The
constraints of living in a small
space, and walking rather than driving to get
around really informed our choices, so I looked for items that can collapse or be used for multiple stages, and prioritized things like strollers and carriers more than someone who drives might have.
Around 2008, the established art critic Roberta Smith allocated him as the most interesting artist of 21st century undermining that his work examines the psychological
space where individual expression confronts social
constraint.
Having turned from paper scrolls that wrapped
around the gallery walls to address the architecture itself, which I did at Anthony Reynolds Gallery in London in 1990, I realized that the imagery, whether figures or texts, were leaping off of their
constraint format of the paper, to be dispersed like a dance, only, however, to accommodate the given
space.