Sentences with phrase «around race and gender»

These were marked out as decisive ways of working for artists and curators, committed to interrogating questions around race and gender in the post-war period of the 20th century.

«Emancipating the Past: Kara Walker's Tales of Slavery and Power» will be on display at University Museum of Contemporary Art from Feb. 2 through April 30, bringing together 60 different works by artist Kara Walker designed to challenge viewers to create a dialogue around race and gender politics.

Most critically, it asks: how can we start to dismantle the myths and misconceptions that have evolved around race and gender in America — how can we reset the narrative about ourselves?

The patterns in the NSCH data are consistent with existing discussions around race and gender — in particular, higher prevalence for males and blacks.

Not exact matches

Why, asks John Leo in U.S. News & World Report, is his own constituency so willing to bring him down with protests, disrupted basketball games, and boycotts, when Pres. Lawrence worked so hard to make Rutgers a campus that «bristles with the enforcement tools of diversity: a speech code, real courses replaced by «multicultural curricular change,» diversity awareness «training» in lectures and freshman orientation sessions, a tolerance for ethnic and racial segregation in dorms («a self - affirming environment,» as Lawrence puts it), and professors who learn not to raise unapproved ideas about race, gender, and the campus power system built around multiculturalism»?

Plus: One killed in India church attack, stolen Jesus painting won't stop debate, news values on gender vs. race, and other stories from online sources around the world.

Everything is centered around this one moment where people of all ages, gender identities, races, ethnicities, sexual orientations, political beliefs, and backgrounds are welcome to come to the table and receive the elements.

We are Beam Suntory... One Global Team, comprised of thousands of individuals from around the world with our own unique thoughts and perspectives, work and personal experiences, religious and cultural beliefs, as well as race, gender and age differences.

Before new hires start work, they're led through a mindfulness course that teaches them self - healing tools and facilitates conversations around gender, race, and privilege.

Far From Heaven, the TV series Mildred Pierce and now the glorious Carol rekindle the spirit of an age when «women's pictures» were commonplace in Hollywood, telling female - centred, taboo - breaking stories, featuring exceptional actresses such as Barbara Stanwyck, Joan Crawford and Bette Davis, whose characters face obstacles — prejudice around race, class, gender — that are no less prevalent today.

And yet the realization dawns inescapable that no matter the acres of flesh, the film is every bit as horrible as that self - serious, neo-camp sexploitation classic Original Sin (another noir based on a lesser - known, period - dependent novel — that one by Cornell Woolrich, this one by John Fante), with only the gender / race roles reversed — that watching naked Angelina Jolie writhe around with Antonio Banderas can be every bit as disturbingly sexless as Hayek and Colin Farrell doing saAnd yet the realization dawns inescapable that no matter the acres of flesh, the film is every bit as horrible as that self - serious, neo-camp sexploitation classic Original Sin (another noir based on a lesser - known, period - dependent novel — that one by Cornell Woolrich, this one by John Fante), with only the gender / race roles reversed — that watching naked Angelina Jolie writhe around with Antonio Banderas can be every bit as disturbingly sexless as Hayek and Colin Farrell doing saand Colin Farrell doing same.

I love the conversation around how he wanted to subvert the audience's expectation that Pinkett, given her gender and race, would be the first to die.

The games and matches often stand in for cultural struggles around race, class, gender, and national identity — but that struggle is the subtext, and the movie brings it to the fore.

«I think the media impacts children almost immediately because of the way we interact with them, but when children start to really identify around gender and class and race is around three years old.

«Their opinions — about violence, about commercialism, about issues of race and gender — are often developed as a result of the media images around them,» he adds, «but many aren't even aware of it until they slow down and analyze the process.»

And so I join the growing ranks of leaders who don't fit the traditional mold reflected by so many of the portraits around this institution, by race or by gender, and I know our examples will encourage many of you who hear my voice today to make your own marAnd so I join the growing ranks of leaders who don't fit the traditional mold reflected by so many of the portraits around this institution, by race or by gender, and I know our examples will encourage many of you who hear my voice today to make your own marand I know our examples will encourage many of you who hear my voice today to make your own marks.

It was his way of saying hello to the community and also a way to get a pulse on what people were thinking around topics like race, gender, and inclusion — the very topics he was tasked to work on.

They corroborate patterns from other data sources already in the public discourse around how race, ethnicity, and gender relate to special education.

«Many of my colleagues believe our fourth - graders are too young to hold discussions around issues of race, place, class and gender equity.

The task group frames the danger this way: «How can we be sure that teaching supervisors are themselves developed and equipped in cultural competence outcomes in order to supervise beginning teachers around issues of race, class, culture, and gender?»

Readers arrive at the final chapters with an appreciation not only for the complexity of our history as individuals around race, gender and class but with real hope in education as a way to create a place where all children get a fair chance at success.

And while a new report by Scholastic on principals and teachers» views on education equity describes that overwhelmingly, educators agree that equity in education for all children should be a national priority, it is also evident that such leadership requires clarity around the nuances of what it means to provide students a well - rounded education — regardless of race, national origin, immigration status, gender identity, disability, or religiAnd while a new report by Scholastic on principals and teachers» views on education equity describes that overwhelmingly, educators agree that equity in education for all children should be a national priority, it is also evident that such leadership requires clarity around the nuances of what it means to provide students a well - rounded education — regardless of race, national origin, immigration status, gender identity, disability, or religiand teachers» views on education equity describes that overwhelmingly, educators agree that equity in education for all children should be a national priority, it is also evident that such leadership requires clarity around the nuances of what it means to provide students a well - rounded education — regardless of race, national origin, immigration status, gender identity, disability, or religion.

