I understand Chasing Amy was made on the cheap, but Clerks found clever and inventive ways to work
around budgetary limitations, while this one just suffers from them horribly, at the most pedestrian angles possible.
Eichhorn's piece — and Steiner's curtailing of Koenig & Clinon's hours — recall Asher's proposal for the 2010 Whitney Biennial, to keep the museum open
around the clock for a week (the Whitney agreed to three days, citing «
budgetary and human resources
limitations»), in reverse: rather than expand hours to promote inclusiveness, to welcome new people in to the institution, these works freed time for (mostly) modestly paid workers while slowing down an art calendar that overflows with action.