Sentences with phrase «art oil painting on canvas»

Not exact matches

Love art especially photography and oil on canvas paintings.

Keller, Tx About Blog Chris Brandley Art includes everything from painting commercial and residential murals and faux finishes, to painting oil on canvas.

Using oil and acrylic on canvas, none of his fine art is titled - but you can see he simply prefers to paint haunting portraits of unknown subjects... people we might never know or understand.

I don't know what's «industry standard practice» for fine art galleries these days, regarding pricing works on paper vs. works on canvas, but my suspicion is that the reason for the * historical * difference between the two is that works on paper are perceived to be less «serious» (after all, watercolor started out as a quick way for oil painters to sketch out drafts), and less long - lasting (historically, a lot of watercolors were fugitive, and tended to fade with time, unlike varnished oil paintings).

At this year's West Coast Art & Frame Expo, renowned custom - framing company Larson - Juhl launched Brushstrokes — a technology that captures the essence of artists» originals and recreates oil - on - canvas and acrylic paintings in 3 - D.

Seascape — Isle of Shoals, 1902, oil on canvas, 29-1/8 x 37-1/2 inches, framed by Gill & Lagodich for the High Museum of Art, Atlanta; c. 1900 Stanford White - style American painting frame, gilded carved wood, attributed to Milch Galleries, New York frame makers.

Large ORIGINAL Oil Painting on Canvas, Night Landscape Tree Painting, Modern Wall Art, Textured Whimsical Dreamscape, Thick Layers, 18x24

Cueva de El Castillo, Puente Viesgo, Spain Panel of Hands, photo: Pedro Saura Cueva de El Castillo, Panel of Hands, photo: Pedro Saura Cueva de El Castillo, Corridor of Disks, photo: Pedro Saura Hologram, Museo Nacional de Altamira, Santillana del Mar, Spain, photo: Estudio Nómada Inside Conellante, Matienzo, Spain, 2010, photo: Randee Silv El Pendo, entrance, 2010, photo: Randee Silv Pech Merle, Cabrerets, France, photo: Steve Errede, Dept. of Physics, University of Illinois Airbrushing, photo: Don Hitchcock, Don's Maps Finger Flutings, Grotte de Rouffignac, France, photo: Kevin Sharpe & Leslie Van Gelder Untitled, Alice Rahon, 1945, watercolor, 10 x 8», photo: Creighton - Davis GallerY L'Enclume, Wolfgang Paalen, 1952, oil & fumage, 53 x 74», photo: Artsy.net Message, No. 8, Mathias Goeritz, 1959, gold paint, perforated steel, pushpins on board, photo: Arevalo Gallery Conference Poster 1950, Willi Baumeister, Centro de Arte Riena Sofia, Madrid, photo: Randee Silv Altamira, Joan Miró, 1958, lithograph, photo: Quittenbaum Auction House, Munich Joan Miró & Josep Llorens Artigas, Altamira, 1957, photo: Fundación Botín, Santander, Spain Patterns of Aranjuez, 1955, N. H. Stubbing, oil on canvas, 78 x 69 ″, photo: England & Co, London Cave of Black, Herman Cherry, 1954, enamel / coffee grinds on canvas, 61 x49 ″, David Findlay Gallery, photo: Randee Silv Untitled, Denny Winters, 1982, photo: Gamage Auction House, Rockland, Maine Before the Caves, Helen Frankenthaler, 1958, oil on unprimed canvas, 102 x 104 ″, photo: Berkeley Art Museum The Homely Protestant, Robert Motherwell, 1946, oil on masonite, 98 X 48 ″, photo: Metropolitian Museum Cave Study (Perigord Region), Elaine de Kooning 1983, segment, photo: Artvalue.com Lascaux Cave, France, closeup of Megalaceros section, photo: Wikimedia commons Untitled 1963, David Smith, spray enamel on paper, 14 x 19 ″, photo: David Smith Estate Chauvet Cave, Vallon - Pont - d'Arc, France, photo: Dr. Jean Clottes Exhibition poster, Miguel Barceló, Institut Valencià d'Art Modern, 1995 photo: Michel Fillon Gallery, Paris Stages of Trance, photo: David Lewis - Williams, Inside the Neolithic Mind Pareidolia, Conellante Cave, 2010, Matienzo, Spain, photo: Randee Silv Blackness, Conellante Cave, 2010, Matienzo, Spain, photo: Randee Silv

The Ohio River from Athens County, Ohio, Winter oil on canvas 36 ″ x 96 ″ 2011 LG: Outside the universities and the larger urban art centers, the plein air painting «movement» of regional painters has become increasing popular.

