Sentences with phrase «around the control scheme»

While I had difficulty wrapping my head around the control scheme and feel of the game's first DLC, the Plague Knight helmed Plague of Shadows, what I've seen of Specter of Torment looks more in line with the traditional Shovel Knight experience.

PUBG Mobile found a way around the control scheme issue: enable keyboard and mouse support within the game.

found a way around the control scheme issue: enable keyboard and mouse support within the game.

Not exact matches

You may expect a control scheme like Divekick's to render character selection superficial, but moving around during a fight builds a meter that can be spent for a unique special attack.

This simplistic control scheme allows you to focus on the gameplay and not fumble around or memorize needlessly complicated actions.

The controls for the Switch version have been carefully designed around Joy - Cons and the Pro Controller so even if you have played the game on PS4, it shouldn't be an issue to get into the new control scheme for Disgaea 5 Complete.

Working with a twin stick control scheme, each battle simply boils down to literally running around in circles to avoid enemy projectiles / get around their front shield, and then blasting them with your chosen spell.

You'll find yourself fumbling around constantly with this control scheme seeing as each character has their own distinct array of abilities.

In the MCT scheme of things, the entire investment process (including the management of companies) revolves around the needs and desires of Outside, Passive, Minority Investors (OPMIs) who can never have special knowledge of anything, or control of anything, and whose needs and desires are fulfilled by continuously outperforming, in the stock or bond market, similarly situated OPMIs, risk adjusted.

The control scheme is set up the same, but still no quick turn around option, like those featured in Resident Evil 4 which I grew very dependent on in these action horror games.

Out on the battlefield, the control scheme reflects the fast - paced action of the single - player, as in aiming is tighter than last time around, and enemies won't take quite as many hits.

They said they would definitely be seeing if there was any benefit to reworking the control scheme around MotionPlus, but if the opening level was any indication the game doesn't really need it.

The control scheme is clunky and cumbersome, revolving around single - stick movement that harks back to the bad old Resident Evil: Code Veronica days.

It was a bit disorienting at first trying to wrap my head around the game's unique control scheme, but by the end of the stream, I felt really good about controlling my character through the game's various stages.

I do worry about RIGS control scheme, and I hope that they allow for joystick controls (head movement would let you look around) but all the games listed in this story have received various praise.

There are two alternative control schemes that swap around the face buttons and d - pad and an entirely customisable control scheme to change the feel of the controls to your own personal preferences with a southpaw option that swaps the left and right analogue sticks around on any control scheme, while a further option swaps ducking and hopping from the right analogue stick to the left analogue stick.

As far as the actual control scheme goes, you move around in the menu or the grid with the Arrow Buttons or either Analog Stick, and can highlight words by holding down the A button.

Regarding gameplay, carryovers from MGS2's control scheme like the ability to hang from rails and peek around corners go mostly unused.

Another issue with the game's control scheme is that players do not have the option to switch their «over the shoulder» camera from right to left, which really hurts the overall gameplay and importance of tactical positioning, since players will not be able to (properly) peek around corners from a left side position.

The default control scheme consisting of pressing R2 to fire a weapon; holding L2 to aim down iron sights; pressing R1 to utilise alternative fire or block; pressing L1 to throw a grenade; pressing X to jump; pressing square to reload or holding square to heal; pressing O to use or holding O to weld a door; holding triangle to enter weapon select; pressing up on the d - pad to equip healer; pressing down on the d - pad to toggle flashlight; pressing left on the d - pad for voice comms; pressing right on the d - pad to throw dosh; pressing L3 to crouch or sprint; pressing R3 to perform a melee on an enemy; changing the direction of the left analogue stick to move; changing the direction of the right analogue stick to look around your surroundings; pressing the share button takes you to the share feature menu; and pressing the options button to display the pause menu.

The controls are appropriately mapped to the DualShock 4 controller with the default right handed control scheme consisting of pressing R2 to fire right weapon; holding L2 to aim down iron sights or pressing L2 to fire left weapon when dual - wielding; pressing R1 to throw a grenade or holding R1 to display the weapon wheel; pressing L1 to lean around cover; pressing square to reload ammunition or interact with an object; pressing triangle to cycle through to the previous weapon; pressing X to jump; pressing O to crouch; pressing up on the d - pad to toggle dual - wield; pressing left or right on the d - pad to toggle left or right weapon upgrade respectively; pressing down on the d - pad to receive an objective waypoint marker; changing the direction of the left analogue stick to move; changing the direction of the right analogue stick to aim; pressing L3 to sprint; pressing R3 to perform a silent takedown or throw a hatchet; pressing the share button takes you to the share feature menu; and pressing the options button to display the pause menu.

