Sentences with phrase «art at a young age»

Immersed in the performing arts at a young age, Monáe founded her record label the Wondaland Arts Society releasing the EP «Metropolis: Suite I (The Chase).»

According to Cultivating Demand for the Arts: Arts Learning, Arts Engagement and State Arts Policy, individuals who experience and learn about the arts at a young age are likelier to reap the benefits of the arts over their lifetimes.

Born to a Tibetan artist and a Swiss anthropologist, Yangzom Brauen (pronounced YAHNG - zom Bhrown) gained an appreciation for the arts at a young age.

Born in Omaha Nebraska in 1937, Edward Ruscha showed an interest in art at a young age.

3 years later, he held a solo exhibition at Whitney Museum of American Art at the youngest age in the history of the museum.

Basquiat showed a passion for art at a young age and was encouraged by his mother who had an interest in fashion design and sketching.

Born in 1928 in Virginia, Cy Twombly's interest in art at a young age was encouraged by his parents, and at the age of 12 he studied under the Spanish painter Pierre Daura.

Intrigued by creating art at a young age, Boroniec took to ceramics as a means of communication expressing that earth is of the oldest material known to man.

Seeing art at a young age — Rubens paintings at Munich's Alte Pinakothek — was a formative experience, he said, emphasizing that his time with art has made him more «creative, innovative, flexible.»

[5] The artist displayed his love of and capacity for art at a young age.

The artist displayed his love of and capacity for art at a young age.

Not exact matches

The Oiler became the youngest captain in the history of the league at just 19 years of age, and in 2016 won the Art Ross Trophy for recording more points that any player in the NHL, netting 30 goals and 70 assists on the year, and won MVP.

At the young age of 3 years old, she began taking dance and continued to pursue her love of the art throughout high school.

This simple art for even young children to do creating finger painted blot butterflies is messy and fun for kids of all ages to have a go at.

They went to sleep faster and learned the art of independent play at a very young age (yay!).

I grew up in a family where the majority of the foods we ate throughout the year were canned and preserved so I learned the art of canning and preserving at a young age.

Piranha Yama and The Art of Non-Biting, written by Dr. Bill Kalatsky, uses mindfulness, meditation and yoga to teach children to find calm in the face of adversity, overcome obstacles and how to tap into the benefits of these practices at a young age.

Piranha Yama and The Art of Non-Biting, written by Dr. Bill Kalatsky, brings compassion, yoga and meditation into the hearts and minds of children, so they can gain early interest and start to receive the benefits of starting these practices at a younger age.

Much of this book takes places in art galleries and centers around a boy Theo who loses his family at a young age and desperately clings to a small painting that reminds -LSB-...]

He studied art and cinema as a young adult, often spending a considerable amount of time on his father's movie sets, and honed his skills in his early twenties not in the arena of directing (as might be expected), but in that of painting.Danny Huston's directorial assignments began inconspicuously, at the age of 24, with the 1987 made - for - television comic fantasies Bigfoot and Mr. Corbett's Ghost (the second of which featured John Huston in the cast).

Sikander Iqbal most recently served as the chief of staff at Youth UpRising, a multi-service community transformation hub located in the heart of East Oakland providing comprehensive, fully integrated health, wellness, educational, career, arts, and cultural programming to Alameda County youth and young adults, ages 13 - 24.

Since my undergraduate degrees were in Psychology and English Literature, and having started writing stories at the very young age of 8, I always tried to fathom what it was that made a piece of fiction a great work of art.

Add Erica Henderson's art and the vibrant colours of Rico Renzi, and what we clearly have is a book aimed at a younger audience, that happens to be fun for all ages.

It is no doubt true, for example, that the young Picasso passed all the examinations for entrance to the Barcelona, and later to the Madrid, Academy of Art at the age of 15 in but a single day, a feat of such difficulty that most candidates required a month of preparation.

In 1969, at the age of twenty - nine, Graves became the youngest person, and only the fifth woman, to be given a solo exhibition at the Whitney Museum of American Art in New York.

We got involved with performing music at a young age and have evolved into artists who function in - between music and art.

Stella caught the art world's eye at a young age.

At age 15, he was the youngest student to enter the Apprentice Center of Formation for the Graphic Art in Paris; he subsequently worked for Crayures as an industrial designer for clients such as Roland Garros, Malterre and Fly.

Smith's work has also been included in important group exhibitions such as Painting 2.0: Expression in the Information Age, which opened at the Museum Brandhorst, Munich, and subsequently traveled to the Museum Moderner Kunst Stiftung Ludwig Wien (mumok), Vienna (2015 - 2016); The Forever Now: Contemporary Painting in an Atemporal World, The Museum of Modern Art, New York (2014 - 2015); The Painting Factory: Abstraction after Warhol, The Museum of Contemporary Art, Los Angeles (2012); ILLUMInations, the central exhibition at the 54th Venice Biennale (2011); Le Printemps de Septembre festival in Toulouse, France (2011); and The Generational: Younger Than Jesus at the New Museum, New York (2009).

