Sentences with phrase «art as a reflection»

He also endorsed products, appeared in advertisements and made business deals, giving new currency to the philosophical and practical interplay between art as a reflection upon society and art as a product of society.

I paid him a studio visit to gain a shred of insight on his artistic process and get to know his art as a reflection on his person.

In the tradition of land art as a reflection of the dreams and aspirations projected onto the American West, Mirage presents a continually changing encounter in which subject and object, inside and outside are in constant flux.

Presented by The Friends of Education of The Museum of Modern Art, Conversations: Among Friends explores works of art as reflections of their political and social contexts.

Theater 3 (The Celeste Bartos Theater), mezzanine, The Lewis B. and Dorothy Cullman Education and Research Building Presented by The Friends of Education of The Museum of Modern Art, Conversations: Among Friends explores works of art as reflections of their political and social contexts.

Not exact matches

She and many others believe in the power of art as a focused reflection of inner realities and truths that we might miss otherwise.

For as well as theoretical reflection on the moral significance of a decision, there are other ways and means by which a human being can either become clear about the rightness and conformity to God's will of a decision, or at least improve the conditions for its correct formation: the general cultivation of courage, unselfishness, self - denial, the practice of the art of making vital particular decisions which can not be deduced by purely theoretical consideration as this art is taught by the masters of the spiritual life.

«49 Now the Whiteheadian reflection moves to the level of life and action and now calls on «those exceptional elements in our consciousness «50 as we build a civilization of art, truth, beauty, and adventure.

Whereas a liberal arts education may provide some basis for viewing the global economy critically and making judgments as to how one wants to relate to it, very few students in universities are exposed to that kind of reflection.

The most obvious way to think of art, so conceived, is as a reflection of the artist's intentions.

Stoelting has earned a strong reputation as a top manufacturer of foodservice equipment, which is a reflection of our state - of - the - art engineering, uncompromising quality, and dedicated employees.

We have earned a strong reputation as a top foodservice equipment manufacturer, which is a reflection of our state - of - the - art engineering, uncompromising quality, and dedicated employees.

, and two screens bringing us action from hidden depths of the cuboid (WeiWei being accompanied to the toilet by two uniformed guards is both amusing and sickeningly intrusive) and from multiple angles — constant police state surveillance being the rather clunking symbol, but it works niftily as a reflection of installation art.

An interdisciplinary team from the UGA Franklin College of Arts and Sciences and the College of Engineering collaborated on the research, which used total internal reflection fluorescence microscopy to analyze moving protein particles inside the cilia of Chlamydomonas reinhardtii, a green alga widely used as a model for cilia analysis.

Poetically dubbed «Self / Reflection», the Mulberry fall 2016 campaign directly looks into the dualities one may face during life, as well as into those fashion (both as an industry and as a form of art) constantly embraces season after season.

It is one of Allen's deepest reflections on the seventh art and its function as an escape from our harsh reality.

Other highlights include reflections on the intricacies and ironies of making a cheap - looking»50s TV show on expensive state - of - the - art computers as well as observations of hidden gags and cinematic homages that the animators slipped in.

Every element of the art direction metaphorically expresses themes: numerous reflections and mirrors; music and song choices; lighting emphasizing reds, yellows, or blues; the use of water (as in The Shape of Water it signifies love bestowing its beauty in shapes) beginning with Iguazu Falls in the opening credits; confining spaces despite an abundance of windows and glass; and the windstorm that tests but can't defeat Marina's strength.

So, as we move into the next phase of our implementation, I'm thinking about how the program we have begun — much of it grounded in the idea of increased student engagement — can mature to include reflection on how the arts - based work that we plan might lead to a greater sense of investment on the part of participants.

A well - known author in his own right, Perrone wrote many education books such as A Letter to Teachers: Reflections on Schooling and the Art of Teaching, Lessons for New Teachers, and the 101 Conversations to Have series.

From approaching math as a visible language to using art in nonfiction text reflection, participants will learn new approaches, with an emphasis on professional learning as the launching pad for change.

They will share observation rubrics that will be used as teacher reflection tools and measure academic rigor of content in the arts and the integrated subjects.

For years, the art of teaching has been within the confines of the four walls of the classroom, and I see the TPA as an opportunity for collaboration within the profession and inducting novice teachers into a professional community where reflection and experimentation are normal.

A Collaborative Approach for Coaches and School Leaders, authors Pete Hall and Alisa Simeral present four developmental stages through which teachers generally progress as they become skilled in the art of self - reflection.

Staff and volunteers engage in planning many curriculum - related and extra-curricular initiatives including the Patriot Program, Reflections Program, Musical, Art Show, as well as chorus, band and string concerts.

The day will begin with an overview of the HOT Approach to arts integrated teaching and learning and provide an opportunities to observe in classrooms and hear student reflections on their experiences as Peer Mediators.

