Sentences with phrase «around contemporary practice»

Not exact matches

«Awareness of the price of Jesus, prophetic reading of the contemporary corresponding in daily practice to the least details of theological conviction, such are the characteristics of the given life of Bonhoeffer... he was one of those saints whose whole existence consists of communicating around them the overflowing of eternal life already manifested in them today.»
The aim of Conversations Around Marlow Moss, is to put her work and forgotten personality back in dialogue with what came after and what happens now, as well as to ask questions about what makes practice contemporary.
A new, annual fair revolving around publishing, Multiple Art Days MAD # 1, will present, for 3 days, a wide spectrum of contemporary publishing practices, from zines to rare objects: prints, multiples, artists» books, videos, audio CDs, vinyls.
Be sure not to miss booths by Benrubi Gallery from New York, a leading gallery with a focus on 20th Century and contemporary photographs; Blindspot Gallery from Hong Kong, a gallery with a primary focus on contemporary image - based works; Bryce Wolkowitz Gallery from New York, a gallery with a major commitment to representing new media artists who are exploring the intersection of arts and technology; Dittrich & SCHLECHTRIEM & V1 from Berlin, a gallery representing emerging, mid-career and established artists from around the world; Fraenkel Gallery from San Francisco exploring photography and its relation to other arts; Gagosian Gallery from New York, Hong Kong, Beverly Hills, Athens and Rome; Hamiltons Gallery from London, one of the world's foremost galleries of photography; Galerie Lelong from Paris focusing on an international contemporary art and representing artists and estates from the United States, South America, Europe, and the Asia - Pacific Region; Magda Danysz from Paris, Shanghai and London dedicated to promoting and supporting emerging artists and favouring a larger access to contemporary art on an international level; Mai 36 from Zurich focusing on trading and presenting international contemporary art; Pace Prints / Mac Gill, a publisher of fine art prints and artist editions affiliated with the Pace Gallery; Richard Saltoun Gallery from London specialising in post-war and contemporary art with an interest in conceptual, feminist and performance artists; Roman Road from London; Rosegallery from Santa Monica, an internationally recognized gallery of 20th and 21st century works on paper; Taka Ishii Gallery from Paris, Tokyo, and New York devoted to exploring the conceptual foundations and implications of contemporary (photo) graphic practice; White Space from Beijing; and Yumiko Chiba Associates from Tokyo, among others.
His art practice addresses both the contemporary world around him and his cultural heritage, with Italian peasant traditions having provided a life - long source of inspiration for his practice.
Notable group shows include «Variations: Conversations in and around Abstract Painting», curated by Franklin Sirmans, Los Angeles County Museum of Art, LA, CA; «Making Sense: Rochelle Feinstein, Iva Gueorguieva, Dona Nelson, Deborah Grant» curated by Margaret Miller, USF Contemporary Art Museum, Tampa, FL; «Graphicstudio: Uncommon Practice at USF,» curated by Jade Dellinger, Tampa Museum of Art, Tampa, FL; «Desire,» Pasadena Museum of Art, Pasadena, CA.
ALH's exhibitions harness the power of creativity and inspiration to facilitate a responsive cross-community dialogue around not only contemporary art practices, but also current events and issues.
In addition to connecting residents to the diverse range of resources, archives, libraries, artists and other practitioners in Chicago, the program builds relationships with like - minded arts organizations and resident programs around the world to expand our understanding of contemporary practice and create transformative opportunities for artists.
Contemporary Peruvian artist Elena Damiani's multi media practice incorporates the disciplines of geology, geography, cartography, archeology, and astronomy in order to re-interpret the world around us.
This year's event explores links between traditional African art and contemporary art practice, while galleries around Paris present their best items
«Unorthodox is a large - scale group exhibition featuring 55 contemporary artists from around the world whose practices mix forms and genres without concern for artistic conventions.
«Nora Abrams is a major young scholar who promises to raise curatorial practice and discourse around contemporary art to a new level,» said Harry Cooper, Curator of Modern & Contemporary Art, at the National Galcontemporary art to a new level,» said Harry Cooper, Curator of Modern & Contemporary Art, at the National GalContemporary Art, at the National Gallery of Art.