A selection of oil on canvas paintings from the «Two Weeks One Summer» series exhibited at the Pinchuk Art Centre to coincide with the Future Generation Art Prize.

They cling firmly to the fundamental principles of their art and do not araise any doubts about the methods, techniques or materials they apply: Houseago makes sculptures and casts with plaster and clay, Bessone paints on canvas or paper with watercolours and oil.

Rupert Eder, ANIMUS, 2008 Oil on canvas 63 x 47 inches March 1 - 22, 2011 Schaltwerk - Kunst, Hamburg, presents the exhibition: About Painting at the Sylvia Wald and Po Kim Art Foundation in New York.

Considering that Velázquez is widely seen as the greatest painter ever to lay oil on canvas, and considering that he only made about 110 paintings in his lifetime, the fact that a new portrait is visiting the Metropolitan Museum of Art this month (April 16 - July 14) is bound to cause a stir.

Oil on canvas Hand - signed «Pat Steir, 1988» verso Excellent Condition Though her early work was loosely allied with Conceptual Art and Minimalism, Pat Steir's poured «Waterfall» paintings initiated in 1988 gained her critical acclaim.

At the Jewish Museum, oil paint on canvas positively leaps off the walls, as if to prove Greenberg's notion of the art object dead on.

(251.1 x 251.1 cm) Medium: Oil on canvas Credit Line: Purchased with funds from the North Carolina State Art Society (Robert F. Phifer Bequest), the North Carolina Museum of Art Guild, and various donors, by exchange Object Number: 96.2 Culture: German Signed: Verso, right center: Richter 1985 Inscriptions: Verso, near top left: 577 - 2 Classification: Paintings Department: Modern

Her large - scale oil on canvas paintings question how art can become a place by its interaction with the environment and how the space can become the artwork.

Green Tree Oil painting on canvas, Landscape art, Original oil nature painting, Colorful painting, Contemporary art, by Jane FrolOil painting on canvas, Landscape art, Original oil nature painting, Colorful painting, Contemporary art, by Jane Froloil nature painting, Colorful painting, Contemporary art, by Jane Frolova

Images: Jackson Pollock, Echo: Number 25, 1951, 1951, enamel paint on canvas, Acquired through the Lillie P. Bliss Bequest and the Mr. and Mrs. David Rokefeller Fund, Museum of Modern Art, New York © 2015 The Pollock - Krasner Foundation / Artists Rights Society (ARS), New York; Jackson Pollock, Number 7, 1951, 1951, enamel on canvas, The National Gallery of Art, Washington, D.C., Gift of the Collectors Committee (1983.77.1) © 2015 The Pollock - Krasner Foundation / Artists Rights Society (ARS), New York; Jackson Pollock, Untitled, c. 1949 - 50, painted terracotta, Collection Gail and Tony Ganz, Los Angeles © 2015 The Pollock - Krasner Foundation / Artists Rights Society (ARS), New York; Jackson Pollock, Portrait and a Dream, 1953, oil and enamel on canvas, Dallas Museum of Art, gift of Mr. and Mrs. Algur H. Meadows and the Meadows Foundation, Incorporated © 2015 The Pollock - Krasner Foundation / Artists Rights Society (ARS), New York; Jackson Pollock, Number 14, 1951, 1951, oil on canvas, Purchased with assistance from the American Fellows of the Tate Gallery Foundation 1988 © 2015 The Pollock - Krasner Foundation / Artists Rights Society (ARS), New York; Jackson Pollock, Black and White Painting II, c. 1951, oil on canvas, Private Collection © 2015 The Pollock - Krasner Foundation / Artists Rights Society (ARS), New York

Abstract Oil Painting, Black White Oil Painting, Geometric Art, Large acrylic painting, Minimalist Artwork, Oversized Painting on caPainting, Black White Oil Painting, Geometric Art, Large acrylic painting, Minimalist Artwork, Oversized Painting on caPainting, Geometric Art, Large acrylic painting, Minimalist Artwork, Oversized Painting on capainting, Minimalist Artwork, Oversized Painting on caPainting on canvas Art

An example of modern art paintings with a figurative subject is The Fear of Life, oil paint on canvas by Zhana Viel.

