Sentences with phrase «archive of works on paper»
Highlights include works from the 1950s and 60s by Ivan Albright, Jean Dubuffet, Ibrahim el - Salahi, Yayoi Kusama, Roberto Matta, Robert Motherwell, Mark Rothko, Edward Ruscha, and Dorothea Tanning; a large archive of the works on paper by Sonia Landy Sheridan; noteworthy prints in a variety of media; and a large collection of works by documentary photographers and photojournalists, including Dmitri Baltermants, Susan Meiselas, Ed Grazda, and James Nachtwey.
https://hoodmuseum.dartmouth.edu/ Not exact matches
The work of organising this vast mound of papers has been going on for six years and, says the prefect of the Vatican secret archive, Bishop Sergio Pagano, «will take another year or year and a half».
Forster's research has appeared in the peer - reviewed publications Teachers College Record and Education Working Paper Archive, and his articles on education policy have appeared in the Washington Post, the Los Angeles Times, the Philadelphia Inquirer, Education Next, the Chronicle of Higher Education and numerous other publications.
The Parrish holds the largest public collection of William Merritt Chase (over 40 paintings and works on paper) and an extensive archive, including more than 1,000 photographs relating to the life and work of the artist, in particular family photographs of summers spent on the East End.
For artists on artists, you couldn't beat the tag team of Terrell James, who became intimately familiar with Bess's correspondence and other writings while organizing his papers for the Smithsonian Archives of American Art, and David Aylsworth, who described his evolution from hating Bess's work to finding it a wellspring of fruitful «misinterpretation,» a term Aylsworth said felt more apt than influence.
Sculptures made in steel and alabaster, each illustrating reoccurring themes in Chillida's work, will be shown alongside works on paper, and source materials from the archive of the artist.
Taking over all of the Museum's galleries and featuring more than 260 works, as well as ephemera drawn from the museum's Archives, Clyfford Still: The Works on Paper explores the centrality of drawing to Still's pracworks, as well as ephemera drawn from the museum's Archives, Clyfford Still: The Works on Paper explores the centrality of drawing to Still's pracWorks on Paper explores the centrality of drawing to Still's practice.
This exhibition features over 200 works on paper from the archive of Steven Leiber (1957 — 2012), a pioneering collector and dealer specializing in artists» books, editions and ephemera.
Texas Artists: Paintings, Sculpture, and Works on Paper is a joint digital collections project between Southern Methodist University's Central University Libraries» Bywaters Special Collections and Norwick Center for Digital Services; the Dallas Museum of Art; the Dallas Public Library's Texas / Dallas History & Archives Division and Fine Books Division; the Harry Ransom Center, The University of Texas at Austin; and SMU's Meadows Museum.
In addition, the Parrish holds the largest public collection of William Merritt Chase, consisting of over 40 paintings and works on paper, over 1,000 photographs relating to the artist's life and an extensive archive, according to the museum's website.
Adjacent to the 20th - century galleries will be a group of changing «in - focus» displays which aim to highlight parts of the collection which have traditionally been somewhat hidden — such as the archive and works on paper — as well as showcasing new acquisitions and collaborative work with specialists both in and out of the gallery.
Drawing from the psychological underbelly of humanity, Parker's work develops from crude and witty musings incessantly scribbled on thousands of papers and gathered into an archive.
Published on the occasion of her 2013 exhibition at Aspen Art Museum, Lorna Simpson: Works on Paper highlights four recent bodies of work on paper that explore the complex relationship between the photographic archive and processes of self - fashioning, including a new group of works being developed during her time as the AAM's 2013 Jane and Marc Nathanson Distinguished Artist in ResidWorks on Paper highlights four recent bodies of work on paper that explore the complex relationship between the photographic archive and processes of self - fashioning, including a new group of works being developed during her time as the AAM's 2013 Jane and Marc Nathanson Distinguished Artist in ResidPaper highlights four recent bodies of work on paper that explore the complex relationship between the photographic archive and processes of self - fashioning, including a new group of works being developed during her time as the AAM's 2013 Jane and Marc Nathanson Distinguished Artist in Residpaper that explore the complex relationship between the photographic archive and processes of self - fashioning, including a new group of works being developed during her time as the AAM's 2013 Jane and Marc Nathanson Distinguished Artist in Residworks being developed during her time as the AAM's 2013 Jane and Marc Nathanson Distinguished Artist in Residence.
