Sentences with phrase «art by a female artist»

The Contemporary Art Society (CAS) has teamed up with the collector Valeria Napoleone to give a work of art by a female artist to a UK museum each year from April 2016.

Dia Art Foundation has acquired two works by Nancy Holt (1938 - 2014), marking its first acquisition of land art by a female artist, reported The New York Times.

Museo Patio Herreriano, Valladolid Curated by Margarita Aizpuru The project is based on the combination of a selection of important women within the scope of private collections of art in our country, which integrate within their interesting and important art collections pieces of video art by female artists both nationally and internationally, with the aim of publicizing these collections and a selection of artists and videos made by them in our own context.

Not exact matches

A graduate of the University of Virginia, Sara is a 2016 Stevie Award Winner for «Female Innovator of the Year;» a Global Shaper with the World Economic Forum; an American Express Ashoka Emerging Innovator; a Cordes Fellow with the Opportunity Collaboration; a Peace X Peace 2012 Women, Power, & Peace Award Winner (Generation Peace Award); the only U.S. recipient of the Youth Leader Award in the Americas by the Inter-American Development Bank Annual Board of Governors Meeting; an Ashoka Activating Empathy Award Winner; a three - time Beyond Sport Award Finalist; named a «Woman Entrepreneur» by World Resources Institute New Ventures Mexico; a Creative Community Fellow with National Arts Strategies; a StartingBloc Fellow; a Finalist Nominee Social Entrepreneur / Innovator for the Women's Information Network 18th Annual Young Women of Achievement Award; 1 of 3 Artists Transforming the World by the Arts and Healing Network; Global Good Fund Fellow; honored among The Jewish Week NY's «36 Under 36»; and a Susan Schiffer Stautberg Leadership Fellow.

A brilliant, provocative novel about an artist who, after years of being ignored by the art world, conducts an experiment: she conceals her female identity behind three male fronts.

The Flamethrowers, by Rachel Kushner, which follows a female artist, Reno (great name), through the 1970s New York art world.

Come visit one of the newest studios in the Funk Zone and see some great art by three of Santa Barbara's great female artists.

«Barely 3 hours after i set up... i got a message by an editor of an art magazine focusing on female artists asking me to be featured their next issue!!!!

ARTIST TALK July 20th / / 6 - 9 pm Join The Untitled Space on Thursday July 20th for a Reception and Artist Talk on The Female Gaze on Erotica, Sex Positive Art & Censorship hosted by artist and curator Indira Cesarine along with exhibiting artists Myla DalBesio, Leah Schrager, Julia Fox, Katie Commodore, Annika Connor, Dominique Vitali, Kristin Prim, Katya Zvereva, Taira Rice and Rowan ARTIST TALK July 20th / / 6 - 9 pm Join The Untitled Space on Thursday July 20th for a Reception and Artist Talk on The Female Gaze on Erotica, Sex Positive Art & Censorship hosted by artist and curator Indira Cesarine along with exhibiting artists Myla DalBesio, Leah Schrager, Julia Fox, Katie Commodore, Annika Connor, Dominique Vitali, Kristin Prim, Katya Zvereva, Taira Rice and Rowan ARTIST TALK July 20th / / 6 - 9 pm Join The Untitled Space on Thursday July 20th for a Reception and Artist Talk on The Female Gaze on Erotica, Sex Positive Art & Censorship hosted by artist and curator Indira Cesarine along with exhibiting artists Myla DalBesio, Leah Schrager, Julia Fox, Katie Commodore, Annika Connor, Dominique Vitali, Kristin Prim, Katya Zvereva, Taira Rice and Rowan Artist Talk on The Female Gaze on Erotica, Sex Positive Art & Censorship hosted by artist and curator Indira Cesarine along with exhibiting artists Myla DalBesio, Leah Schrager, Julia Fox, Katie Commodore, Annika Connor, Dominique Vitali, Kristin Prim, Katya Zvereva, Taira Rice and Rowan Artist Talk on The Female Gaze on Erotica, Sex Positive Art & Censorship hosted by artist and curator Indira Cesarine along with exhibiting artists Myla DalBesio, Leah Schrager, Julia Fox, Katie Commodore, Annika Connor, Dominique Vitali, Kristin Prim, Katya Zvereva, Taira Rice and Rowan artist and curator Indira Cesarine along with exhibiting artists Myla DalBesio, Leah Schrager, Julia Fox, Katie Commodore, Annika Connor, Dominique Vitali, Kristin Prim, Katya Zvereva, Taira Rice and Rowan artist and curator Indira Cesarine along with exhibiting artists Myla DalBesio, Leah Schrager, Julia Fox, Katie Commodore, Annika Connor, Dominique Vitali, Kristin Prim, Katya Zvereva, Taira Rice and Rowan Renee.

