Sentences with phrase «art by the horns»

The paintings Joan Mitchell (1925 - 1992) made over the last decade of her life represent a last - ditch effort to grab art by the horns and to hang on for the wild ride, wherever it might take you.

Not exact matches

The Sundance Institute New Frontier program is supported by Cindy Harrell Horn and Alan Horn, Lyn and Norman Lear, the John D. and Catherine T. MacArthur Foundation, the Doris Duke Foundation for Islamic Art, Time Warner Foundation, the John S. and James L. Knight Foundation, AMD Radeon, Nokia OZO, TIME INC + LIFE VR, Comcast Ventures, The Fledgling Fund, Ribbow Media Group, Technicolor Experience Center, Daydream, Oculus, Jaunt, swissnex San Francisco and Pro Helvetia, and David E. Quinney III.

The Sundance Institute Native American and Indigenous Film Program is supported by the W.K. Kellogg Foundation, Time Warner Foundation, Surdna Foundation, Ford Foundation, Native Arts and Cultures Foundation, SAGIndie, Comcast - NBCUniversal and Cindy and Alan Horn.

Trade titles art directed by David Neuhaus of Neustudio have won numerous illustration awards: such as inclusion in the Original Art Show; Society of Illustrators (Auntie Yang's Great Soybean Picnic, Sweet Music in Harlem, Be Water My Friend); Coretta Scott King / John Steptoe Award For New Talent in Illustration (Bird); Pura Belpré Illustrator Award Honor (Olé Flamenco); Notable Children's Book, Smithsonian (Game, Set, Match, Champion Arthur Ashe); Outstanding, Horn Book Review (Sixteen Years in Sixteen Secondart directed by David Neuhaus of Neustudio have won numerous illustration awards: such as inclusion in the Original Art Show; Society of Illustrators (Auntie Yang's Great Soybean Picnic, Sweet Music in Harlem, Be Water My Friend); Coretta Scott King / John Steptoe Award For New Talent in Illustration (Bird); Pura Belpré Illustrator Award Honor (Olé Flamenco); Notable Children's Book, Smithsonian (Game, Set, Match, Champion Arthur Ashe); Outstanding, Horn Book Review (Sixteen Years in Sixteen SecondArt Show; Society of Illustrators (Auntie Yang's Great Soybean Picnic, Sweet Music in Harlem, Be Water My Friend); Coretta Scott King / John Steptoe Award For New Talent in Illustration (Bird); Pura Belpré Illustrator Award Honor (Olé Flamenco); Notable Children's Book, Smithsonian (Game, Set, Match, Champion Arthur Ashe); Outstanding, Horn Book Review (Sixteen Years in Sixteen Seconds).

«The Fine Art of Tooting Your Own Horn, and a Word About Covers» by James Scott Bell on The Kill Zone < — A few words from the fabulous James Scott Bell on self - promotion.

From the opening party full of knights throwing devil horns to gentle medieval music, to the utterly amazing end sequence (which, if you've never seen before, is pure delirious joy), Castle Crashers is an endearing, sometimes hilarious, experience full of visual gags and unapologetic silliness that's helped along by Dan Paladin's terrific art and animation.

MIDTOWN & UPTOWN & HARLEM Rebecca Horn; Forms of Attraction / Kelly / 475 Tenth Avenue @ 36 / thru 6/21 James Siena / Dieu Donne / 315 W 36 / thru 6/29 Spencer Finch thru 1/11 Opening 6/20; Etc. / Morgan Library / 225 Madison @ 36 Nikki Lindt / Heskin / 443 W 37 / thru 6/28 Failing to Levitate curated by Kerry Downey & Natasha Llorens / EFA Project Space / 323 W 39 / 6/6 thru 7/3 Reception 6/19 Magnetic North: Artists and the Artic Circle / 1285 6th Avenue / thru 8/29 S.Polke thru 8/3; Jasper Johns thru 9/1; Lygia Clark thru 8/24;... Silence thru 6/22; R.Heinecken thru 9/7; Etc. / MoMA / 11 W 53 Seven Decades of Optic Art / Davidson / 724 Fifth Ave. @ 57 — floor 4 / thru 6/27 Summerset / Findlay / 724 Fifth Ave. @ 57 — floor 8 / thru 7/26 Starting Out; 9 Abstract Painters 1958 - 1971 / de Nagy / 724 Fifth Ave. @ 57 — floor 12 / thru 8/1 Mark Rothko / Pace / 32 E 57 / thru 6/20 Elena del Rivero; Yvonne Estrada / McCoy / 41 E 57 / thru 6/20 (extended) Berbard Langlais / Alexandre / 41 E 57 / thru 7/18 Traces / Blum / 20 W 57 — floor 2 / thru 8/1 Jack Youngerman / Washburn / 20 W 57 — floor 8 / thru 6/27 Some Artist's Artists / Goodman / 24 W 57 — floor 4 / thru 8/22 Opening 6/26 Alex Brown / Jancou / 24 W 57 — floor 6 / thru 6/21....