Moderated by London - based curator Kathy Noble, this panel discussion should be one of the highlights of the four - day program We (Not I), a series of discursive meetings, presentations, and events that address questions around the role of «we» in contemporary art practice.
Artist Projects • Always at the forefront of contemporary art practice around HIV / AIDS, Visual AIDS annually produces and distributes free artist designed AIDS awareness project, including posters, stickers, safer sex kits, tote bags, and more - continuing the legacy of such iconic Visual AIDS projects as The Red Ribbon.
Either as a pop cultural reference point or the conceptual link between the speculative practices of contemporary art and science fiction, this trend has seen dozens, if not hundreds, of international and Australian artists creating sci - fi - inflected pieces, with exhibitions around the world surveying their work.
A platform for contemporary painting practice in the UK with «Painter to Painter» interviews, solo and group exhibitions and talks around painting in the 21st Century.
One aspect of my recent practice has revolved around the integration of Indigenous knowledges with my own contemporary arts practice.
«Spotlight at Frieze New York brings together an extraordinary range of presentations, providing rare, intimate glimpses into the practices of leading figures of the 20th century as well as introductions to some of their underrecognized contemporaries from around the world,» noted Toby Kamps, curator of the Spotlight section.
Gypsum is interested in relocating the progressive and investigative art practices that have been associated with the non-profit art sector of Cairo and the Middle East to a commercial gallery context, to redefine society's understanding of contemporary art, collecting and their relationship to the world around us.
Extending the Addison Gallery of American Art's exploration of what it means to be an American today, Convergence unites the work of four contemporary artists from around the world whose practice has been shaped by their heritage and migration to the United States.
In looking at self - organised exhibitions, off - site projects, commercial gallery and museum shows over this 20 - year period, Periodical Review 20/16 aims to share a spectrum of practices, creating dialogue and critical reflection to help develop and support Irish contemporary art as a whole; and to act as an accessible survey of contemporary art for a wider audience, showing an expanded experience of art practices from around the country.
It features nine artists from around the world whose practices investigate contemporary notions of nationalism and the representation of imagined communities in the Middle East and the Americas.
The chosen practices emphasise the recent developments in contemporary art in Ireland, a period of new engagement with international practices, an increase in visiting artists, curators and speakers, with Irish curators and educators taking up major positions overseas, and Irish artists being showcased around the world.
Working simultaneously as both an independent curator and founder of Voices in Colour, an organisation dedicated to connecting contemporary cultures through artistic discourse, Mthabisi Phili is an essential part of the discussion around emerging artistic practice in Zimbabwe.
Her research focuses on contemporary practices inbetween art and architecture and the recent developments and debates around contemporary exhibition making.
Thursday 8 Sep Welcome and introduction from each of the Syllabus partners; Eastside Projects, New Contemporaries, S1 Artspace, Spike Island, Studio Voltaire and Wysing Arts Centre followed by artists» presentations about their work and concerns around their practice, drawing out shared themes and overriding questions.
The Critical Academy offers a growing series of seminars around key aspects of contemporary Arts practice aimed at developing and strengthening key skills and mindsets, taught in participatory environments with clear and focused aims.
PRAXES Center for Contemporary Art is a not - for - profit venue for international contemporary art and research in Berlin presenting half - year cycles of consecutive exhibition modules, papers, and live activities revolving around two unassociated artistiContemporary Art is a not - for - profit venue for international contemporary art and research in Berlin presenting half - year cycles of consecutive exhibition modules, papers, and live activities revolving around two unassociated artisticontemporary art and research in Berlin presenting half - year cycles of consecutive exhibition modules, papers, and live activities revolving around two unassociated artistic practices.
Organized in collaboration with Art + Practice, a Los Angeles - based art and service organization, and co-curated by the BMA's Dorothy Wagner Wallis Director Christopher Bedford and Assistant Curator of Contemporary Art Cecilia Wichmann, the show is built around eight photographs, three sculptural installations, and a video compilation of performance excerpts.
