Sentences with phrase «archival print of»
Manish Nai, «Untitled», 2012, digital archival print of drawing superimposed on photograph, 68.5 x 91.4 cm / 27 x 36 in.
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THE SPECIAL EDITION: The SEGA Mega Drive / Genesis: Collected Works hardback book featuring a limited edition cover and accompanied by an archival print of Sonic the Hedgehog and Dr. Eggman / Dr.
The only archival print of In the Soup — a star - studded, pioneer indie feature that beat out Reservoir Dogs, Gas Food Lodging among others in a seminal year at Sundance 25 years ago — was dramatically damaged, and time is now to rescue it before it's gone forever.
From rare archival prints of iconic classics to the latest and greatest works of modern cinema, Ebertfest's lineup has it all.
Fifteen archival prints of photographs of sunlight streaming into Grand Central Station, watermarked with their sources — sites such as Art.com, Easy Art, Picasso.com — greet visitors to Penelope Umbrico's latest exhibition, playfully drawing attention to her process of appropriation while offering the prosaic material a more profound afterlife.
Not exact matches
Made of soft cotton jersey, it's cut for a slim fit.A sporty tee with an archival print.
The image is composed of multiple hand - drawn images which are digitally composited and output as an archival digital print.
of the Statutes define the scope of the Library's activities: «The Library of the Hungarian Academy of Sciences disseminates knowledge and promotes scientific research, historically it is a national institution making available traditional (printed, manuscript, and archival) holdings as well as other information media».
A couple of neoprene looks — a sloped shoulder graphic sweatshirt and a paneled short sleeve shift dress — literally channel Brazil's famous bacchanal: The purple - hued abstract print panels on the pieces are actually digitized images of an archival 1960s photo taken by an American tourist in Brazil during carnival.
In shades of pink and green, this Giclee print is professionally framed on archival paper and arrives ready to hang.
Via IGN, the new release will be available in a collectible limited - edition book - style package (available only for the first printing) with 11 pages of archival photos, an essay by Halloween historian Stef Hutchinson and specially commissioned cover art by Jay Shaw.
«Because of the way it was shot, on a black - and - white Kodak stock that doesn't even exist anymore, and the fact that the only archival print we have is so damaged it can't be replicated at this point, it's literally at risk of disappearing forever.
Extras: «Night of Anubis,» a never - before - presented work - print edit of the film; new program featuring filmmakers Frank Darabont, Guillermo del Toro, and Robert Rodriguez; never - before - seen 16 mm dailies reel; new piece featuring Russo about the commercial and industrial - film production company where key «Night of the Living Dead» filmmakers got their start; audio commentaries from 1994, featuring Romero, Russo, producer Karl Hardman, actor Judith O'Dea, and more; archival interviews with Romero and actors Duane Jones and Judith Ridley; new programs about the editing, the score, and directing ghouls; new interviews with Gary R. Streiner and Russel W. Streiner; trailer, radio spots, and TV spots; an essay by critic Stuart Klawans.
NEW 4K scan of the film taken from the best surviving archival print.
... «and the old» (in chronological order) Perepoloch (Turmoil, Aleksandr Levšin, 1928)-- archival revelations happen Chlib (Bread, Mykola Špikovskij, 1929) Perekop (Perekop, Ivan Kavaleridze, 1930) * Kvartira nemca (The Apartment of a German, Mojsej Berov & Aleksandr Medvedkin, 1945)-- ecstasy (thanks to the Belye Stolby Festival) Leave Her to Heaven (John M. Stahl, 1945) Giorni di gloria (Days of Glory, Luchino Visconti, Giuseppe De Santis, Mario Serandrei, Marcello Pagliero, 1945) Morituri (Eugen York, 1948) Strange Victory (Leo Hurwitz, 1948) * Guān liánzhǎng (Platoon Commander Guan, Shí Hūi, 1951) Tiān xiānpèi (The Heavenly Match, Shí Hūi, 1955)-- some match that is Die Welt horcht auf (The World Pricks up Its Ears, Max Jaap und Karl - Eduard