Wilson's Water Mill Fog, 1966, oil on canvas, described by Strassfield as «an amazing painting,» is in Guild Hall's permanent collection and was exhibited at Sotheby's in New York as part of the March 2014 Academy of the Arts gala.

Xl horizontal seascape coastal living wall art, ocean paintings, oil on canvas 40 «x30» art prints on paper and canvas huge sizes, Modern art

XL wall art / Large wall art / ORIGINAL Oil Painting on Canvas / Wall decor / Extra large painting / Exclusive painting / Huge Painting on Canvas / Wall decor / Extra large painting / Exclusive painting / Huge painting / Exclusive painting / Huge painting / Huge paintingpainting

Exploring the Collection of the Museum of Modern and Contemporary Art in Nusantara Museum MACAN, Jakarta, Indonesia The museum's inaugural exhibition opens November 4, 2017, which includes Wiharso's painting «Melt», 2008, acrylic, spray paint, car paint, collaged photo details and oil on canvas, 300 x 600 cm (Collection of Museum MACAN).

Confirmed speakers include: Dr David Anfam (author, Mark Rothko: The Works on Canvas, Yale University Press, 1998); Lindsay Aveilhé (editor, Sol LeWitt: Wall Drawings Catalogue Raisonné); Dr Lee Beard (editor, Ben Nicholson: Catalogue Raisonné of Paintings & Carved Reliefs); Susan Cooke (Director of Programming, the US Catalogue Raisonné Scholars Association, and Associate Director of David Smith Sculptures: A Catalogue Raisonné); Dr Dietmar Elger (Director of the Gerhard Richter Archive at the Staatliche Kunstsammlungen Dresden, and editor of the Gerhard Richter Catalogue Raisonné); Dr Jo Melvin (Director Barry Flanagan Estate and Reader in Fine Art Theory, Archives and Special Collections at Chelsea College of Arts); James Rawlin (independent advisor and curator, formerly Head of Modern and Post-war British Art at Sotheby's); Karen Sanig (Head of Art Law, Mishcon de Reya); Mark Waugh (Head of Research and Innovation, DACS); Sarah Whitfield (editor, William Scott: Catalogue Raisonné of Oil Paintings, Thames & Hudson, 2013).

Elizabeth Murray: Painting in the «70s will feature thirty oil on canvas paintings created between 1970 and 1980, including important loans from the Detroit Institute of Art, Pennsylvania Academy of Fine Arts, Princeton University Art Museum, and Whitney Museum of American Art, as well as three later paintings.

Artist Statement on DEEPHORIZON: «The supreme discipline of art — oil painting — is back with a vengeance — in the form of an oil painting on a 80.000 square miles ocean canvas with 32 million litres of oil — a unique piece of art... It has been 13 days since a BP oil and gas exploration well blew out, setting fire to the drilling rig, which sank, killing 11 people.

Art Space 98 is proud to present the exhibition: Transformation featuring recent Oil Paintings on canvas by Swiss - born artist Thomas...

Honorable Mention awards in the Traditional Art category were given to Julia Jenkins for her acrylic painting, «Metamorphosis,» Shabana Kauser for her oil on canvas, «Identity», Seon Young Kim for her oil on panel, «Jared» and Elzbieta Karnas for her oil on canvas, «Sunshine.»

Art Space 98 is proud to present the exhibition: Transformation featuring recent Oil Paintings on canvas by Swiss - born artist Thomas Bühler who lives in New York City and Montauk.

