Not exact matches
The museum's architecture
collections (including drawings, photography, models, and
archival material) are growing rapidly, as highlighted by the gift of the large L.J. Cella Collection of drawings,
photographs, and objects.
Emily Carr University's
Archival collection contains
photographs, college calendars, student newspapers, posters and other memorabilia related to the history of the University back to its founding in 1925 as the Vancouver School of Decorative and Applied Arts.
BOB ADELMAN (1930 - 2016) James Rosenquist in his studio, working on the painting, «Fahrenheit 1982», currently in the
collection of MOMA
photograph 1981 (printed later)
archival pigment print, AP, signed paper size > 30 x 20.5 inches
The show features paintings by Helen Frankenthaler, Alfred Leslie, Trevor Winkfield, Nell Blaine, Joe Brainard, Grace Hartigan, Joan Mitchell, Jane Freilicher and Fairfield Porter; poetry
collections published by the gallery's imprint, Tibor de Nagy Editions, and featuring work by Frank O'Hara, Kenneth Koch, James Schuyler, John Ashbery, Barbara Guest and others, with illustrations by Tibor de Nagy artists;
photographs and films by Rudy Burckhardt; letters, announcement cards and other ephemera; and
archival photographs of leading cultural figures of the day by John Gruen and Fred McDarrah.
The Foundation holds the largest and foremost
collection of works of contemporary African - American artists from the Southern United States, encompassing over 1,200 works by more than 160 artists as well as a
collection of
archival photographs, videos and documents relating to artists in the
collection.
The Foundation holds the largest and foremost
collection of works of contemporary African American artists from the Southern United States, encompassing over 1,200 works by more than 160 artists, as well as a
collection of
archival photographs, videos, and documents relating to the artists in the
collection.
New discoveries will be unveiled in this expansive exhibition, featuring more than 120 Homer paintings, drawings, prints,
photographs, and
archival materials, including his camera, from the BCMA's extensive
collection of the artist's work
The first publication to document the Museum's
collection and its connections to dramatic changes in artistic practice over the past 70 years, Unpacking the
Collection introduces this vital regional center for craft through
photographs of work, essays, texts,
archival photographs, decade - by - decade accounts of the institution's links to modern craft history and an abbreviated exhibition chronology.
In conjunction with «Extreme Measures,» Chris Burden's museum - wide exhibition, «Pushing the Limits» is presentation of artist drawings, correspondence, ephemera,
photographs, and video footage culled from the New Museum's rich
archival collection.
WEDNESDAY, APRIL 1 Talk and Book Signing: Christo at 192 Books For the occasion of the release of Matthias Koddenberg's new book, Christo and Jeanne - Claude: In / Out Studio, a
collection of
photographs and
archival material that provides a glimpse into the behind - the - scenes making of the couple's massive installation projects, the author will join Christo for a book signing and talk at Chelsea's 192 Books.
For this project, architectural collective Assemble and artist Simon Terrill have used
archival materials, drawings and
photographs from RIBA's
Collections to create an interactive installation that raises questions over design for play, from both a historic and contemporary perspective, with a focus on the element of risk.
An
archival photograph exists showing Pitt Rivers laying out portions of his
collections on his own billiard table.
The second section is an
archival research essay by Beth Gardiner Lytle, Ph.D and the third section is conversation with three lifelong friends of Herbert Creecy along with
photographs of archives from the MOCA GA archive
collection.
More recently, Verge presented a collaborative exhibition with the Australian Centre for Photography featuring Michael Riley
photographs from the University of Sydney Union art
collection and
archival material from the University of Sydney Archives, The Settlement Community Centre and the State Library of NSW.
Today, the foundation, which was founded by William S. Arnett, holds the largest and foremost
collection of works of contemporary African - American artists from the southern United States, encompassing over 1,200 works by more than 160 artists as well as a
collection of
archival photographs, videos and documents relating to artists in the
collection.
The show, part of Fotografia Europea, is a presentation of 100
photographs taken in South Africa over the last 100 years, carefully selected from
archival, museum and photographers»
collections.
Further along is an area with offices for the
collection staff (six part - time workers) and storage for the
photographs, print
collection and
archival material, including thousands of his drawings, and maquettes for his sculptures, some of which are on display through Feb. 18 at the Maiden Lane Exhibition Space in Manhattan.