Jessica Labatte's Surface Effects series (all 2010),
archival inkjet prints of mylar bags that appear to be on the point of floating off the page, are gestural and painterly, riffing on the super clean and sharp ubiquitous still life genre, while Sage Lewis's Curtain, Grey (2013), appears to protrude out from the wall.
Advances in technology have made it seemingly easy for artists to produce beautiful
archival inkjet prints of their work.
Advances in technology have made it seemingly easy for artists to produce beautiful
archival inkjet prints of their -LSB-...]
, 2017
archival inkjet print of time based performance featuring Nicolas Brierre Aziz at Beauregard Plinth - New Orleans Edition of 10, 2 AP's
Sky Holes, framed 11 x 14 ″
archival inkjet print of glossy photo paper, double matted and framed in 16 x 20 ″ black metal, $ 175.00 plus shipping if required.
Not exact matches
So here is the real defining factor
of archival permanence
of inkjet prints.
Bar None (Robert Smithson, New Jersey) 1967 Composite
inkjet print on
archival rag paper taken from original 126 format black & white negatives
printed 2012 21 3/4 x 40 3/4 inches (55.2 x 103.5 cm) Framed: 24 x 46 x 1 1/2 inches (61 x 116.8 x 3.8 cm) Edition 1
of 5 plus 1 AP ARG # HN1967 - 002.1
Shows incorrect position required to perform this kind
of work, 2016,
archival inkjet print mounted to aluminum, 54 x 39 inches (overall).
All
of the works are hand painted
archival inkjet prints on matte paper with pigment ink, made in 2016 and 2017.
ASCO, Asshole Mural 1974, 2013
Archival inkjet print on Somerset photosatin 300gsm Edition
of 50 - Accompanied by a signed and numbered certificate
of authenticty 42 x 59.4 cm
Among the works that Flatland will present is a unique hand painted photography and collage
archival inkjet print by Paolo Ventura, who is a true creator
of a poetic narrative in today's world dominated by merely «photo - pictures».
Chris Engman Equivalence, 2009
Archival inkjet print, Edition 6 97 x 122 cm (c) Chris Engman, Courtesy
of Flowers Gallery
VARIATIONS, 2010
Archival inkjet print 52 x 44 inches Edition
of 6Titled Dust to Dust, the exhibit at Greg Kucera Gallery is overhung, which is a problem for... [Read more...]
Included Middle (Christina Smile), 26.75» H x 40» W, Edition
of 3,
Archival Inkjet print on Baryta paper mounted on aluminum in a black lacquer frame
Included Middle (Suprematist Light), 26.75» H x 40» W, Edition
of 3,
Archival Inkjet print on Baryta paper mounted on aluminum in a black lacquer frame
The latter being a series
of archival inkjet prints on transparencies and canvas that are layered and stretched onto traditional stretcher bars.
Angelika Rinnhofer Menschenkunde VII, 2005
Archival inkjet print, 10 x 8 ″ on 11 x 14 ″ paper Shipped in a 14 x 18 ″ mat Edition
of 50 (unnumbered), signed by the artist
Included Middle (Long Afternoon), 40» H x 26.75» W, Edition
of 3,
Archival Inkjet print on Baryta paper mounted on aluminum in a black lacquer frame
Included Middle (Sequoia Shadows) 26.75» H x 40» W Edition
of 3
Archival Inkjet print on Baryta paper mounted on aluminum in a black lacquer frame
The series is
printed as
archival inkjet on highly textured watercolour paper giving the works a painterly style reminiscent
of early Japanese watercolours and a tactile quality that harks back to Pictorialist aesthetic values.
Included Middle (Bearing), 26.75» H x 40» W, Edition
of 3,
Archival Inkjet print on Baryta paper mounted on aluminum in a black lacquer frame
Included Middle (Goat Milking Dark), 26.75» H x 40» W, Edition
of 3,
Archival Inkjet print on Baryta paper mounted on aluminum in a black lacquer frame
The Black & White Best in Show winners are Lori Dunn for her scratchboard, «The Laws
of Attraction» and Harry Longstreet for his
archival inkjet print, «Take A Bow, Any Bow.»
Anthony Sonnenberg, Character Study for Silenus,
Archival Inkjet Print, Materials
of crown — Hand cut and shaped brass sheeting, brass piping, red coral, silver solder.
24» x 36»
Archival inkjet prints mounted on corrugated plastic Edition
of 50, Signed, Numbered, and dated on verso Published by Badlands Unlimited 2018
Assaf Evron, Untitled (series R) 2010
archival inkjet print 70 / 70 cm 1 out
of 5 in series HYDE PARK ART CENTER PRESENTS «THE CHICAGO EFFECT: REDEFINING THE MIDDLE» AUGUST 24 — NOVEMBER 23 Exhibition and Collaborative Experimental Program Examines the Concept
of the Middle Chicago — In August, Hyde Park Art Center will unveil a group exhibition that takes a seemingly pedestrian topic and turns it on its head.