The 24 - by - 26 1/4 - inch oil on canvas was painted in 1958 and has a modest estimate of $ 15,000 to $ 20,000 and has a nice folk - art feel.

Oil on canvas 53.5 x 43.5 cm Provenance The Artists's Estate Annely Juda Fine Art, London Exhibited Annely Juda Fine Art, Prunella Clough, Painting, Relief, Collage, Drawing, 2012 Annely Juda Fine Art, Prunella Clough, London, 2017, Cat no. 2

Hopper and Eggleston might present the greatest gap in method, with the former dedicated to oil paint on canvas and the latter famous for making color photography an accepted medium for fine art.

Trey Egan's second solo exhibition at Cris Worley Fine Arts includes eight large - scale abstract oil paintings on canvas that animate and transform the white walls of the gallery into a torrential color storm.

Ruth Pastine, Sighted (Blue Series), 1996 Oil on canvas 24 x 24 inches February 10 — March 26, 2011 Cabana Home, in collaboration with Edward Cella Art + Architecture, presents a solo exhibition of color field paintings by Ojai based artist Ruth Pastine.

David Claerbout's paintings on paper are fundamental to his film practice; Ilse D'Hollander's intimate canvases are sensual explorations of the physical act of painting; Jose Dávila interrogates how the modernist movement has been translated, appropriated, and reinvented; Laurent Grasso's meticulous appropriations of classical paintings integrate impossible phenomena, blurring the line between the historical and contemporary; Rebecca Horn's large - scale gestural paintings evoke her early performance work, their dimensions being determined by the artist's physical reach; Callum Innes» Exposed Paintings are concerned with both making and unmaking the work; Idris Khan utilizes language, melding thousands of lines of stamped text into singular abstract images; Hugo McCloud's work fuses industrial and fine art materials; Sam Moyer combines found textures into a fresh, expanded, artistic palette; and James White's oil paintings reimagine the still life as a chance freezepaintings on paper are fundamental to his film practice; Ilse D'Hollander's intimate canvases are sensual explorations of the physical act of painting; Jose Dávila interrogates how the modernist movement has been translated, appropriated, and reinvented; Laurent Grasso's meticulous appropriations of classical paintings integrate impossible phenomena, blurring the line between the historical and contemporary; Rebecca Horn's large - scale gestural paintings evoke her early performance work, their dimensions being determined by the artist's physical reach; Callum Innes» Exposed Paintings are concerned with both making and unmaking the work; Idris Khan utilizes language, melding thousands of lines of stamped text into singular abstract images; Hugo McCloud's work fuses industrial and fine art materials; Sam Moyer combines found textures into a fresh, expanded, artistic palette; and James White's oil paintings reimagine the still life as a chance freezepaintings integrate impossible phenomena, blurring the line between the historical and contemporary; Rebecca Horn's large - scale gestural paintings evoke her early performance work, their dimensions being determined by the artist's physical reach; Callum Innes» Exposed Paintings are concerned with both making and unmaking the work; Idris Khan utilizes language, melding thousands of lines of stamped text into singular abstract images; Hugo McCloud's work fuses industrial and fine art materials; Sam Moyer combines found textures into a fresh, expanded, artistic palette; and James White's oil paintings reimagine the still life as a chance freezepaintings evoke her early performance work, their dimensions being determined by the artist's physical reach; Callum Innes» Exposed Paintings are concerned with both making and unmaking the work; Idris Khan utilizes language, melding thousands of lines of stamped text into singular abstract images; Hugo McCloud's work fuses industrial and fine art materials; Sam Moyer combines found textures into a fresh, expanded, artistic palette; and James White's oil paintings reimagine the still life as a chance freezePaintings are concerned with both making and unmaking the work; Idris Khan utilizes language, melding thousands of lines of stamped text into singular abstract images; Hugo McCloud's work fuses industrial and fine art materials; Sam Moyer combines found textures into a fresh, expanded, artistic palette; and James White's oil paintings reimagine the still life as a chance freezepaintings reimagine the still life as a chance freeze - frame.

Framed raw canvases stained with dripped enamel and oil paintings hang on museum walls, reviving remarkable works of art from one of America's most prominent artists of the past.