von Schnitzler, 1957) Ósmy dzień tygodnia (The Eighth Day of the Week, Aleksander Ford, 1958) The Lineup (Don Siegel, 1958) * Čovek i zver (Man and Beast, Edwin Zbonek, 1963) Lo scandalo (The Scandal, Anna Gobbi, 1966)-- revelations happen (now give us a film print) Gorke trave (Witness Out Of Hell, Živorad Mitrović, 1967) Nemirni (The Naughty Ones, Vojislav «Kokan» Rakonjac, 1967) I cannibali (The Cannibals, Liliana Cavani, 1969) Sziget a szárazföldön (Island on the Continent, Elek Judit, 1969) * Two Mules for Sister Sara (Don Siegel, 1970) Making of «Nedostaje mi Sonja Henie» (Making of «I Miss Sonia Henie», 1972)-- KarpoGODina * Hans — ein Junge in Deutschland (Hans — A Boy in Germany, Sohrab Shahid Saless, 1985)-- a lesson in (TV) history * Barbara (Nils Malmros, 1997)-- how could I not like iof a German, Mojsej Berov & Aleksandr Medvedkin, 1945)-- ecstasy (thanks to the Belye Stolby Festival) Leave Her to Heaven (John M. Stahl, 1945) Giorni di gloria (Days of Glory, Luchino Visconti, Giuseppe De Santis, Mario Serandrei, Marcello Pagliero, 1945) Morituri (Eugen York, 1948) Strange Victory (Leo Hurwitz, 1948) * Guān liánzhǎng (Platoon Commander Guan, Shí Hūi, 1951) Tiān xiānpèi (The Heavenly Match, Shí Hūi, 1955)-- some match that is Die Welt horcht auf (The World Pricks up Its Ears, Max Jaap und Karl - Eduard von Schnitzler, 1957) Ósmy dzień tygodnia (The Eighth Day of the Week, Aleksander Ford, 1958) The Lineup (Don Siegel, 1958) * Čovek i zver (Man and Beast, Edwin Zbonek, 1963) Lo scandalo (The Scandal, Anna Gobbi, 1966)-- revelations happen (now give us a film print) Gorke trave (Witness Out Of Hell, Živorad Mitrović, 1967) Nemirni (The Naughty Ones, Vojislav «Kokan» Rakonjac, 1967) I cannibali (The Cannibals, Liliana Cavani, 1969) Sziget a szárazföldön (Island on the Continent, Elek Judit, 1969) * Two Mules for Sister Sara (Don Siegel, 1970) Making of «Nedostaje mi Sonja Henie» (Making of «I Miss Sonia Henie», 1972)-- KarpoGODina * Hans — ein Junge in Deutschland (Hans — A Boy in Germany, Sohrab Shahid Saless, 1985)-- a lesson in (TV) history * Barbara (Nils Malmros, 1997)-- how could I not like iof Glory, Luchino Visconti, Giuseppe De Santis, Mario Serandrei, Marcello Pagliero, 1945) Morituri (Eugen York, 1948) Strange Victory (Leo Hurwitz, 1948) * Guān liánzhǎng (Platoon Commander Guan, Shí Hūi, 1951) Tiān xiānpèi (The Heavenly Match, Shí Hūi, 1955)-- some match that is Die Welt horcht auf (The World Pricks up Its Ears, Max Jaap und Karl - Eduard von Schnitzler, 1957) Ósmy dzień tygodnia (The Eighth Day of the Week, Aleksander Ford, 1958) The Lineup (Don Siegel, 1958) * Čovek i zver (Man and Beast, Edwin Zbonek, 1963) Lo scandalo (The Scandal, Anna Gobbi, 1966)-- revelations happen (now give us a film print) Gorke trave (Witness Out Of Hell, Živorad Mitrović, 1967) Nemirni (The Naughty Ones, Vojislav «Kokan» Rakonjac, 1967) I cannibali (The Cannibals, Liliana Cavani, 1969) Sziget a szárazföldön (Island on the Continent, Elek Judit, 1969) * Two Mules for Sister Sara (Don Siegel, 1970) Making of «Nedostaje mi Sonja Henie» (Making of «I Miss Sonia Henie», 1972)-- KarpoGODina * Hans — ein Junge in Deutschland (Hans — A Boy in Germany, Sohrab Shahid Saless, 1985)-- a lesson in (TV) history * Barbara (Nils Malmros, 1997)-- how could I not like iof the Week, Aleksander Ford, 1958) The Lineup (Don Siegel, 1958) * Čovek i zver (Man and Beast, Edwin Zbonek, 1963) Lo scandalo (The Scandal, Anna Gobbi, 1966)-- revelations happen (now give us a film print) Gorke trave (Witness Out Of Hell, Živorad Mitrović, 1967) Nemirni (The Naughty Ones, Vojislav «Kokan» Rakonjac, 1967) I cannibali (The Cannibals, Liliana Cavani, 1969) Sziget a szárazföldön (Island on the Continent, Elek Judit, 1969) * Two Mules for Sister Sara (Don Siegel, 1970) Making of «Nedostaje mi Sonja Henie» (Making of «I Miss Sonia Henie», 1972)-- KarpoGODina * Hans — ein Junge in Deutschland (Hans — A Boy in Germany, Sohrab Shahid Saless, 1985)-- a lesson in (TV) history * Barbara (Nils Malmros, 1997)-- how could I not like iOf Hell, Živorad Mitrović, 1967) Nemirni (The Naughty Ones, Vojislav «Kokan» Rakonjac, 1967) I cannibali (The Cannibals, Liliana Cavani, 1969) Sziget a szárazföldön (Island on the