Sentences with phrase «archival ephemera»

Immersed in an exhibition materialized by way of stage sets, costumed mannequins, photographic documentation, and archival ephemera, individual works of art appear unusual and precious, or else impossible to distinguish from the rest of it all.

«Taboo,» a provocative exhibition of contemporary Australian and international artists, whose works are presented alongside various archival ephemera ---- newspaper clippings, postcards, and photographs ---- attempts to lay bare the moral impositions wrought by collective institutional bodies upon individual ones.

Some archival ephemera is on view at MoMA in a gallery that leads into the screening room, but some 680 works make the Bard show encyclopedic in comparison, if an encyclopedia can be assembled from flea markets and junk shops.

Thanks to developments in conceptual art in the 1970s, wherein artists, in the lineage of Joseph Kosuth, attempted to distill the artwork into the presentation of words and ideas rather than crafted objects — not to mention the recent vogue for archival ephemera as exhibition material — artists, curators, and museumgoers are well - acclimated to seeing pieces of text on display in museum galleries.

There are also documentary photographs and other archival ephemera, books printed on campus by BMC poets and sound works of readings, and a stage and piano for performances to take place regularly during the run of the exhibition.

The exhibition will present six of these rooms as well as sculptures, paintings, works on paper, film excerpts, archival ephemera, and additional large - scale installations that span the early 1950s to the present day.

Not exact matches

The Boyd Library is a reference - only library containing over 11,000 volumes of culinary books, food and cocktail menus, pamphlets, archival documents and a growing number of important collections, other literature and ephemera.

The John & Bonnie Boyd Hospitality & Culinary Library contains over 15,000 volumes of culinary books, food and cocktail menus, pamphlets, archival documents and a growing number of important collections, other literature and ephemera, all collected by and donated to the Southern Food and Beverage Museum.

A collector's booklet featuring new essay by critic Philip Kemp, as well as an abundant selection of archival imagery and ephemera.

maps Eastman's archival matter as a way of inviting viewers to discover new pieces and forge relationships between ephemera held by different informal archivists and approaches a historical exploration and remembrance of Julius Eastman as a master of artifice.

They will present a «living history» of Riot Grrrl, with new work by a half - dozen contemporary artists significantly influenced by the movement's ethos, alongside a host of rare archival materials from its heyday — zines, flyers, videos, records, cassettes, and other ephemera.

The exhibition also highlights archival materials including event flyers by artists Keith Haring and David Wojnarowicz, as well as ephemera from clubs such as MEAT and the Clit Club that merged activism, art, performance and parties.

Focusing on historical context and featuring more than 200 works (including paintings, photographs and ephemera), the exhibition represents an immense archival feat by curator Melissa Rachleff.

The show features paintings by Helen Frankenthaler, Alfred Leslie, Trevor Winkfield, Nell Blaine, Joe Brainard, Grace Hartigan, Joan Mitchell, Jane Freilicher and Fairfield Porter; poetry collections published by the gallery's imprint, Tibor de Nagy Editions, and featuring work by Frank O'Hara, Kenneth Koch, James Schuyler, John Ashbery, Barbara Guest and others, with illustrations by Tibor de Nagy artists; photographs and films by Rudy Burckhardt; letters, announcement cards and other ephemera; and archival photographs of leading cultural figures of the day by John Gruen and Fred McDarrah.

The archival material and ephemera on view include banners, buttons, posters and postcards from the Armory Show as well as photographs of the artists.

This year's shortlist consists of Knut Henriksen, whose dominating sculptures reference modernist architecture, utopian ideals and pragmatic solutions with dazzling visceral results; Vibeke Tandberg who has filled a room with among other things, 119 plaster casts of freezer doors as a comment on recycling; Lars Lauman who has crammed a room with ephemera from an era that seemed chemically obsessed, including E.T dolls and archival science material on acid attacks; while Mattias Härenstam has set up a pulley that drags a birch tree branch around the exterior of a room, blocking people from entering or exiting the doorway.

Additionally, the exhibition will incorporate a small selection of special ephemera, artist books, and archival materials, including documentation of notable dance and theatrical performances that were organized or commissioned by the museum during the 1960s.

This publication traces the trajectory of Latham's practice and brings together archival material, including documentary photographs, texts, correspondences and various ephemera, in order to build a picture of the artist's life and work.

This exhibition features extensive archival material, including photographs, texts, and ephemera, drawn from LAPD's archives.

Additional ephemera and archival matter compiled in the course of Kinga's research is housed within a custom - made exhibition architecture.