This 70 - by -80-inch oil on canvas, shown below, was painted in 1983 and compares very favorably with many of the works included in the de Kooning exhibition in 1998 at the Museum of Modern Art (see The City Review article).

monochrome painting I, 1988/1989 first station — christ condemned to death kasimir malevich SUPREMATISTS COMPOSITION: WHITE ON WHITE, c. 1918 oil on canvas the museum of modern art, new yoON WHITE, c. 1918 oil on canvas the museum of modern art, new yoon canvas the museum of modern art, new york

Main image: Jeanne Hébuterne 1919, Medium Oil paint on canvas 914 x 730 mm, The Metropolitan Museum of Art, New York

Pacita Abad, Glorious blue, 2003, oil, painted cloth, painted tin stitched on canvas, 91 x 128 cm, 36 x 50 in., © Pacita Abad Art Estate

62 Artist: John Hoyland 1934 - 2011 Date: 1962 Classification: painting Medium: Oil paint on canvas Dimensions: support: 1727 x 1727 mm Presented by the Contemporary Art Society 1964 © John Hoyland

Pacita Abad, These Are Better Days, 2002, oil, painted cloth stitched on canvas, 244 × 180 cm, 96 × 71 in., © Pacita Abad Art Estate

Untitled (Winsor), 1966, Winsor White oil paint on stretched sized linen canvas, 193 x 193 x 8.4 cm, Private Collection, Courtesy Thomas Ammann Fine Art AG, Zürich, © Robert Ryman

Although less than 25 percent of the lots are by women artists, some significant works by women are for sale: «Roots,» a poignant color screen print by Catlett that the gallery says has not been seen at auction in 20 years (shown above); «March on Washington,» 1964 (oil on canvas), a beautifully rendered painting by Alma Thomas (1891 - 1978); Faith Ringgold's 1974 «Night: Window of the Wedding 8,» touted as the first of her fabric paintings to be offered at auction (shown below); and «Still Life with Grapefruit,» 1928, described on the frame backing as Lois Mailou Jones's first painting, completed a year after she graduated from the School of the Museum of Fine Arts in Boston.

Fair use rationale for Image: La scienza della laziness (The Science of Laziness) by Frank Stella, 1984, oil, enamel and alkyd paint on canvas, etched magnesium, aluminum and fiberglass, National Gallery of Art (Washington, D. C.).

Laura Watt Philadelphia, Pennsylvania «Mandala Crossed # 4» oil / linen 2009 Meghan Cox Philadelphia, Pennsylvania «Posey» Oil on canvas mounted on panel 2012 11 x 14 ″ Peter Miraglia Philadelphia, Pennsylvania «Celine» Archival Pigment Print 20 x 16 ″ Rachel Rotenberg Baltimore, Maryland Sukjin Choi Harrisonburg, VA «Recollection Installation» porcelain, stones, sand, paint 2012 2013 Senior Art -LSB-.oil / linen 2009 Meghan Cox Philadelphia, Pennsylvania «Posey» Oil on canvas mounted on panel 2012 11 x 14 ″ Peter Miraglia Philadelphia, Pennsylvania «Celine» Archival Pigment Print 20 x 16 ″ Rachel Rotenberg Baltimore, Maryland Sukjin Choi Harrisonburg, VA «Recollection Installation» porcelain, stones, sand, paint 2012 2013 Senior Art -LSB-.Oil on canvas mounted on panel 2012 11 x 14 ″ Peter Miraglia Philadelphia, Pennsylvania «Celine» Archival Pigment Print 20 x 16 ″ Rachel Rotenberg Baltimore, Maryland Sukjin Choi Harrisonburg, VA «Recollection Installation» porcelain, stones, sand, paint 2012 2013 Senior Art -LSB-...]

Simultaneously challenging clichés and prejudices about women's art, Trockel subverts conventions of the male dominated tradition of auratic oil on canvas painting.

Image: La scienza della laziness (The Science of Laziness) by Frank Stella, 1984, oil, enamel and alkyd paint on canvas, etched magnesium, aluminum and fiberglass, National Gallery of Art (Washington, D. C.).