Sentences with phrase «area figurative»

«David Park's «Four Women» has everything you could ask for in a Bay Area Figurative painting: color, light, brushstroke and passion for the craft of painting in midcentury California.»

Prominent among the artists and styles that have come to define the legacy, and arising at about the same time, are the lauded Bay Area figurative school (Richard Diebenkorn, David Park, Elmer Bischoff) and its supposed opposite, the San Francisco abstract expressionist movement (Frank Lobdell, Hassel Smith, and, for a short but crucial time, Clyfford Still).

Around 1952, however, Bischoff and colleagues Diebenkorn and Park abandoned abstraction in favor of the loose, painterly style that became known as Bay Area Figurative and for which Bischoff is best known.

In addition, the paintings introduce a more heavily impastoed surface, the hallmark of the Bay Area Figurative style.

She states in her bio that she has been influenced by Diebenkorn, German Expressionism and the Bay Area figurative artists that include David Park and Elmer Bischoff.

Last winter, The New York Studio School had a small, beautifully curated show of Bay Area Figurative Painting.

Virtually any artist using the human figure as a vehicle for commentary and self - examination... Gillian Peterson - Krag, Michael Andrews, Robert Bauer, the Bay Area Figurative painters (especially Elmer Bischoff), Eric Fischl, Will Cotton, Cecily Brown — not as a colorist or even as a painter but as a bawdy narrator of sexual experience.

In iconic works from the Bay Area Figurative Movement, Richard Diebenkorn and Wayne Thiebaud defined a California vernacular in the early 1960s — Diebenkorn with suburban views of figures at windows and Thiebaud with arrays of desserts.

On the one hand, he had paved the way for Bay Area Figurative art to be taken seriously as an alternative to Abstract Expressionism, but it hurt Edith that she was seen as his «follower» and not the other way around.

The works in the exhibition span the first half of the 20 year period between 1953 and 1973 in which Bischoff, co-founder of the Bay Area Figurative School with Richard Diebenkorn and David Park, introduces and develops his figurative style.

Paying attention to not - quite - household names - abstract expressionists such as Theodoros Stamos and Grace Hartigan, Bay Area figurative painter Paul Wonner and Stephen Greene, who didn't fit into a particular movement but fused color - field painting with biomorphism to intriguing effect - is another way the McNay sheds «new light» on postwar art.

Putt also positions herself collegially by direct references to Bay Area figurative painters past and present

With Park, Bischoff and other artists such as Nathan Oliveira (b 1928), William Theo Brown (b 1919) and Paul Wonner (b 1920), Diebenkorn became known as one of the founders of the Bay Area figurative school.

By bringing together historical works the gallery has exhibited and placed in private and public collections alike since opening its doors in 1970, this show presents an important selection of significant examples from the 20th and 21st Century movements in modernism, ranging from Abstract Expressionism, Pop, and Bay Area Figurative and is represented by paintings, drawings and sculpture.

They focus on Modernism, Bay Area Figurative, The Post War Abstract Expressionism, and Berkeley Schools, and they also emphasize significant works by artists who have contributed significantly to the Modern - Abstract Expressionist Art.

This was the beginning of the Bay Area Figurative movement, as friends and colleagues including Bischoff and Diebenkorn followed suit soon after in his footsteps.

Di Rosa Preserve «The Collection In Context: Bay Area Figurative Art.»

Nathan Oliveira and Manuel Neri were leaders in the Bay Area Figurative art movement.

These paintings led to his association with Bay Area figurative movement, along with peers such as Richard Diebenkorn.

Associated with both the Bay Area Figurative Art movement and abstract expressionism, California painter Richard Diebenkorn developed a distinct vocabulary of intersecting lines and geometric forms augmented by chromatic undercurrents.

In 1957, Mr. Mills put together a now - historic exhibition featuring the works of the expressionist painters who would gain fame as leaders of the Bay Area Figurative movement, among them David Park, Elmer Bischoff and Richard Diebenkorn.

Thus he came to enroll at the California School of Fine Arts (now the San Francisco Art Institute) in its heyday, when the godfather of Bay Area figurative painting, David Park, and the magisterial abstractionist Clyfford Still were among its teachers.

Paul Mills, a former director of the Oakland Museum of California who made California art the museum's focus and organized the first show of Bay Area Figurative painting, has died.

Co-curated by Betti - Sue Hertz of Yerba Buena Center for the Arts, Ruijun Shen of GuangDong Times Museum in Guangzhou, China, and Xiaoyu Weng of Kadist Art Foundation, which has offices in Paris and San Francisco, the group exhibition is also a site to bring together three public art spaces and curators around a shared interest — though not in the forms one might first associate with the concept: traditional Chinese landscape and Bay Area figurative painting.

