and urban landscape, Marca - Relli experimented
with abstract collage, integrating figural elements made from textiles, drawings, metals, and plastics: this would become the defining
practice of his career.
She is widely known for her simultaneous engagement
with academic scholarship and contemporary architectural
practice and for interest in the intersection of
architecture and other art forms.
Maginn's innovative
architecture firm, recognized for its building designs and socially minded
architecture projects, extends its
practice to include collaborating
with artists in the public realm.
His
practice introduced new and radical modes of physically exploring and subverting urban
architecture, and some of his most well - known projects involved laboriously cutting holes into floors of abandoned buildings or, as
with Splitting (1974), slicing a suburban villa in two.
Alessandro Orsini, founding partner of Architensions, a Brooklyn - based
practice co-led
with Nick Roseboro, will share a model of
practice that refuses to separate
architecture from urbanism proposing a paradigm antithetical to modern capitalism, giving back to
architecture its autonomous form.
She was raised in the Cleveland area, earned a Bachelor of
Architecture with Honors from the Illinois Institute of Technology in 2004, then stayed in Chicago to
practice architecture.
She was previously a curator at The Drawing Center in New York City, where she co-directed Open Sessions, a two - year residency / exhibition hybrid program organized
with local, national, and international artists, supporting drawing
practices in relation to film,
architecture, sculpture, music, and other fields.
As demonstrated by the 40 - odd elements that make up this 30 - year «retrospective», his
practice intersects
with architecture, design and theatre while flitting
with seeming ease between painting, sculpture, installation and video.
By infusing traditional art objects
with qualities inherent to
practices like performance and
architecture, the artists are blurring the distinctions between all of these modes of creation in order to create new and dynamic possibilities.
Internationally renowned her for her unique visual
practice fusing fashion, art and
architecture, the Crafts Council invited artist and curator Lucy Orta to select works which engage
with patter...
Nathan Coley is interested in the idea of «public» space, and his
practice explores the ways in which
architecture becomes invested — and reinvested —
with meaning.
Bringing personal experiences (both real and imagined) into contact
with broader historical, social, and political topics, his expansive
practice has been described as an «autobiographical journey through the
architecture of modern life — constantly rebuilt as it is retold.»
With heavily textured abstract gray monochromes, Richter introduced abstraction into his
practice, and he has continued to move freely between figuration and abstraction, producing geometric «Colour Charts», bold, gestural abstractions, and «Photo Paintings» of anything from nudes, flowers, and cars to landscapes,
architecture, and scenes from Nazi history.
With the early Arts and Crafts movement and the Bauhaus vision of art integrated with everyday life as its historical point of departure, the Art and Craft department seeks to elaborate on the relationship between art and life, on matters of materiality (production, sustainability, globalisation), on design and architecture, and on artistic practice in social and political contexts in a contemporary perspect
With the early Arts and Crafts movement and the Bauhaus vision of art integrated
with everyday life as its historical point of departure, the Art and Craft department seeks to elaborate on the relationship between art and life, on matters of materiality (production, sustainability, globalisation), on design and architecture, and on artistic practice in social and political contexts in a contemporary perspect
with everyday life as its historical point of departure, the Art and Craft department seeks to elaborate on the relationship between art and life, on matters of materiality (production, sustainability, globalisation), on design and
architecture, and on artistic
practice in social and political contexts in a contemporary perspective.
Starting in the 1970s
with posters, and continuing through her recent light projections on landscape and
architecture, her
practice has rivalled ignorance and violence
with humour, kindness and moral courage.
Condorelli has long engaged
with the
architecture and context of the exhibition space, building modular furniture and reflecting on the history of the institutions where she is showing, a fitting choice for this exhibition, then, which celebrates curatorial and artistic work as always related in ways that go beyond any traditional sense of curating as a
practice of caring and selecting.
Sensing Spaces sees seven international
architecture practices transform the Royal Academy into a multi-sensory experience
with site - specific installations.
Shields was actively engaged
with architecture, theater and dance, and while he consistently used the word «painting» in interviews to describe his approach, his art clearly takes on not only expanded painting
practice, but also the conceptual and minimalist objects of the New York scene of the 60s and 70s in which Shields was immersed.
With their collage of quotidian materials, their vertical orientation reminiscent of skyscrapers (albeit in miniature), and their use of a sculptural idiom, the columns are typical of Genzken's approach, for although her oeuvre is heterogeneous,
architecture, sculpture, modernism, and the readymade remain touchstones of her artistic
practice.
N. Dash's first solo museum exhibition was staged in the Hammer's distinctive Vault Gallery;
with its diminutive, bullet - shaped floor plan and arched ceiling, the chamber is one of the museum's more unusual spaces, and the room's obdurate layout underscored the role of
architecture within Dash's incisive painting
practice.
Beck's
practice extends to writing, exhibition - making and designing, intervention, photography and video, illuminating the socio - economic and historical determinants of exhibition - making
with particular emphasis upon the formal language of Modernism as it pertains to art,
architecture and design, frequently collaborating
with Julie Ault.
Within her
practice she engages
with the history of 20th century
architecture, design and art, and creates complex but fragile installations and sculptures out of metal, leather, finest woods, and nets.
Citing the decade's significance as a period in which dramatic changes in the nature of art
practice went hand in hand
with sociopolitical upheavals worldwide, the 17 - member, crossdepartmental curatorial team — led by Temkin and Martino Stierli, chief curator of
architecture and design — describe the installation as «organized through the lens of the 1960s.»
Some sections are informed by encounters
with the Museum Archives, current exhibitions, the Museum's
architecture, and staff members; others are indirect meditations on the
practice of performing itself.
Michael Riedel lives and works in Frankfurt, and his artistic
practice incorporates painting, text, audio, video, photography, publishing,
architecture and performance to engage
with the aesthetic possibilities derived from the basic principles of recording, labeling and playback.
Will it be the
architecture practice that has nothing to do
with art?
Revising Modernisms in the Gulf Region: Mini-Symposium
with Sultan Sooud Al Qassemi 13 March 2018 During his residency at Delfina Foundation, collector Sultan Sooud Al Qassemi uses Ala Younis's current exhibition at Delfina as a starting point to discuss current research and
practice around Modernisms in art,
architecture and urban space.
Even the more traditional forms of fine art, like drawing, painting, sculpture, printmaking and
architecture, began to be taught and
practiced with reference to a more up - to - date set of values.
April 4 saw the awarding of the Pritzker
Architecture Prize to Alejandro Aravena
with the jury citing «Few have risen to the demands of
practicing architecture as an artful endeavor, as well as meeting today's social and economic challenges.»