Continent, Elek Judit, 1969) * Two Mules for Sister Sara (Don Siegel, 1970) Making of «Nedostaje mi Sonja Henie» (Making of «I Miss Sonia Henie», 1972)-- KarpoGODina * Hans — ein Junge in Deutschland (Hans — A Boy in Germany, Sohrab Shahid Saless, 1985)-- a lesson in (TV) history * Barbara (Nils Malmros, 1997)-- how could I not like iof «Nedostaje mi Sonja Henie» (Making of «I Miss Sonia Henie», 1972)-- KarpoGODina * Hans — ein Junge in Deutschland (Hans — A Boy in Germany, Sohrab Shahid Saless, 1985)-- a lesson in (TV) history * Barbara (Nils Malmros, 1997)-- how could I not like iof «I Miss Sonia Henie», 1972)-- KarpoGODina * Hans — ein Junge in Deutschland (Hans — A Boy in Germany, Sohrab Shahid Saless, 1985)-- a lesson in (TV) history * Barbara (Nils Malmros, 1997)-- how could I not like it?
Criterion's buffed - up, 2K Blu - ray transfer of Here Comes Mr. Jordan has eliminated any signs of print damage or archival aging.
Under the supervision of the Director of Photography, responsibilities will include: • Work with editors and reporters to identify and coordinate opportunities for visual storytelling • Work with staff to research and implement new and creative ways to display photographs online • Utilize social media to promote photographic work to engage and build reader interest • Work collaboratively with Web team, page designers, and editors in photo selection and display • Assist with efforts to engage an online audience via EdWeek's vast archival content, including both print and digital photos
Now that we can mimic the tactile and aesthetic pleasure of print magazines with tablet and mobile apps, at a lower cost, with the immediacy and archival capability of online, there is no reason to fear the decline of the publishing industry.
Digital radiography has the advantages over conventional film radiographs in that it uses approximately 1/3 of x-radiation to create the image, the ability to enlarge the image to see small changes, increase or decrease contrast to help small lesions show up better, archival of images on a hard drive or back - up disc, easy retrieval, and the ability to print the images for client education.
The expansive open plan entertainment and living space with full kitchen takes in uninterrupted views of Mount Coot - tha and the Brisbane city skyline, whilst Michael Johnson archival prints adorn the walls and bring the space to life.
Featuring Art Series Signature bedding, a balcony, 42» TV's, Foxtel, workspace, Michael Johnson archival prints, art library, art channel, mini-bar and private ensuite bathroom, our apartments offer the luxuries of home without the commitment of a long - term rental.
Featuring a balcony, Art Series Signature king size bed, 42 inch TVs, Foxtel, workspace, Michael Johnson archival prints, art library, art channel, minibar and private ensuite bathroom, our apartments offer the luxuries of home without the commitment of long - term rental.
The art prints are in a 6X6 inch giclee format, printed using archival inks and acid - free paper and available in a randomly assorted bag of five, or in a complete set of 32 for players to collect, trade, and frame.
Floating World has posted auctions for dozens of original art and one - of - a-kind archival prints with a starting price of just $ 9.99 — a lot of them are still very cheap due to the low number of bids, and many of the auctions close as soon as tomorrow.
Donators at $ 200 or more will get their choice of either set of these pictured 5 «x3» archival - quality giclee prints featuring the art of Scott C, illustrator and artist at Double Fine, the studio behind games like PSYCHONAUTS, BRUTAL LEGEND, COSTUME QUEST, TRENCHED & ONCE UPON A MONSTER.
So here is the real defining factor of archival permanence of inkjet prints.
Advances in technology have made it seemingly easy for artists to produce beautiful archival inkjet prints of their -LSB-...]
Advances in technology have made it seemingly easy for artists to produce beautiful archival inkjet prints of their work.
Jessica Eaton, Additive Colour Wheel in 12 parts: swatches mixed in camera via filtration of the primaries Red, Green, Blue, Triangular Pyramid base paint 9 % Grey, 2012, archival pigment print, 50 x 40 inches.