ARTnews magazine has devoted its June issue to a special report assessing the state of women in the art world — how women artists are faring in terms of solo museum exhibitions and representation in museum collections, gallery representation, press coverage and market valuation, and also measuring opportunities garnered by female curators and museum directors.

This collaborative programme led by Centre for Chinese Contemporary Art (CFCCA) brings together five distinct art organisations across the UK, to show a diverse range of art works and new commissions from some of the most exciting female artists working in mainland ChiArt (CFCCA) brings together five distinct art organisations across the UK, to show a diverse range of art works and new commissions from some of the most exciting female artists working in mainland Chiart organisations across the UK, to show a diverse range of art works and new commissions from some of the most exciting female artists working in mainland Chiart works and new commissions from some of the most exciting female artists working in mainland China.

Her work as a curator includes exhibits «The «F» Word: Feminism in Art» a group show of 20 female artists, «Human / Nature» a group show revolving around environmental themes and «Allegories of The Held», a solo show of works by artist Jennifer Caviola aka Cake, as well as «The Voyeur» exhibit at Art Basel Miami sponsored by The American Friends of The Louvre.

This year, the result includes about 20 solo exhibitions (nearly half showing the work of female artists); first - time appearances by Galerie Perrotin, Freedman Fitzpatrick, Triple Canopy magazine, and The New Museum; and a general trend of art from or referencing the»80s.

Curated Exhibitions 2017 Dreams, Community and Individual Voices - Spoken Through Symbolism, guest curator, Saint Louis Art Museum's Danforth Collection, St. Louis, MO 2016/2017 Sinew: Female Native Artists of the Twin Cities: Artistry, Bloomington, MN, Tweed Museum of Art, Duluth, MN 2016 American Art: It's Complicated (co-curated), Minnesota Museum of American Art, St. Paul, MN 2016 Synthesis: Paintings by Aza Erdrich, All My Relations Gallery, Minneapolis, MN 2014 Rosalie Favell: Relations, All My Relations Gallery, Minneapolis, MN 2014 On Fertile Ground, All My Relations Gallery, Minneapolis, MN 2014 Where I Fit, All My Relations Gallery, Minneapolis, MN 2013 Found, All My Relations Gallery, Minneapolis, MN 2013 Make it Pop, All My Relations Gallery, Minneapolis, MN 2012 Indian First, All My Relations Gallery, Minneapolis, MN 2012 Ded Unk» Unpi — We Are Here, All My Relations Gallery, Minneapolis, MN, Minnesota History Center, St. Paul, MN 2012 The Hopeman Family Collection, All My Relations Gallery, Minneapolis, MN 2011 Mni Sota: Reflections of Time and Place, All My Relations Gallery, Minneapolis, MN, Mayo Clinic, Rochester, MN, Mille Lacs Indian Museum, MN, Nash Gallery University of Minnesota, Tweed Museum of Art, Duluth, MN.

This discourse by women artists and philosophers addressing issues of female subjectivity and ownership of sexual imagery for their own desire and pleasure continues to be challenged and explored today by women in art and popular culture.

GoMA has been researching and acquiring documentary media by influential female artists since 2007, increasing the representation of women working in this field within the city's collection and highlighting the contribution of female artists to contemporary art practice overall.

Last November, Georgia O'Keeffe's Jimson Weed / Flower No. 1 became the most expensive work by a female artist ever sold at auction, fetching $ 44.4 million (see Wall Flowers — women in historical art collections).

Drawing from the National Museum of Women in the Arts collection, this show features photography and video works by 17 artists focusing their camera on the female body as a vital medium for storytelling, expressing identity and reflecting individual and collective experience.