The show features rarely - seen photography, archival material, and ephemera documenting the crucial role of performance, fashion, and music at the Times Square Show.

Judd Foundation archival holdings include published and unpublished writings, correspondence, photographs, film and video, drawings, museum and gallery files, fabricator files, exhibition records and ephemera, and publications, totaling 1,200 linear feet.

The exhibition will also feature a newly expanded presentation of Dream English Kid 1964 — 1999 AD (2015), an autobiography told through what the artist calls «found memories» that have been compiled from sources like archival television clips, YouTube videos, and eBay ephemera, as well as meticulous reconstructions of specific memories using props and models.

They present a «living history» of Riot Grrrl, with new work by a half - dozen contemporary artists significantly influenced by the movement's ethos, alongside a host of rare archival materials from its heyday — zines, flyers, videos, records, cassettes, and other ephemera.

In conjunction with «Extreme Measures,» Chris Burden's museum - wide exhibition, «Pushing the Limits» is presentation of artist drawings, correspondence, ephemera, photographs, and video footage culled from the New Museum's rich archival collection.

Using as a point of departure a small but charged set of historical and popular archival images, film clips, writings, and music, they will share their insights on the ideas and themes embedded in these objects and ephemera.

The Schoolhouse and the Bus: Mobility, Pedagogy, and Engagement, an exhibition pairing, for the first time, work by two leading artists of the social practice movement, Pablo Helguera and Suzanne Lacy, is comprised of installation, collage, sculpture, ephemera, photography, video, as well as archival documentation.

The exhibition can be combined with the ephemera supplement, which features archival materials, including photographic contact sheets, scrapbooks, diaries, Soviet publications, and the photographers» personal book maquettes, which reveal the photographic process side by side with the finished versions.

provides a unique opportunity for the Morris and Helen Belkin Art Gallery and the gallery's Archives to spotlight its growing collection of Fluxus artworks, ephemera and archival materials with a particular focus on those artists for whom John Cage's ideas and musical innovations acted as a catalyst and symbiotic influence.

Reynolds's readings of ephemera in the archive pushes her study beyond her subject to broader art - historical and archival concerns.

Instead, they take their own culture and heritage as primary sources of inspiration and combine photography with other techniques such as collage, silk - printing, painting, and images that use cultural ephemera and archival documents.

Also on view is a host of transportive ephemera, from photos and archival footage of the artist to his paint brushes and personal treasures, making this booth an enticing cabinet of curiosities.

Accompanying these works will be a variety of archival documents — communiqués, sketches, and other ephemera — attesting to the vast network of communication (and collaboration) which powers televised entertainment, and the GALA Committee's historic intervention.

The exhibition will also include rare archival material loaned by public and private collections in Mexico and abroad, documenting Barragán's architectural practice, as well as personal documents and ephemera not previously shown in the United States.

Made possible with generous support from the Leon Levy Foundation, the Whitney Artists» Correspondence and Ephemera project will bring focus to a specific selection of extraordinary material found in the Whitney's Library and Archival collections.

A lively 30 - page chronology illustrated with archival photographs and ephemera gives readers a year - by - year account of the artist's colorful life and of his interactions with fellow artists and critics, friends, and lovers.

Meanwhile, Art Expanded at the Walker Art Center in Minneapolis examines artworks, films, archival materials and ephemera from the so - called «expanded arts» scene of the 1960s and 1970s, highlighting some of the most important works of the 20th century.

Andrea Fraser created a sound installation about Sing Sing prison; Lucy Dodd peppered the gallery with free - standing abstract paintings and organized a festive music series in the space; Michael Heizer showed a monumental projection documenting — at full - scale — one of his earthworks; jazz icon Cecil Taylor exhibited archival documentation and ephemera from his long career, showed video of his piano playing and participated in a star - studded performance program; and filmmaker Steve McQueen screened a video about Paul Robeson's McCarthy - era FBI file.

They have presented a «living history» of Riot Grrrl, with new work by a half - dozen contemporary artists significantly influenced by the movement's ethos, alongside a host of rare archival materials from its heyday — zines, flyers, videos, records, cassettes, and other ephemera.

The show will also bring together archival material, floor plans, installation images, and ephemera from the 1969 show.

Together with ephemera, souvenirs, and archival material from his early career, he gathered works by a diverse group of artists ranging from Bruce Conner and Stan Brakhage to Robert Mallary and Jay DeFeo in order to give context to his own work.

These paintings borrow motifs and images from the works of artists like Ad Reinhardt, Jackson Pollock, Kasimir Malevich, and Barnett Newman, using catalogues, archival photographs, and ephemera as points of reference.