2013 Paper, Saatchi Gallery, London, United Kingdom (catalogue) The System of Objects, Curated by Andreas Angelidakis, Deste Foundation, Athens, Greece (catalogue) 19516 Kilometers from Milwaukee, Misako & Rosen, Tokyo, Japan On Painting Centro Atlantico de Arte Moderno, Gran Palma, Canarias, Spain (catalogue) Cabinet of Threads, Galerie Van Horn, Dusseldorf, Germany Tandem Press: 25 Years Chazen Museum of Art, Madison, WI (catalogue) Museo Segovia Lobillo, Malaga, Spain (catalogue) Impresiones Relieves y Resonacias, University of Puerto Rico, Cayey, PR Swamp Edgar Allan Poe, Park Center, Bronx, NY, Curated by Kari Adelaide O te Peinas o te Haces Rolos, La Productora Santurce, PR Pushing It; Innovative Approaches in Printmaking, Dean Jensen Gallery, Milwaukee, WI

India - A New Era of Indian Art, presented at the Essl Museum, Vienna (2009), and at the National Museum of Contemporary Art, Seoul (2009), earlier on presented at the Mori Art Museum, Tokyo, curated by Akiko Miki, Japan (2008), Horn Please, Narratives in Contemporary Indian Art, Kunstmuseum Bern, curated by Bernard Fibicher and Suman Gopinath, Switzerland (2007) etc..

Process and Materials, 1960 - 1990,» Institute of Contemporary Art, University of Pennsylvania, Philadelphia, PA «Artificial Nature,» curated by Jeffrey Deitch, Deste Foundation for Art, The House of Cyprus, Athens, Greece «Stendahl Syndrome: The Cure,» Andrea Rosen Gallery, New York, NY «Mind Over Matter: Concept and Object,» Whitney Museum of American Art, New York, NY, October 3 — January 6, 1991 Galerie Sophia Ungers, Cologne, Germany, with L.C. Armstrong, Gretchen Faust, Eva Hesse, Rebecca Horn, Robin Kahn, Jutta Koether, Patty Martori, and Rosemarie Trockel «Liz Larner, Rosemarie Trockel, Meg Webster,» Stuart Regen Gallery, Los Angeles, CA 1989 «Whitney Biennial 1989,» Whitney Museum of American Art, New York, NY «The Desire of the Museum,» Whitney Museum of American Art, Downtown at Federal Reserve Plaza, New York, NY Galerie Ryszard Varisella, Frankfurt, Germany «David Cabrera, Larry Johnson, Liz Larner,» 303 Gallery, New York, NY «Archaeology II,» Roy Boyd Gallery, Los Angeles, CA «Specific Metaphysics,» organized by Pat McCoy, Sandra Gering Gallery, New York, NY 1988 «Nayland Blake, Liz Larner, Richard Morrison, Charles Ray,» 303 Gallery, New York, NY «A Drawing Show,» curated by Jerry Saltz, Cable Gallery, New York, NY «Re: Placement,» L.A.C.E., Los Angeles, CA «Life Like,» curated by Marvin Heiferman, Lorence Monk Gallery, New York, NY Stadtmuseum, Graz, Austria, curated by Peter Pakesch; represented the U.S. along with Jennifer Bolande, Jon Kessler, Mike Kelley DAG, Los Angeles, CA 1987 «Room 9,» Tropicana Hotel, Los Angeles, CA «Nothing Sacred,» Margo Leavin Gallery, Los Angeles, CA «1987 Annuale,» L.A.C.E., Los Angeles, CA Jeffrey Linden Gallery, Los Angeles, CA; curated by John Baldessari «Reworks: Recent Sculpture,» New Langton Arts, San Francisco, CA «L.A. Hot and Cool,» M.I.T. Visual Arts Center, Cambridge, MA

When I started to study art, I became inspired by many artists, including Joseph Beuys, Eva Hesse, Louise Bourgeois, James Lee Byars, Méret Oppenheim, Rebecca Horn, Paul Klee, Joseph Cornell, Art Brut, Agnes Martin, Mark Rothko, Leonardo da Vinci, and Caravaggart, I became inspired by many artists, including Joseph Beuys, Eva Hesse, Louise Bourgeois, James Lee Byars, Méret Oppenheim, Rebecca Horn, Paul Klee, Joseph Cornell, Art Brut, Agnes Martin, Mark Rothko, Leonardo da Vinci, and CaravaggArt Brut, Agnes Martin, Mark Rothko, Leonardo da Vinci, and Caravaggio.

Installation view of Roni Horn's Doubt by Water (Who), 2003 — 04, at the Whitney Museum of American Art, New York.

Her work has been featured in numerous international group exhibitions including Horn Please: Narratives in Contemporary Indian Art, Kunstmuseum Bern (2007 — 08); Orientations: Trajectories in Indian Art, Foundation De 11 Lijnen, Oudenburg, Belgium (2010); Equator # 1: Shadow Lines: Indonesia Meets India in the Yogyakarta Biennale (2011); and The Encyclopedic Palace, curated by Massimiliano Gioni, at the 55th Venice Biennale (2013).

At a time when we are immersed in a cacophony of media images and sounds, and live in a climate of anxiety often provoked by invisible and abstract adversaries, the four fundamental expressive art forms — painting, sculpture, installation and performance — are amalgamated over the course of the exhibition, with contributions from Philippe Parreno, Adel Abdessemed, Roni Horn, David Hammons, Mark Grotjahn, Marlene Dumas and many more.