He came under the influence of the Abstract Expressionists and Bay Area figurative movement.

Bay Area figurative artists like Richard Diebenkorn, Elmer Bischoff, and Wayne Thiebaud adopted the vibrancy of the abstract style paired with representational imagery.

A second - generation Bay Area figurative painter based since 1977 in Pacifica, California, she is originally from Omaha and studied at Colorado State.

McGaffey was part of the Bay Area Figurative Movement and gr...

It is also related to American Lyrical Abstraction painting of the 1960s and 1970s, The Hairy Who movement in Chicago, the Bay Area Figurative School of the 1950s and 1960s, the continuation of Abstract Expressionism, New Image Painting and precedents in Pop Painting.

Parasnis, whose vivid new «Serenity» paintings are on view at Caldwell Snyder Gallery, cites Abstract Expressionist and Bay Area figurative painters — namely Richard Diebenkorn, Nathan Oliveira and Willem de Kooning — among his influences for their expressive marks and «spirituality and color.»

It includes works by painters such as George Abend and Felix Ruvolo — key figures in the The San Francisco Bay Area abstract expressionism movement, as well as works by Bay Area Figurative School artists, including Nathan Oliveira, David Park, Roland Petersen and Joan Savo.

Francis studied under David Park (1911 - 1960), pioneer of the Bay Area Figurative School of painting, completed a Masters in Fine Art at the University of California (1950), then moved to Paris where he studied under the legendary Cubist painter Fernand Leger (1881 — 1955).

«Mr. Wonner enjoyed collegial support for his work from originators of the Bay Area Figurative style, including David Park (1911 - 1960)... read more... «Paul Wonner, 87, dies in San Francisco»

Considered part of the second generation of the Bay Area Figurative movement, influential artist Joan Brown obsessively painted everyday imagery from her own life: domestic scenes, swimming excursions in the San Francisco bay, or outings to the opera with her husband.

Although it is one big gallery, there are 10 rooms within it, each with a theme — Bay Area Figurative Art, New York School and so on.

[1][4] At California College, his mentors included the painters Nathan Oliveira and Richard Diebenkorn [2][4]-- founding members of the Bay Area Figurative Movement — and the calligrapher Sabro Hasegawa.

He is associated with the Bay Area Figurative Movement of Representational Painting.

[1] He earned a B.F.A. there, while becoming immersed in the fledgling Bay Area Figurative Movement of Representational Painting.

I was trying to figure it out through reproductions, all the while still looking closely at Bay Area figurative artists like Diebenkorn, Park, Bischoff, Brown, and Neri.

Richard Diebenkorn (American, April 22, 1922 — March 30, 1993) is associated with abstract expressionism and the Bay Area Figurative Movement of the 1950s and 1960s.

It was Diebenkorn who, in 1957, invited Qualters to be in the first Bay Area Figurative show.

Post Bay Area Figurative painters, Robert Bechtle, Robert Hudson, Wayne Thiebaud and William T. Wiley, continue anchoring their portion of regional cultural legacy.

Other than a 1991 Diebenkorn exhibition at the Whitechapel Gallery, is it fair to say that the British public has had very little opportunity prior to your show to see works from the Bay Area Figurative tradition?

Smith first gained notice as a representational painter in the 1940s: his works from that period have an energy and graphic insistence that predicts some of the qualities of the Bay Area Figurative style that his friend David Park would pioneer a few years later.

Hackett Mill; San Francisco in conjunction with the New York Studio School presents: As I Am: Painting the Figure in Post-War San Francisco The first major survey in New York of 24 artworks by the founding members of the Bay Area Figurative Movement.

In her seminal catalogue, Bay Area Figurative Art: 1950 - 1965, Caroline A. Jones observes «The new figurative «pictures» created by the Bay Area artists were neither reactionary nor merely illustrational.

He enjoyed collegial support for his work from originators of the Bay Area Figurative style, including David Park (1911 - 1960) and Richard Diebenkorn (1922 - 1993).

Bay Area Figurative Art 1950 - 1965, San Francisco: San Francisco Museum of Modern Art.

Opening: «Richard Diebenkorn: Early Color Abstractions 1949 - 1955» at Van Doren Waxter Richard Diebenkorn is one of the most celebrated artists to come out of the Bay Area Figurative Movement — a group of San Francisco Bay area artists that included David Park, Elmer Bischoff and Wayne Thiebaud — who eventually forsook the dominant Abstract Expressionist style of the»50s to revisit figuration.

Diebenkorn's Bay Area figurative years from the mid 1950s through the mid 1960s marked a shift from the artist's early abstractions and set him apart from the prevailing movement of the time and many of his contemporaries, for whom the movement of abstraction was thought to be in direct conflict with figuration.