Brad Thomas 2000 Acrylic transfer, Plexiglas, copper, pressed tin, and
archival print mounted on panels 48 x 53 x 3
Archival print mounted on aluminum in artist - painted frame, 13 x 9 1/2 inches
Brass inlaid walnut frame, Clear varnished
archival print mounted on CNC cut Dibond, Polished brass discs mounted through Dibond.
Archival prints mounted on wood panels, each panel 6x8» / grid dimensions variable.
Archival prints mounted on aluminum in artist - painted frames, Dimensions variable
Not exact matches
The expansive open plan entertainment and living space with full kitchen takes in uninterrupted views of
Mount Coot - tha and the Brisbane city skyline, whilst Michael Johnson
archival prints adorn the walls and bring the space to life.
Julian Charrière Nutmeg - First Light, 2016 large format color photograph, double - exposed through radioactive material,
archival pigment
print on Hahnemüle Photo Rag,
mounted on aluminum Dibond, Red Palmira veneered frame, Mirogard anti-reflective glass paper: 59 1/8 x 73 7/8 inches (150.2 x 187.7 cm) framed: 60 1/2 x 75 5/16 x 2 inches (153.7 x 191.3 x 5.1 cm) JCh - 237
Archival pigment
print on Innova Smooth Cotton High White 315 gsm paper, dry -
mounted on Alu Reynobond, acrylic glass, oak frame
David Hartt, Carolina I, 2017,
archival pigment
print mounted to Dibond, 91 x 137 cm.
James Casebere Cabana, 2017 framed
archival pigment
print mounted to dibond paper: 66 3/4 x 46 5/8 inches (169.5 x 118.4 cm) framed: 69 7/16 x 49 5/16 x 2 1/4 inches (176.4 x 125.3 x 5.7 cm) edition of 5 with 2 APs JC - 265
Archival pigment
print on Innova Smooth Cotton High White 315 gsm paper, dry —
mounted on Alu Reynobond, acrylic glass, oak frame
Archival Pigment
Print mounted to Dibond.
Dan Devening, Scavenger (6), 2016,
archival pigment
print, Flashe on Yupo paper
mounted on panel, 24 x 18 inches, courtesy Phil Peters
The resulting image is
printed using
archival inks and paper,
mounted onto a wood panel and becomes the base for an encaustic painting.
Description: Inkjet
print on
archival paper,
mounted on aluminum and framed in open wood box.
Untitled, 2016,
archival pigment
print, Flashe on Yupo paper
mounted on panel, 24 x 18 inches.
Archival pigment
prints mounted on dibond, 40 x 64 inches.
Untitled, 2016,
archival pigment
print, Flashe on Yupo paper
mounted on panel, 24 x 18 inches, courtesy Phil Peters
Robert Polidori, Crucifixion with the Virgin and Sts Cosmas, John the Evangelist and Peter Martyr by Fra Angelico, Cell 38 (foreground), Adoration of the Magi and Man of Sorrows, by Fra Angelico, Cell 39 (background) Museum of San Marco Convent, Florence, Italy, 2010,
Archival Pigment
Print mounted to Dibond.
Using
archival pigment
print and processing techniques that isolate the aircraft in the image, Milstein focuses on color and design to achieve maximum clarity in his images, which the Smithsonian National Air and Space Museum
mounted in a solo exhibition entitled AirCraft: The Jet as Art in 2011.
Image: David Hartt, Archive at The Johnson Publishing Company Headquarters, Chicago, Illinois, 2011,
Archival Pigment
Print mounted to Dibond and framed, 60 x 80 inches.
Image: David Hartt, Cubicles at the Mackinac Center for the Public Policy, Midland, Michigan, 2008,
Archival Pigment
Print mounted to Dibond and framed, 48 x 60 inches.
Shows incorrect position required to perform this kind of work, 2016,
archival inkjet
print mounted to aluminum, 54 x 39 inches (overall).
James Casebere Yellow Passage, 2017 framed
archival pigment
print mounted to dibond paper: 44 3/8 x 66 1/2 inches (112.7 x 168.9 cm) framed: 47 x 69 3/16 inches (119.4 x 175.7 cm) edition of 5 with 2 APs JC - 252
James Casebere Yellow Overhang with Patio, 2016 framed
archival pigment
print mounted to dibond paper: 44 3/8 x 66 1/2 inches (112.7 x 168.9 cm) framed: 47 x 69 3/16 inches (119.4 x 175.7 cm) edition of 5 with 2 APs JC - 2 53
Nan Goldin, Sheep in abattoir, Rathmullen, Ireland, 2002,
Archival pigment
print mounted on Dibond, 40.6 x 61 cm.
The result is
printed using
archival inks and paper,
mounted onto a wood panel and becomes the base for an encaustic painting.