The controls are appropriately mapped to the DualShock 4 controller with the basics of the stand up control scheme consisting of pressing square to throw a left punch; pressing triangle to throw a right punch; pressing X to perform a left leg kick; pressing O to perform a right leg kick; holding L1, L2 or R1 while throwing a punch or performing a kick to apply a technical, body or signature modifier respectively; holding R2 to block opposing punches and kicks to the upper body; holding R2 and L2 simultaneously to block opposing punches and kicks to the lower body; changing the direction of the left analogue stick to manoeuvre your fighter around the cage; changing the direction of the right analogue stick to move your fighter's head; pressing R3 to switch stance; pressing the share button takes you to the share feature menu; and pressing the options button to display the pause menu.

While the unusual control scheme doesn't take long to wrap your head around, the lack of precision in the console's stick leads to frustrating instances of misread inputs and woeful errors.

I'm not sure how you'd make a game that wasn't frustrating with the control scheme described above; so the whole thing comes off as less «They designed the game around a neat idea» and more «They designed the game around a frustrating control scheme».

But I do like what I see, even in this early, pre-Kickstarter state, and I'm tremendously excited about the prospect of playing System Shock on a current - day PC without having to horse around with emulators and wonky, out - of - date control schemes.

I have to admit I was a little apprehensive as to how Monster Hunter would demo on the show floor, with reports of a complicated control scheme in previous titles leading me to think I wouldn't have time to get my head around it.

Uses a two stick control scheme, Left to move around the ball and the right stick flicked back then forward for shots.

The controls are easy to master as they are as responsive and intuitive as the first Destiny with the default control scheme consisting of pressing R2 to shoot; pressing R1 to perform a melee attack; pressing L2 to aim down the weapon's sights; pressing L1 to throw a grenade; pressing L1 and R1 to perform a super ability; pressing X to jump; double pressing X to engage thrusters in order to reach greater heights; pressing O to crouch; pressing square to reload; holding square to interact with an object; pressing triangle to change weapon; pressing up on the d - pad to wave; pressing right on the d - pad to dance; pressing down on the d - pad to sit; pressing left on the d - pad to perform a customised movement; changing the direction of the left analogue stick to move your character; pressing L3 to sprint; changing the direction of the right analogue stick to look around your surrounding environments; pressing R3 to highlight a player; pressing the share button takes you to the share feature menu; and pressing the options button to display the pause menu.

There are a number of alternative control schemes to change the feel of the controls to specifically suit each player including four options for the stick layout and 14 choices for the button layout with a further option to flip the shoulder buttons around which is collectively an excellent design choice as it provides the player with the confidence of knowing that there is a definitive control scheme that will perfectly match their play style.

The dead zones often found on the sticks was nowhere to be seen; even slight movements registered perfectly and the entire control scheme in general felt just sublime including touch screen weapon changing and Mantys control — a small droid unit you can take control of and fly around as recon, which serves as one of many Van - Guard systems you can unlock.

The level design is astonishing at times, with clever ideas in spades, all revolving around that simple control scheme - move left, move right, and flip.

The controls are well mapped to the DualShock 4 controller by updating the controls for every season to that of A New Frontier with the control scheme consisting of pressing X, triangle, square or O to perform actions, start a conversation with a person in your group or to choose a response in a conversation with the buttons being clearly marked towards the bottom of the screen; pressing R2 to run or perform fight actions when defending yourself; pressing up or down on the d - pad to look at your inventory; mashing certain face buttons such as X, triangle, square or O when in one - on - one encounters with walkers; changing the direction of the left analogue stick to move around cover in a tight situation or walking around as you explore the environment during your search to find people and supplies; changing the direction of the right analogue stick to move the cursor around the environment for you to investigate and observe certain objects and items of importance as well as deciding who to start or continue a conversation with or even positioning your aim when you are about to defend yourself from a walker; pressing the share button takes you to the share feature menu; and pressing the options button to display the pause menu.

My only complaint with the control scheme was that crouch was assigned to the Triangle button, making it hard to crouch and aim / look around at the same time.

The lack of alternative game modes or something fundamental to keep you coming back is highlighted all the more by being able to complete the game in around two to five hours depending upon how quickly you grasp the puzzles and control scheme.

The control scheme is quite easy to master as it purely revolves around the touch screen and rear touch pad.

As it stands, I am so mal - adapted to that control scheme, I have to «pretend» to be left - handed just so I can even move my camera around in Halo.

VR features a unique control scheme that allows for full immersion by utilizing the trackpad to move, appose to traditional teleporting around the scene.

The lack of touch pad implementation is surprising as the Vita's touch screen control scheme was pretty much perfected as it saw the cursor being replaced with icons and consisted of tapping on an icon to perform a particular action, interact with an object, start a conversation with a person in your group or to choose a response in a conversation, while dragging your finger around the touch screen would move Clementine around cover or exploring the environment as you search for supplies and people, so it is difficult to understand why such functionality could not have made the transition from the Vita to the DualShock 4 controller.