Yerba Buena Center for the Arts presents contemporary art from the Bay Area and around the world that reflects the profound issues and ideas of our time, expands the boundaries of artistic practice, and celebrates the diversity of human experience and expression.
AIR Antwerpen is centered around the contemporary artistic practice and focuses on individual artistic needs of the emerging visual artist.
This event is part of the Whitechapel Gallery's talk series Prix Pictet Conversations on Photography, which provides a platform for leading contemporary photographers from around the world to discuss and present their practice.
, WDW25 + sets a growing, living collection in motion; tracing contemporary artistic practice through never before gathered in - house materials and their extended networks at and around Witte de With.
The Center is a place where artists work, conduct research and where exhibitions introduce a broad public to a variety of contemporary art practices by artists from around the world.
Wendy's research interests include legacies of feminist and identity - based practice, as well as the performative and ethical questions around contemporary art production and criticism.
She is an often recruited guest panelist and moderator on issues around contemporary art practice and cultural planning.
Vogel's research interests include legacies of feminist and identity - based practice, as well as the performative and ethical questions around contemporary art production and criticism.
His practice is centred around a culture relating to ancestral and contemporary, life in Japan.
Postcards From The Edge, Metro Pictures, New York, US New York / New Drawing 1946 - 2007, Museo de Arte Contemporáneo Esteban Vicente, Segovia, ES Monuments With A Horizon Line II, Buchmann Galerie, Berlin, DE Desenhos [Drawings]: A-Z, Museu da Cidade, Pavilhão Preto, Lisbon, PT The Porn Identity, Kunsthalle Wien, Vienna, AT A Bit of Matter And A Little Bit More, screening Performatik 09, Cultuurcentrum Strombeek and Performatik, Brussels, BE Regift, The Swiss Institute, New York, US Cut & Paste, Galleri Susanne Ottesen, Copenhagen, DK Down To Earth (Ceramics), Cultuurcentrum Strombeek, Grimbergen, BE Double 40 Jahre Kabinett für Aktuelle Kunst, Bremerhaven, MMK, Frankfurt, DE The First Stop on the Super Highway, Nam June Paik Art Center, Gyeonggi - do, KR Feedbackstage, Galerie Thomas Schulte, Berlin, DE Sharjah Biennial 9: Provisions For The Future (curated by Isabel Carlos), Sharjah Arts Museum, Sharjah, UAE Two in One Contemporary Art from Witte De With & De Appel, Christie's, Amsterdam, NL 40th Anniversary Benefit Exhibition, White Columns, New York, USA Écritures Silencieuses, curated by Herve Mikaeloff, L'Éspace Louis Vuitton, Paris, FR Carnival Within - An Exhibition Made in America, curated by Sabine Russ, Gregory Volk, Uferhallen, BE Espèces d'Espaces, Yvon Lambert, New York, US Take The Money And Run, Brouwergracht 196, Appel, Amsterdam, NL Double Participation, Museum für Moderne Kunst, Frankfurt / Main, DE Beginnings, Middles, And Ends (cur.Gianni Jetzer), Christine Koenig Galerie, Vienna, AT Dematerialised: Jack Wendler Gallery 1971 to 1974, curated by Teresa Gleadowe, Chelsea Space, London, UK Time As Matter, MACBA, Barcelona, ES 15 Years of Collecting Against the Grain, Kunstmuseum Wolfsburg, Wolfsburg, DE Artist Rooms Tate St Ives Summer Season, Tate St.Ives, UK Au Pied De La Lettre, Centre d'Art Contemporain, Chamarande, FR Art - Athina, Galerie Hubert Winter, Faliro Pavillion, Athens, GRSerralves 2009 The Collection: An Exhibition in Three Parts and Permanent Works in the Park, Serralves 2009 - The Collection: Passage through the First Part of the Exhibition, Serralves Museum, Porto, PT Serralves 2009 - The Collection: Videos and Films in the City, 74 Rua Cândido dos Reis, Porto, PT As Long As It Lasts, curated by Tom Eccles, Marian Goodman Gallery, New York, US Close Encounter, Blokhuispoort, Leeuwarden, NL When Ideas Become Forms 30 Years of Gallery, La Galleria, Venice, IT; Galerie Dr.Dorothea van der Koelen, Mainz, IT The Poetics of Space, curated by Anja Isabel Schneider, Galerie Marian Goodman, Paris, FR Zidovi na Ulici / Walls in the