Joan Jonas's interest in the arts began at a young age and was cultivated by several significant artists and noteworthy institutions.

The youngest artist to ever receive a retrospective at the Museum of Modern Art — in 1970, at age 34 — Frank Stella carved his name into American art history with his innovative shaped canvasArt — in 1970, at age 34 — Frank Stella carved his name into American art history with his innovative shaped canvasart history with his innovative shaped canvases.

He has also participated in important group exhibitions such as The Painting Factory: Abstraction after Warhol at the Museum of Contemporary Art, Los Angeles, Le Printemps de Septembre in Toulouse, ILLUMInations in the 2011 Venice Biennale, The Generational: Younger Than Jesus at the New Museum in New York, MoMA's The Forever Now: Contemporary Painting in an Atemporal World, and most recently, Painting 2.0: Expression in the Information Age, which showed at the Museum Brandhorst, Munich, and traveled to MUMOK, Vienna.

The section at Frieze London for galleries aged twelve years or younger, Focus has evolved to become a definitive destination for emerging art worldwide.

Coming from a family of artists, art historians and art dealers, he started working in the artworld at a very young age.

In 1939, Ipcar was the first woman — and, at the age of 21, the youngest artist to date — to be featured in a solo exhibition at the Museum of Modern Art, New York.

His work can be found in the collections of many of the world's major museums, such as the Centre Georges Pompidou, the Los Angeles County Museum of Art, the Museum of Modern Art, the Stedelijk Museum, the Tate Modern, the Walker Art Center, the Guggenheim Museum, and the Whitney Museum of American Art, which in 1987, honored Salle, at age 34, with the youngest mid-career survey ever.

Noticed for his talent with the self - published release of his book of photographs «The Kids Are All Right» in 2001, McGinley became the youngest artist ever at the age of 25 to receive the honor of presenting a solo exhibition at the Whitney Museum of American Art in 2003.

MCDERMOTT: You've said in other interviews that you started painting at a young age, but how did you first become interested in art?

The painter died young at age 43 in 1969 from a heart attack, but in his short lifetime he established himself as a major played on the Southern California art scene whose work was heavily influenced by Abstract Expressionism and figuration, and often included socially political themes and sexual imagery.

Guest, Barbara, «Reviews and Previews», Art News (New York), April, volume 53, no. 2, p. 54 Devree, Howard, «About Art and Artists: Moderate Abstractions Make a Lively Exhibition at the City Center Gallery», New York Times, 8 April, p. 25 Newbill, Al, «Fortnight in Review: A Contrasting Trio», Art Digest (New York), 15 April, volume 28, no. 14, p. 20 «Coast - to - Coast: Guggenheim to Show and Buy «Younger» Painters», Art Digest (New York), 1 October, volume 28, no. 1, p. 14 McBride, Henry, «Americans looking east, looking west», Art News (New York), May, volume 53, no. 3, pp.32 - 33 & pp.54 - 56 Devree, Howard, «About Art and Artists: Display of Work by «Younger Americans» Brought Together by J.J. Sweeney», New York Times, 12 May, p. 36 Hunter, Sam, «Guggenheim Sampler: Abstract painting comes of age in a museum exhibition of fifty - four younger Americans», Art Digest (New York), 15 May, volume 28, no. 16, pp. 9 & 31 Devree, Howard, «Americans Today: Selection of Work From East to West Opens at Guggenheim Museum», New York Times, 16 May, section 2, p. 1 - Fremantle, Christopher E, «New York Commentary», Studio (New York), October, volume 148, no. 739, pp. 124 - 126 Arnason, H.H, Reality and Fantasy: 1900 - 1954, catalogue, Walker Art Center, Minneapolis Sweeney, James Johnson, Younger American Painters: A Selection, catalogue, Solomon R. Guggenheim Museum, New York 61st American Exhibition: Paintings and Sculpture, catalogue, Art Institute of Chicago Goodrich, Lloyd, «Whitney's Battle for U.S. Art», Art News (New York), November, volume 53, no. 7, pp.38 - 40 & Younger» Painters», Art Digest (New York), 1 October, volume 28, no. 1, p. 14 McBride, Henry, «Americans looking east, looking west», Art News (New York), May, volume 53, no. 3, pp.32 - 33 & pp.54 - 56 Devree, Howard, «About Art and Artists: Display of Work by «Younger Americans» Brought Together by J.J. Sweeney», New York Times, 12 May, p. 36 Hunter, Sam, «Guggenheim Sampler: Abstract painting comes of age in a museum exhibition of fifty - four younger Americans», Art Digest (New York), 15 May, volume 28, no. 16, pp. 9 & 31 Devree, Howard, «Americans Today: Selection of Work From East to West Opens at Guggenheim Museum», New York Times, 16 May, section 2, p. 1 - Fremantle, Christopher E, «New York Commentary», Studio (New York), October, volume 148, no. 739, pp. 124 - 126 Arnason, H.H, Reality and Fantasy: 1900 - 1954, catalogue, Walker Art Center, Minneapolis Sweeney, James Johnson, Younger American Painters: A Selection, catalogue, Solomon R. Guggenheim Museum, New York 61st American Exhibition: Paintings and Sculpture, catalogue, Art Institute of Chicago Goodrich, Lloyd, «Whitney's Battle for U.S. Art», Art News (New York), November, volume 53, no. 7, pp.38 - 40 & Younger Americans» Brought Together by J.J. Sweeney», New York Times, 12 May, p. 36 Hunter, Sam, «Guggenheim Sampler: Abstract painting comes of age in a museum exhibition of fifty - four younger Americans», Art Digest (New York), 15 May, volume 28, no. 16, pp. 9 & 31 Devree, Howard, «Americans Today: Selection of Work From East to West Opens at Guggenheim Museum», New York Times, 16 May, section 2, p. 1 - Fremantle, Christopher E, «New York Commentary», Studio (New York), October, volume 148, no. 739, pp. 124 - 126 Arnason, H.H, Reality and Fantasy: 1900 - 1954, catalogue, Walker Art Center, Minneapolis Sweeney, James Johnson, Younger American Painters: A Selection, catalogue, Solomon R. Guggenheim Museum, New York 61st American Exhibition: Paintings and Sculpture, catalogue, Art Institute of Chicago Goodrich, Lloyd, «Whitney's Battle for U.S. Art», Art News (New York), November, volume 53, no. 7, pp.38 - 40 & younger Americans», Art Digest (New York), 15 May, volume 28, no. 16, pp. 9 & 31 Devree, Howard, «Americans Today: Selection of Work From East to West Opens at Guggenheim Museum», New York Times, 16 May, section 2, p. 1 - Fremantle, Christopher E, «New York Commentary», Studio (New York), October, volume 148, no. 739, pp. 124 - 126 Arnason, H.H, Reality and Fantasy: 1900 - 1954, catalogue, Walker Art Center, Minneapolis Sweeney, James Johnson, Younger American Painters: A Selection, catalogue, Solomon R. Guggenheim Museum, New York 61st American Exhibition: Paintings and Sculpture, catalogue, Art Institute of Chicago Goodrich, Lloyd, «Whitney's Battle for U.S. Art», Art News (New York), November, volume 53, no. 7, pp.38 - 40 & Younger American Painters: A Selection, catalogue, Solomon R. Guggenheim Museum, New York 61st American Exhibition: Paintings and Sculpture, catalogue, Art Institute of Chicago Goodrich, Lloyd, «Whitney's Battle for U.S. Art», Art News (New York), November, volume 53, no. 7, pp.38 - 40 & 70 - 73

