Sentences with phrase «archive as»

Established in 2003 to carry forward Fred Rogers» important legacy, the Center is the official home of the Fred Rogers Archive as well as a straightforward, understanding, and compassionate voice for the healthy social and emotional development of children birth to age 8.

A free business card is included in the theme archive as well.

For instance, users can view the text from full Gmail messages and reply or archive them as they please.

[xix] The anomaly in the FLSC archive as between 1999 and 1998 was in the practising - exempt category.

The LOC describes this archive as a «selective collection of authoritative sites» associated with law schools, research institutes, think tanks, and other expertise - based organizations.

The Library of Congress has chosen Slaw as one of the legal blogs it will archive as part of one of its four current web capture projects.

In this case, both the Virginia and Arizona school systems required the students to submit papers via Turnitin, which would evaluate them for originality and also archive them as a basis for evaluating subsequent submissions.

The reference snapshot is also based on the status of the CMIP5 data archive as of March 15, 2013.1

Over a period of three years the Nevada Museum of Art will take the Cape Farewell archive as part of their unique Environmental Archive that includes Burning Man.

Nevada Museum of Art to hold the Cape Farewell archive as part of their unique Environmental Archive»

Using unprecedented access to Burden's archive as well as candid footage filmed with the artist in the final years of his life, this documentary film is a revealing portrait of the man behind some of the most thought provoking and influential artworks of the past 50 years.

HANK WILLIS THOMAS «One - Way Ticket: Jacob Lawrence's Migration Series and Other Visions of the Great Movement North» (Museum of Modern Art, New York) I love the archive as much as I love fine art.

Sarah Charlesworth's recontextualized newspapers, a comparison of The Family of Man by Edward Steichen and Steve McQueen, typologies by the Bechers, Karl Blossfeldt, Dan Graham, and others, the photographic archive as a tool of social control, series - based portraiture by artists August Sander, VALIE EXPORT, Claude Cahun, Bea Nettles, Annette Messager, and Sophie Calle, the passage of space and time in works by Ed Ruscha, Duane Michals, Minor White, William Christenberry, and Atta Kim, photographic documention of artistic process, observation and experimentation, the photobook as a traveling idea, the slide show as performed sequence, Eadweard Muybridge and the illusion of motion, sequential narrative in works by Jan Groover, Eleanor Antin, and Chris Marker, compressing time in video works by Andy Warhol and Paul Pfeiffer, and more...

New materials are being processed, digitized, and added to the Digital Archive as they become available.

Muriel Hasbun began the barquitos de papel collective archive as a Fulbright Scholar in El Salvador in 2006.

Drawing from works in Asawa's extensive archive as well as important loan contributions, the exhibition begins with her earliest works, drawings and paintings created in the 1940s at Black Mountain College, the famous experimental art school in North Carolina.

She has been instrumental in launching Artists Thrive, a field - wide tool to assesses and improve conditions for artists across the country, and Exhibitions on the Cusp, a year - long online periodical that features stories from the Exhibition Award archive as a discussion platform for the progressive advancement of contemporary art.

Travel through time with Koh Nguang How's archive as he recreates The Time Show, a 24 - hour performance, organised by The Artists Village from New Year's Eve of 1989 to New Year's Day of 1990.

In any event, what I'm left with after continually encountering Frida's Instagram thread for the past several years is, this is nothing short of a mobile repository, a litany of residua, a voluptuous trail of black continuity, pyramid schemata as densely inscribed as any book of the dead, not so much an archive as an ark, a borne witness to the singularity that is blackness.

This explains the significance in his oeuvre of the object and the archive as tangible traces of History and of wounds that demand reparation.

The Archive as a Site of Artistic Research (n.b.k. Berlin, before LENTOS, Linz) and a retrospective on Ernst Caramelle at mumok, Vienna.

Artists Martha Wilson and Chanel Von Habsburg - Lothringen will offer inter-generational perspectives on feminism, performance, and the archive as they relate to their respective practices.

The new combined facility of the Govett - Brewster and Len Lye Centre will offer a unique and independent curatorial voice given its dual focus on both contemporary international art practice, and the Len Lye Collection and Archive as a significant Modernist single - artist collection.

This work is recorded in the Leon Golub Archive as No.

