The ever - practical Jonah Freeman and Michael Phelan make large, lustrous
archival prints from scans of rumpled aluminum that are triple plays on Gerhard Richter's work.
Not exact matches
Extras: «Night of Anubis,» a never - before - presented work -
print edit of the film; new program featuring filmmakers Frank Darabont, Guillermo del Toro, and Robert Rodriguez; never - before - seen 16 mm dailies reel; new piece featuring Russo about the commercial and industrial - film production company where key «Night of the Living Dead» filmmakers got their start; audio commentaries
from 1994, featuring Romero, Russo, producer Karl Hardman, actor Judith O'Dea, and more;
archival interviews with Romero and actors Duane Jones and Judith Ridley; new programs about the editing, the score, and directing ghouls; new interviews with Gary R. Streiner and Russel W. Streiner; trailer, radio spots, and TV spots; an essay by critic Stuart Klawans.
NEW 4K scan of the film taken
from the best surviving
archival print.
From rare
archival prints of iconic classics to the latest and greatest works of modern cinema, Ebertfest's lineup has it all.
The Film Noir Foundation produced this restoration with UCLA Film and Television Archive, with support
from the Hollywood Foreign Press,
from an
archival 35 mm re-release
print and a complete 16 mm
print.
Marvel has done this to a degree with
archival material and some original content, but I think what fans are waiting for
from both companies is the iTunes model: new comics released online simultaneously (or near - simultaneously) with
print versions.
BOB ADELMAN (1930 - 2016) Andy Warhol at the Factory with artwork
from the suite «An American Man» photograph 1965 (
printed later)
archival pigment
print, AP, signed paper size > 12.25 x 19 inches
Kameelah Janan Rasheed shares materials
from her personal
archival collection of
printed matter, including small press publications, magazine articles on independent black schools, textbooks and curriculum...
Image Credit: Iñigo Manglano - Ovalle, Suzanne, Fermin and Mel (
from The Garden of Delights), 1998/2015,
archival pigment
prints triptych: 60-3/4 x 23-3/4 x 1-3/4» each panel, 60-3/4 x 75-1/2 x 1-3/4» overall.
In a new Art21 «Exclusive,» artist Brian Jungen creates two - sided
prints from archival newspaper clippings, revealing the lens of otherness through which Native people are frequently viewed.
Bey's limited - edition
archival print, Five Children, was part of the Fine Print Program, and selected images from his body of work are part of Light Work's expansive permanent Collec
print, Five Children, was part of the Fine
Print Program, and selected images from his body of work are part of Light Work's expansive permanent Collec
Print Program, and selected images
from his body of work are part of Light Work's expansive permanent Collection.
Bar None (Robert Smithson, New Jersey) 1967 Composite inkjet
print on
archival rag paper taken
from original 126 format black & white negatives
printed 2012 21 3/4 x 40 3/4 inches (55.2 x 103.5 cm) Framed: 24 x 46 x 1 1/2 inches (61 x 116.8 x 3.8 cm) Edition 1 of 5 plus 1 AP ARG # HN1967 - 002.1
Jo Ann Callis, Untitled (Hand and Honey),
from Early Color Portfolio, circa 1976,
Archival Pigment
Print, 16 × 20 inches.
Meet the artist: Sarah Kane By Eva Buttacavoli Photo: Sarah Kane, I Got You The Jelly Kind, 2014,
archival inkjet
print,
from the series The Neighbors I've only known Sarah Kane for the last three months — first meeting her on a wintry Saturday afternoon as she was setting out with her camera to capture -LSB-...]
Jo Ann Callis, Untitled (Tied Up),
from Early Color Portfolio, circa 1976,
Archival Pigment
Print, 16 × 20 inches,
Printed under the direct supervision of the artist.
Archival inkjet
print from original slide, 29 x 20 cm, 2009
An Autobiography, Richard Avedon
from the series Standing Open, 2011, 12 x 18 inches
archival pigment
print
The name of the show is a direct quote
from the artist and speaks to the many - isms of this exhibition (the first major show of Picabia's work in the U.S.), which will be considered through well over a hundred works of art and a selection of
printed archival materials.
The project includes exhibitions featuring
archival materials, samples of their own productions, and
printed matter drawn
from workshops and consultation sessions.
Rylan Steele Alcott Avenue, Ave Maria, Florida, 2016 (
from the Ave Maria series)
Archival pigment
print Edition: 2/7 The Do Good Fund Inc., 2018 - 001
BOB ADELMAN (1930 - 2016) Andy Warhol at the Factory with artwork
from the suite «An American Man,» a portrait of Watson Powell, Sr., the founder of American Republic Insurance Company photograph 1965 (
printed later)
archival pigment
print, numbered AP (unique), signed (no numbered edition completed during the photographer's lifetime) paper size > 12.25 x 19 inches
Image: Cassandra Klos, The Arrival, 2013,
Archival Inkjet
Print Opening Reception February 3rd
from 6 pm — 10 pm The truth is out there.
The images are compiled
from collages of torn and cut paper which are scanned, further layered and manipulated in the digital environment and
printed onto canvas with
archival pigment inks.
Scene # 3074, Congo, Soldiers and civilians hitching a ride inside the containers that are transported
from Brazzaville to Pointe Noire, 2013
Archival pigment
print 35 3/8 x 47 3/16 inches
Approximately 90 printer's proofs will be on view, together with experimental
prints and other selected material
from the supporting
archival collections.