A Selection of American Art: Minimalism and After, Galerie Ronny Van de Velde, Antwerp, Belgium (catalogue) The Kitchen Art Benefit, Curt Marcus & Leo Castelli Galleries, New York Re-Framing Cartoons, Loughelton Gallery, New York Grids, Vrej Baghoonian Gallery, New York Modern Detour / Umweg Moderne: R.M. Fischer, Peter Halley, Laurie Simmons, Wiener Secession, Vienna (catalogue) The Last Decade: American Artists of the 80s, Tony Shafrazi Gallery, New York (curated by Collins & Milazzo, catalogue) Weitersehen 1980 — 1990, Krefelder Kunstmuseen, Museum Haus Lange and Museum Haus Esters, Krefeld, Germany (catalogue) Mel Bochner, Peter Halley, Robert Rauschenberg, Sonnabend Gallery, New York Classical Modernism: Six Generations, Sidney Janis Gallery, New York Peter Halley, Annette Lemieux, Meyer Vaisman, Galerie Antoine Candau, Paris Peter Halley, Jeff Koons, Meyer Vaisman, Galerie Carola Moesh, Berlin 1989 Nonrepresentation: The Show of the Essay, Anne Plumb Gallery, New York (catalogue); travelled to Security Pacific Corporation, Los Angeles (curated by Jeremy Gilbert - Rolfe, catalogue) Horn of Plenty, Stedelijk Museum, Amsterdam (catalogue) Buena Vista, John Gibson Gallery, New York (curated by Collins & Milazzo, catalogue) Abstraction in Question, John and Mable Ringling Museum of Art, Sarasota, FL (catalogue); travelled to Center for the Fine Arts, Miami Paula Cooper Gallery, New York A Climate of Site, Galerie Barbara Farber, Amsterdam (curated by Robert Nickas, catalogue) Science — Technology — Abstraction: Art at the End of the Decade, University Art Galleries, Wright State University, Dayton, OH (catalogue) Prospect 89, Frankfurter Kunstverein, Schirn Kunsthalle, Frankfurt am Main (catalogue) Re-Presenting the 80s, Simon Watson Gallery, New York (catalogue) Ten + Ten: Contemporary Soviet and American Painters, Fort Worth Museum of Art, Fort Worth, TX; travelled to San Francisco Museum of Modern Art, San Francisco, CA; Albright - Knox Art Gallery, Buffalo, NY; Milwaukee Art Museum, Milwaukee, WI; Corcoran Gallery of Art, Washington, DC; Artists» Union Hall of the Tretyakov, Krymskaia Embankment, Moscow, USSR; State Picture Gallery of Georgia, Tbilisi, Georgian Soviet Socialist Republic; Central Exhibition Hall, Leningrad, USSR (catalogue) The Silent Baroque, Villa Arenberg, Galerie Thaddaeus Ropac, Salzburg, Austria (catalogue) New Editions, Pace Prints, New York Psychological Abstraction, Deste Foundation for Contemporary Art, Athens (catalogue) Exposition Inaugurale, Fondation Daniel Templon, Musée Temporaire, Fréjus, France (catalogue) Wittgenstein: The Play of the Unsayable, Wiener Secession, Vienna, Austria; travelled to Palais des Beaux - Arts, Brussels (catalogue) Abstraction — Geometry — Painting, Albright - Knox Art Gallery, Buffalo, NY; travelled to Center for the Fine Arts, Miami, FL; Milwaukee Art Museum, Milwaukee, WI; Yale University Art Gallery, New Haven, CT (catalogue) New Work by Gallery Artists: John Baldessari, Bernd and Hilla Becher, Ashley Bickerton, Mel Bochner, Carroll Dunham, Fischli + Weiss, Gilbert & George, Peter Halley, Barry Le Va, Haim Steinbach, Meyer Vaisman, Terry Winters, Robert Yarber, Sonnabend Gallery, New York Gober, Halley, Kessler, Wool: Four Artists from New York, Kunstverein, Munich (catalogue) Projects and Portfolios: The 25th National Print Exhibition, Brooklyn Museum, Brooklyn, NY (catalogue) Recent Acquisitions, Carl Solway Gallery, Cincinnati, OH Buena Vista, John Gibson Gallery, New York

With five current exhibitions on view (two permanents and three temporary), is a museological space of reference in Lisbon, where the visitor can enjoy the best of modern and contemporary art, hosting the Berardo Collection with its more than 70 artistic tendencies and more than 900 works that demonstrates its strong museological and didactic nature, with works by artists like Marcel Duchamp, Pablo Picasso, Salvador Dalí, Joan Miró, Man Ray, Andy Warhol, Francis Bacon, Jackson Pollock, Gerhard Richter, James Rosenquist, Alexander Calder, Jean Dubuffet, Yves Klein, Maria Helena Vieira da Silva, Helena Almeida, Louise Bourgeois, Dan Flavin, Andreas Gursky, Nan Goldin, Rebecca Horn, Donald Judd, Anish Kapoor, Jeff Koons, Nam June Paik, Frank Stella, Bill Viola, among many others.

He transformed Fort Marfa into a seminal location to display his own art and building - sized installations by his friends and admired peers including Dan Flavin, John Chamberlain, Carl Andre, Ingolfur Arnarsson, Roni Horn, Ilya Kabakov, Richard Long, Claes Oldenburg and Coosje van Bruggen, David Rabinowitch and John Wesley.

