Sentences with phrase «art as migration»

Migrations, a startlingly original show at Tate Britain, will open up all sorts of new ways of seeing art as migration, as a continual flowing in from somewhere else.

Not exact matches

Upon some critical investigation and engagement with geographical history and the migration of people's in the area, I found that this is a simplification and speaks more about the current fascination for fusion practices in the culinary as well as healing arts.
In the late 17th and early 18th centuries, urban migration brought the art form to major city centers yet for decades capoeira was perceived as an outlawed practice.
Rituals since 1851», Fondazione La Triennale di Milano, Milan, Italy (2015); «Chercher le Garçon», MAC / VAL, Paris, France (2015); «Staying Power: Photographs of Black British Experience 1950s - 1990s», Victoria and Albert Museum, London, England (2015); «Progress», The Foundling Museum, London, England (2014); «Study from the Human Body», Stephen Friedman Gallery, London, England (2014); «The Divine Comedy: Heaven, Hell, Purgatory revisited by Contemporary African Artists», Frankfurt MMK, Germany; travels to Smithsonian National Museum of African Art, Washington, USA; Museo Reina Sofia, Madrid, Spain; Correo Venezia, Venice; Hayward Gallery, London, England (2014); «Education», Vögele Kultur Zentrum, Pfäffikon, Switzerland (2013); «Victoriana: The Art of Revival», Guildhall Art Gallery, London, England (2013); «Earth Matters: Land as Material and Metaphor in the Arts of Africa», Smithsonian Institute, National Museum of African Art, Washington DC, USA (2013); «The Desire for Freedom: Art in Europe since 1945», Deutsches Historisches Museum Berlin, Berlin, Germany (2012); «Six Yards, Guaranteed Real Dutch Wax Exhibition», Museum of Modern Art, Arnhem, Netherlands (2012); and «Migrations: Journeys into British Art», Tate Britain, London, England (2012).
Known for her poignant works of art that are as poetic as they are political and biographical, Emily Jacir explores various histories of migration, resistance and exchange.
Several of these artists engage with strategies of conceptual art, addressing themes about contemporary experiences such as technology and the internet, notions of migration, local and mainstream cultures, or ideas of representation.
Middlesbrough Institute of Modern Art operates in a unique cultural environment and the members of the Collections Fund committee were impressed by the museum's engagement with issues that resonate with the community it serves, such as migration and exile.
On view in SAF buildings and courtyards across the city's arts and heritage areas, as well as other spaces in Sharjah, Leaving the Echo Chamber will explore subjects ranging from migration and diaspora, to concepts of time and interpreted histories, in relation to today's continuous loop or «echo chamber» of information and history.
Border Zones and Liminal Bodies This screening features short video art pieces by 12 U.S. and international artists that invite viewers to contemplate contemporary issues, such as migration and refugee crises, disability and the body in movement, feminicide in Ciudad Juárez, water insecurity, and other issues.
Join us for a drop - in program to engage with books, make some art, and explore themes such as geography, culture, and migration from the exhibition, Worlds Otherwise Hidden.
Above, we've mapped the migrations of the art world over the course of 2015, as artists, curators, dealers, and collectors traveled to art fairs, auctions, exhibitions, and biennials.
Rising rents and the temporary loss of the San Francisco Museum of Modern Art (SFMoMA) as an anchor have contributed to the migration, dealers say.
Growing up in Jamaica and now living in the United States, Whyte's art traverses through the inquiry of «how notions of identity are disrupted by migration — particularly migration as an unfinished arc of motion whose final resting point remains an open - ended question,» as he writes in his artist statement.
It incorporated music, film, and visual arts into five hubs dealing with specific issues such as migration.
«How architecture, art, and design have addressed contemporary notions of shelter, as seen through migration and global refugee emergencies, is explored in the exhibition Insecurities: Tracing Displacement and Shelter, on view at The Museum of Modern Aart, and design have addressed contemporary notions of shelter, as seen through migration and global refugee emergencies, is explored in the exhibition Insecurities: Tracing Displacement and Shelter, on view at The Museum of Modern ArtArt.
As an artist, writer, and professor, Himid has dedicated her work to the discourse on migration, race, slavery and the representation of the black body in art, overthrowing Western stereotypes and classifications.
Given their diverse experiences of exile and migrationas they traveled throughout the Americas and Europe — the themes of extraterrestrial travel and alien encounters added metaphorical value to their art.
In a wide range of feature films, meditative documentaries and art installations, he has consistently traversed challenging subject matter such as migration, economics, visual representation, homophobia and racism.
Inspired by personal experiences growing up in the south as well as distinct events in American history like the migration of African - Americans from south to north and the Watts uprising of 1965, Outterbridge's works are as rooted in folk and African art as they are in dialogue with twentieth century art movements such as Dada, assemblage, and the readymade.