, in partnership with the Lower Eastside Girls Club (see VIDEO), benefitting local female - driven arts organizations, the fair will present a full roster of 1,200 works of art by 78 global exhibitors including progressive galleries, curators, and independent artists.

Statistics from 2012 reveal that 90 per cent of the visual artists featured in art books were men; work by women artists made up three to five per cent of major permanent collections in the US and Europe; artworks by female artists achieved none of the highest 100 auction prices; of The Art Newspaper's top 30 most visited exhibitions in New York, Paris, and London, only three were solo exhibitions featuring female artisart books were men; work by women artists made up three to five per cent of major permanent collections in the US and Europe; artworks by female artists achieved none of the highest 100 auction prices; of The Art Newspaper's top 30 most visited exhibitions in New York, Paris, and London, only three were solo exhibitions featuring female artisArt Newspaper's top 30 most visited exhibitions in New York, Paris, and London, only three were solo exhibitions featuring female artists.

Cooper explained that she favoured a limited form of positive promotion: «A short period of prioritisation would allow the achievements of female artists to be visible in the future and help encourage us to present more art by women.»

The exhibition will feature over 100 contemporary artworks made by women artists and will represent the art collections of seven prominent female art collectors from London, Europe and North America.

Inequality in almost every area of the art world was obvious: male artists dominated both historic collections and also exhibitions of contemporary art; women were excluded or absent from major art history books; almost all the staff in art institutions and universities were men; and work by female artists had less commercial value.

Metabolism and Communication, Zentrum fur Kunst und Medientechnologie, Center for Art and Media, Karlsruhe, Germany 2003 Love, Magazin4 Vorarlberger Kunstverein, Bregenz, Germany Patty Chang, Tracy Emin, Naomi Fisher, Paul McCarthy, The Moore Space, Miami, FL (performance, April 26) Water, Water, curated by Lilly Wei, The Rotunda Gallery, Brooklyn, NY Awakenings, Center for Curatorial Studies at Bard College, Annandale - on - Hudson, NY Feminine Persuasion, The Kinsey Institute and the School of Fine Arts Gallery, Indiana Univeristy, Bloomington, Indiana 2002 Videos in Progress, The RISD Museum, Providence, Rhode Island Le Plateau Frac Ile - de-France (performance only, November 7), Paris, France Mirror, Mirror on the Wall, MASS MoCA, North Adams, MA The Body Electric: Video Art and the Human Body, Cheekwood Museum of Art, Nashville, TN Americas Remixed, La Fabbrica del Vapore, Milan, Italy (performance / exhibition) Extreme Existence, curated by Klaus Ottmann, Pratt Manhattan Gallery, NY (performance / exhibition)(catalogue) Moving Pictures, Guggenheim Museum, New York Fusion Cuisine, Deste Foundation Centre for Contemporary Art, Athens, Greece (performance / exhibition), (Catalog available) Time Share, Sara Meltzer Gallery, NY Le Studio, Yvon Lambert, Paris, France Oral Fixations, curated by Sandra Firmin, Center for Curatorial Studies, Bard College, Annandale - on - Hudson, NY Panorama, curated by Carmen Zita, Room Interior Products, NY Superlounge, curated by Andrea Salerno & Mari Spirito, Gale Gates, Brooklyn, NY About the Mind (Not Everything You Always Wanted to Know), Video Cafe, organized by Hitomi Iwasaki, Queens Museum, NY Mirror Image, curated by Russell Ferguson, UCLA Hammer Museum, Los Angeles, CA Traveled to: Bard College, Center for Curatorial Studies Museum, Annadale - on - Hudson, NY Perspectives: Artists of Chinese Descent in New York, Queens College Art Center, NY Traveled to: Firehouse Art Gallery, Nassau Community College, Garden City, NY, March - April 2003 2001 Bodily Acts, curated by Jennifer L. Gray, Center for Curatorial Studies, Bard College, Annandale - on - Hudson, NY Circus Maximus, BeganeGrond, Center for the Contemporary Arts, Utrecht, Holland Group Show, Hamburg Kunstverein, Germany (performance) Mimic, Gale Gates et al., Brooklyn, NY Casino 2001, 1st Quadrennial of Contemporary Art, Stedelijk Museum Voor Actuele Kunst and the Bijloke Museum, Gent, Belgium (performance / exhibition) Looking for Mr. Fluxus: In the Footsteps of George Maciunas, Art in General, NY La Hijas de la Tierra (The Daughters of the Earth), IODAC Museum of Contemporary, Spain Panic, Julie Saul Gallery, New York Video Jam, Palm Beach Institute of Contemporary Art, Lake Worth, Florida (brochure) 2001 Art + Performance + Technology, in conjunction with the 19th International Sculpture Conference, Wood Street Galleries, Pittsburgh, PA (performance) WET, Luise Ross Gallery, New York Trans Sexual Express Barcelona, Centre d'Art Santa Monica, Barcelona, Spain Smirk: Women, Art, and Humor, curated by Debra Wacks, Firehouse Art Gallery, Nassau Community College, New York 2000 Uncomfortable Beauty, Jack Tilton / Anna Kustera Gallery, New York Cross Female, Kunstlerhaus Bethanien, Berlin, Germany (performance / exhibition): Traveled to: Kunst - und Kunstgewerbeverein Pforzheim, Germany (April / May 2001) The Art of the Screen Saver, Stanford Art Museum / Cantor Art Center, Stanford, CA Traveled to: ICA, London, England (Feb - March 2002) Steamroller, performance festival organized by Galerie MXM, Prague, Czech Republic (Catalog available) Soma, Soma, Soma, The Sculpture Center, New York Performance Festival, Kunstpanorama, Lucern and USINE, Geneva The Standard Projection: 24/7, Standard Hotel, Los Angeles Deja vu, Art Miami 2000, Miami Beach Convention Center, Miami Beach Galerie Fons Welters (two person exhibition with Atelier van Lieshout), Amsterdam ID / y2k, Identity At The Millennium, Castle Gallery, College of New Rochelle, NY 1999 - 2000 Illusion Delusion Denial, 450 Broadway Gallery, New York Mug Shots, Center for Visual Art and Culture, University of Connecticut, Storrs, CT. 1999 IDENDITAT, hat man doch zu viel, Ort halle fur kunst, Feldstr.

