Books,
archival objects, mixed media.
Tracing the development of the artist's extraordinary visual vocabulary, the exhibition includes 155 works on paper, numerous experimental videos, and over 150
archival objects, including rarely seen sketchbooks, journals, exhibition flyers, posters, subway drawings, and documentary photographs.
The curators arrange artworks and
archival objects to sharply narrate the ways black women artists persevered by way of their practices, despite how inhospitable the art world could be.
Vivan Sundaram's «Terraoptics» continues along his artistic existing trajectory of using found objects, which are also
archival objects, to investigate and explore the possibilities of the archive.
Rakowitz's handwriting annotates various
archival objects and images from the two break ups in four wall mounted glass cases (one for each Beatle), transparently struggling with the best way to overlay the two stories and tease out some kind of comparison.
Alongside these major works is a collection of
archival objects on exhibit — selected by Silva from Anatsui's studio, study and library in Nsukka, Nigeria.
Haring's integration and experimentation of both studio and street works are explored through 155 works on paper, seven videos and 150
archival objects — among them sketchbooks, journals, posters and subway drawings.
There's a great deal of evidence to suggest this from
archival objects to expert research.
As Okwui Enwezor maintains, Graziani is tackling an indisputable fact «because the camera is literally an archiving machine, every photograph... is a priori
an archival object.»
Not exact matches
NASA has confirmed that new data from this trio of high - energy telescopes, and
archival data from Chandra, Swift and the European Space Agency's XMM - Newton observatory, all show that the
object has the properties of a magnetar, making it only the 30th known.
[See Cesar I. Fuentes and Matthew J. Holman, «A Subaru
Archival Search for Faint Trans - Neptunian
Objects,» The Astronomical Journal, Vol.
Relative dating methods are unable to determine the absolute age of an
object or event, but can determine the impossibility of a particular event happening
ARCHIVAL METHODS Archives and Museum Informatics Technical Report # 9 (Pittsburgh, Archives and Museum Informatics, 1989) by David Bearman, Archives
Pupils will use real
archival documents, photographs, maps and museum
objects to discover how the postal service went to war.
The museum's architecture collections (including drawings, photography, models, and
archival material) are growing rapidly, as highlighted by the gift of the large L.J. Cella Collection of drawings, photographs, and
objects.
Channel Islands National Park maintains a museum and
archival collection of more than 300,000
objects related to the park's cultural and natural history.
The curators, Sergio Bessa and Yasmin Ramírez, include
archival photos (although not ceramics), in a show of ninety
objects that passes all too quickly.
Collaborating with the riverside populations, Caycedo gathers
objects and film footage, conducts
archival research, and engages in field studies in Mexico, Colombia, Brazil, Germany, and the U.S..
Jointly organized by Safdie Architects and UQAM's Centre de Design with curatorial direction from independent curator Donald Albrecht, the exhibition opens with
archival images and
objects from the project's origins with conceptual drawings, models, bringing them together with plans for unbuilt iterations of Habitat that Safdie designed soon after for New York, Puerto Rico, and Israel.
In order to address the historic proliferation of the «Pseudo Georgian» aesthetic, two eighteenth century pattern books borrowed from the British Architectural Library are also displayed alongside
objects from the artist's own collection — as well as a selection of critical articles culled from
archival copies of Building magazine, one of the oldest publications to address the entire culture of Britain's construction industry.
Whereas Boudry and Lorenz have previously relied heavily on
archival documents to expose systemic homophobia (which has resulted in some very dense, didactic works), the pieces presented here were refreshingly
object - oriented.
Thanks to developments in conceptual art in the 1970s, wherein artists, in the lineage of Joseph Kosuth, attempted to distill the artwork into the presentation of words and ideas rather than crafted
objects — not to mention the recent vogue for
archival ephemera as exhibition material — artists, curators, and museumgoers are well - acclimated to seeing pieces of text on display in museum galleries.
Their story will be brought to life through
archival materials, including Etta's diary from her first trip to Italy where Leo Stein introduced her to Renaissance art, and Etta and Claribel's account books showing their passion for collecting not only art - of - the - moment, but jewelry, textiles, furniture, and other
objects.
The exhibition features descriptions of each case in addition to new commissions, in which artists respond to the alteration of their original ideas or intentions, using
archival documentation as well as new texts, images, and
objects.
Above: Lori Nix / Kathleen Gerber, «Arch,» 2015,
Archival pigment print; Below: Installation view of diorama
objects constructed for photographs of «Empire» On Saturday, 01.13.2018, at 3.00 pm, artists Lori Nix and Kathleen Gerber will discuss the creation of artworks from their exhibition «Empire ``: Lori Nix and Kathleen Gerber have been making
Morandi's
Objects (tall triangular yellow bottle), 2015
Archival pigment print; printed 2015 20 x 16 inches From an edition of 10
Morandi's
Objects (wood - grained pitcher), 2015
Archival pigment print; printed 2015 20 x 16 inches From an edition of 10
«Invisible Man» traces the artistic collaborations between photographer Gordon Parks and novelist Ralph Ellison (an avid recreational photographer who utilized photographic metaphors in his writing) via forty - five photographs; numerous related
objects, including
archival manuscripts; and an insightful catalogue.