The work selected for this show present the various viewpoints from mugshots of the artists» family members in Tyanna Buie's large works on paper, to the artist - as - collaborator and documentarian of addressing the struggles of family members neighbors and victims in the black and white photography by Carlos Javier Ortiz and the video installation and archive by Tirtza Even.
Bringing together more than a decade of the artist's acclaimed work, this unique exhibition includes several of her largescale sculptural installations alongside paintings, works on paper and archive materials.
Today the Leeds sculpture collections comprise over 800 objects, 400 works on paper and the Henry Moore Institute Archive of over 270 collections of sculptors» papers.
2000 The Work Shown in this Space is a Response to the Existing Conditions and / or Work Previously Shown Within the Space III, Neuger Riemschneider, Berlin, DE Sequences, Galerie Roger Pailhas, Marseille, FR La Frontière, Recit d'Expériences, one of several exhibitions collectively entitled «Réseau Galleries / Multilangages de l'Art», Institut d'Art Contemporain - FRAC Rhône - Alps, Villeurbanne / Collège de Prévessin - Moëns (Ain), Academie de Lyon, FR TransAct - Platform for Transitional Activities in the Cultural Field, «Museum in Pro-gress» in cooperation with «Art Pool», Vienna, AT Shoot: Moving Pictures by Artists, Malmö Konsthall / The Cinema Spegeln / Restaurant Hipp, Malmö, SW; Living Art Museum, IS, as part of Kyikar Myndir show, Reykjavik, IS Never Exhibited: Works from the Marieluise Hessel Collection, Center for Curatorial Studies, Bard College, Annandale, New York, US Copyright / Copywrong, Ecole Régionale des Beaux - Arts de Nantes, Nantes, FR Thirtieth Anniversary Benefit Silent Auction, White Columns, New York, US Two by Two for Aids and Art, Dallas Museum of Art, Dallas, Texas, US Dust and Dirt, De Witte Zaal in cooperation with SMAK, Ghent, BE L'Elemento Verbale Nell» Arte Contemporanea, Galleria Martano, Torino, IT; Galleria Martano, Milan, IT Sentimental, Galerie Yvon Lambert, Paris, FR Die Natur der Dinge, NRW - Forum Kultur und Wirtschaft, Düsseldorf, DE Pure, one of several simultaneous exhibitions around UK, collectively entitled On the FRAC Track: A Selection of International Art from the Collection of Fonds Régional d'Art Contemporain (FRAC), Nord - Pas de Calais, Maidstone Library Gallery, Maidstone, UK Under the Apple Tree, Galleria Massimo de Carlo, Milan, IT A Tribute to Robert Hopper, Yorkshire Sculpture Park, West Yorkshire, UK From Here to There - Passageways at Solitude, Akademie Schloss Solitude, Stuttgart, DE Topologies, White Box, New York, US Multiple Configurations: Displaying the Contemporary Portfolio, Busch - Reisinger Museum, Harvard University, Cambridge, Massachusetts, US Heimatweh — Fernlust, Galerie Herbert Winter, Vienna, AT In the Mirror of Space and Time, Listasafns ASÍ, Reykjavik, IS Árátta, Listasafn Kópavogur, Reykjavik, IS Recent Works on Paper, Leo Castelli Gallery, New York, US Présumés Innocents: l'Art Contemporain et l'Enfance, Musée d'Art Contemporain, Bordeaux, FR l'Oeuvre Collective, les Abattoirs, Toulouse, FR Arteast 2000 + The Art of Eastern Europe in Dialogue with the West, from the 1960s to the Present, Moderna Galerija Ljubljana, SL Works by Peter Friedl, Thomas Hirschhorn, Lawrence Weiner, Arndt & Partner [Gallery], Berlin, DE (E Così Via)(And So On): 99 Artisti Della Collezione Marzona, Galleria Comunale d'Arte Moderna e Contemporanea, Rome, IT