Sentences with phrase «archival pieces»

Organized by Holland's Groninger Museum, the exhibition features furniture, applied projects and archival pieces from Laarman's portfolio.

To celebrate our first anniversary, we pay tribute to the film that inspired the name with archival pieces by our contributors.

More insightful are the archival pieces, including original audition tapes (make sure to crank the volume here) showing Jesse Eisenberg running through various scenes with about the same nervous energy he brings to the final role, and a short behind - the - scenes documentary by Noah Baumbach's brother, Nico, that catches the kind of raw director - actor interactions that don't typically make their way into more polished featurettes.

«For the Reebok by Pyer Moss collaboration, he stayed true to the aesthetics of the Reebok archival pieces that inspired the collection, while seamlessly incorporating his daring point of view to make each piece tell its own unique story.»

Referencing archival pieces from trips to our favourite vintage stores, the Percy is a reimagined classic with contemporary details.

I think it's the Archival piece most likely to hit sale so I'm biding my time for now.

Not exact matches

Those disparate pieces include File Keepers, an archival business records and information management company founded in 1974 after Rosenthal accepted a sweetheart deal to lease a vacant, 500,000 - square - foot building in downtown Los Angeles.

A couple of neoprene looks — a sloped shoulder graphic sweatshirt and a paneled short sleeve shift dress — literally channel Brazil's famous bacchanal: The purple - hued abstract print panels on the pieces are actually digitized images of an archival 1960s photo taken by an American tourist in Brazil during carnival.

Of all the pieces in the Archival Collection I was most excited for the Sightseer Pencil Skirt ($ 118) and it did not disappoint.

One thing to note: every piece in the Archival Collection has been updated from the original version.

A few years ago, Anthropologie celebrated its 20th anniversary by re-releasing some of its favorite pieces in an Archival collection.

Some archival photos are used throughout the piece as well.

Instead, piecing together archival sequences of the man regarded as one of the greatest drivers of all time with audio interviews of controversial star's family, friends, colleagues and competitors, it presents a compelling portrait of his life on and off the track.

Extras: «Night of Anubis,» a never - before - presented work - print edit of the film; new program featuring filmmakers Frank Darabont, Guillermo del Toro, and Robert Rodriguez; never - before - seen 16 mm dailies reel; new piece featuring Russo about the commercial and industrial - film production company where key «Night of the Living Dead» filmmakers got their start; audio commentaries from 1994, featuring Romero, Russo, producer Karl Hardman, actor Judith O'Dea, and more; archival interviews with Romero and actors Duane Jones and Judith Ridley; new programs about the editing, the score, and directing ghouls; new interviews with Gary R. Streiner and Russel W. Streiner; trailer, radio spots, and TV spots; an essay by critic Stuart Klawans.

Rowdy McDowall: From Apes to Bats, a 2016 video piece featuring archival footage of McDowall and cast and crew interviews (BLU - RAY ONLY)

Leone (in a nightgown) and Fonda also appear briefly in archival interviews from the 1980s and»70s in the first piece.

This documentary from Serge Bromberg and Ruxandra Medrea explores the film that could have been, with some insightful archival and modern interviews that tries to piece together what would have Clouzot's most ambitious work.

The film's prologue consists of a concise 2,000 - year history of Iran (The information provided in the sequence, which mixes storyboards and archival footage, is the first and last piece context to the events that follow), which leads directly into the events of November 4, 1979, when a massive group of angry students stormed the embassy and took everyone in the compound hostage.

The piece is also laced with fantastic archival footage from behind - the - scenes of Hayley's movie sets, from the home movies of her prolific family, and even from her 1998 Disney Legend speech.

There are excellent new interviews and new and archival featurettes, including the new 46 - minute retrospective documentary BBStory: An American Film Renaissance, and Jack Nicholson, who has been conspicuously absent from other special editions and retrospective documentaries on his key films, contributes his thoughts and remembrances in interviews for Five Easy Pieces and Drive, He Said.

Made in 1977 and recently revived and released to the rest of the world, it's the archival cult find of the decade: a candy - colored style bomb of a horror movie, more jaw - droppingly unreal than scary, an experimental piece of pop - art genre filmmaking.

For those of us brought up in a Western culture who know of the Long March only as a vague piece of history, it will take a little longer to get into; but within a chapter, two at the most, readers with the remotest interest in history will be fully engrossed in the first person accounts of foot soldiers such as Woman Wang, Soldier Huang, Orderly Liu, Propagandist Wu, Fighter Li, whose stories Sun Shuyun so ably interweaves with archival research and official history.

Critically acclaimed nonfiction author Deborah Hopkinson pieces together the story of the TITANIC and that fateful April night, drawing on the voices of survivors and archival photographs.

The 45 - minute piece incorporates archival footage and documentary material about British composer Cornelius Cardew's Scratch Orchestra, an improvisational group that utilized found, graphic scores rather than traditional sheet music.

Using both digital and analogue techniques to create an immersive cinematic experience, he now presents the work alongside large scale, silver gelatine photographic pieces, as well as archival material.

maps Eastman's archival matter as a way of inviting viewers to discover new pieces and forge relationships between ephemera held by different informal archivists and approaches a historical exploration and remembrance of Julius Eastman as a master of artifice.

