Sentences with phrase «art av»

fully installed state - of - the - art AV.

All guest accommodations feature custom - designed Italian linens, sumptuous marble baths with heated floors, and state - of - the art AV equipment, including blue tooth compatible flat - screen TVs, DVD players, iPod docking stations and high speed internet access.

RACV Torquay Resort offers meeting planners a range of conference rooms and event facilities, meeting rooms with natural light and in - built state - of - the - art AV technology.

We have one of the biggest congress centres in Croatia, offering air - conditioned function rooms, high ceilings, state - of - the - art AV technology, complimentary Wi - Fi and natural daylight.

This pillarless, fully - enclosed space with rigging and lighting patch points in the ceiling, tracking around walls and state - of - the - art AV equipment is perfect for up to 300 attendees.

All rooms are equipped with free plug - and - play wifi, broadband and state - of - the - art AV equipment.

MEETING SPACE One of the biggest congress centers in Croatia; air - conditioned, high ceilings enabling state - of - the - art AV technology, complimentary Wi - Fi and natural daylight.

It features a state - of - the - art AV system, a 13 x 11.5 - foot cinema screen wall, a wet bar, and a luxurious seating area where your guests can sit while you wow them, as well as a huge and comfortable bedroom with a king - sized bed where you can collapse when you're finished.

The Palm Cove Conference and Function Centre's soft refurbishment has included a state of the art AV system, wireless network facilities, new carpets, painting, and soft furnishings.

Not exact matches

«Whether the description of the art in this book is accurate... does not matter, avers another.

The 33 - year - old Museum of Contemporary Art moved in 1996 to its new, $ 55 million quarters at 222 E. Chicago Av.

During the AVS 61st International Symposium & Exhibition, being held Nov. 9 - 14, 2014, in Baltimore, Md, Patricia Favero, an art conservator at The Phillips Collection, will explain how collaborating with art scholars and scientists aids her explorations of great works of art.

Retrospectives / Re-Performances The Count (Peter von Bagh, 1971) at IFFR Horror Film 1 (Malcolm Le Grice, 1971/2012) at Leeds Art Gallery Chika Hiroba (Underground Square, Keiya Ouchida, 1970) at Nippon Connection Melancholia (Lav Diaz, 2008) at AV Festival The Illiac Passion (Gregory Markopoulos, 1967) at BFI Southbank Handsworth Songs (John Akomfrah, 1986) at Close - Up Film Centre Anna (Alberto Grifi & Massimo Sarchielli, 1975) at Tate Modern The Movement of People Working (Phil Niblock, 1973-1991/2012) at AV Festival Screen Play (Takahiko Iimura, 1963/2012) at Place M Gallery Shlosha Yamim Veyeled (Three Days and a Child, Uri Zohar, 1967) at Tokyo FilmEx

(sigh) Film School Rejects on Disney's self cannabilization and the particular folly of trying it with Fantasia Variety TV is invading Cannes with many auteurs now doing both Vulture Tilda Swinton and Steven Yeun on making art in the new impossible - to - avoid - politics era AV Club Janelle Monáe and Leslie Mann are joining Steve Carell in Robert Zemeckis's next film MNPP Tom Hardy to play Spider - Man villain Venom in a standalone film Jezebel the only reporting on the Roseanne revival which includes Luis Buñuel asides Cinematic Corner visual parallels between Logan and Mad Max: Fury Road Hugh Jackman «see you soon Japan» - he's still on his Logan promo tour!

Sony has unrivalled expertise when it comes to AV technology solutions and understands how to create a state of the art solution that will fulfil every industry's requirements, let it be creating an engaging learning environment through rich multimedia platforms or providing the most advanced technologies for corporate and exhibition spaces.

So, it's essential for Instructional Designers to master the art of writing AV (Audio Visual) scripts.

According to the AV Club «The mass - market edition of Mockingbird — which currently features silhouetted cover art by Sarah Jane Coleman, but which is probably best remembered as the puce - covered little volume that populates the shelves of so many American high schools — was the cheapest version of the book on the market, retailing for a little more than half of what Harper Collins charges for its sturdier trade paperback edition.

According to the AV Club «The mass - market edition of Mockingbird — which currently features silhouetted cover art by Sarah... [Read more...]