Collection Lambert en Avignon: Rendez - vous # 1, Rendez - vous # 2, January 12 - December 31, Hôtel de Caumont, Avignon, FR Wallpapers, Art Gallery of Nova Scotia & Nova Scotia College of Art and Design, Halifax, CA Orbis Terrarum: Ways of Worldmaking, Museum Plantin - Moretus, Antwerp, BE Drawings 2000, Barbara Gladstone Gallery, New York, US Von Edgar Degas bis Gerhard Richter / Arbeiten auf Papir aus der Graphischen Sammlung..., Kunstmusem Winterthur, Winterthur, US; Nationalgalerie Prag, CZ; Rupertinum, Salzburg, AT; Westfälischer Landesmuseum, Münste, DE; Neues Museum, Nürnberg, DE Proposals from Halifax: An Exhibition of Selected Typescripts, Flyers, Posters, Catalogues, Books, Mailers and Postcards of a Conceptual Nature Produced From 1969 to 1999 by Affiliates of the Nova Scotia College of Art and Design (NSCAD), Library and Archives - National Gallery of Canada, Ottawa, CA Stanze, Museums für Moderne Kunst / Museo d'Arte Moderna, Bozen / Bolzano, IT Tempus Fugit - Time Flies, Nelson - Atkins Museum of Art, Kansas City, Kansas, US In Process: Photographs from the 60s and 70s, Curt Marcus Gallery, New York, US Many Colored Objects Placed Side by Side to Form a Row of Many Colored Objects: Anton & Annick Herbert Collection, Casino Luxembourg - Forum d'Art Contemporain, LUBeyond Preconceptions: The Sixties Experiment, Independent Curators Inc., New York, US; traveling exhibition Hard - Pressed: 600 Years of Print and Process, International Print Center, New York, US Changing Perceptions: The Panza Collection, Guggenheim Museum, Bilbao, ES Talking Heads: Arti e Letterature nell» era della Globalizzione, Commune di Padova - Settore Attività Culturali, Padua, IT Festival de les Arts, Fundació Pro-Penedès, Barcelona, ES Editions and Multiples 1990 - 2000, Helga Maria Klosterfelde, Hamburg, DE Collection Lambert, Fundacio ProPenedès, Barcelona, On the FRAC Track: A Selection of International Art from the Collection of Fonds Régional d'Art Contemporain (FRAC), Nord - Pas de Calais, Maidstone Library Gallery, Maidstone, UK Under the Apple Tree, Galleria Massimo de Carlo, Milan, IT A Tribute to Robert Hopper, Yorkshire Sculpture Park, West Yorkshire, UK From Here to There - Passageways at Solitude, Akademie Schloss Solitude, Stuttgart, DE Topologies, White Box, New York, US Multiple Configurations: Displaying the Contemporary Portfolio, Busch - Reisinger Museum, Harvard University, Cambridge, Massachusetts, US Heimatweh — Fernlust, Galerie Herbert Winter, Vienna, AT In the Mirror of Space and Time, Listasafns ASÍ, Reykjavik, IS Árátta, Listasafn Kópavogur, Reykjavik, IS Recent Works on Paper, Leo Castelli Gallery, New York, US Présumés Innocents: l'Art Contemporain et l'Enfance, Musée d'Art Contemporain, Bordeaux, FR l'Oeuvre Collective, les Abattoirs, Toulouse, FR Arteast 2000 + The Art of Eastern Europe in Dialogue with the West, from the 1960s to the Present, Moderna Galerija Ljubljana, SL Works by Peter Friedl, Thomas Hirschhorn, Lawrence Weiner, Arndt & Partner [Gallery], Berlin, DE (E Così Via)(And So On): 99 Artisti Della Collezione Marzona, Galleria Comunale d'Arte Moderna e Contemporanea, Rome, IT Collection Lambert en Avignon: Rendez - vous # 1, Rendez - vous # 2, January 12 - December 31, Hôtel de Caumont, Avignon, FR Wallpapers, Art Gallery of Nova Scotia & Nova Scotia College of Art and Design, Halifax, CA Orbis Terrarum: Ways of Worldmaking, Museum Plantin - Moretus, Antwerp, BE Drawings 2000, Barbara Gladstone Gallery, New York, US Von