Dr. M. T. Geoffrey Yeh Art Gallery / Sun Yat Sen Hall Through May 3 St. John's Univerity, Queens NY These artists» alternative perspectives address issues of innovation, displacement, and identity as tension and conflict, as well as the impact and challenges of mobility and migration on aesthetic experimentation and creative strategies.
As the art world has continued its ceaseless migrations around and through the city, I find myself in SoHo less and less, but every time I pass the high windows on Spring Street with the simple text announcing the Judd Foundation, I think about knocking on the window, and smile.
On view in the foundation's buildings and courtyards across the city's arts and heritage areas, as well as other spaces in Sharjah, Leaving the Echo Chamber will explore subjects ranging from migration and diaspora, to concepts of time and interpreted histories, in relation to today's continuous loop of mediated information.
For four years, until 2012, Paul Goodwin worked at Tate Britain as a curator for the Cross Cultural Programme, curating exhibitions such as «Migrations: Journeys into British Art» in 2012.
Recent Histories: Contemporary African Photography and Video Art from The Walther Collection unites the perspectives of 14 contemporary artists of African descent, who investigate social identity, questions of belonging, and an array of sociopolitical concerns — including migration, lineage, the legacies of colonialism and Calvinism, and local custom — as well as personal experiences in Africa and the African diaspora.
The artist's personal story — her migration to America, her initial struggle as a woman artist, and the march of modern art movements such as Cubism, Surrealism, Abstract Expressionism, Minimalism, feminism, and installation — form a rich platform from which to view Nevelson's compelling sculpture.
Other works such as Mnemosyne (2010), Peripeteia (2012) and Vertigo Sea (2015) borrow their premises from literature, mythology and art history, adopting fictional registers to create meditations on memory, diaspora and migration.
The 2009 recipient of the Tollman Award for the Visual Arts, he has published three books, Men Only (2009), Country Girls (2010) and At Home / Ghost Towns (2011), which focus, respectively on a hostel for male migrant workers in Johannesburg, gay communities in the rural districts of his home province and small towns in South Africa that have either been half - emptied by migration or abandoned altogether as the country transforms.
From 2008 to 2012 as a curator at Tate Britain he directed the pioneering Cross Cultural Programme that explored questions of migration and globalisation in contemporary British art through a programme of international conferences, workshops, talks and live art events.
Disparate phenomenon that I «ve conjoined to act as impetus for making art at this time: borders and birds — immigration and migration.
Migrations sees British art and identity as a 500 - year dialogue with Europe, America, the Commonwealth and ex-colonies.
The global South and its myriad issues — concerning diasporas, hybrid identities, migration flows and travels, personal accounts, memories, isolation, the social fabric, and insularity — have inspired and set the parameters for the Curatorial Committee to select artworks and art projects, as well as oriented the curating of all of the Festival's exhibitions, public programs, and publications.
We follow artist Joana Choumali from the Ivory Coast Pavilion at the 57th Venice Art Bienniale to Dak» Art 2018, as she explores the shared experience of migration and violence in...
To the Day, Sandra Johnston, 2017, Performance commissioned by CAMP / Center for Art on Migrations Politics as part of the group exhibition «We shout and shout, but no one listens.»
Machona's current work engages with issues of migration, social interaction and xenophobia in South Africa, and explores the creative limits of visual art production through the use of decommissioned currency as a key medium.
4 December 2004 — 6 March 2005 — Trans / Migrations: The Graphic Arts as Contemporary Artistic Practice — The 1st edition of San Juan Polu / Graphic Triennial was curated by Mari Carmen Ramírez (chief curator), Justo Pastor Mellado, Harper Montgomery, José Ignacio Roca, and Margarita Fernández Zavala
If, as Hall states, representation is a form of power, then Strachan's art is a way of complicating recurrent themes such as invisibility, migration, and displacement and to understand what Strachan describes as «the capacity of both persons and matter to withstand inhospitable environments.
Known for her poignant works of art that are as poetic as they are political and biographical, Jacir explores various histories of migration, resistance and exchange.
, New York, NY Time as Landscape: Inquiries into Art and Science, Cornell Fine Arts Museum, Rollins College, Winter Park, FL Migrations, Ulises Books, Philadelphia, PA No burden as heavy, David Castillo Gallery, Miami Beach, FL American African American, The Phillips Collection, London, UK Entering the Landscape, Plug In Institute of Contemporary Art, Winnipeg, Canada Out of Easy Reach, DePaul Art Museum, Chicago, IL Lack of Location is My Location, Koenig & Clinton, Brooklyn, NY
VW Many artists are combining the traditional gallery system with a migration to an online «art retail» option, much as books became ubiquitous as an Amazon model.
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