Street, multiple locations around Belgrade, RS Target Practice: Painting Under Attack 1949 - 78, Seattle Art Museum, Washington, US Time, Konrad Fischer Galerie, Düsseldorf, DE This World & Nearer Ones, curated by Mark Beasley, Governors Island, New York, US Recontres International Paris / Berlin / Madrid, Haus der Kulturen der Welt, Berlin, DE Turning Some Pages, screening A House is not a Home, La Calmeleterie, Nazelles, Négrons, FR Printed Matter, Learn to Read Art (Aprender a Leer Arte), Museo de Arte Contemporáneo de Castilla y León, ES Collection History: Highlighting Recent Acquisitions, MOCA, Los Angeles, California, US In & Out of Amsterdam: Travels in Conceptual Art, 1960 - 1976, curated by Christophe Cherix, Museum of Modern Art, New York, US Memory Labyrinth.
The first solo show of Denny's work in London, Products for Organising, was developed in response to the Serpentine Sackler Gallery and featured new installations that revolved around contemporary radical management practices and the historical hacker organisational forms that may have inspired them.
Unorthodox Presents Work by 55 Contemporary Artists Global, Multigenerational Exhibition Opens November 6 at the Jewish Museum New York, NY - This November, the Jewish Museum will present Unorthodox, a large - scale group exhibition featuring 55 contemporary artists from around the world whose practices mix forms and genres without concern for artistContemporary Artists Global, Multigenerational Exhibition Opens November 6 at the Jewish Museum New York, NY - This November, the Jewish Museum will present Unorthodox, a large - scale group exhibition featuring 55 contemporary artists from around the world whose practices mix forms and genres without concern for artistcontemporary artists from around the world whose practices mix forms and genres without concern for artistic -LSB-...]
Others might argue that the Museum of Modern Art is throwing its weight behind a narrow bandwidth of contemporary painting practice, one that revolves around the artwork as a mediated object referencing institutionally sanctioned styles.
This summer, Ms. Guerrero will make her exhibition debut at the Whitney with «Pacha, Llaqta, Wasichay: Building the Indigenous Present,» a group show that gives center stage to contemporary art practices that highlight indigenous thinking around the built environment.
PRAXES Center for Contemporary Art presents half - year cycles of consecutive exhibition modules, publications, and live activities revolving around two unassociated artistic practices.
COMPOSITE VISIONS is triggered by the multitude of influences entering the thinking, thought process and practices of an array of like - minded contemporary artists from around the globe working within the fascinating and resilient discourse surrounding the historical, formal and contemporary explorations within the field of the «reductive» in general and «reductive» painting in particular.
Feminist South is a curatorial project and research platform spanning across 2017 - 2019 that aims to generate discussion on contemporary feminist practice located in and around Asia, Australia and the Pacific regions.
«We were the first to do museum gallery shows,» he said, citing a practice that has since become a mainstay among contemporary dealers, who generally organize focused theme shows around a pivotal work or two, whose sale ideally justifies the cost of expensive overhead costs, and a scholarly book.
Valeria Napoleone's XX Contemporary Art Society award, launching this year, will reinvigorate the discussion around diverse collecting practices and increasing the representation of living female artists in museum collections in the UK.
▸ Feminist South together with Kelly Doley Feminist South is a curatorial project and research platform spanning across 2017 - 2019 that aims to generate discussion on contemporary feminist practice located in and around Asia, Australia and the Pacific regions.
Launched in 2013, the initiative engages artists, scholars, and curators from around the world to bring intersecting regional and global conversations and contemporary practices to the fore.
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