For small to medium size upscale meetings, Sofitel's Inspired Rooms offer luxury interiors, state - of - the - art lighting, AV and modular show kitchen stations.

SOL's three unique private dining rooms feature beautiful architecture and art and full AV capability.

Located within walking distance to the CBD, we are fully equipped to host a corporate event with onsite catering, state - of - the - art audio visual (AV) equipment and dedicated conference coordinator.

Full conference facilities for your convenience include AV equipment, flip chart, whiteboard and projector screens, data projectors, wireless internet access, state of the art speakers and DVD players.

The Quermesse Restaurant Art Gallery is located in the historic Rua da Glória, on the border between the tranquil Praça da Alegria and the bustling Elevador da Glória, or the cosmopolitan Av.

2012 Dark Flow Lurking, David Castillo Gallery, Miami, FL a small world... (installation on view from the permanent collection), The Jewish Museum, New York, NY Transmission LA: AV Club, Geffen Contemporary at MoCA, Los Angeles, CA African American Art Since 1950: Perspectives from the David C. Driskell Center, David C. Driskell Center, College Park, MD Contemporary Mandala: New Audiences, New Forms, Emory University Visual Art Gallery, Atlanta, GA US Embassy in Tokyo Exhibition for Ambassador John V. Roos, Tokyo, Japan

School of the Art Institute of Chicago: Campus AV / Events Manager: 2015 — 2016 ● Maintaining and performing inventory of the AV systems in the School of the Art Institutes three major event spaces.

2018 As Far as the Eye Can See, New Insight into the Würth Collection, Kunsthalle Würth, Künzelsau, Germany (catalogue) Chaos and Awe: Painting for the 21st Century, Frist Center, Nashville, TN (catalogue) American Abstraction, A Postmodern vision of Abstract Expressionism, Sam Francis, Frank Stella, Peter Halley, Galerie Retelet, Monaco Abstract USA *, QG Gallery, Brussels KEDEUM - KODEM - KADIMA, The Center for Contemporary Art, Tel Av (installation) Emerald City, K11 Foundation, Hong Kong (installation) Geometries, Onassis Cultural Centre, Athens Postmodernism / Modernism, Robert Mangold / Peter Halley, Maruani Mercier, Brussels Brand New: Art and Commodity in the 1980s, Hirschhorn Museum and Sculpture Garden, Washington, DC (catalogue) Peter, Paul, and Mary, Adrian Rosenfeld Gallery, San Francisco ROYGBIV, Kate Werble Gallery, New York

Kunsthalle Winterthur, Winterthur, Switzerland (2016); Fashioned to a Device Behind a Tree, Camden Arts Centre, London, UK (2015); Drawing Biennial, Drawing Room, London (2015); Cathedral, AV Festival, NGCA, Sunderland, UK (2013); PROJECT, Maureen Paley Gallery, London, UK, (2013); Curiosity: Art & the Pleasure of Knowing, Hayward Touring UK (2013); Alternating Layers of Contrasting Resistance, Rowing, London, UK (2013), Solo Presentation, Art Rotterdam, Rotterdam, The Netherlands (2013), The Little Man of the Forest With the Big Hat, Federica Schiavo Gallery, Rome, Italy (2013); Cyclorama, Museo Tamayo Arte Contemporáneo, Mexico City, Mexico (2013); Relatively Absolute, Wysing Arts Centre, Cambridge; The Little Man of the Forest With the Big Hat, MCZ - Museo Carlo Zauli, Faenza, Italy (2012); An Arrangement of the Materials Ejected, Spacex, Exeter (2011); To See an Object to See a Light, Fondazione Sandretto Re Rebaudengo, Guarene d'Alba, Italy, (2011); Vedere un oggetto, vedere la luce, Fondazione Sandretto Re Rebaudengo, Guarene d'Alba, Italy (2011); Sentinel - PPS / / Meetings # 4, Palazzo Riso — Museo d'Arte Contemporanea della Sicilia, Palermo, Italy (2011); SI - Sindrome Italiana, Le MagasinCentre National d'Art contemporain de Grenoble, France (2010); Catastrophe?