As a lifelong painter and professor, Ioan Cristea introduced painting and the creative world of the arts to his daughter at a very young age.

Young Willem left school aged 12, and was apprenticed to a firm of commercial decorators who encouraged him to attend night classes at the Rotterdam Academy of Fine Art and Techniques.

His artistic journey started at a very young age after he became a student of Joaquin Rodriguez del Paso, one of the most important Costa Rican modern art tutors.

The London based artist Stanza was over looked in the age of the Young British Artists when he too was educated at Goldsmiths Art College in the 1980's.

Having been raised in London and moved to Kuwait at a young age, Max found New York at 18, as well as the art world in all its mystery.

Born in Pennsylvania in 1958, the young Keith Haring was influenced by Dr. Seuss and Walt Disney and by the age of 20 had the honor of his first solo show at his local art center.

From a young age, art has been a tremendous influence on Figge Wise's life, cultivated at first from her studies at The Art students League of New York, then in Italy where she studied the studio arts and art history, and later by her family's connection with Davenport's Figge Art Museart has been a tremendous influence on Figge Wise's life, cultivated at first from her studies at The Art students League of New York, then in Italy where she studied the studio arts and art history, and later by her family's connection with Davenport's Figge Art MuseArt students League of New York, then in Italy where she studied the studio arts and art history, and later by her family's connection with Davenport's Figge Art Museart history, and later by her family's connection with Davenport's Figge Art MuseArt Museum.

From a young age, art has been a tremendous influence on Figge Wise's life, cultivated at first by her family's connection with Davenport's Figge Art Museum, and later pursued through her studies at The Art Students League of New York, and through the studies of the studio arts and art history in Itaart has been a tremendous influence on Figge Wise's life, cultivated at first by her family's connection with Davenport's Figge Art Museum, and later pursued through her studies at The Art Students League of New York, and through the studies of the studio arts and art history in ItaArt Museum, and later pursued through her studies at The Art Students League of New York, and through the studies of the studio arts and art history in ItaArt Students League of New York, and through the studies of the studio arts and art history in Itaart history in Italy.

At a relatively young age, the painter Honoré Sharrer was embraced by the art world.

At the age of twenty - five, he had his first one - man show at New York's prestigious Perls Galleries and became the youngest artist to be represented in the permanent collection of the Museum of Modern ArAt the age of twenty - five, he had his first one - man show at New York's prestigious Perls Galleries and became the youngest artist to be represented in the permanent collection of the Museum of Modern Arat New York's prestigious Perls Galleries and became the youngest artist to be represented in the permanent collection of the Museum of Modern Art.