Equipped with 21st - century automotive technology, built in a state - of - the - art manufacturing facility and designed with an extremely attentive eye for detail, this luxury car is a reflection of DaimlerChrysler's expertise as the world's oldest and most innovative car maker, reaping the benefits of the technical advances, know - how and unparalleled experience in the global luxury car segment developed over the years by Maybach's sister brand Mercedes - Benz.

At the same time, Gibbons» art redefines the potential of the superhero genre, as (to choose but one example) in chapter 5, «Fearful Symmetry,» where the first half is an exact compositional and color reflection of the second half.

Book trailers can be a reflection of your art that is as expressive as the book itself.

As a reflection of the mentorship program itself, this exhibition will feature a diverse array of media including alternative process photography, old masters oil painting, plein air painting, creative writing, stainless steel sculpture, drawing and mix - media; all art forms taught in this year's spring and summer mentorships.

As I explain to an irritatingly pompous, art snob level of detail -LRB-... 3 years ago...) in my journal article for that remake, for Breakout it's in the interest of gameplay that collisions do not behave as physical collisions would lead us to expect: no spin, no elastic reflection, no collision with the side of bricks, no collision with the underside of the paddles, and so oAs I explain to an irritatingly pompous, art snob level of detail -LRB-... 3 years ago...) in my journal article for that remake, for Breakout it's in the interest of gameplay that collisions do not behave as physical collisions would lead us to expect: no spin, no elastic reflection, no collision with the side of bricks, no collision with the underside of the paddles, and so oas physical collisions would lead us to expect: no spin, no elastic reflection, no collision with the side of bricks, no collision with the underside of the paddles, and so on.

This vision of isolation receives its apotheosis in A Bar at the Folies - Bergère [6], perhaps the most poignant image of alienation ever painted, a deadly serious spoof of Watteau's Gilles in completely modern «naturalist» terms, the anonymous yet concrete figure trapped between the world of tangible things and that of impalpable reflections, existing only as a way station between life and art.

New reflections on Shoah and Nazism in Israel, Neue Gesellschaft für Bildende Kunst, Berlin; Rendez - Vous, Musée d'Art Contemporain de Lyon; Nuits Cinematexas International Short Film Festival, Austin, Texas; In the Mean Time, De Appel, Amsterdam; as well as Greater New York, P.S. 1 Contemporary Art Center.

Through the art, the exhibition highlights monochrome's persisting relevance, post avant - garde, to artists as well as a place for reflection.