Since 1986 her work has been exhibited widely; significant solo presentations include On Being an Angel, Moderna Museet, Stockholm (2015 - 2016), touring subsequently to Foam, Amsterdam (2016), Fondation Henri Cartier - Bresson, Paris (2016), Moderna Museet, Malmo (2016 — 2017) and Finnish Museum of Photography, Helsinki (2017); Francesca Woodman, Museum of Modern Art, San Francisco (2011 - 2012), touring to Solomon R. Guggenheim Museum, New York (2012); Francesca Woodman: Retrospective, Sala Espacio AV, Murcia, touring to SMS Contemporanea, Siena (both 2009); Francesca Woodman: Photographs, Herbert F. Johnson Museum of Art, Cornell University, Ithaca, New York (2003); Francesca Woodman, Fondation Cartier pour l'Art Contemporain, Paris, touring to Kunsthal, Rotterdam, The Netherlands (both 1998); Centro Cultural de Belém, Lisbon, Portugal (1999); The Photographers» Gallery, London (1999); Centro Cultural TeclaSala, L'Hospitalet, Barcelona (1999 - 2000); Carla Sozzani Gallery, Milan, (2001); The Douglas Hyde Gallery, Dublin (2001) and PhotoEspana, Centro Cultural Conde Duque, Madrid (2002).

Art In Stead, co-curated with Lisa Henry, Nizan Shaked, and Gloria Sutton, which presented 21 newly commissioned artworks on Los Angeles billboards (2010); Sympathetic Seeing: Esther McCoy and the Heart of American Modernist Architecture and Design, co-curated with Susan Morgan (2011); AV: New Works by Andrea Fraser, Vanessa Place (2014); Begin Again, Begin Again, a solo exhibition by Renée Green (2015); and Schindler Lab, co-edited with Anthony Carfello and Sara Daleiden (2015).

The connection between raw material and its consumption by the immaterial systems of global capitalism is the main theme running through Metal, a group show of five artists at Middlesbrough Institute of Modern Art, which forms part of the AV Festival, a biennial programme of art, film and music in the northeast of England, now in its sixth iteratiArt, which forms part of the AV Festival, a biennial programme of art, film and music in the northeast of England, now in its sixth iteratiart, film and music in the northeast of England, now in its sixth iteration.

These include Winkleman Gallery (whose owners Murat Orozobekov and Edward Winkleman founded the fair), Ronald Feldman Fine Arts, AV - Arkki, STAMPA, P · P · O · W, Klaus Von Nichtssagend Gallery, DODGE Gallery, Galerie M + R Fricke, and Mark Moore Gallery.

Kunstverk er lånt av: Anish Kapoor Studio, Lisson Gallery, Arts Council Collection, British Council Collection, Christen Sveaas Art Collection, Nasjonalmuseet for kunst, arkitektur og design

AV - arkki is the Distribution Centre for Finnish Media Art.

Saturday March 10 at 7 pm and 8 pm Artprojx Cinema & AV - arkki, The Distribution Centre For Finnish Media Art presents «Mystery Show» — featuring Four Finnish Artists: Liisa Lounila, Erkka Nissinen, Pilvi Takala, Timo Vaittinen program 45 minutes (played twice)-- followed by a reception and meet the artists Supported by the Consulate General of Finland in New York, The Finnish Cultural Institute in New York and The Finnish Cultural Foundation.

AV - arkki's main purpose is to distribute and promote Finnish media art to festivals, events, museums and galleries worldwide.