Hollis Taggart Galleries places three works by female Pop artist Idelle Weber in the Chrysler Museum of Art's permanent collection including Weber's monumental work Munchkins, I, II, & III (1964).

Her art practice has found its public through representation by the Julie Saul Gallery in New York and many dozens of exhibitions over the years at Bard College, Exit Art and Mary Boone Gallery (where she was the first female artist to have a solo show), as well as in recent years atart practice has found its public through representation by the Julie Saul Gallery in New York and many dozens of exhibitions over the years at Bard College, Exit Art and Mary Boone Gallery (where she was the first female artist to have a solo show), as well as in recent years atArt and Mary Boone Gallery (where she was the first female artist to have a solo show), as well as in recent years at P!

The feminist analysis of art has revealed that the excellence of this major art produced by male artists, who have been credited as geniuses, has been determined as opposed to the secondary value of minor art prepared by female artists.

It ranges from the NMWA's women only collection and exhibition - programme to an entire wing of the Brooklyn Museum being dedicated to feminist art; there's also The Metropolitan Museum of Art's decision to show work by lesser - known artists like Helen Torr and Elizabeth Catlett that has never been on view in «Reimagining Modernism: 1900 — 1950» (the rehang of their modern art collection); and there's the recent acquisition by the Tate of a painting by Mary Beale, who is regarded as Britain's first professional female artiart; there's also The Metropolitan Museum of Art's decision to show work by lesser - known artists like Helen Torr and Elizabeth Catlett that has never been on view in «Reimagining Modernism: 1900 — 1950» (the rehang of their modern art collection); and there's the recent acquisition by the Tate of a painting by Mary Beale, who is regarded as Britain's first professional female artiArt's decision to show work by lesser - known artists like Helen Torr and Elizabeth Catlett that has never been on view in «Reimagining Modernism: 1900 — 1950» (the rehang of their modern art collection); and there's the recent acquisition by the Tate of a painting by Mary Beale, who is regarded as Britain's first professional female artiart collection); and there's the recent acquisition by the Tate of a painting by Mary Beale, who is regarded as Britain's first professional female artist.