Collection, Museum of Art, Fort Lauderdaie, FL; travelled to Oklahoma Museum of Art, Oklahoma City, OK; Santa Barbara Museum of Art, Santa Barbara, CA; Grand Rapids Art Museum, Grand Rapids, MI; Madison Art Center, Madison, WI; Montgomery Museum of Fine Arts, Montgomery, AL 1981 Drawing Invitational, Harm Bouckaert Gallery, New York, NY 1981 New Work, Roy Boyd Gallery, Chicago, IL 1981 Artists Books, Metrònom, Barcelona, Spain 1980 Little Books, Franklin Furnace, New York, NY 1980 New York 1980, Banco - Massimo Minini, Brescia, ltaly 1980 Pool Project Documentation, Artists Space, New York, NY 1980 New York Painters, University of Rochester, Rochester, NY 1980 Works of Art, Patricia Sneed Gallery, Rockford, IL 1980 Group Show, Roy Boyd Gallery, Chicago, IL 1980 Collection of Dr. Milton Brutten and Dr. Helen Herrick, Ben Shahn Gallery, William Patterson College, Wayne, NJ 1980 Group Exhibition, Susan Caldwell, Inc., New York, NY 1980 Pool Projects, Wake Forest University, Winston - Salem, NC 1980 Faculty Exhibition, Hillwood Commons Gallery, C.W. Post College, Greenvale, NY 1979 Prospectus, Aldrich Museum, Ridgefield, CT 1979 New Wave Painting, The Clocktower, MoMA P.S. 1, New York, NY 1979 Artist's Postcards, Ananas Gallery, Abrau, Switzerland 1979 Poets and Painters, The Denver Art Museum, Denver, CO; traveled to Atkins Museum of Fine Art, Kansas City, MO; La Jolla Art Museum, La Jolla, CA 1979 14 Painters, Lehman Gallery, CUNY, Bronx, NY 1979 Drawings, Hal Bromm, New York, NY 1979 Summer Show, Hal Bromm, New York, NY 1979 Drawings, Pyramid Gallery, Providence, MA 1978 Detective Show, Gorman Park, Jackson Heights, NY 1978 Works on Paper, Studio La Citta, Verona, Italy 1978 Group Exhibition, Arte Fiera, Bologna, Italy 1978 Group Exhibition, Art - 9, Basel, Switzerland 1978 Black and White on Paper, Nobe Gallery, New York, NY 1978 Paperworks, Galerie Wirz, Milan, Italy 1978 Selections from the Collection, Aldrich Museum, Ridgefield, CT 1978 Artists Books: USA, New Gallery, Cleveland, OH 1977 Fine / Fleishman / Stamm, Franklin Furnace, New York, NY 1977 Painting 75,76,77, Sarah Lawrence College, Bronxville, NY; traveled to American Foundation for the Arts, Miami, FL; Contemporary Arts Center, Cincinnati, OH 1977 Book Objects, Albright - Knox Art Gallery, Buffalo, NY 1977 A Painting Show, MoMA P.S. 1, Long Island City, NY 1977 New York Group Show, Galerie Denise Rene, New York, NY 1977 Group Exhibition, Art Fiera, Bologna, ltaly 1977 Group Exhibition, Documenta - 6, Kassel, Germany 1977 Collection in Progress, Moore College of Art, Philadelphia, PA 1977 Ideas — Images, Eugenia Cucalon Gallery, New York, NY 1977 Postcards and Other Mail, Jock Truman, New York, NY 1977 Wrapping Paper Invitational, Nobe Gallery, New York, NY 1977 Faculty Show, Brooklyn Museum Art School, Brooklyn, NY 1976 Group Exhibition, Art Fiera, Bologna, Italy 1976 Summer Group, Max Protetch Gallery, Washington D.C. 1976 SoHo and Downtown Manhattan, Akademie Der Kunste, Berlin, Germany 1976 Selections SoHo - Berlin, Louisiana Museum, Humlebaek, Denmark 1976 Works on Paper, Hal Bromm, New York, NY 1976 Faculty Show, Brooklyn Museum Art School, Brooklyn, NY 1975 Contemporary Reflections 1971 — 1974, AFA; travelling exhibition Spare, Central Hall Gallery, Port Washington, NY 1975 Group Indiscriminate, 112 Greene Street, New York, NY 1975 A Collection in Progress (Herrick - Brutten Collection), The Clocktower, MoMA P.S. 1, New York, NY 1975 Group Exhibition, International Art Fair, Cologne, Germany 1975 Five from SoHo, Rose Art Museum, Waltham, MA 1975 Spare, Central Hall Gallery, Port Washington, NY 1975 Abstraction Alive and Well, SUNY, Potsdam, NY 1975 Faculty Show, Brooklyn Museum Art School, Brooklyn, NY 1974 Tight and Loose, State University, Albany, NY; travelled to State University, Potsdam, NY 1974 Black as Color, Reed College, Portland, OR 1974 Drawings, Albright - Knox Art Gallery, Buffalo, NY 1974 Paperworks, Rosa Esman Gallery, New York, NY 1974 10th Anniversary Exhibition 1964 — 1974, Aldrich Museum, Ridgefield, CT 1974 Faculty Show, Brooklyn Museum Art School, Brooklyn, NY 1973 Painting in America, Decorative Arts Center, New York, NY 1973 Black Paintings, Nancy Hoffman Gallery, New York, NY 1973 DiDonna / Stamm, O.K. Harris Gallery, New York, NY 1973 Nine New York Artists, Hartwick College, Oneonta, NY 1973 Recent Acquisitions, Phoenix Museum, Phoenix, AZ 1972 Contemporary Reflections 1971 — 1972, Aldrich Museum, Ridgefield, CT 1971 What's Happening in SoHo, University of Maryland, College Park, MD 1971 Faculty Show, Brooklyn Museum Art School, Brooklyn, NY 1971 Alumni Show, Hofstra University, Hempstead, NY 1970 Young Artists: New York 1970, Greenwich, CT

In Robert Storr's reflection of his life as an art critic, he compares the art critic to a bottom feeder in the hierarchy (or better - worded hegemony) of the art world.

2009 100 Years, PS1 / MoMA, Queens, NY Reflections on the Electric Mirror: New Feminist Video, Brooklyn Museum of Art, NY Party at Chris's House, Janet Kurnatowski Gallery, Brooklyn, NY Supergirl, Nexus Foundation for Arts, Philadelphia, PA One Minute More, The Kitchen, New York, NY Pink Panther, Kumukumu Gallery, New York, NY Night Gallery Rosslyn, Arlington Arts, Arlington, VA Tell Me Everything, As You Remember It», Creative Research Lab, The University of Texas at Austin, TX Chewing Color: Patty Chang, Kate Gilmore, Marilyn Minter, Creative Time, Times Square, NY City Garden, Contemporary Art Museum, St. Louis, MO East Coast Video, Ramis Barquet, New York, NY I am a Video, Good Children Gallery, New Orleans, LA No Longer Empty, The Chelsea Hotel, New York, NY Practice, Practice, Practice, Lora Reynolds Gallery, Austin, TX Sixty Minutes, University of South Florida Contemporary Art Museum, Tampa, FL Feel the Force, Cafe Gallery London, London, England It's You, Not Me, San Jose Institute of Contemporary Art, San Jose, CA Theoretical Practice, International Studio and Curatorial Program, Brooklyn, NY Our Great Show: Selections from the Jefferson Godard Collection, Nice & Fit, Berlin, Germany

The free form ink drawings from 1955 to 1967 are a reflection of Warhol's fascination with the performing arts during his rise from commercial artist to the launch of his fame as a global Pop artist.