I've also added archival photo prints of my work as an affordable alternative to giclees.
Jose Dávila Untitled (Untitled (to the real Dan Hill) 1b), 2015 framed archival pigment print on paper paper: 69 1/4 x 55 1/8 inches (176 x 140 cm) framed: 70 3/4 x 56 5/16 x 3 inches (179.7 x 143 x 7.6 cm) edition of 4 with 1 AP JDa - 15.41
Kameelah Janan Rasheed shares materials from her personal archival collection of printed matter, including small press publications, magazine articles on independent black schools, textbooks and curriculum...
Image Credit: Iñigo Manglano - Ovalle, Suzanne, Fermin and Mel (from The Garden of Delights), 1998/2015, archival pigment prints triptych: 60-3/4 x 23-3/4 x 1-3/4» each panel, 60-3/4 x 75-1/2 x 1-3/4» overall.
BOB ADELMAN (1930 - 2016) James Rosenquist in his studio in front of the mural, «Star Thief» photograph 1981 (printed later) archival pigment print, AP, signed paper size > 30 x 15.75 inches
BOB ADELMAN (1930 - 2016) Andy Warhol in Gristedes with Campbell Soup Cans photo 1965 [printed later] archival pigment print, edition of 50 stamped by the Bob Adelman Estate, numbered paper > 16 x 20 inches
Dark Star (DSH) 2008 Archival pigment print on rag paper Image Dimensions: 40 x 50 inches (101.6 x 127 cm) Frame Dimensions: 45 x 55 x 1 3/4 inches (111.8 x 137.2 cm) Edition of 3 ARG # DJ2008 - 003
In a new Art21 «Exclusive,» artist Brian Jungen creates two - sided prints from archival newspaper clippings, revealing the lens of otherness through which Native people are frequently viewed.
Each archival pigment print is proofed and printed by Ruddy at Digital Silver Imaging, one of the finest photography labs in the US.
Set of five archival pigment prints.
Tanja Hollander, Mike, Fanny, Martin + Maya Ladd, Paris, France, 2014, archival pigment print, Collection of deCordova Sculpture Park and Museum.
James Casebere Cabana, 2017 framed archival pigment print mounted to dibond paper: 66 3/4 x 46 5/8 inches (169.5 x 118.4 cm) framed: 69 7/16 x 49 5/16 x 2 1/4 inches (176.4 x 125.3 x 5.7 cm) edition of 5 with 2 APs JC - 265
BOB ADELMAN (1930 - 2016) Roy Lichtenstein poses below his version of Constantin Brancusi's Sleeping Muse in his New York apartment in 1983 photograph 1983 (printed later) archival pigment print, edition 1/20, signed paper size > 19 x 19 inches
Bey's limited - edition archival print, Five Children, was part of the Fine Print Program, and selected images from his body of work are part of Light Work's expansive permanent Collecprint, Five Children, was part of the Fine Print Program, and selected images from his body of work are part of Light Work's expansive permanent CollecPrint Program, and selected images from his body of work are part of Light Work's expansive permanent Collection.
Jose Dávila Untitled (Big Painting No. 6), 2016 archival pigment print paper: 41 3/4 x 57 15/16 inches (106 x 147.2 cm) framed: 43 5/16 x 59 1/2 x 3 inches (110 x 151 x 7.5 cm) edition of 4 with 1 AP JDa - 16.231
Dark Star (DSB) 2008 Archival pigment print on rag paper Image Dimensions: 40 x 50 inches (101.6 x 127 cm) Paper Dimensions: 44 x 54 inches (111.8 x 137.2 cm) Edition of 3 ARG # DJ2008 - 001
BOB ADELMAN (1930 - 2016) Roy Lichtenstein in front of «Bauhaus Stairway; Large Version,» a mural for I. M. Pei's new building for the Creative Artists Agency, Inc, Los Angeles photograph 1989 (printed later) archival pigment print, edition 1/20, signed paper size > 30 x 22.25 inches
Hand - tinted chromogenic color prints of photographs on archival paper.
BOB ADELMAN (1930 - 2016) James Rosenquist in his studio, working on the painting, «Fahrenheit 1982», currently in the collection of MOMA photograph 1981 (printed later) archival pigment print, AP, signed paper size > 30 x 20.5 inches
For the first time in Europe, the Steven Kasher Gallery artist Stephen Shames is presenting an exhibition of original prints and archival materials that retrace his investigation into 1960s - 70s America.
«Ceramics and Smog», 2011, acrylic and pastel on archival pigment print, 54 x 44 inches, Courtesy of American Contemporary and West St. Gallery