Edgar Degas bis Gerhard Richter / Arbeiten auf Papir aus der Graphischen Sammlung..., Kunstmusem Winterthur, Winterthur, US; Nationalgalerie Prag, CZ; Rupertinum, Salzburg, AT; Westfälischer Landesmuseum, Münste, DE; Neues Museum, Nürnberg, DE Proposals from Halifax: An Exhibition of Selected Typescripts, Flyers, Posters, Catalogues, Books, Mailers and Postcards of a Conceptual Nature Produced From 1969 to 1999 by Affiliates of the Nova Scotia College of Art and Design (NSCAD), Library and Archives - National Gallery of Canada, Ottawa, CA Stanze, Museums für Moderne Kunst / Museo d'Arte Moderna, Bozen / Bolzano, IT Tempus Fugit - Time Flies, Nelson - Atkins Museum of Art, Kansas City, Kansas, US In Process: Photographs from the 60s and 70s, Curt Marcus Gallery, New York, US Many Colored Objects Placed Side by Side to Form a Row of Many Colored Objects: Anton & Annick Herbert Collection, Casino Luxembourg - Forum d'Art Contemporain, LUBeyond Preconceptions: The Sixties Experiment, Independent Curators Inc., New York, US; traveling exhibition Hard - Pressed: 600 Years of Print and Process, International Print Center, New York, US Changing Perceptions: The Panza Collection, Guggenheim Museum, Bilbao, ES Talking Heads: Arti e Letterature nell» era della Globalizzione, Commune di Padova - Settore Attività Culturali, Padua, IT Festival de les Arts, Fundació Pro-Penedès, Barcelona, ES Editions and Multiples 1990 - 2000, Helga Maria Klosterfelde, Hamburg, DE Collection Lambert, Fundacio ProPenedès, Barcelona, on Paper, Leo Castelli Gallery, New York, US Présumés Innocents: l'Art Contemporain et l'Enfance, Musée d'Art Contemporain, Bordeaux, FR l'Oeuvre Collective, les Abattoirs, Toulouse, FR Arteast 2000 + The Art of Eastern Europe in Dialogue with the West, from the 1960s to the Present, Moderna Galerija Ljubljana, SL Works by Peter Friedl, Thomas Hirschhorn, Lawrence Weiner, Arndt & Partner [Gallery], Berlin, DE (E Così Via)(And So On): 99 Artisti Della Collezione Marzona, Galleria Comunale d'Arte Moderna e Contemporanea, Rome, IT Collection Lambert en Avignon: Rendez - vous # 1, Rendez - vous # 2, January 12 - December 31, Hôtel de Caumont, Avignon, FR Wallpapers, Art Gallery of Nova Scotia & Nova Scotia College of Art and Design, Halifax, CA Orbis Terrarum: Ways of Worldmaking, Museum Plantin - Moretus, Antwerp, BE Drawings 2000, Barbara Gladstone Gallery, New York, US Von Edgar Degas bis Gerhard Richter / Arbeiten auf Papir aus der Graphischen Sammlung..., Kunstmusem Winterthur, Winterthur, US; Nationalgalerie Prag, CZ; Rupertinum, Salzburg, AT; Westfälischer Landesmuseum, Münste, DE; Neues Museum, Nürnberg, DE Proposals from Halifax: An Exhibition of Selected Typescripts, Flyers, Posters, Catalogues, Books, Mailers and Postcards of a Conceptual Nature Produced From 1969 to 1999 by Affiliates of the Nova Scotia College of Art and Design (NSCAD), Library and Archives - National Gallery of Canada, Ottawa, CA Stanze, Museums für Moderne Kunst / Museo d'Arte Moderna, Bozen / Bolzano, IT Tempus Fugit - Time Flies, Nelson - Atkins Museum of Art, Kansas City, Kansas, US In Process: Photographs from the 60s and 70s, Curt Marcus Gallery, New York, US Many Colored Objects Placed Side by Side to Form a Row of Many Colored Objects: Anton & Annick Herbert Collection, Casino Luxembourg - Forum d'Art Contemporain, LUBeyond Preconceptions: The Sixties Experiment, Independent Curators Inc., New York, US; traveling exhibition Hard - Pressed: 600 Years of Print and