303 Gallery, New York Air de Paris, Paris Alexander Gray Associates, New York Alison Jacques Gallery, London Almine Rech Gallery, Brussels Andrea Rosen Gallery, New York Andrew Kreps Gallery 535 W. 22nd St, New York Andrew Kreps Gallery 537 W. 22nd St, New York Anton Kern Gallery, New York Arratia Beer, Berlin Art: Concept, Paris Bortolami, New York Broadway 1602, New York Carl Freedman Gallery, London carlier gebauer, Berlin Casey Kaplan, New York Cheim & Read, New York CRG Gallery, New York David Zwirner 19th Street, New York David Zwirner 20th Street, New York Elizabeth Dee, New York Esther Schipper, Berlin Frith Street Gallery, London Gagosian Madison Avenue, New York Gagosian West 21st St, New York Gagosian West 24th St, New York Galeria Plan B, Berlin Galerie Barbara Weiss, Berlin Galerie Chantal Crousel, Paris La Douane — Galerie Chantal Crousel, Paris Galerie Eigen + Art, Berlin Galerie Frank Elbaz, Paris Galerie Jocelyn Wolff, Paris kamel mennour, r. du Pont de Lodi, Paris kamel mennour, r. Saint - André des arts, Paris Galerie Lelong, New York Galerie Perrotin Madison Av., New York Praz - Delavallade, Paris Galerie Thaddaeus Ropac Marais, Paris Galerie Thaddaeus Ropac Pantin, Paris Galerie Thomas Schulte, Berlin Galerija Gregor Podnar, Berlin Gavin Brown's enterprise, New York gb agency, Paris Gladstone Gallery 21st St, New York Gladstone Gallery 24th St, New York Goodman Gallery, Johannesburg Goodman Gallery, Cape Town Greene Naftali, New York greengrassi, London Hauser & Wirth 18th St, New York Hauser & Wirth 69th St, New York Herald St, London Jack Hanley Gallery, New York Jack Shainman Gallery West 20th St, New York Jack Shainman Gallery West 24th St, New York James Cohan Gallery, New York Johann König, Berlin Laura Bartlett Gallery, London Lehmann Maupin 26th St, New York Lehmann Maupin Chrystie St, New York Lisson Gallery, London Luhring Augustine, New York Marian Goodman Gallery, New York Marianne Boesky Gallery 24th St, New York Marianne Boesky Gallery 64th St, New York Massimo De Carlo, London Maureen Paley, London McCaffrey Fine Art Upper East Side, New York Mendes Wood DM, São Paulo Miguel Abreu Gallery, New York Mitchell - Innes & Nash 26th St, New York Mitchell - Innes & Nash Madison Av, New York Paul Kasmin Gallery 10th Av, New York Paul Kasmin Gallery 27th St, New York Peter Blum Gallery, New York Pilar Corrias, London Sadie Coles HQ Kingly Street, London Sadie Coles HQ South Audley Street, London Salon 94, New York Salon 94 Bowery, New York Salon 94 Freemans, New York Sean Kelly Gallery, New York Sikkema Jenkins & Co., New York Sprüth Magers Grafton St, London Sprüth Magers Oranienburger St, Berlin Stephen Friedman Gallery, London Stuart Shave / Modern Art, London Taka Ishii Gallery, Tokyo Taka Ishii Gallery Photography / Film, Tokyo Tanya Bonakdar Gallery, New York team (gallery, inc.) Grand St, New York team (gallery, inc.) Wooster St, New York The Approach, London Timothy Taylor Gallery, London Tina Kim Gallery, New York Victoria Miro, London Victoria Miro Mayfair, London Wallspace, New York White Cube Bermondsey, London White Cube Mason's Yard, London Wien Lukatsch, Berlin Wilkinson, London Yvon Lambert, Paris Kukje Gallery K2, Seoul Kukje Gallery K3, Seoul

Artprojx Cinema & AV - arkki, The Distribution Centre For Finnish Media Art presents «Mystery Show» Four Finnish Artists: Liisa Lounila, Erkka Nissinen, Pilvi Takala, Timo Vaittinen Saturday 10th March 2012 at 7 pm and 8 pm — followed by a reception with the artists

He has had solo exhibitions and presentations at Matt's Gallery, London; SASA Gallery Adelaide, Australia; School of Fine Arts University of Canterbury, New Zealand (2014); Phoenix and Two Queens Gallery, Leicester; Rhubaba, Edinburgh, Scotland; Wysing's Music Festival (2013) and Whitstable Biennale; Outpost, Norwich; Cell Project Space, London; Zabludowicz Collection, London; Circa Site / AV Festival, Newcastle (2013).

Michael Eng and Jamieson Webster discussed Place's work in AV from the perspectives of sound art, philosophy, psychoanalysis, and the metaphysics of the Real and the Imagined.

Saturday 10 March 2012 at 7 pm and 8 pm In association with AV - arkki, The Distribution Centre For Finnish Media Art

Info: Curator: Devrim Bayar, WIELS, Contemporary Art Centre, Av.