Tracing her artistic career from her acclaimed RUN clothing label of 1995 - 2001 through her later films and her recent multimedia
archival «kits» featuring found
objects, Mauss writes that Cianciolo's innovative creations have «explored and activated the dissolution of cultural categories.»
Often generated from
archival materials or found
objects, his works produce a visceral tension as historical documentation is brought into the context of contemporary art.
Using as a point of departure a small but charged set of historical and popular
archival images, film clips, writings, and music, they will share their insights on the ideas and themes embedded in these
objects and ephemera.
By repeating and copying art historical and
archival sources, literary texts, and
objects made far away and long ago, they collapse distance as near and far or «here» and «there.»
Now, over 40 years later, Yoko Ono: One Woman Show, 1960 — 1971 surveys the decisive decade that led up to Ono's unauthorized exhibition at MoMA, bringing together approximately 125 of her early
objects, works on paper, installations, performances, audio recordings, and films, alongside rarely seen
archival materials.
Wood, Brass,
Archival pigment print mounted on Dibond, Acrylic, Solid polished graphite panel (scratched), Found
objects (Rock and wood)
Mao Tongqiang critiques China's socio - political landscape with large - scale installations of
archival documents, ancient scripts and found
objects.
His work combines photographic imagery, both
archival and original, and found
objects with biblical, liturgical and mystical Hebrew.
Black satin poly finished custom made MDF structure, Clear varnished
archival pigment print mounted on Dibond, Inlaid polished brass, Wood, Polished graphite panel, Found
objects.
Yet upon further inspection, it is evident that their purposes run parallel; each piece — a stacked pyramid of crumpled rice paper, a pile of woven baskets,
archival material and oiled canvases — seems to be the embodiment or reflection of what Zhu has maintained throughout his career, regardless if the media were everyday household items,
objects of suburban life, or what the critic Li Tuo has deemed «thick paintings».
By studying
archival sources, rare books and art
objects, my dissertation will show how Michelangelo's visual production reveals his engagement with a wider literary discourse.
The accompanying unrelated
archival texts are interesting as
objects, relating to poet Henry Chopin, but leave the viewer more interested in Chopin than Vonna - Michell.
These various arrangements, including posters, framed collages, and sculptural
objects based on Pendleton's extensive
archival material, incorporate images from various sources — all kept within a consistently black - and - white aesthetic.
(66 x 33 x 43.2 cm) Medium: Copper rod,
archival inkjet print on paper, leather, and artificial sinew Credit Line: Purchased with funds from the William R. Roberson Jr. and Frances M. Roberson Endowed Fund for North Carolina Art
Object Number: 2012.20.1 Culture: American Classification: Sculpture Department: Modern
Christine Kozlov: Information endeavours to create a rapport between her sculptures, their exhibition copies,
archival material, photographic documentation and contextual documents to addresses sculpture's concern with objecthood, space, encounter, time, duration, and our experience of an
object and its imagined conceptual content.
Photographs of a series of what might be called «sculptural vignettes» bring together
objects and images — including
archival and vintage personal photographs, actual things (e.g., a whale bone, a ceramic frog, a pomegranate), maps, celestial landscapes, and fragments of writing on paper, among others — many of which Stuart collected and have been with her for years.
Dye often referred to his works as «devices» and this
archival exhibition takes up this term, highlighting the ways in which he examined relationships between
objects and spectators, manipulating their locations and exploring the poetics of projection and perception.
mixed media installation (found
objects, cut photograph, Xylene transfer, glass, ink, printed Mylar and
archival tape on paper), 28 × 43 cm each, installation view at BALTIC Centre for Contemporary Art, Gateshead Courtesy of the artist, Photo by Colin Davison
Through newly discovered photographs,
archival footage, new oral histories, musical recordings, and related
objects, «City of Hope» explores The Poor People's Campaign, a racially and ethnically diverse, national movement initiated by King and the Southern Christian Leadership Conference in 1968.
The images, music, and text that appear throughout «Future People» come from the
archival holdings at the Arts Bank, which include the Johnson Publishing Archive, the Lantern Slide Collection at the University of Chicago (art and architectural history from the Paleolithic to the modern era), the Edward J. and Ana J. Williams Collection (racist
objects that the Williamses bought to take off the market), and Frankie Knuckles's record collection.
Glacier Sky (Back to Back), 2016
Archival inkjet prints, 15.375 x 11.25» x.75» Shipped unmatted, as a single double - sided
object Edition of 50, signed and numbered by the artist
Designed by Kimberly Varella of Content
Object and published in collaboration with the Leslie - Lohman Museum of Gay and Lesbian Art, this catalogue presents work by a group of fifteen intergenerational queer artists, newly commissioned essays and interviews, and historical and
archival reprints.
Akin to the existing
objects populating his sculptural works, several of Adkins» videos feature found footage or
archival imagery.