Sentences with phrase «art as defender»
Not exact matches
-LSB-...] Darkain Arts Gamers were also pleased with the game citing Wizard Defenders and its gameplay as» fresh and enjoyable» which «looks and sounds great».
http://www.darkainarts.com/
As is the case with most mobile games out there, Medieval Defenders uses a very inoffensive, standard - issue iOS / Android art style that simply lends nothing to the appeal of the game.
William Louis - Dreyfus was described by Karen Wilkin in Hyperallergic as «a passionate lover of art, an eager collector, a published poet, a committed supporter of the underprivileged, a defender of social justice, a lover of trees, an ecologist, a fruit farmer, a maker of excellent preserves, and a plain - spoken, unpretentious man of ineffable, self - deprecating charm — among many other things.»
Artwork sold at benefit auction for L'Aquila's earthquake victims 2013: NOoSPHERE Arts Gallery, New York + artist book presentation 2012: Francesco Fabbri Prize for contemporary arts, Francesco Fabbri Foundation, Pieve di Soligo 2012: «Senza Titolo», curated by Luca Panaro, Marche Centro D'Arte, S. Benedetto del Tronto 2012: «A House Is Not A Home,» Spazio Gerra, Reggio Emilia (as Vênus et Milö) 2012: «Open Art Defender,» Arte Fiera Art First, Bologna 2011: «Zootropio,» a project by Vênus et Milö, Bologna 2011: «Kokoro,» benefit Japan exhibition and sale, Camera16 Arte Contemporanea Gallery, Milan 2011: Fotografia Europea, Amarillo Art Gallery, Reggio Emilia 2010: Special Mention, Lens Based Art Show, Osservatorio Gualino, Turin 2010: «The Exhibition Lab,» Foley Gallery and Sasha Wolf Gallery, New York City 2010: Festival International de l'Image Environnementale (FIIE), La Villette, Paris 2010: «Fools Rush In,» promoted by APA NY and Win - Initiative, BathHouse Studios, New York City 2009: «Dimensione massima 10 × 12,» curated by 3/3 and cameraoscura, FotoGrafia Festival, Rome 2009: «Viaggi Sentimentali,» SpazioFarini6 Gallery, part of Photofestival, Milan 2008: «Out of Berlin... Pass the Picture,» curated by Alex Moh in collaboration with Goethe Institut Malaysia, Annexe Gallery, Kuala Lumpur 2008: «A New Outlook On The World,» curated by Julian Cox and Jane Jackson, Shepherd Center, Atlanta Arts Gallery, New York + artist book presentation 2012: Francesco Fabbri Prize for contemporary arts, Francesco Fabbri Foundation, Pieve di Soligo 2012: «Senza Titolo», curated by Luca Panaro, Marche Centro D'Arte, S. Benedetto del Tronto 2012: «A House Is Not A Home,» Spazio Gerra, Reggio Emilia (as Vênus et Milö) 2012: «Open Art Defender,» Arte Fiera Art First, Bologna 2011: «Zootropio,» a project by Vênus et Milö, Bologna 2011: «Kokoro,» benefit Japan exhibition and sale, Camera16 Arte Contemporanea Gallery, Milan 2011: Fotografia Europea, Amarillo Art Gallery, Reggio Emilia 2010: Special Mention, Lens Based Art Show, Osservatorio Gualino, Turin 2010: «The Exhibition Lab,» Foley Gallery and Sasha Wolf Gallery, New York City 2010: Festival International de l'Image Environnementale (FIIE), La Villette, Paris 2010: «Fools Rush In,» promoted by APA NY and Win - Initiative, BathHouse Studios, New York City 2009: «Dimensione massima 10 × 12,» curated by 3/3 and cameraoscura, FotoGrafia Festival, Rome 2009: «Viaggi Sentimentali,» SpazioFarini6 Gallery, part of Photofestival, Milan 2008: «Out of Berlin... Pass the Picture,» curated by Alex Moh in collaboration with Goethe Institut Malaysia, Annexe Gallery, Kuala Lumpur 2008: «A New Outlook On The World,» curated by Julian Cox and Jane Jackson, Shepherd Center, Atlanta arts, Francesco Fabbri Foundation, Pieve di Soligo 2012: «Senza Titolo», curated by Luca Panaro, Marche Centro D'Arte, S. Benedetto del Tronto 2012: «A House Is Not A Home,» Spazio Gerra, Reggio Emilia (as Vênus et Milö) 2012: «Open Art Defender,» Arte Fiera Art First, Bologna 2011: «Zootropio,» a project by Vênus et Milö, Bologna 2011: «Kokoro,» benefit Japan exhibition and sale, Camera16 Arte Contemporanea Gallery, Milan 2011: Fotografia Europea, Amarillo Art Gallery, Reggio Emilia 2010: Special Mention, Lens Based Art Show, Osservatorio Gualino, Turin 2010: «The Exhibition Lab,» Foley Gallery and Sasha Wolf Gallery, New York City 2010: Festival International de l'Image Environnementale (FIIE), La Villette, Paris 2010: «Fools Rush In,» promoted by APA NY and Win - Initiative, BathHouse Studios, New York City 2009: «Dimensione massima 10 × 12,» curated by 3/3 and cameraoscura, FotoGrafia Festival, Rome 2009: «Viaggi Sentimentali,» SpazioFarini6 Gallery, part of Photofestival, Milan 2008: «Out of Berlin... Pass the Picture,» curated by Alex Moh in collaboration with Goethe Institut Malaysia, Annexe Gallery, Kuala Lumpur 2008: «A New Outlook On The World,» curated by Julian Cox and Jane Jackson, Shepherd Center, Atlanta (GA)
Duchamp hated traditional art and was more inclined towards readymade and conceptual art while Dalí was seen as the defender of painting.
That's because, as former Public Defender for the Northern District of Illinois Terry MacCarthy notes, «cross-examination is not an «art» but rather a science.»