Shows opening in museums such as the Whitney, the Bronx Museum and the Met Breuer revolve around politically charged art, works that upend traditional expectations, and reflections on the importance of public art.

At 35 years old, Russian - born artist Sanya Kantarovsky has built a reputation for himself as a kind of beloved Eeyore of the art world, thanks to his prolific emo cartoon - like figure paintings that offer both mischievous social commentary and morose self - reflection.

Unconditional Love Blue Bathroom Blues Set for Frederick Weston Hauntings RADIANT PRESENCE Sampling the Self Viral Images I wanted body as form and vice versa HAART in Art: Temporal Reflections on Artistic Representations Of HIV Medication Eyes, Lilacs & Spunk: Queer Aesthetic from Suggestion into Abstraction I Am My Own Landscape Instant Intimacies IT FEELS LIKE LOVE BUT IT»S THE DRUGS

«Self / Reflection: Photographs from the New Orleans Museum of Art,» presents photographs spanning the mid-19th century well into the late 20th that employ authorial reflection as a critical component of the works» forReflection: Photographs from the New Orleans Museum of Art,» presents photographs spanning the mid-19th century well into the late 20th that employ authorial reflection as a critical component of the works» forreflection as a critical component of the works» formal logic.

The chronicle of the history of African Americans as photographers and as photographic subjects, based on the book «Reflections in Black» by Deborah Willis, will be shown on Thursday, March 19, at the Wadsworth Atheneum Museum of Art.

The Icelandic artist's work gives performance art, and contemporary art in general, a good rep.. His actions, musical scores, films and paintings are reminiscent of the repetitious, contemplative tone of Bill Viola's video work as well as Anselm Kiefer's multimedia, existential reflections on the creative «self» and on cultural inheritance.

Concentrating upon their transitional states of flux, Iles uses photography as a mirror to point back at the art - world like an endless reflection.

They are organized alphabetically by subject, under such entries as «Art and Capitalism,» «Childhood,» «Entropy (After Smithson),» «Matter,» «My Work,» «Other Artists,» and «Poetry,» and they include Andre's reflections on Michelangelo and Duchamp, on Stein and Marx, and such contemporaries as Eva Hesse, Robert Smithson, Robert Morris, and Damien Hirst.

Ms. Cohn was the Director of the Spruill Gallery where her visionary exhibitions such as Katrina: Five Years of Reflection, LATinGA, and Breaking New Ground: Intersections at the Crossroads of Art and Technology earned her a Creative Loafing award for «Best Gallery.»

He will discuss the connection between art and psychedelic imagery, concepts and practices in relation to his recent curatorial projects B / W Sensorium, as part of Dexter Bang Sinister at Charlottenborg Exhibition Hall, Copenhagen (2012), and Reflections from Damaged Life, Raven Row, London (2013).

The exhibition is accompanied by a catalogue, with essays on the interaction between Gutai and New York artists by guest curator Ming Tiampo, associate professor of art history at Carleton University in Ottawa, and on Jackson Pollock's relationship to the Gutai group by Tetsuya Oshima, curator of the Aichi Prefectural Museum of Art in Japan, as well as a new translation of the Gutai Manifesto by independent scholar Reiko Tomii and a reflection by David Kaplan, a director and Tennessee Williams scholar, on Gutai's influence on Williams» one - act play, The Day on Which a Man Diart history at Carleton University in Ottawa, and on Jackson Pollock's relationship to the Gutai group by Tetsuya Oshima, curator of the Aichi Prefectural Museum of Art in Japan, as well as a new translation of the Gutai Manifesto by independent scholar Reiko Tomii and a reflection by David Kaplan, a director and Tennessee Williams scholar, on Gutai's influence on Williams» one - act play, The Day on Which a Man DiArt in Japan, as well as a new translation of the Gutai Manifesto by independent scholar Reiko Tomii and a reflection by David Kaplan, a director and Tennessee Williams scholar, on Gutai's influence on Williams» one - act play, The Day on Which a Man Dies.

Artists from a wide range of cultures are exploring concepts that many would not even regard as art but are, because art is a reflection of its times and our times are a» changing.