Info: Curators: Pedro Gadanho, João Laia & Susana Ventura (Utopia / Dystopia), Inês Grosso (Order and Progress), MAAT — Museum of Art, Architecture and Technology, Av.

Info: Curators: Pedro Gadanho & Luísa Santos, MAAT (Museum of Art, Architecture and Technology), Av.

Info: Curator: Caroline Dumalin, WIELS Contemporary Art Centre, Av.

Medium: Oil painting on linen Image size: 5.75 x 4 inches Frame size: 14 x 12 x 2 inches Signed at lower right: AVS A noted contemporary figurative painter, Stevovich grew up in Washington, D.C., and as a young child spent time roaming the halls of the National Gallery of Art, where he was particularly drawn to the Renaissance paintings that would come to inform his work.

This year, Grant funded projects included AV Festival 14: Extraction in Newcastle, Geoffrey Farmer: Let's Make the Water Turn Black at Nottingham Contemporary, and Eva Kot «átková: A Storyteller's Inadequacy at Modern Art Oxford, as well as to PSL, Studio Voltaire, CIRCA Projects, and Bristol Museum & Art Gallery.

Kunsthalle Winterthur CH; Teleonomy, Cafe Oto, London UK (all 2016); Fashioned to a Device Behind a Tree, Camden Arts Centre, London UK; The London Open 2015, Whitechapel Gallery, London UK; Une Taxonomie des Sens et des Formes, Centre d'art contemporain La Halle des bouchers, Vienne FR; Project 09: Salvatore Arancio, Contemporary Art Society, London UK; The First Humans, Pump House Gallery, London UK (all 2015); Birds, Cinéphémère, FIAC, Paris FR; The Hidden, Ensapc Ygrec, Paris FR; Cathedral, AV Festival, Northern Gallery For Contemporary Art, Sunderland UK (all 2014); Curiosity: Art & the Pleasure of Knowing, Hayward Touring UK (2013 - 2014); Cyclorama, Museo Tamayo Arte Contemporáneo, Mexico City MX (2013); The Cosmos, Wysing Arts Centre, Cambridge UK (2012); An Arrangement of the Materials Ejected, Spacex, Exeter UK; Vedere un oggetto, vedere la luce / To See an Object to See a Light, Fondazione Sandretto Re Rebaudengo, Guarene d'Alba IT (both 2011); SI Sindrome Italiana, Magasin - Centre National d'Art contemporain de Grenoble FR; Catastrophe?

/ performances 2017 Audible Edge Festival, Tone List and Tura New Music, Perth 2016 Everyday Machines, curated by Tom Smith, Alaska Projects, Sydney 2016 NOW now series, 107 Projects, Sydney 2016 Pretty Gritty series, 107 Projects, Sydney 2016 Electrofringe: New Terrains, Top Floor at Wellington, Sydney 2014 perspectives [temporal], solo audio - visual concert, Perth Institute of Contemporary Arts 2014 Club Zho 111, The Bakery, Perth 2014 NOW now Festival of Arts, Sydney (as Té with Andrew Brooks) 2012 - 14 multiplicity - large - scale, dual - screen audio - visual work presented at: Perth Cultural Centre Screen Program, 2014; Test Tone, SuperDeluxe, Tokyo, Japan, 2013; Channels Video Art Festival, Melbourne, 2013; fractal shale, Perth Institute of Contemporary Arts Performance Space, 2012; NOW now festival program launch, Sydney, 2012; fractal shale, Tape Projects, Melbourne, 2012 2014 Cinematic Scores, live soundtrack to Laszlo Moholy - Nagy's Lichtspiel Schwarz Weiss Grau, Perth Fringe Festival, Packenham Street Art Space, Perth 2013 International Computer Music Festival, Western Australian Museum (as Té with Andrew Brooks) 2012 - 13 consciousness - large - scale audio - visual work presented at: Nu Things, Osaka, 2013; Tape Projects, Melbourne, 2012; AV Union, Sydney, 2012; Terrace Bar, Newcastle, 2012; The Bakery, Perth, 2012 2013 Japan tour, solo audio - visual performances and as Té with Andrew Brooks, Osaka, Kyoto, Tokyo 2011 Improvised performance with Philip Zoubek and Andrew Brooks, The Loft, Cologne, Germany 2011 split mirror planes - for four instruments and four audio / visual sources, commissioned by Decibel new music ensemble — premiered at Perth Institute of Contemporary Arts 2010 Japan tour, solo performances, Osaka, Kyoto, Tokyo 2010 lucidity - major composition for electroacoustic ensemble: acoustic instruments, computer processing, sound synthesis and video projections performed at The Bakery, Perth

