Sentences with phrase «archival inkjet print of»

Sky Holes, framed 11 x 14 ″ archival inkjet print of glossy photo paper, double matted and framed in 16 x 20 ″ black metal, $ 175.00 plus shipping if required.

, 2017 archival inkjet print of time based performance featuring Nicolas Brierre Aziz at Beauregard Plinth - New Orleans Edition of 10, 2 AP's

Advances in technology have made it seemingly easy for artists to produce beautiful archival inkjet prints of their -LSB-...]

Advances in technology have made it seemingly easy for artists to produce beautiful archival inkjet prints of their work.

Jessica Labatte's Surface Effects series (all 2010), archival inkjet prints of mylar bags that appear to be on the point of floating off the page, are gestural and painterly, riffing on the super clean and sharp ubiquitous still life genre, while Sage Lewis's Curtain, Grey (2013), appears to protrude out from the wall.

Not exact matches

So here is the real defining factor of archival permanence of inkjet prints.

Bar None (Robert Smithson, New Jersey) 1967 Composite inkjet print on archival rag paper taken from original 126 format black & white negatives printed 2012 21 3/4 x 40 3/4 inches (55.2 x 103.5 cm) Framed: 24 x 46 x 1 1/2 inches (61 x 116.8 x 3.8 cm) Edition 1 of 5 plus 1 AP ARG # HN1967 - 002.1

Shows incorrect position required to perform this kind of work, 2016, archival inkjet print mounted to aluminum, 54 x 39 inches (overall).

All of the works are hand painted archival inkjet prints on matte paper with pigment ink, made in 2016 and 2017.

ASCO, Asshole Mural 1974, 2013 Archival inkjet print on Somerset photosatin 300gsm Edition of 50 - Accompanied by a signed and numbered certificate of authenticty 42 x 59.4 cm

Among the works that Flatland will present is a unique hand painted photography and collage archival inkjet print by Paolo Ventura, who is a true creator of a poetic narrative in today's world dominated by merely «photo - pictures».

Chris Engman Equivalence, 2009 Archival inkjet print, Edition 6 97 x 122 cm (c) Chris Engman, Courtesy of Flowers Gallery

VARIATIONS, 2010 Archival inkjet print 52 x 44 inches Edition of 6Titled Dust to Dust, the exhibit at Greg Kucera Gallery is overhung, which is a problem for... [Read more...]

Included Middle (Christina Smile), 26.75» H x 40» W, Edition of 3, Archival Inkjet print on Baryta paper mounted on aluminum in a black lacquer frame

Included Middle (Suprematist Light), 26.75» H x 40» W, Edition of 3, Archival Inkjet print on Baryta paper mounted on aluminum in a black lacquer frame

The latter being a series of archival inkjet prints on transparencies and canvas that are layered and stretched onto traditional stretcher bars.

Angelika Rinnhofer Menschenkunde VII, 2005 Archival inkjet print, 10 x 8 ″ on 11 x 14 ″ paper Shipped in a 14 x 18 ″ mat Edition of 50 (unnumbered), signed by the artist

Included Middle (Long Afternoon), 40» H x 26.75» W, Edition of 3, Archival Inkjet print on Baryta paper mounted on aluminum in a black lacquer frame

Included Middle (Sequoia Shadows) 26.75» H x 40» W Edition of 3 Archival Inkjet print on Baryta paper mounted on aluminum in a black lacquer frame

The series is printed as archival inkjet on highly textured watercolour paper giving the works a painterly style reminiscent of early Japanese watercolours and a tactile quality that harks back to Pictorialist aesthetic values.

Included Middle (Bearing), 26.75» H x 40» W, Edition of 3, Archival Inkjet print on Baryta paper mounted on aluminum in a black lacquer frame

Included Middle (Goat Milking Dark), 26.75» H x 40» W, Edition of 3, Archival Inkjet print on Baryta paper mounted on aluminum in a black lacquer frame

The Black & White Best in Show winners are Lori Dunn for her scratchboard, «The Laws of Attraction» and Harry Longstreet for his archival inkjet print, «Take A Bow, Any Bow.»

Anthony Sonnenberg, Character Study for Silenus, Archival Inkjet Print, Materials of crown — Hand cut and shaped brass sheeting, brass piping, red coral, silver solder.

24» x 36» Archival inkjet prints mounted on corrugated plastic Edition of 50, Signed, Numbered, and dated on verso Published by Badlands Unlimited 2018

Assaf Evron, Untitled (series R) 2010 archival inkjet print 70 / 70 cm 1 out of 5 in series HYDE PARK ART CENTER PRESENTS «THE CHICAGO EFFECT: REDEFINING THE MIDDLE» AUGUST 24 — NOVEMBER 23 Exhibition and Collaborative Experimental Program Examines the Concept of the Middle Chicago — In August, Hyde Park Art Center will unveil a group exhibition that takes a seemingly pedestrian topic and turns it on its head.