The control scheme consists of pressing X, triangle, square or O to perform actions, start a conversation with a Fable or to choose a response in a conversation with the buttons being clearly marked towards the bottom of the screen; pressing R2 to run or perform fight actions when defending yourself; pressing L2 to show selectables or to perform fight actions; pressing up or down on the d - pad to cycle through your inventory; mashing certain face buttons such as X, triangle, square or O when in one - on - one fights with Fables as the buttons are randomly generated each time you play; changing the direction of the left analogue stick to move Bigby as he walks around to explore the environment; changing the direction of the right analogue stick to move the cursor around the environment for you to investigate and observe certain objects and items of importance as well as deciding who to start or continue a conversation with or even positioning your aim when you are about to defend yourself from a Fable; pressing the share button takes you to the share feature menu; and pressing the options button to display the pause menu.

The control scheme of holding a button to walk is not bad, but the characters tend to move around stiff and erect occasionally turning their heads to look at something.

The controls are well mapped to the DualShock 4 controller by retaining the improvements from the second season with the control scheme of Michonne consists of pressing X, triangle, square or O to perform actions, start a conversation with a person in your group or to choose a response in a conversation with the buttons being clearly marked towards the bottom of the screen; pressing R2 to run or perform fight actions when defending yourself; pressing up or down on the d - pad to look at your inventory; mashing certain face buttons such as X, triangle, square or O when in one - on - one encounters with walkers; changing the direction of the left analogue stick to move around cover in a tight situation or walking around as you explore the environment during your search to find people and supplies; changing the direction of the right analogue stick to move the cursor around the environment for you to investigate and observe certain objects and items of importance as well as deciding who to start or continue a conversation with or even positioning your aim when you are about to defend yourself from a walker; pressing the share button takes you to the share feature menu; and pressing the options button to display the pause menu.

The complaint most frequently leveraged against Scribblenauts revolved around its often - finicky touch screen controls, and 5th Cell acknowledges that the scheme was not given the attention it may have needed:

Despite a basic control scheme where the only options are go faster, go slower, and nudge your body around a bit, you're surprisingly versatile.

The controls are well mapped to the DualShock 4 controller with the control scheme consisting of pressing X, triangle, square or O or alternatively by pressing up, down, left or right on the d - pad to perform a particular action, start a conversation with a person in your group or to choose a response in a conversation with the buttons being clearly marked towards the bottom of the screen; there are certain face buttons, such as X, triangle, square or O that you have to button mash when in one - on - one encounters with walkers as the buttons are randomly generated each time you play; changing the direction of the left analogue stick to move Lee around cover in a tight situation or walking around as you explore the environment and find people; changing the direction of the right analogue stick to move the cursor around the environment for you to investigate and observe certain objects and items of importance; pressing the share button takes you to the share feature menu; and pressing the options button to display the pause menu.

The lack of touch pad implementation is surprising as the Vita's touch screen control scheme was pretty much perfected as it saw the cursor being replaced with icons and consisted of tapping on an icon to perform a particular action, interact with an object, start a conversation with a person in your group or to choose a response in a conversation, while dragging your finger around the touch screen would move Lee around cover or exploring the environment and finding people, so it is difficult to understand why such functionality could not have made the transition from the Vita to the DualShock 4 controller.

There is a control scheme that allows you to use the Move controller to aim and move around, but the PS3 controller works a heck of a lot better, placing the Move support squarely in the «Gimmick» section of the game.

Players take control of a snake named Noodle, who is assisted at times by their hummingbird pal, Doodle; and in taking control of Noodle, players have to wrap their heads around the unique control - scheme of controlling a snake.

The controls are appropriately mapped to the DualShock 4 controller with the control scheme consisting of pressing R2 to shoot base ammo or throw an item; holding R2 to craft base arrows; holding L2 to aim or submerge in water; pressing R1 to shoot special ammo; holding R1 to craft special ammo; pressing L1 to heal; pressing X to jump or climb; pressing square to interact with objects, use a climbing axe for grip on tough terrain, throwing a grapple axe or reloading; pressing O to scramble, roll, drop or swim; pressing O when aiming to dodge; pressing triangle to perform a melee attack or finisher; pressing up on the d - pad to select bow or cycle special arrows; pressing left on the d - pad to select a shotgun; pressing right on the d - pad to select a rile; pressing down on the d - pad to select a pistol; pressing L3 to sprint or shoulder swap when aiming; pressing R3 to focus on Lara's survival instinct or zooming when aiming; changing the direction of the left analogue stick to move; changing the direction of the right analogue stick to adjust your aim or look around the environments; pressing the share button takes you to the share feature menu; and pressing the options button to display the pause menu.

Just seemed a bit silly running around in the dark in such an action orientated title, if they want to do an action game just turn the lights up and put some decent control scheme in.

It just didn't seem like they got around to using the motion control in the sort of settings where it would be an immersive add - on to the control scheme, rather than a gimmicky «shake it!»