Beyond this, it's good to remember that art historians have also discriminated: The standard History of Art by Horst Janson, the tome used in university art history surveys for so many years, didn't include female artists until the mid-198art historians have also discriminated: The standard History of Art by Horst Janson, the tome used in university art history surveys for so many years, didn't include female artists until the mid-198Art by Horst Janson, the tome used in university art history surveys for so many years, didn't include female artists until the mid-198art history surveys for so many years, didn't include female artists until the mid-1980s.

In recent years there has been a shift in the presence, appreciation, and exhibiting of art by both historic and contemporary female artists across all art fields.

An impressive collection of paintings by the 1920s modernist Emily Carr, Canada's most celebrated female artist, plus cutting edge local art.

For Artists on Art, Tom Knechtel speaks on Centaur Arrested in Flight, a Female Faun on His Back by Giovanni Domenico Tiepolo.

This year's Kabinett sector includes thematic group exhibitions, art - historical showcases and solo presentations by both established and emerging artists; more than half of the participants will feature work by female artists.

By the end of the 1960s, female artists were fed up, determined to break free from the art world's oppressive structures and rigid gender roles.

His project for the Whitney Biennial involves creating the fictional persona of an Ivy League - educated black female artist, «Donelle Woolford,» and presenting performances and art objects conceptualized by Scanlan as the creative products of this fictional artist who is played by a variety of actors.

By investigating the intersection of American art, East Asia, and the woodblock print movement, Visions of the Orient explores the various ways that «the orient» served as a liberating professional space for these female artists and as a place of creative inspiration.

Co-commissioned by Yorkshire Sculpture Park and 14 - 18 NOW, and made possible with Art Fund support, this installation by contemporary artist Katrina Palmer commemorates the remarkable rescue work undertaken by the all - female First Aid Nursing Yeomanry (FANY) in the First World War and beyond.

The exhibition is part of NOW: a dialogue on female Chinese contemporary artists, a programme led by Manchester's Centre for Chinese Contemporary Art in collaboration with five other UK art institutioArt in collaboration with five other UK art institutioart institutions.

Several of the trailblazing female artists represented by P.P.O.W. (E03) embraced the grid as a conceptual and feminist tool, subverting the art - historical status quo — from Dotty Attie's gridded canvases exploring the gendered gaze and Martha Wilson's photo - and - text - based representations of embodied personas to Carolee Schneemann's 1980s photo grids comprising images of isolated lips, nostrils and nipples, or her interactions with her beloved cat.

The prize was founded to help a UK regional arts organisation to mount a major solo show by a mid-career female artist.

Created by the famed anonymous group of feminist female artists (in collaboration with Australian design studio Third Drawer Down), the tote pays homage to the Guerrilla Girls» work illuminating and eliminating racism and sexism in the art world.

On display is a prestigious new commission by leading international artist, Aliza Nisenbaum, made possible by the Valeria Napoleone XX Contemporary Art Society scheme which each year supports a regional UK museum's acquisition of a work by a leading, living female artist.

Her work is featured in group shows UPRISE / ANGRY WOMEN and «The «F» Word: Feminism in Art» A Group Show of 20 Female Artists curated by Indira Cesarine.

In response, The Untitled Space art gallery has assembled work by 80 contemporary female artists expressing anger and defiance through their art.

A lifelong advocate for women in the arts, Weiss was also a friend of the Hall's and inspired the inclusion of many works by female artists in the Hall and Hall Art Foundation collections.

She was named «Latina of Excellence in the Cultural Arts» by the U.S. Congressional Hispanic Caucus in 2005 and remains one of the most impactful Mexican - American female artists in the contemporary art world.

Together, these works show a range of studio practices by female artists working in the South within the language of abstraction, and highlights the breadth of the Ogden Museum of Southern Art's Permanent Collection.

Works by female artists constitute nearly half of the pieces in Ingvild Goetz's collection of media art.

Girls» Club presents Change Agents, an exhibition of works by female artists in South Florida, whose careers and creative projects advance the global conversation about contemporary art, demonstrate dynamic ways in which artists can be self - sustaining, while nurturing the career advancement of others.

And at the opening of SELF REFLECTION last night at The Untitled Space, the lost art of genuine self - portraiture was revived by 21 prolific female artists.