Migrations, a startlingly original show at Tate Britain, will open up all sorts of new ways of seeing
art as migration, as a continual flowing in from somewhere else.
Not exact matches
Upon some critical investigation and engagement with geographical history and the
migration of people's in the area, I found that this is a simplification and speaks more about the current fascination for fusion practices in the culinary
as well
as healing
arts.
In the late 17th and early 18th centuries, urban
migration brought the
art form to major city centers yet for decades capoeira was perceived
as an outlawed practice.
Rituals since 1851», Fondazione La Triennale di Milano, Milan, Italy (2015); «Chercher le Garçon», MAC / VAL, Paris, France (2015); «Staying Power: Photographs of Black British Experience 1950s - 1990s», Victoria and Albert Museum, London, England (2015); «Progress», The Foundling Museum, London, England (2014); «Study from the Human Body», Stephen Friedman Gallery, London, England (2014); «The Divine Comedy: Heaven, Hell, Purgatory revisited by Contemporary African Artists», Frankfurt MMK, Germany; travels to Smithsonian National Museum of African
Art, Washington, USA; Museo Reina Sofia, Madrid, Spain; Correo Venezia, Venice; Hayward Gallery, London, England (2014); «Education», Vögele Kultur Zentrum, Pfäffikon, Switzerland (2013); «Victoriana: The
Art of Revival», Guildhall
Art Gallery, London, England (2013); «Earth Matters: Land
as Material and Metaphor in the
Arts of Africa», Smithsonian Institute, National Museum of African
Art, Washington DC, USA (2013); «The Desire for Freedom:
Art in Europe since 1945», Deutsches Historisches Museum Berlin, Berlin, Germany (2012); «Six Yards, Guaranteed Real Dutch Wax Exhibition», Museum of Modern
Art, Arnhem, Netherlands (2012); and «
Migrations: Journeys into British
Art», Tate Britain, London, England (2012).
Known for her poignant works of
art that are
as poetic
as they are political and biographical, Emily Jacir explores various histories of
migration, resistance and exchange.
Several of these artists engage with strategies of conceptual
art, addressing themes about contemporary experiences such
as technology and the internet, notions of
migration, local and mainstream cultures, or ideas of representation.
Middlesbrough Institute of Modern
Art operates in a unique cultural environment and the members of the Collections Fund committee were impressed by the museum's engagement with issues that resonate with the community it serves, such
as migration and exile.
On view in SAF buildings and courtyards across the city's
arts and heritage areas,
as well
as other spaces in Sharjah, Leaving the Echo Chamber will explore subjects ranging from
migration and diaspora, to concepts of time and interpreted histories, in relation to today's continuous loop or «echo chamber» of information and history.
Border Zones and Liminal Bodies This screening features short video
art pieces by 12 U.S. and international artists that invite viewers to contemplate contemporary issues, such
as migration and refugee crises, disability and the body in movement, feminicide in Ciudad Juárez, water insecurity, and other issues.
Join us for a drop - in program to engage with books, make some
art, and explore themes such
as geography, culture, and
migration from the exhibition, Worlds Otherwise Hidden.
Above, we've mapped the
migrations of the
art world over the course of 2015,
as artists, curators, dealers, and collectors traveled to
art fairs, auctions, exhibitions, and biennials.
Rising rents and the temporary loss of the San Francisco Museum of Modern
Art (SFMoMA)
as an anchor have contributed to the
migration, dealers say.
Growing up in Jamaica and now living in the United States, Whyte's
art traverses through the inquiry of «how notions of identity are disrupted by
migration — particularly
migration as an unfinished arc of motion whose final resting point remains an open - ended question,»
as he writes in his artist statement.
It incorporated music, film, and visual
arts into five hubs dealing with specific issues such
as migration.
«How architecture,
art, and design have addressed contemporary notions of shelter, as seen through migration and global refugee emergencies, is explored in the exhibition Insecurities: Tracing Displacement and Shelter, on view at The Museum of Modern A
art, and design have addressed contemporary notions of shelter,
as seen through
migration and global refugee emergencies, is explored in the exhibition Insecurities: Tracing Displacement and Shelter, on view at The Museum of Modern
ArtArt.
As an artist, writer, and professor, Himid has dedicated her work to the discourse on
migration, race, slavery and the representation of the black body in
art, overthrowing Western stereotypes and classifications.
Given their diverse experiences of exile and
migration —
as they traveled throughout the Americas and Europe — the themes of extraterrestrial travel and alien encounters added metaphorical value to their
art.
In a wide range of feature films, meditative documentaries and
art installations, he has consistently traversed challenging subject matter such
as migration, economics, visual representation, homophobia and racism.
Inspired by personal experiences growing up in the south
as well
as distinct events in American history like the
migration of African - Americans from south to north and the Watts uprising of 1965, Outterbridge's works are
as rooted in folk and African
art as they are in dialogue with twentieth century
art movements such
as Dada, assemblage, and the readymade.
