After years being pushed
around by his gangster friend Simone, Marcello finally cooks up an appropriately animalistic plan to get even.
Not exact matches
Reduced
by Refn almost to the point of abstraction — it could have been called Notes on a Rehearsal for an Action Movie — Drive may do little to win over multiplex crowds who prefer the fast and furious to the moody and languorous, but it reconfirms Refn as one of the most exciting young directors
around, and Albert Brooks (stealing the film as a small - time Jewish
gangster with an aversion to loose ends) as a national treasure.
Her pursuit
by hardened
gangsters (led
by the great William Forsythe, applying a Glasgow smile to a then - unknown Catherine Keener) and her tutelage
by jailed hookers with gold hearts all
around (Cathy Moriarty among them) are window dressing to the story's real goal: getting Alex to smarten up and pay attention.
It's understood in mobsterland that Emma is the property of rum - running
gangster Albert White (an authentically brutal Robert Glenister), and Joe Coughlin is walking a tightrope
by being seen
around town with her.
The drama, a co-production with Sony Pictures Television Studios, revolves
around a con man, Marius (Giovanni Ribisi, Avatar) who left prison only to find himself hunted
by the vicious
gangster he once robbed.
An American everyman (Depp) is picked out of a crowd
by the most beautiful woman on screen, followed
by police and foreign agents (led
by a ruthlessly obsessive Paul Bettany), targeted
by international
gangsters (under the command of vaguely Russian baddie Steven Berkoff) and batted
around by opportunistic Italian cops.
Willem Dafoe is a
gangster or something made up to look like Charlton Heston from Touch of Evil, Mickey Rourke, carrying
around a Chihuahua at all times, is Dafoe's number - one man, maybe, and then there's the president of Mexico (I think), who is about to be assassinated or something
by someone or someones.
Seductive Subversion includes Marisol's John Wayne sculpture, commissioned
by Life magazine for an issue on movies; the French sculptor, painter, and filmmaker Niki de Saint Phalle's eight - foot - tall Black Rosy, one of her «Nana» sculptures exploring the role of women; Rosalyn Drexler's oil and acrylic work Chubby Checker, inspired
by the poster for the movie Twist
around the Clock, and Home Movies, based on frames from old
gangster movies; the Times Square — inspired Ampersand, a multilayered, stylized, and illuminated neon ampersand in a Plexiglas cube
by Chryssa, one of the first artists to utilize neon in her work; and a seventeen - foot - long triptych
by Idelle Weber.