Sentences with phrase «archive at»

I also referred to the Callendar archive at the University of East Anglia, contrasting Callendar's «meticulous» recordkeeping with Phil Jones» casual failure to preserve original station data.

For example, his papers form an important and treasured archive at the University of East Anglia:

This sad state of affairs would not have arisen if Dr Forest had been required to place all the data and computer code used for the study in a public archive at the time of publication.

In searching on the archive at MIT, I have located 33 runs from the GRL 2006 paper that we can use for testing certain questions but the remaining data was not found.

Studio International spoke to Dabrowska about her installation A Lebanese Archive at the opening of the group show From Ear to Ear to Eye at Nottingham Contemporary.

The new John Singer Sargent Archive at the Museum of Fine Arts includes a trove of the artist's correspondence, including letters to his friend Claude Monet.

Museum collections include Whitney Museum (Artport), Rhizome Artbase at the New Museum, New York; ThresholdsNew Media Collection Scotland; Rose Goldsen Archive at Cornell, Experimental Television Center, Kemper Museum, Taylor Museum for Southwestern Studies; and in embassies for the Art - in - Embassies program, US Department of State.McPhee lives and works in central coast California.

This catalog includes highlights from recent editions created at Gemini G.E.L., all part of the Gemini G.E.L. Archive at the National Gallery of Art.

The works were selected from the Gemini G.E.L. Archive at the National Gallery.

In 1981, the Gemini G.E.L. Archive at the National Gallery of Art was founded through a gift of 256 prints and sculpture editions produced by 22 contemporary artists working at the Los Angeles facility.

Or of the Crown Point Press archive at the Achenbach Foundation for Graphic Arts, the prints and drawings department of the Fine Arts Museums of San Francisco, to which the print publisher donates works from its latest editions.

Cajsa von Zeipel presented solo exhibition Insulting the archive at London's Arcadia Missa, which opened June 24 and is running to July 29.

In 2017, his work was included in numerous group exhibitions, including Solidary and Solitary: The Joyner / Giuffrida Collection which will travel to institutions such as the Baltimore Museum of Art, Berkeley Art Museum and Pacific Film Archive at University of California, Nasher Museum of Art at Duke University, and the Perez Art Museum Miami.

Supported by an Arts Award from the Wellcome Trust, The False Memory Archive at Carroll / Fletcher's new project space will be a series of works developed by Hopwood in collaboration with experimental psychologists, members of the public and a cast of fictional characters that reflect on the history and consequences of false memory research.

Working with «The Flora of Iraq» archive at the Royal Botanic Gardens, Kew, in London and living plants from the Royal Botanic Gardens Edinburgh, Abbas has enlarged the plant species to human scale.

In 2016, she was awarded a full scholarship from the Andrew Mellon Foundation, where she obtained her Honours in Curatorial Studies from the Centre for Curating the Archive at the University of Cape Town with distinction (2017).

archive at the Lion and the Lamb as one of a dozen highlights for June in his ArtLyst feature.

Marsden Hartley's personal archive at the Bates College Museum of Art not only provides a wealth of information about the artist's life, relationships, and interests, but demonstrates his attempt to construct both a personal history and a public identity.

Ancestors and Descendants: Ancient Southwestern America at the Dawn of the Twentieth Century will be the first comprehensive exhibition of nineteenth century photography, southwestern artifacts and archival research from the George Hubbard Pepper Native American Archive at Tulane University.

The distinguished jury that selected the 2013 Pritzker Laureate consists of its chairman, The Lord Palumbo, internationally known architectural patron of London, chairman of the trustees, Serpentine Gallery, former chairman of the Arts Council of Great Britain, former chairman of the Tate Gallery Foundation, and former trustee of the Mies van der Rohe Archive at The Museum of Modern Art, New York; and alphabetically: Alejandro Aravena, architect and executive director of Elemental in Santiago, Chile; Stephen Breyer, U.S. Supreme Court Justice, Washington, D.C.; Yung Ho Chang, architect and educator, Beijing, The People's Republic of China; Glenn Murcutt, architect and 2002 Pritzker Laureate of Sydney, Australia; and Juhani Pallasmaa, architect, professor and author of Helsinki, Finland.

There is, elsewhere, a double salute to AA Bronson: a solo show at KW Institute for Contemporary Art and an exhibition mingling his work with General Idea's archive at Esther Schipper.

You can view and search Roman Vishniac's photographic archive at the International Center of Photography «s great website, here.

Iconic Images will present works from The Norman Parkinson Archive at Photo London, Somerset House, 17 - 20 May; photolondon.org

Some of her videos have been anthologized in the «Journal of Short Film» series distributed by Ohio State University and in the Joanie 4 Jackie archive at the Getty Museum.

Selected group exhibitions include: New Archive at LACA, Los Angeles Contemporary Archive, Los Angeles, CA (2014); To the Moon via the Beach, conceived by Philippe Parreno and Liam Gillick, and curated by Tom Eccles, Liam Gillick, Hans Ulrich Obrist, Philippe Parreno and Beatrix Ruf, the Amphitheatre, Arles, France (2012).

Working with the «Flora of Iraq» archive at the Royal Botanic Gardens, Kew, in London and living plants from the Royal Botanic Gardens, Edinburgh, Akhavan has enlarged the plant species to human scale.