Dr. M. T. Geoffrey Yeh
Art Gallery / Sun Yat Sen Hall Through May 3 St. John's Univerity, Queens NY These artists» alternative perspectives address issues of innovation, displacement, and identity
as tension and conflict,
as well
as the impact and challenges of mobility and
migration on aesthetic experimentation and creative strategies.
As the
art world has continued its ceaseless
migrations around and through the city, I find myself in SoHo less and less, but every time I pass the high windows on Spring Street with the simple text announcing the Judd Foundation, I think about knocking on the window, and smile.
On view in the foundation's buildings and courtyards across the city's
arts and heritage areas,
as well
as other spaces in Sharjah, Leaving the Echo Chamber will explore subjects ranging from
migration and diaspora, to concepts of time and interpreted histories, in relation to today's continuous loop of mediated information.
For four years, until 2012, Paul Goodwin worked at Tate Britain
as a curator for the Cross Cultural Programme, curating exhibitions such
as «
Migrations: Journeys into British
Art» in 2012.
Recent Histories: Contemporary African Photography and Video
Art from The Walther Collection unites the perspectives of 14 contemporary artists of African descent, who investigate social identity, questions of belonging, and an array of sociopolitical concerns — including
migration, lineage, the legacies of colonialism and Calvinism, and local custom —
as well
as personal experiences in Africa and the African diaspora.
The artist's personal story — her
migration to America, her initial struggle
as a woman artist, and the march of modern
art movements such
as Cubism, Surrealism, Abstract Expressionism, Minimalism, feminism, and installation — form a rich platform from which to view Nevelson's compelling sculpture.
Other works such
as Mnemosyne (2010), Peripeteia (2012) and Vertigo Sea (2015) borrow their premises from literature, mythology and
art history, adopting fictional registers to create meditations on memory, diaspora and
migration.
The 2009 recipient of the Tollman Award for the Visual
Arts, he has published three books, Men Only (2009), Country Girls (2010) and At Home / Ghost Towns (2011), which focus, respectively on a hostel for male migrant workers in Johannesburg, gay communities in the rural districts of his home province and small towns in South Africa that have either been half - emptied by
migration or abandoned altogether
as the country transforms.
From 2008 to 2012
as a curator at Tate Britain he directed the pioneering Cross Cultural Programme that explored questions of
migration and globalisation in contemporary British
art through a programme of international conferences, workshops, talks and live
art events.
Disparate phenomenon that I «ve conjoined to act
as impetus for making
art at this time: borders and birds — immigration and
migration.
Migrations sees British
art and identity
as a 500 - year dialogue with Europe, America, the Commonwealth and ex-colonies.
The global South and its myriad issues — concerning diasporas, hybrid identities,
migration flows and travels, personal accounts, memories, isolation, the social fabric, and insularity — have inspired and set the parameters for the Curatorial Committee to select artworks and
art projects,
as well
as oriented the curating of all of the Festival's exhibitions, public programs, and publications.
We follow artist Joana Choumali from the Ivory Coast Pavilion at the 57th Venice
Art Bienniale to Dak»
Art 2018,
as she explores the shared experience of
migration and violence in...
To the Day, Sandra Johnston, 2017, Performance commissioned by CAMP / Center for
Art on
Migrations Politics
as part of the group exhibition «We shout and shout, but no one listens.»
Machona's current work engages with issues of
migration, social interaction and xenophobia in South Africa, and explores the creative limits of visual
art production through the use of decommissioned currency
as a key medium.
4 December 2004 — 6 March 2005 — Trans /
Migrations: The Graphic
Arts as Contemporary Artistic Practice — The 1st edition of San Juan Polu / Graphic Triennial was curated by Mari Carmen Ramírez (chief curator), Justo Pastor Mellado, Harper Montgomery, José Ignacio Roca, and Margarita Fernández Zavala
If,
as Hall states, representation is a form of power, then Strachan's
art is a way of complicating recurrent themes such
as invisibility,
migration, and displacement and to understand what Strachan describes
as «the capacity of both persons and matter to withstand inhospitable environments.
Known for her poignant works of
art that are
as poetic
as they are political and biographical, Jacir explores various histories of
migration, resistance and exchange.
, New York, NY Time
as Landscape: Inquiries into
Art and Science, Cornell Fine
Arts Museum, Rollins College, Winter Park, FL
Migrations, Ulises Books, Philadelphia, PA No burden
as heavy, David Castillo Gallery, Miami Beach, FL American African American, The Phillips Collection, London, UK Entering the Landscape, Plug In Institute of Contemporary
Art, Winnipeg, Canada Out of Easy Reach, DePaul
Art Museum, Chicago, IL Lack of Location is My Location, Koenig & Clinton, Brooklyn, NY
VW Many artists are combining the traditional gallery system with a
migration to an online «
art retail» option, much
as books became ubiquitous
as an Amazon model.