Elizabeth Ferry / Honey Ramka / 56 Bogart / thru 11/23 Work It Out curated by Eric Heist / Momenta / 56 Bogart / Bushwick / thru 12/7 Caroline Cox / Studio 10 / 56 Bogart / Bushwick / thru 12/21 Tilo Baumgartel / Slag / 56 Bogart / Bushwick / thru 12/28 Robert Lansden / Henry Contemporary / 56 Bogart / Bushwick / thru 11/23 Farrell Brickhouse; James Prez / Life on Mars / 56 Bogart / thru 12/7 Oskar Nilsson / Interstate / 66 Kickerbocker Ave. / Bushwick / thru 11/23 Ragnar Kjartsson and The National / Luhring Augustine / 25 Kickerbocker Ave. (second location) / Bushwick / thru 12/21 Peggy Ahwesh / Microscope / 1329 Willoughby (new location) / Bushwick / thru 1/4 Opening 11/22 (6 - 9 PM) Etched Impressions: 18 Years of Jennifer Melby Editions / Schema Projects / 92 St. Nicolas / Bushwick / thru 12/14 Claudia Baez / Art - 3 / 109 Ingraham / thru 11/22 Hronir: Un-Lost Things / Temporary Storage / 119 Ingraham / thru 11/21 Closing Reception 11/21 (6 - 9 PM) Flatfile Year 2 / TSA: Tiger Strikes Asteroid / 44 Steward Ave. # 49, Bushwick / thru 11/23 Ryan Foerster / Clearing / 505 Johnson Ave. / thru 12/28 Henry Hargreaves + Caitlin Levin / Air Circulation / 160 Randolph / thru 1/4 Mari Rantanen; Shingo Francis; Royce Weatherly; Kurt Steger / Art Helix / 299 Meserole / thru 11/30 Reception 11/21 (6 - 9 PM) Abstraction and its Discontents; French Paradox / Storefront Ten Eyck / 324 Ten Eyck / thru 11/23 Phillip David Stearns / Transfer / 1030 Metropolitan / thru 12/13 Icono Clash: Fred Fleisher; Tommy Mishima; GJA Stewart / Projekt722 / 722 Metropolitan / thru 12/8 Graham Collins / Soloway / 348 S. 4th / Williamsburg / thru 12/9 Tracy Henenberg; Susan Mayr / Sideshow / 319 Bedford / Williamsburg / thru 12/7 The Great Figure: D.Heidkamp; L.Ludlow; K.Mayerson; D.Schutz; H.Taylor; T.Thornton / Journal / 106 N 1st / Williamsburg / thru 12/21 Emily Roz / Front Room / 147 Roebling / Williamsburg / thru 11/23 You - Tility curated by Amanda Friedman / Southfirst / 60 N 6th Williamsburg / thru 12/21 Opening 11/21 (Lu Yang / Ventana244 / 244 N 6 / Williamsburg / thru 11/22 Paulien Lethen / Art 101 / 101 Grand / Wmsburg / thru 12/21 Opening 11/21 (6 - 9 PM) Cecilia Avendano / Reverse Space / 28 Frost, Williamsburg / thru 11/23 Brian Dewan / Pierogi / 177 N 9th / Williamsburg / thru 12/21 Opening 11/21 (7 - 9 PM) Linda Herritt; Elana Herzog / The Boiler / 191 N. 14th St. / Greenpoint / thru 12/21 Tim Simonds / Cathouse Funeral / 260 Richardson, Greenpoint / thru 1/4 Opening 11/22 (7 - 10 PM) Stefan Tcherepnin / Real / 673 Meeker / Greenpoint / thru 12/7 10 Year Anniversary / Kurnatowski / 205 Norman / Greenpoint / thru 12/21 Opening 11/21 (7 - 9 PM) Adam Brent / Auxiliary Projects / 212 Norman Ave., Greenpoint (new location) / thru 11/23 J.Cohen, M.Freeman, C.Kelly, C.Lazard, M.Lowe, V.Vreeland, R.Watson Horn / Cleopatra's / 110 Meserole / Grpt / thru 12/22 Britta Deardorff / Regina Rex @ Bunker 259 / 259 Banker / Greenpoint / thru 12/12 Shape Scapes / Calico / 67 West # 203 / Greenpoint / thru 11/28 Interrupting Camus: Meena Hasan; Carlos Rigau; Charles Shedden / Heliopolis / 154 Huron / Greenpoint / thru 11/30

Jointly organized by the Whitney Museum of American Art and Tate Modern, Roni Horn aka Roni Horn is the most comprehensive overview of Roni Horn's work to date.

He lives between London and Delhi, and his work is represented by the Vadehra Art Gallery, New Delhi; Stephen Bulger Gallery, Toronto; Caprice Horn Gallery, Berlin; and Sepia Eye, New York.