LIVIA CORONA
From the series Two Million Homes for Mexico, 2007 - present
Archival digital C -
Prints 30 x 40 inches Photography © Fredrik Nilsen
Above: Lori Nix / Kathleen Gerber, «Arch,» 2015,
Archival pigment
print; Below: Installation view of diorama objects constructed for photographs of «Empire» On Saturday, 01.13.2018, at 3.00 pm, artists Lori Nix and Kathleen Gerber will discuss the creation of artworks
from their exhibition «Empire ``: Lori Nix and Kathleen Gerber have been making
IMAGES (
from top): Lorraine O'Grady, The First and Last of the Modernists, Diptych 3 Blue (Charles and Michael), 2010, Fujiflex
prints, two
prints, each 46 3/4 x 37 3/8 inches (118.8 x 94.5 cm), courtesy of the artist and Alexander Gray Associates, New York, © Lorraine O'Grady / Artists Rights Society (ARS), New York; Raqs Media Collective, An Afternoon Unregistered on the Richter Scale, 2011, single - channel video of colored and animated
archival photograph, 3:34 minutes, looped, courtesy of the artists and Frith Street Gallery, London
Lynn Hershman Leeson, Breathing Machine II (
From the Suicide Series), 1965,
Archival digital
print, Edition of 3 + 1AP, 14.6 x 11 inches.
© Justin Levesque, We Looked For Pink Algae With No Such Luck,
archival pigment
print from medium format negative + data manipulation, 31» x 38», 2017
It was just a matter of scanning the front and back of the retired
archival photographs
from American Newspapers and lay the copyright information,
printing instructions etc. over the image.
Morandi's Objects (tall triangular yellow bottle), 2015
Archival pigment
print;
printed 2015 20 x 16 inches
From an edition of 10
Shirley Shor, Xanadu, 2003 (
from the series On Other Spaces);
Archival print on Hahnemuehle, 35x45 in.; Courtesy of the artist.
Morandi's Objects (wood - grained pitcher), 2015
Archival pigment
print;
printed 2015 20 x 16 inches
From an edition of 10
left: Walead Beshty, Transparency (Negative)[Kodak NC Color Film: May 8 — May 18, 2008 ORD / LHR LHR / IAD IAD / JFK LGA / DCA DCA / ORD], 2009 Epson Ultrachrome K3
archival ink jet
print on Museo Silver Rag Paper right: László Moholy - Nagy, Xanti Schawinsky on a Bauhaus Balcony, late 1920s Photograph February 19 — May 1, 2011 This exhibition of the Los Angeles - based artist Walead Beshty (b. London, 1976) brings together works
from the past ten years in a site - specific installation -LSB-...]
Glenn Ligon Untitled, 2016
From a suite of 17
archival pigment
prints Edition of 5 and 1 artist's proof 71 x 49 inches
«sound series,» 2016 digital
prints from original collage on
archival cold press paper
printed by Furthermore, Brooklyn edition of 25, 4
prints per edition 16 x 12 in.
Using a swirling geometric shape to create a dynamic sense of organic motion, the work gains in impact
from its proximity to the aforementioned French 19th century naturalist engravings and the Laurie Lambrecht work Swirling Vines Blue (
archival pigment
print on rag paper, 2015).
This year's show includes 43 student works ranging
from archival inkjet
prints to mixed media installations and ceramics.
New discoveries will be unveiled in this expansive exhibition, featuring more than 120 Homer paintings, drawings,
prints, photographs, and
archival materials, including his camera,
from the BCMA's extensive collection of the artist's work
The images are developed
from collages of torn and cut paper which are scanned and manipulated in the digital environment and
printed onto canvas with
archival pigment inks.
Howl, 2006 *
archival pigment
print with screen
printing 35 x 24 inches acquired 2006 Pages
from Eve, 2006 Hard and soft ground etching on Japanese paper mounted on museum board, an artist's book 10 x 8 inches each, set of 8
prints acquired 2007 Biography Born 1972 in Nairobi, Kenya.
Untitled # 1
from the series New Forms, digital collage, 2014 - 15
archival pigment
print on fiber - based paper mounted on dibond, 45 x 35 inches (detail)
An exhibition with the same title, featuring signed contemporary silver
prints and large
archival pigment
prints of images
from the book, is on view through the end of February 2016 at Howl!
[Sharon Core · 1782,
from the series Flowers, 2011,
Archival pigment
print · 44.5 × 38.1 cm (17 1/2 × 15 in.)
Untitled # 9
from the series Above & Below, 2014 (pinhole photograph)
archival pigment
print on fiber - based paper, 40 x 60 inches
The 512 - page anthology brings together reviews, interviews, and essays
from sources that are largely out of
print, as well as
archival material such as invitation cards, installation views and book covers, as well as excerpts
from significant exhibition catalogues.
Strange Currencies revisits the development of experimental artistic practices in the city, recontextualizing the period by expanding the representation of artists and practices and by presenting artworks in conjunction with
archival materials including photographs, video footage,
printed materials, and a listening booth featuring artist - curated music
from the»90s.
Jan Stradtmann BELGRAVIA (2/6) 2008/2012
Archival Pigment
Print, 82x75cm Jan Stradtmann studied Communication Design at the University of Applied Sciences at Potsdam, Germany before graduating in 2007 with an MA in Photographic Studies
from the University of Westminster, London.
A selection
from celebrated photographer, Robert Herman's 2013 Solo Exhibition, «A Waking Dream» at The Museum of Modern Art in Cartagena, Colombia
Archival Ink Jet
Print on 325 gm F...