The resulting image is
printed using
archival inks and paper and
mounted onto a wood or canvas panel.
Cy Twombly - Rome 1966 Untitled # 26 Edition 2 Image size 59.4 x 59.4 inches No borders
Archival Pigment
Print mounted on Aluminum Price increment according to edition Limited editio...
© Justin Levesque, 1 Day at Sea Feels Like 3 Days on Land: 13.02 LG 1/3, 13.02 LG 2/3, 13.02 LG 3/3,
archival pigment
print with acrylic face
mount, 7» x 7 ″ each, 2017
© Justin Levesque, 1 Day at Sea Feels Like 3 Days on Land: 13.03 LM 1/3, 13.03 LM 2/3, 13.03 LM 3/3,
archival pigment
print with acrylic face
mount, 7» x 7 ″ each, 2017
James Casebere Courtyard with Orange Wall, 2017 framed
archival pigment
print mounted to dibond paper: 64 3/8 x 44 3/8 inches (163.5 x 112.7 cm) framed: 67 x 47 x 2 1/4 inches (170.2 x 119.4 x 5.7 cm) edition of 5 with 2 APs JC - 261
Included Middle (Christina Smile), 26.75» H x 40» W, Edition of 3,
Archival Inkjet
print on Baryta paper
mounted on aluminum in a black lacquer frame
Included Middle (Suprematist Light), 26.75» H x 40» W, Edition of 3,
Archival Inkjet
print on Baryta paper
mounted on aluminum in a black lacquer frame
El Eco Courtyard, 2017 framed
archival pigment
print mounted to dibond paper: 44 1/2 x 66 3/4 inches (113 x 169.5 cm) framed: 47 3/16 x 69 7/16 x 2 1/4 inches (119.9 x 176.4 x 5.7 cm) edition of 5 with 2 APs JC - 264
Included Middle (Long Afternoon), 40» H x 26.75» W, Edition of 3,
Archival Inkjet
print on Baryta paper
mounted on aluminum in a black lacquer frame
Included Middle (Sequoia Shadows) 26.75» H x 40» W Edition of 3
Archival Inkjet
print on Baryta paper
mounted on aluminum in a black lacquer frame
Included Middle (Bearing), 26.75» H x 40» W, Edition of 3,
Archival Inkjet
print on Baryta paper
mounted on aluminum in a black lacquer frame
Included Middle (Goat Milking Dark), 26.75» H x 40» W, Edition of 3,
Archival Inkjet
print on Baryta paper
mounted on aluminum in a black lacquer frame
Archival pigment
prints mounted on dibond, 40 × 64 in.
Image: Jan Robert Leegte, Google Maps as a Sculpture (2017),
Archival prints front
mounted in acrylic,
mounted on a dibon cube, 22 x 22 x 22 cm.
Archival pigment
print mounted on aluminum with non-glare plexi facemount, 30 x 45 inches, edition 12.
432 Photographs of Nefertiti 2015 Collaged UV coated
archival pigment
prints mounted to Plexiglas and Dibond 54 x 43 x 7/8 inches (137.2 x 109.2 x 2.2 cm) ARG # CWS2015 - 001.2
Alec Soth S., Alabama, 2007 framed
archival pigment
print mounted to 4 ply museum board image: 32 x 40 inches (81.3 x 101.6 cm)
mounted: 35 x 43 inches (88.9 x 109.2 cm) framed: 36 x 44 inches (91.4 x 111.8 cm) edition of 7 with 3 APs AS - BM.53
Archival pigment
print on cotton paper,
mounted on aluminum.
«Angel Youth» comprises 13 chromogenic
prints mounted on
archival board.
Alec Soth Lary, 2009
archival pigment
print mounted to Dibond image: 18 3/4 x 25 inches (47.6 x 63.5 cm) paper: 24 3/4 x 31 inches (62.9 x 78.7 cm) framed: 25 5/8 x 31 7/8 inches (65.1 x 81 cm) edition of 10 with 3 APs AS - SI.793.2
Howl, 2006 *
archival pigment
print with screen
printing 35 x 24 inches acquired 2006 Pages from Eve, 2006 Hard and soft ground etching on Japanese paper
mounted on museum board, an artist's book 10 x 8 inches each, set of 8
prints acquired 2007 Biography Born 1972 in Nairobi, Kenya.
Untitled # 1 from the series New Forms, digital collage, 2014 - 15
archival pigment
print on fiber - based paper
mounted on dibond, 45 x 35 inches (detail)
MPA, left / Entrance, 2014 - 2016
Archival pigment
print mounted on mat board Courtesy of the artist and Higher Pictures; right / Surrender, 2014 - 2016
Archival pigment
print mounted on mat board Courtesy of the artist and Higher Pictures