Between all the paid game related services in World of Warcraft like server transfers, name changing, gender reassignment, faction swapping and now race changing — which by the way go for around $ 10 - 25 USD a pop — you would think Blizzard has exhausted its money squeezing options.

Her work examines ideas around femininity, beauty, race, sexuality, and gender.

In the 1980s the artist became known for her attention to feminist issues and her multimedia projects feature recurring themes around the subject of gender, memory, race, and transnational politics, especially in reference to India's postcolonial history after independence and partition.

In addition to geographic borders, the project sought to look at the limits of race, culture, and gender by centering the series around Ramoncita, a «two - spirit» person of mixed racial heritage played, like all of the characters in the narrative, by Gonzales - Day.

Like Ligon, their work often deals with the shifting experience of American identity, examining loaded questions around language, power, race, gender and sexuality.

Issues around race, gender, status and nationality are key to our understanding of how power can be used to shape and control societies.»

Building on a growing interest in reassessing the role of the Black Arts Movement in the construction of contemporary ideas around race, national identity, gender and aesthetics, the conference asserts the continued and dynamic presence of the «Critical Decade».

Us is a show of new work by younger and more established local and international artists around the theme of group identity, whether nation, culture, class, gender, sexuality or race.

This «play set» even seems to suggest that the cast of characters and their settings could be reorganized, creating new narratives that revolve around issues of oppression and power, race and gender, and moral ambiguity.

Following in this tradition, «Trigger» extends the conversation around identity, considering how even a fluid conception of gender is marked by ongoing negotiations of power and can not be understood outside its complex intersections with race, class, sexuality, and disability.

The idea of appropriation, of taking images and transforming or re-contextualising them, has proved a powerful tool for artists, allowing them to reveal and challenge social and media narratives around, for example gender, sexuality and race.

The show looks at artists from the sixties up until today who deal with notions of identity and ideas around gender, sexuality, and race.

There's also no shortage of Simpson's usual paintings, which this time around stick to a blue palette, as well as her favorite themes like gender, race, and identity through images lifted from vintage Jet and Ebony magazines.

Reflecting on the embedded and latent meanings around light, nature, the frontier, borders, race, gender and power in influential American landscape paintings of the 19th century, she uses materials collected from her everyday life, including holiday - themed tablecloths, discarded medical records, nature calendars, plastic bags and paint, to craft imaginary landscapes that are grounded in accumulation, personal narrative and historical critique.

As Thomas commented in an interview with Time in 2011, «Part of advertising's success is based on its ability to reinforce generalizations developed around race, gender and ethnicity which are generally false, but [these generalizations] can sometimes be entertaining, sometimes true, and sometimes horrifying.»

«Trigger» extends the conversation around identity, considering how even a fluid conception of gender is nonetheless marked by ongoing negotiations of power and can not be understood outside its complex intersections with race, class, sexuality, and disability.

The exhibition is organized around five selected themes from the complex history of the Second Wave, including the marginalization of women artists and their exclusion from the art historical canon, the female body and its representation, «women's work,» sexuality and gender, and race and ethnicity.

Among the galleries exploring feminist issues, Salon 94 (New York) will feature works by three women artists — Huma Bhabha, Francesca DiMattio, and Katy Grannan — offering commentary on issues of race, gender, class and sexuality; and Galleri Magnus Karlsson (Stockholm) will present a thematic stand curated around the question of what it means for works of art to be designated as «female».

In The Heart of the Question: The Writings and Paintings of Howardena Pindell (1997), a collection of her seminal essays, she applies cultural studies to the art world and also details her keen assessments of aesthetics, gender and race in art institutions around the world, and many social concerns.

In an interview with Time Magazine, Thomas said, «Part of advertising's success is based on its ability to reinforce generalizations developed around race, gender and ethnicity which are generally false, but [these generalizations] can sometimes be entertaining, sometimes true, and sometimes horrifying.»

Like Ligon, these and other artists explored loaded questions around representations of race, gender and sexuality during the reactionary aftermath of the «Culture Wars ‟ and the AIDS crisis at the close of the Reagan era.

Throughout the run, our public programs will support dialogue around how artists and activists illuminate critical issues related to race and gender today.»

Recent highlights include Building Bridges, a group show of 26 artists organized around the theme of creating a peaceful global community that transcends borders, religions, sexual identity, race and gender.

«The conversations become a way of questioning people's perceptions around issues of masculinity, gender, race and ethnicity.»

Raisa Kabir is multi-disciplinary artist, weaver and writer, who uses contemporary textiles, sound and photography to interrogate, and question concepts around the politics of dress in connection to gender, race, and sexuality.

Commenting on advertising, he stated: «Part of advertising's success is based on its ability to reinforce generalizations developed around race, gender and ethnicity which are generally false, but [these generalizations] can sometimes be entertaining, sometimes true, and sometimes horrifying.»

Critical of the ways in which the annals of art history divorced abstract art from its political context, particularly 1950s Abstract Expressionism, Bradford around 2000 decided, «let's make abstract painting and lets imbue it with policy, and political, and gender, and race, and sexuality» (Mark Bradford, quoted in «Shade: Clyfford Still / Mark Bradford», Denver Art Museum, 2017, online).

The eclectic range of mediums and styles is grounded and centered around a thematic core of strategies for modern living — one which while directly addressing experiences of race and gender, offers wisdom of benefit to all humans.