This has included events and exhibitions at Tate Modern, Tate Britain, the Hayward Gallery, the Hayward project Space, Barbican Art Gallery, ICA, the Wellcome Collection, BFI Southbank, Whitechapel Gallery, (London); Oberhausen Short Film Festival (Oberhausen); the Rotterdam Film Festival (Rotterdam); the New York Film Festival (NY); Gertrude Contemporary (Melbourne); De Appel Art Centre (Amsterdam); AV festival (Newcastle); Arnolfini (Bristol); Turner Contemporary (Margate); and Baltic Centre for Contemporary Art (Gateshead).

Born 1977, Mexico City, Mexico Solo Exhibitions 2018 «Under the immortal skin», T293, Rome 2018 «Temazcal», Michael Benevento, Los Angeles 2017 «Works and Days», Atlantis, Chevalier Roze, Marseille 2016 «Retrospectiva», Lulu, Mexico City 2016 «Chambres aver vue sur le champ», Untilthen, Paris 2016 «Paradise», DREI, Cologne 2016 «Frenetic Gossamer», Palais de Tokyo, Paris 2016 «Huellas de la Revolución Industrial», Museo Pietro Canonica a Villa Borghese, Rome 2015 «La bella durmiente», Museo Universitario del Chopo, Mexico City 2015 «Caramel Huysmans», Proyectos Monclova, Mexico City 2015 «The Contemporary Comedy: Glossy Mist», Clifton Benevento, New York 2014 «Luster Butterfly», T293, Rome 2014 «All That I Never Was», Michael Benevento, Los Angeles 2013 «Mariposas Migratorias», Clifton Benevento, New York 2012 «I miss my thread», Karma International, Zurich 2012 «The Equation of Desire», Kunsthalle Winterthur 2012 «The Bright of the Whisper», Kunstraum, Innsbruck 2012 «La Alcoba Doble», T293, Rome / Naples 2010 «Martin Soto Climent — A bridge between two towers», Clifton Benevento, New York 2010 «A Long Chapter One», Sorcha Dallas, Glasgow 2009 «El Mago», Martin Van Zomeren, Amsterdam 2009 «Laberintome», T293, Naples 2009 «Impulsive Chorus», X Initiative, New York 2009 «The Intimate Revolt», Karma International, Zurich 2009 «For your eyes only», La Sala, Mexico City 2009 «Martin Soto Climent», Michael Benevento, Los Angeles 2008 «Hidden Symmetries», Broadway 1602, New York 2008» Parabolic Dust», Broadway 1602, New York 2008 «01.18.08», T293, Naples 2007 «Vacio Contenido», Museo de Arte Carrillo Gil, Mexico City 2006 «Checkmate», Broadway 1602, New York 2006 «Study Objects», Nina Menocal Gallery, Mexico City 2005 «Other Objects», The Other Gallery, The Banff Center, Alberta 2005 «Biotic Project», Subway Station Tacuba, Mexico City 2004 «Cotton Candy Doves», MUCA, Mexico City 2004 «Throw Balls», UNAM — The University Cultural Building, Mexico City 2003 «Curious objects vol1», Curious objects vol2», The space, Mexico City 2003 «03-03-03», installation in Jardín Hidalgo, Coyoacán, Mexico City 2002 «It was green», Museum Desierto de los Leones, Mexico City 2001 «Empty Spaces (Journey Sensations)», Casa de la Cultura Malinalxochitl, Malinalco, Mexico 2001 «One of so Many, Young Artist Collective», Sebastián Foundation, Mexico City Group exhibitions 2018 «Dwelling Poetically: Mexico City, a case study», ACCA, Australian Centre for Contemporary Art, Melbourne 2017 «Deseo.