Process, International Print Center, New York, US Changing Perceptions: The Panza Collection, Guggenheim Museum, Bilbao, ES Talking Heads: Arti e Letterature nell» era della Globalizzione, Commune di Padova - Settore Attività Culturali, Padua, IT Festival de les Arts, Fundació Pro-Penedès, Barcelona, ES Editions and Multiples 1990 - 2000, Helga Maria Klosterfelde, Hamburg, DE Collection Lambert, Fundacio ProPenedès, Barcelona, On): 99 Artisti Della Collezione Marzona, Galleria Comunale d'Arte Moderna e Contemporanea, Rome, IT Collection Lambert en Avignon: Rendez - vous # 1, Rendez - vous # 2, January 12 - December 31, Hôtel de Caumont, Avignon, FR Wallpapers, Art Gallery of Nova Scotia & Nova Scotia College of Art and Design, Halifax, CA Orbis Terrarum: Ways of Worldmaking, Museum Plantin - Moretus, Antwerp, BE Drawings 2000, Barbara Gladstone Gallery, New York, US Von Edgar Degas bis Gerhard Richter / Arbeiten auf Papir aus der Graphischen Sammlung..., Kunstmusem Winterthur, Winterthur, US; Nationalgalerie Prag, CZ; Rupertinum, Salzburg, AT; Westfälischer Landesmuseum, Münste, DE; Neues Museum, Nürnberg, DE Proposals from Halifax: An Exhibition of Selected Typescripts, Flyers, Posters, Catalogues, Books, Mailers and Postcards of a Conceptual Nature Produced From 1969 to 1999 by Affiliates of the Nova Scotia College of Art and Design (NSCAD), Library and Archives - National Gallery of Canada, Ottawa, CA Stanze, Museums für Moderne Kunst / Museo d'Arte Moderna, Bozen / Bolzano, IT Tempus Fugit - Time Flies, Nelson - Atkins Museum of Art, Kansas City, Kansas, US In Process: Photographs from the 60s and 70s, Curt Marcus Gallery, New York, US Many Colored Objects Placed Side by Side to Form a Row of Many Colored Objects: Anton & Annick Herbert Collection, Casino Luxembourg - Forum d'Art Contemporain, LUBeyond Preconceptions: The Sixties Experiment, Independent Curators Inc., New York, US; traveling exhibition Hard - Pressed: 600 Years of Print and Process, International Print Center, New York, US Changing Perceptions: The Panza Collection, Guggenheim Museum, Bilbao, ES Talking Heads: Arti e Letterature nell» era della Globalizzione, Commune di Padova - Settore Attività Culturali, Padua, IT Festival de les Arts, Fundació Pro-Penedès, Barcelona, ES Editions and Multiples 1990 - 2000, Helga Maria Klosterfelde, Hamburg, DE Collection Lambert, Fundacio ProPenedès, Barcelona, ES
Much of the artist's archives, including documentation, photographs, and works on paper, is damaged or lost.
Lorna Simpson: Works on Paper highlights a recent body of work that explores the complex relationship between the photographic archive and processes of self - fashioning.
SFCR is an interactive digital platform that presents for the first time unique works on paper and new information compiled by Editor Debra Burchett - Lere, Project Manager Beth Ann Whittaker, Contributors Leila Elliott and Stephanie Velazquez, and a team of photography editors, who have conducted extensive research with the Sam Francis Foundation's in - house archives as well as the Getty Research Institute's holdings.
I also realized how he had envisioned which city would have the privilege of hosting a museum solely dedicated to his works — more than 800 paintings and 1500 works on paper along with personal archives — in a way that was similar to how Donald Judd envisioned the ideal conditions for for viewing his art at the Chinati Foundation in 1979 and the Judd Foundation in 1996, two years after his death in 1994.