«Art Machines Machine Art» presents Jean Tinguely's drawing machines dating back to the 1950s followed by art machines down to the present day, created by Pawel Althamer (Extrusion Machine), Michael Beutler (Proper en Droog), Angela Bulloch, Olafur Eliasson (The endless study), Tue Greenfort (Mobile Trinkglaswerkstatt), Damien Hirst (Making beautiful drawings), Rebecca Horn, Jon Kessler (Desert), Tim Lewis (Auto - Dali Prosthetic), Lia, Miltos Manetas, Roxy Paine, Steven Pippin, Cornelia Sollfrank, Jean Tinguely, Antoine Zgraggen, Andreas Zybach (Sich selbst reproduzierender SockeArt Machines Machine Art» presents Jean Tinguely's drawing machines dating back to the 1950s followed by art machines down to the present day, created by Pawel Althamer (Extrusion Machine), Michael Beutler (Proper en Droog), Angela Bulloch, Olafur Eliasson (The endless study), Tue Greenfort (Mobile Trinkglaswerkstatt), Damien Hirst (Making beautiful drawings), Rebecca Horn, Jon Kessler (Desert), Tim Lewis (Auto - Dali Prosthetic), Lia, Miltos Manetas, Roxy Paine, Steven Pippin, Cornelia Sollfrank, Jean Tinguely, Antoine Zgraggen, Andreas Zybach (Sich selbst reproduzierender SockeArt» presents Jean Tinguely's drawing machines dating back to the 1950s followed by art machines down to the present day, created by Pawel Althamer (Extrusion Machine), Michael Beutler (Proper en Droog), Angela Bulloch, Olafur Eliasson (The endless study), Tue Greenfort (Mobile Trinkglaswerkstatt), Damien Hirst (Making beautiful drawings), Rebecca Horn, Jon Kessler (Desert), Tim Lewis (Auto - Dali Prosthetic), Lia, Miltos Manetas, Roxy Paine, Steven Pippin, Cornelia Sollfrank, Jean Tinguely, Antoine Zgraggen, Andreas Zybach (Sich selbst reproduzierender Sockeart machines down to the present day, created by Pawel Althamer (Extrusion Machine), Michael Beutler (Proper en Droog), Angela Bulloch, Olafur Eliasson (The endless study), Tue Greenfort (Mobile Trinkglaswerkstatt), Damien Hirst (Making beautiful drawings), Rebecca Horn, Jon Kessler (Desert), Tim Lewis (Auto - Dali Prosthetic), Lia, Miltos Manetas, Roxy Paine, Steven Pippin, Cornelia Sollfrank, Jean Tinguely, Antoine Zgraggen, Andreas Zybach (Sich selbst reproduzierender Sockel).

Sadie Benning Douglas Coupland Sarah Crowner Svenja Deininger Tony DeLap Thomas Demand Olafur Eliasson Liam Gillick Mark Grotjahn Andreas Gursky Jim Hodges Roni Horn Wyatt Kahn Ellsworth Kelly Agnes Martin Kaz Oshiro R. H. Quaytman Julia Rommel Sérgio Sister Blair Thurman Rebecca Ward Rachel Whiteread Inspired by Ellsworth Kelly's superimposed canvases Blue Relief over Green, 2004, and Dark Red Relief with White, 2005, Space Between investigates the legacy and influence of abstraction on Western art, presenting a selection of artists that enter into a conversation on history, process, and form.

Curated by Rosie Cooper at Barbican Art Gallery (London) and performed with Rebecca Horn's Concert for Anarchy as part of The Surreal House Exhibition.

You will find among others, Elisabetta's wearable art projects by Adel Abdessemed, Ai Weiwei, Afro, Pedro Cabrita Reis, Enrico Castellani, Jacqueline de Jong, Carlos Cruz Diez, Wim Delvoye, Fuksas and Paladino, Rebecca Horn, Ilya and Emilia Kabakov, Jannis Kounellis, Avish Khebrehzadeh, Giulio Paolini, Giuseppe Penone, Giorgio Vigna and Erwin Wurm.

These works often address exis - tential issues, such as the concept of personal identity in the art of Roni Horn, the power of an emotional outburst in the work of Sam Taylor - Johnson, the expression of psychological states by Bas Jan Ader or Arnulf Rainer, or the confrontation with death and transience by the likes of Christian Boltanski or Bill Viola.

Curated by Bettina M. Busse, the exhibition ICON continues the gallery's tradition of large - scale group exhibitions such as Women — Art — New Trends featuring Marina Abramović, Valie Export, Rebecca Horn, Maria Lassnig, Gina Pane, and Carolee Schneemann from 1975, Mannerism Subjective.

Featuring interviews with artists and craftspersons about their creative collaborations, The Art of Not Making also includes analyses and illustrations of hundreds of artworks by many important international artists, including AiWeiwei, Ghada Amer, Louise Bourgeois, Chris Burden, Daniel Buren, Matthew Barney, James Lee Byars, Maurizio Cattelan, José Damasceno, Angela de la Cruz, Liam Gillick, Subodh, Gupta, Mona Hatoum, Carsten Höller, Roni Horn, Gary Hume, Sherrie Levine, Takashi Murakami, Jorge Pardo, Ugo Rondionone, Kiki Smith, Simon Starling, Gavin Turk, Mark Wallinger, Fred Wilson, Cerith Wyn Evans, Aaron Young and many more.