Tom Overton catalogued John Berger's archive at the British Library as part of an Arts and Humanities Research Council — funded Collaborative Doctoral Award with King's College London, and edited this book as a Henry Moore Institute Research Fellow and a Fellow of the Centre for Life - Writing Research at KCL.

an - archive is the project Andrea Wolf created for this exhibition and it is meant to be experienced both as a multi-screen installation in the gallery and as an online archive at an - archive.

He is partner of Rivera & Bandler, a New York based design office, which recently completed design for Tony Oursler: Imponderable at the Museum of Modern Art and Tony Oursler: The Imponderable Archive at the CCS Bard Galleries.

Involved in 3 major projects during the programme: a window gallery exhibit based on the Charles L. Pickering archive at LCC, a digital think tank group which culminated in an evening of talks and discussion at South London Gallery.

Please visit the 2013 talk archive at INST - INT's website for additional information.

While in LA: Kiraly attended the New Media Caucus at College Art Association, visited the vast stereograph archive at UC Riverside's California Photography Museum, created a new body of photo collage work at 18th Street Arts Center using images of LA public spaces and other international cities.

Commissioned as part of the South East's Cultural Olympiad's project RELAY, Ådlandsvik was asked to respond to the archives of the National Spinal Injuries Centre archive at Stoke Mandeville hospital.

Recent solo exhibitions include Jason Lazarus: Chicago Works at the Museum of Contemporary Art Chicago, Live Archive at the Contemporary Jewish Museum in San Francisco, and THTK (Toronto) at Gallery TPW in Toronto, CA.

Gwen F. Chanzit is curator of modern art and the Herbert Bayer Collection and Archive at the Denver Art Museum and director of museum studies in art history at the University of Denver.

«Yvonne Rainer: Dances and Films,» drawn mostly from her archive at the Getty Research Institute, surveys her career as a dancer, choreographer, and filmmaker through photographs, audiovisual presentations, writings, and ephemera.

Andy Parkinson reviews the exhibition System Painting Construction Archive at Lion and Lamb Gallery, London, on view through June 15, 2013.

The treasure trove of the archive at Ulm, the hospitality of Aicher's son Florian at Rotis, and the sweet beauty of the town of Isny itself were stops along the way to a greater understanding of the man and his vision, which we bring to life in the book and the exhibition.

Siskind was also one of the founding donors who established the archive at the Center for Creative Photography.

Guest curated by Isabel Schulz, co-editor of the Kurt Schwitters catalogue raisonné and curator of the Kurt Schwitters Archive at the Sprengel Museum Hannover, in collaboration with Menil Director Josef Helfenstein, Color and Collage will present key works from American and European museums and private collections.

Frank Auerbach in his studio with Rembrandt reproductions, 1963 photographed by Jorge Lewinski, Private Collection © The Lewinski Archive at Chatsworth / The Bridgeman Art Library

Black Cinema House is proud to present selected works from the Archive at the Stony Island Arts Bank — drop in to see what's playing from the Archive this week.

In addition to being Curator of the Nam June Paik Archive at the Smithsonian American Art Museum, Hanhardt served as curator for the 2013 exhibition Nam June Paik: Global Visionary.

Before purchasing any work supposedly by Schwitters, it is best to consult the Kurt Schwitters Archive at the Sprengel Museum in Hanover, Germany.

A number of recent archival explorations of its past exhibitions in the ICA's Fox Reading Room and plans to follow the Whitechapel and Tate Britain in putting its archive at the centre of its redeveloped site suggest that the Institute is in a reflective mood.

Image: Cecil Beaton, The Narcissus of» 67: A Mod at the Waterhole of Reddish, 1968 modern silver gelatin print Courtesy of the Cecil Beaton Studio Archive at Sotheby ’s

«We are honored that the LeWitt Collection is allowing us to exhibit this valuable private archive at the Dan Flavin Art Institute.»

RESTORING THE MINOANS: ELIZABETH PRICE AND SIR ARTHUR EVANS A presentation of «A Restoration,» the 2016 video Ms. Price made with materials from the Sir Arthur Evans Archive at Oxford, is paired with some of the Minoan artifacts that British archaeologist unearthed.

These photographs will be shown with snapshots and ephemera from the Center for Curatorial Studies and the Felix Gonzalez - Torres / Carl George / Ross Laycock Archive at Visual AIDS that suggest the distribution and preservation of memories and histories through archives, both personal and public.

Confirmed speakers include: Dr David Anfam (author, Mark Rothko: The Works on Canvas, Yale University Press, 1998); Lindsay Aveilhé (editor, Sol LeWitt: Wall Drawings Catalogue Raisonné); Dr Lee Beard (editor, Ben Nicholson: Catalogue Raisonné of Paintings & Carved Reliefs); Susan Cooke (Director of Programming, the US Catalogue Raisonné Scholars Association, and Associate Director of David Smith Sculptures: A Catalogue Raisonné); Dr Dietmar Elger (Director of the Gerhard Richter Archive at the Staatliche Kunstsammlungen Dresden, and editor of the Gerhard Richter Catalogue Raisonné); Dr Jo Melvin (Director Barry Flanagan Estate and Reader in Fine Art Theory, Archives and Special Collections at Chelsea College of Arts); James Rawlin (independent advisor and curator, formerly Head of Modern and Post-war British Art at Sotheby's); Karen Sanig (Head of Art Law, Mishcon de Reya); Mark Waugh (Head of Research and Innovation, DACS); Sarah Whitfield (editor, William Scott: Catalogue Raisonné of Oil Paintings, Thames & Hudson, 2013).