Image Credit: Kate MacDonnell, Snow Falling Like Comets 2, 2009, archival inkjet print mounted to diabond, 6 × 9 inches, edition of 3 + 1 AP

11 x 14» Paper size 9 x 11.25» Image size Archival Inkjet print Edition of 100, signed and numbered by the artist $ 125 per print, shipped

Ministry of Interior, Phnom Penh, Cambodia, September 26, 2014, 2015, archival inkjet print and text on archival herbarium paper in mahogany frame, 85 x 73 1/4 x 2 3/4 inches.

After Hans Holbein the Younger's «Portrait of Simon George», 2009 Archival inkjet print on Hahnemühle fine art paper 30» x 24.5»

Arthur Renwick Canadian, born 1965 Nlaka «pamux BC 2005 archival inkjet print edition 1/5 Collection of the artist, courtesy of Leo Kamen Gallery © 2007 Arthur Renwick

Stemper uses mixed media and combines linoleum prints; archival inkjet prints; found and altered text; colored pencil; pen & ink drawing; maps and actual natural materials relevant to the content of the books.

Fuchs Projects will host an opening reception on Friday night for «The New Religion,» featuring new archival inkjet prints on wood and aluminum, including «Tip Of The Iceberg» and «Tulah Rocks x2.»

The Road Home (As the Winter Snows Melt), 2007 Archival inkjet print, 10 x 15» on 11 x 16» paper Shipped in a 16 x 20» mat Edition of 50, signed and numbered by the artist

Untitled (from One to Nothing), 2011 Archival inkjet print, 10 x 10 ″ on 14 x 11 ″ paper Shipped in a 18 x 14 ″ mat Edition of 50, signed and numbered by the artist

Scott Connaroe Trailer Park, Wendover, UT, 2008 Archival inkjet print, 8 x 10 ″ on 11 x 14 ″ paper Shipped in a 14 x 18 ″ mat Edition of 50, signed and numbered by the artist

Winds of Change # 3, 2015 Archival inkjet print on gold leaf 12» x 12» Framed Courtesy of the Artist Lindsay Sparagana (American) lives in Philadelphia.

James Hyde, Lens, 2018, acrylic dispersion on archival inkjet print sealed with urethane and uv varnish on board with chunks of cast glass, 23.25 x 21.5 inches

Siblings on polonyna (mountain pasture) above the village, 1995 Archival inkjet print, 11 x 13.75 ″ on 12 x 14.75 ″ paper Shipped in a 16 x 20» mat Edition of 50, signed and numbered by the artist

Michael Wolf, From the series My Favourite Thing, 2003 - 15, Archival Inkjet Print, 25.4 x 20.3 cm, 10 x 8 in, Edition of 9.

Archival inkjet prints cut - up into small pieces, are tossed inside a fryer basket nested on top of a painted wooden pedestal.

After Sir Joshua Reynolds» «Portrait of Samuel Johnson», 2009 Archival inkjet print on Hahnemühle fine art paper 30» x 24.5»

Jiang Zhi, «Fade 12», 2016 - 2017, archival inkjet print, 183.4 x 137.6 cm, Edition of 3 + 2AP; 100 x 75 cm, Edition of 6 + 2AP.

Image above: © Qiana Mestrich, Inherited Patterns, Untitled # 1 (Maurice Antaya Qiana nylon caftan), 2014 8» x 12» Archival Inkjet Print on Canson ® Infinity Baryta Photographique / Courtesy of sepiaEYE Gallery

Untitled (detail) from the «Passage on the Underground Railroad Series,» 2003, by Stephen Marc, archival pigment inkjet print, courtesy of the artist.

Image credits (L to R): Untitled (detail) from the «Passage on the Underground Railroad Series,» 2005, by Stephen Marc, archival pigment inkjet print, courtesy of the artist.

James Barsness The Revenge of the Sons of the Double Standard, 2004 Acrylic, ink, archival inkjet print on paper mounted on canvas 27 3/4 x 39 3/4 inches

Untitled (detail) from the «Passage on the Underground Railroad Series,» 2002, by Stephen Marc, archival pigment inkjet print, image courtesy of the Gibbes Museum of Art / Carolina Art Association.

Image above: © Qiana Mestrich, The Namesake Series, GROUP 1, 2013, Archival Inkjet Print on Canson ® Infinity Baryta Photographique / Courtesy of sepiaEYE Gallery

James Barsness The Revenge of the Sons of the Double Standard, 2004 acrylic, ink, archival inkjet print on paper mounted on canvas 27 3/4 x 39 3/4 inches JBARp 46 14.