Exhibiting at Art Basel Hong Kong for the first time, PPOW is presenting a two - person booth that features historical paintings and drawings by the late Martin Wong, a self - taught Chinese - American painter and fabled figure of the East Village art scene that died from an AIDS - related illness in 1999, and glass - and - bronze sculptures that evoke elements of traditional Chinese landscape paintings from the Vermont - based Australian artist Timothy Horn, who's a recent addition to the gallery's stabArt Basel Hong Kong for the first time, PPOW is presenting a two - person booth that features historical paintings and drawings by the late Martin Wong, a self - taught Chinese - American painter and fabled figure of the East Village art scene that died from an AIDS - related illness in 1999, and glass - and - bronze sculptures that evoke elements of traditional Chinese landscape paintings from the Vermont - based Australian artist Timothy Horn, who's a recent addition to the gallery's stabart scene that died from an AIDS - related illness in 1999, and glass - and - bronze sculptures that evoke elements of traditional Chinese landscape paintings from the Vermont - based Australian artist Timothy Horn, who's a recent addition to the gallery's stable.

David Claerbout's paintings on paper are fundamental to his film practice; Ilse D'Hollander's intimate canvases are sensual explorations of the physical act of painting; Jose Dávila interrogates how the modernist movement has been translated, appropriated, and reinvented; Laurent Grasso's meticulous appropriations of classical paintings integrate impossible phenomena, blurring the line between the historical and contemporary; Rebecca Horn's large - scale gestural paintings evoke her early performance work, their dimensions being determined by the artist's physical reach; Callum Innes» Exposed Paintings are concerned with both making and unmaking the work; Idris Khan utilizes language, melding thousands of lines of stamped text into singular abstract images; Hugo McCloud's work fuses industrial and fine art materials; Sam Moyer combines found textures into a fresh, expanded, artistic palette; and James White's oil paintings reimagine the still life as a chance freeze - frame.

Artangel has generated some of the most talked - about and contentious art of recent times, including work by Francis Alÿs, Clio Barnard, Matthew Barney, Jeremy Deller, Douglas Gordon, Roger Hiorns, Roni Horn, Ryoji Ikeda, Mike Kelley, Michael Landy, Steve McQueen, Susan Philipsz, Gregor Schneider, Daniel Silver, Rachel Whiteread and Robert Wilson.

, curated by Angela Goddard and Robert Leonard Reality Check, Statens Museum for Kunst, Copenhagen, curated by Marianne Torp History Will Repeat Itself, Centre for Contemporary Art Ujazdowski Castle, Warsaw and Goethe - Institute, Hong Kong, curated by Inke Arns and Gabriele Horn

Amanda Horn, the communications director for the Nevada Museum of Art, said that section of the desert was chosen in part because of its connection to previous land art works by Michael Heizer and Jean TingueArt, said that section of the desert was chosen in part because of its connection to previous land art works by Michael Heizer and Jean Tingueart works by Michael Heizer and Jean Tinguely.

2007Stalking with Stories: The Pioneers of the Un-Rememberable, Apexart, New York, curated by Antonia Majaca and Ivana Bago History Will Repeat Itself, KW Institute for Contemporary Art, Berlin and Hartware, Medien KunstVerein at Phoenix Halle Dortmund, (cat) curated by Inke Arns and Gabriele Horn Por Favor Gracias de Nada: Re-enactments, Casa del Lago, UNAM, México City, curated by Victor Palacios Think with the Senses - Feel with the Mind, Art in the Present Tense, La 52 Biennale di Venezia, Arsenale, (cat.)

Between the Chinati Foundation, a contemporary art museum founded by Donald Judd and spread over about 350 acres complete with permanent installations by Judd as well as Dan Flavin, Roni Horn, Ilya Kabakov, and Claes Oldenburg, the Judd Foundation, an institution dedicated to preserving the artist's legacy, as well as Exhibitions 2d, and, of course, Ballroom Marfa, there's a flurry of activity that keeps this sleepy town of 2,000 residents entertained.

The recent Frieze art fair in Manhattan showcased a multitude of craft - oriented pieces, including work by Roni Horn, who studied glass blowing with Dale Chihuly, with her two donut - shaped translucent cast glass sculptural objects selling for $ 975,000 each at Hauser & Wirth.

Her courses on medieval, Renaissance, and Asian art taught by Horn (and Otto Mäenchen - Helfen) left a lasting impression.

Another noteworthy set of works is that of around 100 pieces belonging to the collector Enea Righi, which has been on loan to Museion since 2008, and which in many respects consolidates existing themes in the collection, as in the case of the photographic works by Francis Alÿs, Nan Goldin and Wolfgang Tillmans, or the light art, with Gabriel Kuri, or individual artists like Alighiero Boetti, Miroslaw Balka, Peter Friedl, Roni Horn and Gordon Matta - Clark.