Cock, Paper, Scissors places special focus on the work of four rarely exhibited artists that produced collages for personal pleasure drawn from the collections at ONE Archives at the USC Libraries and the Leslie - Lohman Museum of Gay and Lesbian Art.
2000Echoes; The Barry Joule Archive: Works on Paper attributed to Francis Bacon, Irish Museum of Modern Art, Dublin, Ireland.
You can discover all this of this at another Richter phenomenon, namely his website. www.gerhard-richter.com provides a superbly organised and fully illustrated overview of everything Richter considers part of his oeuvre: for example well over a thousand paintings; his vast Atlas archive of source material (maybe 8,000 newspaper clippings and photos), drawings, overpainted photographs, works on paper, watercolours, artist's books, works of glass, and sculptures.
Image: Installation view of A Century of Drawing: Works on Paper from Degas to LeWitt, National Gallery of Art, Washington, D.C., Gallery Archives
Bilderarchive der Unsichtbarkeiten, Sixth Esslingen International Photo Triennial Galerien der Stadt Esslingen am Neckar, Esslingen am Neckar 2003 Urban Aesthetics 2003 California African American Museum, Los Angeles The Night of the Hunter Brigitte March Gallery, Stuttgart Selections from the LeWitt Collection New Britain Museum of American Art, New Britain 2002 What About Hegel Brigitte March Gallery, Stuttgart 2001 Installation of Airplanecrashclock Museum of Contemporary Art San Diego, La Jolla 2000 Deep Distance - Die Entfernung der Fotografie Kunsthalle Basel, Basel A Selective Survey of Political Art John Weber Gallery, New York 1999 Mixed Media: Selections from the Segura Publishing Archives Scottsdale Museum of Contemporary Art, Scottsdale Pictures of Other People's Bodies Richard Heller Gallery, Santa Monica More than Meets the Eye: Triennale der Photographie Deichtorhallen, Hamburg Landschaft — Stadtlandschaft (Landscape — Cityscape) Brigitte March Gallery, Stuttgart Landscape Memories organized by Steven Hull Rosamund Felsen Gallery, Santa Monica Touring the Frame organized by Charles Gaines Rosamund Felsen Gallery, Santa Monica 1997 Die Magie der Zahl Staatsgalerie Stuttgart, Stuttgart 1992 Coming Unraveled Otis College of Art and Design, Los Angeles 1990 Drawing 1990 Brigham Young University Museum of Art, Provo 1986 Work from the Collection of Sol LeWitt Museum of Art, Fort Lauderdale 1985 Selections from the William Hokin Collection Museum of Contemporary Art, Chicago 1980 Artists From The John Weber Gallery University of South Florida Contemporary Art Museum, Tampa 1978 Works on Paper Margo Leavin Gallery, Los Angeles Numerals 1924 - 1977 Leo Castelli Gallery, New York 1975 Whitney Biennial 1975 Whitney Museum of American Art, New York
The museum will also create archives tied to the Grunwald Center Collection, which features more than 45,000 works on paper, as well as one devoted to its extensive collection of pieces by California artist Corita Kent.
As co-agents of the Reeves's archive with BravinLee Programs, CB1 showed a selection of small paintings from 1997 as well as a larger, more recent group of abstract paintings and various works on paper, all made in the year before Reeves passed away.
Many national weather services, and other governmental, non-governmental, and commercial organisations also have large paper or imaged archives; the Galaxy Zoo people are working with the Met Office and the National Maritime Museum on an amazingly cool new crowd - sourced project to recover weather records from millions of imaged pages of Royal Navy log books.
It would not be much work to convert some of your posts into papers, and even if they are not accepted you can put them on a widely - read preprint archive.
As things stand we can find out more easily what went on in the 1920s, 30s, 40s and 50s than we can about what happened in the early years of this century because our key documents from that time were on paper and archived — unlike our more recent work which is buried on servers, outdated formats, or just lost.