Whereas Boudry and Lorenz have previously relied heavily on archival documents to expose systemic homophobia (which has resulted in some very dense, didactic works), the pieces presented here were refreshingly object - oriented.

Thanks to developments in conceptual art in the 1970s, wherein artists, in the lineage of Joseph Kosuth, attempted to distill the artwork into the presentation of words and ideas rather than crafted objects — not to mention the recent vogue for archival ephemera as exhibition material — artists, curators, and museumgoers are well - acclimated to seeing pieces of text on display in museum galleries.

Having retired from the industry and donated pieces to museums, Lang felt the need to repurpose his 6,000 piece archival collection — the result, a violent assault over 20 years of fashion history, shredding the fabrics and function to the unrecognisable.

Placing these archival materials alongside pieces of fine art elevates them and gives them a tangibly emotional quality.

The archival wall reads as an elite rose petal taxonomy, funneling the viewer into the auditorium where the artist's 30 - minute 16 mm film of the performance art piece shot on 16 mm at Bell Labs, plays on a loop.

Fusing archival material, readings from classical sources and newly shot footage, Akomfrah's piece focuses on the disorder and cruelty of the whaling industry and juxtaposes it with scenes of many generations of migrants making epic crossings of the ocean for a better life.

The solo exhibition features archival works alongside contemporary pieces.

Across pieces by heavy hitters such as Ellen Gallagher, Glen Ligon, Kerry James Marshall, Lorna Simpson and Kara Walker, different aspects of the Civil Rights movement — boycotts, protests, revolutionary Black Power movements, antebellum history — were filtered through a collection of text - based works (Ligon and Adam Pendleton), portraiture (Marshall and Simpson) animation (Walker), sculpture and an archival collection of Black Panther newspapers (loaned by New York - based artist Rashid Johnson).

Co-organized by the Amon Carter Museum of Art, Fort Worth, and the Saint Louis Art Museum, where it previously appeared, and adapted for the Met by museum curator Elizabeth Mankin Kornhauser and assistant curator Stephanie L. Herdrich, the exhibition also contains some 50 related drawings and works on paper by Bingham, archival materials, plus examples of works by his Hudson River School contemporaries, and other pieces that help underscore his unique achievement.

Adhering the book pages to the canvas happened first, then Ala un-stretched the piece and executed an archival pigment print over the surface of the book pages — the blue galactic scene in the shape of the star.

By using archival material with printed fabrics to craft three - dimensional pieces, Opposite and Above are three unique works made directly within the gallery space, giving the exhibition its site - specific and voluminous character.

First, film artist Duncan Campbell (born 1972) has been selected for his piece It for Others in Scotland + Venice which was presented at the 55th Venice Biennale, and is a response to 1953 French essay film Statues Also Die which includes archival footage and new material, such as a new dance piece by choreographer Michael Clark.

Tehching Hsieh Jump Piece, 1973 framed archival pigment print mounted to 4 ply museum board paper: 64 1/8 x 17 5/8 inches (162.9 x 44.8 cm) framed: 65 3/8 x 19 5/8 x 2 inches (166.1 x 49.8 x 5.1 cm) edition of 25 with 5 APs TEH - 12

A string of exhilarating performances, all sold out, have concluded, but a treasure box of an exhibition of Eastman's archival materials remains on view through this Saturday at the Chelsea alternative space alongside a moving show, inspired by the artist's work, of contemporary art, including pieces by Sondra Perry, Carolyn Lazard, and Chloë Bass.

Emily Jacir, installation view of «Material for a Film», 2004 - ongoing, multimedia installation, 3 sound pieces, 1 video, texts, photos, archival material.

These pieces are punctuated by Charlie's poetic writings, photographs and literary archival material.

Comprised of archival material and interviews, the video examines the role of activism and our understanding of this piece of legislation 30 years on which prohibited local authorities in England and Wales from promoting homosexuality.

These pieces are complemented by archival materials and vintage photographs of her and of her works taken by Imogen Cunningham.

Yet upon further inspection, it is evident that their purposes run parallel; each piece — a stacked pyramid of crumpled rice paper, a pile of woven baskets, archival material and oiled canvases — seems to be the embodiment or reflection of what Zhu has maintained throughout his career, regardless if the media were everyday household items, objects of suburban life, or what the critic Li Tuo has deemed «thick paintings».

Emily Jacir, «Material for a Film (detail)(Wael Zuaiter's 1001 Nights), 2004 — ongoing, multimedia installation, 3 sound pieces, 1 video, texts, photos, archival material.

The exhibition presents a new series of large - scale, silver gelatine photographic pieces which have sprung from this work, as well as archival material, and explores «artistic expression, the nature of desire and the reciprocity of the gaze.»

Layering personal and archival materials, each piece is self - reflexive and honest about its own «situated - ness,» while generating multiple entry points — cracks through which the viewer might empathize, identify or piece together.

Organized by the curatorial team of Bob Linder and Diego Villalobos, thematic exhibitions highlight changing selections of work from the Foundation's extensive 3,000 - piece collection of Ireland's art and archival materials.

These pieces that were originally collages have been blown up to be archival images that are 22 ″ x 28 ″, they look like paintings but they are pictures of collages and they have to do with line.