MIDTOWN & UPTOWN & HARLEM Rebecca Horn; Forms of Attraction / Kelly / 475 Tenth Avenue @ 36 / thru 6/21 James Siena / Dieu Donne / 315 W 36 / thru 6/29 Spencer Finch thru 1/11 Opening 6/20; Etc. / Morgan Library / 225 Madison @ 36 John Cage curated by Chris Murtha / Horticultural Society of NY / 148 W 37 / thru 5/23 Nikki Lindt / Heskin / 443 W 37 / thru 6/28 Opening 5/22 Washington Color Abstraction / Gabarron Foundation / 149 E 38 / thru 5/30 Failing to Levitate curated by Kerry Downey & Natasha Llorens / EFA Project Space / 323 W 39 / thru 7/3 Opening 6/6 Reception 6/19 S.Polke thru 8/3; Jasper Johns thru 9/1; Lygia Clark thru 8/24;... Silence thru 6/22; Gauguin thru 6/8; R.Heinecken thru 9/7; Etc. / MoMA / 11 W 53 Urs Fischer / Lever House / 390 Park @ 54 / thru 5/30 Frank Bowling / Spanierman / 625 W 55 — floor 5 / thru 5/28 Seven Decades of Optic Art / Davidson / 724 Fifth Ave. @ 57 — floor 4 / 5/13 thru 6/27 Reception 5/20 (5 - 7 PM) Emily Mason; Claire Falkenstein; Beatrice Mandelman; Nina Tryggvadottire / Findlay / 724 Fifth Ave. @ 57 — floor 8 / thru 5/24 John Newman / de Nagy / 724 Fifth Ave. @ 57 — floor 12 / thru 5/30 Fairfield Porter / Hirschl & Adler / 730 Fifth Ave. @ 57 / thru 6/13 Mark Rothko / Pace / 32 E 57 / thru 6/20 Elena del Rivero; Yvonne Estrada / McCoy / 41 E 57 / thru 6/16 Group / Alexandre / 41 E 57 / thru 5/23 Traces / Blum / 20 W 57 — floor 2 / thru 8/1 Opening 5/29 Jack Youngerman / Washburn / 20 W 57 — floor 8 / thru 6/27 Leon Kelly / Naumann — floor 3 / 24 W 57 / thru 5/23 Lothar Baumgarten / Goodman — floor 4 / 24 W 57 / thru 6/14 Alex Brown / Jancou / 24 W 57 — floor 6 / thru 6/21 Dana Melamed; Josef Fischnaller / Stux / 24 W 57 — floor 6 (new location) / thru 5/31 3,000 Years of Geometry / Seve / 37 W 57 / thru 5/24 Santiago Calatrava / Marlborough / 40 W 57 / thru 5/31 Look At Me / Heller / 43 W 57 (new, second location) / thru 8/29 Lucy Williams / McKee / 745 Fifth / thru 6/20 Dawoud Bey / Boone / 745 Fifth / thru 6/28 Out of Hand thru 7/6, Etc. / Museum of Art and Design / 2 Columbus Circle @ 59 Knud Lonberg - Holm / UBU / 416 E 59 / thru 8/1 Michael Scott & John Chamberlain: a conversation / Gering / 14 E 63 (new location) / thru 5/31 Lyonel Feininger / Moeller / 35 E 64 / thru 6/27 (extended) Billy Al Bengston / Franklin Parrasch / 53 E 64 (new location) / thru 6/28 Image and Matter curated by Yumiko Chiba / Boesky / 118 E 64 / thru 6/14 Mark Grotjahn / Blum & Poe / 19 E 66 (new in NYC) / thru 6/21 Lynda Barry / Baumgold / 60 E 66 / thru 7/11 Kan Yasuda / Eykyn - Maclean / 23 E 67 / thru 6/27 Horacio Zabala; Eduardo Kac / Faria / 35 E 67 / thru 6/21 Anna Maria Maiolino / Hauser & Wirth / 32 E 69 / thru 6/21 Copied / Roth / 160A E 70 / thru 6/20 Nalini Malani / Asia Society / 725 Park @ 70 / thru 8/3 Pierre Soulages / Levy / 909 Madison @ 73 / thru 6/27 Pierre Soulages / Perrotin / 909 Madison @ 73 / thru 6/27 Robert Rauschenberg / Starr / 5 E 73 / thru 5/23 Frank Stella / Van Doren Waxter / 23 E 73 / thru 6/27 Carved, Cast, Chrushed, Constructed / Freedman / 25 E 73 / thru 5/31 Peter Sis curated by Charlotta Kotik / Czech Center / 321 E 73 / thru 9/1 Aftershock / Edelman / 136 E 74 / thru 5/31 Harmony Korine / Gagosian / 821 Park @ 75 (new, additional location) / thru 6/21 Biennial; Etc. / Whitney Museum / Madison @ 75 / thru 5/25 Kathleen Kucka / Geranmayeh / 956 Madision @ 76 — floor 3 / thru 6/28 Opening 5/20 (6 - 9 PM) But that joke isn't funny anymore curated by Ryan McKenna / Tilton / 8 E 76 / thru 6/7 Jasper Johns; Roy Lichtenstein / Castellli / 18 E 77 / thru 6/27

The Museum of Fine Arts, Houston, given in honour of Marjorie G. Horning by Mr. and Mrs. Meredith Long; Isla and Tommy Reckling; Mr. and Mrs. Durga D. Agrawal, Milton D. Rosenau, Jr. and Dr. Ellen R. Gritz; Dr. Ninan and Sushila Mathew; Drs. Ellin and Robert G. Grossman; Mr. and Mrs. Vinod Bhuchar; Mr. and Mrs. Philip J. John, Jr.; and Dr. and Mrs. A.P. Raghuthaman.