Ruangkritya has involved in many exhibitions in and out of the country and the previous exhibitions include «LANDSCAPE: Hotel Asia Project» (Traveled from Gallery Soap, Fukuoka to China, Thailand and Tokyo University of the Arts, Japan, 2016 - 2017), «Omnivoyeur» - a visual and sound project with Christina Kubisch (Bangkok Art and Cultural Center, Thailand, 2016), «Dream Property» (Bangkok CityCity Gallery, Thailand, 2016), «The Archive as Conversation» (Singapore Photography Festival, Singapore, 2016) and «Urban and Reflections: Contemporary Thai Photography» (Otterbein University, Ohio, USA, 2016).

An Archive as Impetus performance in MoMA's Agnes Gund Garden Lobby, 2013, where artist Xaviera Simmons read a list of demands, including to «erase sexism at MoMA» clearly made an impression on the Museum leadership.

Rather than amassing a personal photo archive as documentation of our individual history and private experiences, we now put great emphasis on the instantaneous snapshot that is immediate and fleeting.

This show gathers elements from that archive as well as video works by a range of Los Angeles artists, including Jim Shaw, Susan Mogul and Reza Abdoh.

She utilizes this archive as source material for her installation projects.

«CCS Bard is a great home for this archive as it speaks to our strengths and includes many significant overlaps with artists represented in the Hessel Collection, and the exhibition history of CCS Bard and the Hessel Museum of Art.

The archive as physical property is examined within Lawrence Lek's «Memory Palace» (2014) video, taking its audience on a virtual tour of an imagined Tabularium space in which server racks and monitor screens take the place of inscribed tablets.

Additionally the exhibition includes a series of visualizations and sonifications generated from both the collected worries archive as well as worry - related Internet searches.

The original Roman Tabularium was closed to the public but the works on show at Melbourne's Slopes gallery examine the modern archive as a public resource, actively created, modified and consumed on a daily basis.

Umbrico will discuss her use of photo - sharing and consumer websites as an expansive archive as she navigates between producer and consumer.

A multi-platform presentation of performance projects that engage archive as medium, «Performance Archiving Performance» offers the opportunity to reassess the role of archives and the museum's responsibility for their evolving forms.

To celebrate the launch, Habsburg - Lorthringen and Martha Wilson offered inter-generational perspectives on feminism, performance, and the archive as they relate to their respective practices at a talk titled, «Framing Femininity» at the Independent Curators International in NYC.

Tarek El - Ariss addresses the thinking behind the research exhibition From the Archive that accompanies No to the Invasion and how he considers reading the archive as a tool for understanding affective histories of Arabs in the modern era.

Harris reaches into the past through his photographic archive as an allegory of history repeating itself.

In this exhibition, Sohrens explores the physical traces of the archive as well as broader questions about originality and authorship.

Whether this happens in the form of projects dealing with real archival material or artworks in which artists use the archive as a theme (sometimes even inventing material), the idea of the archive continues to be an undeniable force and organizing structure in exhibitions today.

Using my personal archive as source material, the work questions the nature of image production, circulation, and distribution.

Selected solo and group exhibitions for 2013 - 2014 include Archive As Impetus at The Museum Of Modern Art; Underscore at The Aldrich Contemporary Art Museum; Open at David Castillo Gallery; Rehearsals at The Savannah College Of Art and Design; and Radical Presence at The Studio Museum in Harlem among many others.

«Living History: Xaviera Simmons and Archive as Impetus.»

Selected solo and group exhibitions include Archive As Impetus at The Museum Of Modern Art; Underscore at The Aldrich Contemporary Art Museum; and Radical Presence at The Studio Museum in Harlem among many others.

[89][90] Google rebranded the archive as Google Groups, and by the end of the year, it had expanded the history back to 1981.

I used to keep copies on this site, but I realized that they are all in the Internet Archive as far back as 2001.

Users with EPUB readers benefit from the additional metadata and automatic table of contents, but those without can simply treat the EPUB archive as a normal ZIP file and view the XHTML contents in a browser.

This is a fantastic resource as videos and training clips are frequently added to the archive as well.

The biennial Bangkok Experimental Film Festival had its sixth incarnation from 24 January to 5 February 2012 with a focus on the archive as...

Additionally, due to overwhelming fan demand, iZOMBIE comes to Blu - rayTM courtesy of Warner Archive as individual Season 1 and Season 2 offerings.