It features voice - over by Jan Wengström, curator of
archival film collections at the Swedish Film Institute.
Not exact matches
The accompanying 120 page bilingual booklet features an illuminating essay by
film critic Jonathan Rosenbaum, a champion of Rivette and Out 1, along with
archival interviews and articles with members of the cast and crew and a
collection of production stills.
Using
archival footage to tell the story, and accompanied by an originally composed score by Alex Somers,» Dawson City: Frozen Time», will depict a unique history of a Canadian gold rush town by chronicling the life cycle of a singular
film collection through its exile, burial, rediscovery, and salvation — and through that
collection, how a First Nation hunting camp was transformed and displaced.
This is a nice package that does justice to the
film, but I have to wish that Criterion had dug up more
archival material to properly welcome Haneke to the
collection.
Philip Hallman,
Film Studies Field Librarian and Curator for the Screen Arts Mavericks & Makers, manages a
collection which includes 20,000 DVDs, 3,000 screenplays, and an
archival film print
collection.
Most of the
films in Criterion's
collection have been previously released but this box set (released on both DVD and Blu - ray) pulls them all together and adds to the supplements with new and
archival interviews and featurettes and commentary tracks along with those supplements carried over from previous releases, and Criterion achieves something that has eluded many a DVD special edition: new interviews with Jack Nicholson reflecting on these formative
films.
The show features paintings by Helen Frankenthaler, Alfred Leslie, Trevor Winkfield, Nell Blaine, Joe Brainard, Grace Hartigan, Joan Mitchell, Jane Freilicher and Fairfield Porter; poetry
collections published by the gallery's imprint, Tibor de Nagy Editions, and featuring work by Frank O'Hara, Kenneth Koch, James Schuyler, John Ashbery, Barbara Guest and others, with illustrations by Tibor de Nagy artists; photographs and
films by Rudy Burckhardt; letters, announcement cards and other ephemera; and
archival photographs of leading cultural figures of the day by John Gruen and Fred McDarrah.
Whatever the case, the model for Gioni's show is Auriti's imaginary, impossible vision of a museum, and it is duly filled with libraries and archives: 19th - century Shaker drawings, Roger Caillois»
collection of rocks, Ed Atkins» excellent
film about the archive of André Breton, drawings by Rudolf Steiner, Carl Jung's Red Book (1914 — 30), Linda Fregni Nagler's 1,000
archival photos of babies... It goes on.
John G. Hanhardt has a long career devoted to representing
film and the media arts in museum exhibition contexts, and building contemporary art
collections and
archival programs.
Curated by Gridthiya Gaweewong, this new solo exhibition uniquely presents a
collection of rarely - seen experimental short
films and video installations by Weerasethakul, alongside his photography, paintings, sketches, and
archival material that explore threads of socio - political commentary.
The survey exhibition examines the array of mediums that encompass Abramović's work, including sketches,
film, installation and
archival material drawn from both public and private
collections, including that of the artist.
The Andy Warhol
Film Project began in the 1980s when the Whitney Museum and The Museum of Modern Art (MoMA) agreed to collaborate on the largest
archival research project in the history of American avant - garde cinema: to catalogue Warhol's massive
film collection, investigate its history, and preserve and re-release all of the
films in conjunction with a program of scholarly research and publication.