Image Credit: Kate MacDonnell, Snow Falling Like Comets 2, 2009,
archival inkjet print mounted to diabond, 6 × 9 inches, edition
of 3 + 1 AP
11 x 14» Paper size 9 x 11.25» Image size
Archival Inkjet print Edition
of 100, signed and numbered by the artist $ 125 per
print, shipped
Ministry
of Interior, Phnom Penh, Cambodia, September 26, 2014, 2015,
archival inkjet print and text on
archival herbarium paper in mahogany frame, 85 x 73 1/4 x 2 3/4 inches.
After Hans Holbein the Younger's «Portrait
of Simon George», 2009
Archival inkjet print on Hahnemühle fine art paper 30» x 24.5»
Arthur Renwick Canadian, born 1965 Nlaka «pamux BC 2005
archival inkjet print edition 1/5 Collection
of the artist, courtesy
of Leo Kamen Gallery © 2007 Arthur Renwick
Stemper uses mixed media and combines linoleum
prints;
archival inkjet prints; found and altered text; colored pencil; pen & ink drawing; maps and actual natural materials relevant to the content
of the books.
Fuchs Projects will host an opening reception on Friday night for «The New Religion,» featuring new
archival inkjet prints on wood and aluminum, including «Tip
Of The Iceberg» and «Tulah Rocks x2.»
The Road Home (As the Winter Snows Melt), 2007
Archival inkjet print, 10 x 15» on 11 x 16» paper Shipped in a 16 x 20» mat Edition
of 50, signed and numbered by the artist
Untitled (from One to Nothing), 2011
Archival inkjet print, 10 x 10 ″ on 14 x 11 ″ paper Shipped in a 18 x 14 ″ mat Edition
of 50, signed and numbered by the artist
Scott Connaroe Trailer Park, Wendover, UT, 2008
Archival inkjet print, 8 x 10 ″ on 11 x 14 ″ paper Shipped in a 14 x 18 ″ mat Edition
of 50, signed and numbered by the artist
Winds
of Change # 3, 2015
Archival inkjet print on gold leaf 12» x 12» Framed Courtesy
of the Artist Lindsay Sparagana (American) lives in Philadelphia.
James Hyde, Lens, 2018, acrylic dispersion on
archival inkjet print sealed with urethane and uv varnish on board with chunks
of cast glass, 23.25 x 21.5 inches
Siblings on polonyna (mountain pasture) above the village, 1995
Archival inkjet print, 11 x 13.75 ″ on 12 x 14.75 ″ paper Shipped in a 16 x 20» mat Edition
of 50, signed and numbered by the artist
Michael Wolf, From the series My Favourite Thing, 2003 - 15,
Archival Inkjet Print, 25.4 x 20.3 cm, 10 x 8 in, Edition
of 9.
Archival inkjet prints cut - up into small pieces, are tossed inside a fryer basket nested on top
of a painted wooden pedestal.
After Sir Joshua Reynolds» «Portrait
of Samuel Johnson», 2009
Archival inkjet print on Hahnemühle fine art paper 30» x 24.5»
Jiang Zhi, «Fade 12», 2016 - 2017,
archival inkjet print, 183.4 x 137.6 cm, Edition
of 3 + 2AP; 100 x 75 cm, Edition
of 6 + 2AP.
Image above: © Qiana Mestrich, Inherited Patterns, Untitled # 1 (Maurice Antaya Qiana nylon caftan), 2014 8» x 12»
Archival Inkjet Print on Canson ® Infinity Baryta Photographique / Courtesy
of sepiaEYE Gallery
Untitled (detail) from the «Passage on the Underground Railroad Series,» 2003, by Stephen Marc,
archival pigment
inkjet print, courtesy
of the artist.
Image credits (L to R): Untitled (detail) from the «Passage on the Underground Railroad Series,» 2005, by Stephen Marc,
archival pigment
inkjet print, courtesy
of the artist.
James Barsness The Revenge
of the Sons
of the Double Standard, 2004 Acrylic, ink,
archival inkjet print on paper mounted on canvas 27 3/4 x 39 3/4 inches
Untitled (detail) from the «Passage on the Underground Railroad Series,» 2002, by Stephen Marc,
archival pigment
inkjet print, image courtesy
of the Gibbes Museum
of Art / Carolina Art Association.
Image above: © Qiana Mestrich, The Namesake Series, GROUP 1, 2013,
Archival Inkjet Print on Canson ® Infinity Baryta Photographique / Courtesy
of sepiaEYE Gallery
James Barsness The Revenge
of the Sons
of the Double Standard, 2004 acrylic, ink,
archival inkjet print on paper mounted on canvas 27 3/4 x 39 3/4 inches JBARp 46 14.