This current state of the arts and its recent history are represented via more than 150 works by 55 artists, including Nam June Paik, Kara Walker, Felix Gonzalez - Torres, Marina Abramovic, Vito Acconci, Ana Mendieta, Bruce Nauman, Robert Smithson, Christian Boltanski, Sophie Calle, Fischli & Weiss, Ann Hamilton, Robert Mapplethorpe, Annette Messager, Cindy Sherman, Bernd and Hilla Becher, Elger Esser, Andreas Gursky, Candida H ‡ fer, Thomas Ruff, J ‡ rge Sasse, Thomas Struth, Olafur Eliasson, Roni Horn, Gabriel Orozco, Hiroshi Sugimoto, Matthew Barney, Gregory Crewdson, Anna Gaskell, Sam Taylor - Wood, Oliver Boberg, James Casebere, Thomas Demand, Vanessa Beecroft, Wolfgang Tillmans, Patty Chang, Trisha Donnelly, Stan Douglas, Pierre Huyghe, William Kentridge, Steve McQueen, Shirin Neshat, John Pilson and Gillian Wearing.

This is the subtle, disconcerting magic that's worked again and again in the best pieces by Roni Horn, a 54 - year - old New Yorker who's a star in the art world but not much known outside it.

Cao Fei's art car was selected by a jury that comprised, among others, Richard Armstrong, Solomon R. Guggenheim Museum; Chris Dercon, then Tate Modern; Gabriele Horn, Berlin Biennale; Udo Kittelmann, Nationalgalerie Staatliche Museen zu Berlin; Hans - Ulrich Obrist, Serpentine Galleries; Shwetal A. Patel, Kochi - Muziris Biennale; Beatrix Ruf, Stedelijk Museum; Bisi Silva, The Centre for Contemporary Art; Philip Tinari, Ullens Center for Contemporary Art; and Adam D. Weinberg, Whitney Museum of American Aart car was selected by a jury that comprised, among others, Richard Armstrong, Solomon R. Guggenheim Museum; Chris Dercon, then Tate Modern; Gabriele Horn, Berlin Biennale; Udo Kittelmann, Nationalgalerie Staatliche Museen zu Berlin; Hans - Ulrich Obrist, Serpentine Galleries; Shwetal A. Patel, Kochi - Muziris Biennale; Beatrix Ruf, Stedelijk Museum; Bisi Silva, The Centre for Contemporary Art; Philip Tinari, Ullens Center for Contemporary Art; and Adam D. Weinberg, Whitney Museum of American AArt; Philip Tinari, Ullens Center for Contemporary Art; and Adam D. Weinberg, Whitney Museum of American AArt; and Adam D. Weinberg, Whitney Museum of American ArtArt.

The collection includes photographic and lens - based art by Paul Seawright, Gilbert and George, Willie Doherty and Marina Abramovic; installation art by llya and Emilia Kabakov, Rebecca Horn; sculpture by Damien Hirst, Barry Flanagan, Juan Munoz, Dorothy Cross, Kathy Prendergast and Stephan Balkenhol; painting by Sean Scully, Tony O'Malley, Francesco Clemente, Peter Doig, and Peter Halley.

At the booth for Brussels art dealing legend Xavier Hufkens, who opened his first gallery in 1987, and gave Antony Gormley, Felix Gonzalez - Torres and Rosemarie Trockel their first shows in Belgium, were works by Louise Bourgeois, Sterling Ruby, and Roni Horn.

My latest review for the New Haven Advocate considers «Continuous Present,» an excellent show at the Yale University Art Gallery featuring work by Francis Alÿs, Peter Fischli and David Weiss, Rodney Graham, Roni Horn, On Kawara, Thomas Nozkowski, Gabriel Orozco, Laura Owens, Dieter Roth, and Franz West.

Paddle8 joins this conversation about art by focusing on artists that contributed to the fame of this event, such as Sam Gilliam, Lawrence Weiner, Ernesto Neto, Ugo Rondinone, and Roni Horn.

The wide - ranging material by curators, art historians and artists — including Vito Acconci, Daniel Buren, Dan Graham, Hans Haacke, Jenny Holzer, Rebecca Horn, Ilya Kabakov, Kasper Konig, Joseph Kosuth, Richard Serra, Harald Szeemann, Lawrence Weiner and many more — is divided into sections entitled «Art and the City,» «Art and Architecture,» «Art and History,» «Art and Society» and «Art and the Public.&raqart historians and artists — including Vito Acconci, Daniel Buren, Dan Graham, Hans Haacke, Jenny Holzer, Rebecca Horn, Ilya Kabakov, Kasper Konig, Joseph Kosuth, Richard Serra, Harald Szeemann, Lawrence Weiner and many more — is divided into sections entitled «Art and the City,» «Art and Architecture,» «Art and History,» «Art and Society» and «Art and the Public.&raqArt and the City,» «Art and Architecture,» «Art and History,» «Art and Society» and «Art and the Public.&raqArt and Architecture,» «Art and History,» «Art and Society» and «Art and the Public.&raqArt and History,» «Art and Society» and «Art and the Public.&raqArt and Society» and «Art and the Public.&raqArt and the Public.»

By 1986, having acquired 400 acres of land and numerous buildings, Judd opened the Chinati Foundation to showcase large - scale sculpture — his own work as well as art by Dan Flavin, John Chamberlain, Carl Andre, and Roni HorBy 1986, having acquired 400 acres of land and numerous buildings, Judd opened the Chinati Foundation to showcase large - scale sculpture — his own work as well as art by Dan Flavin, John Chamberlain, Carl Andre, and Roni Horby Dan Flavin, John Chamberlain, Carl Andre, and Roni Horn.

The initiative gives continuity to the project Contemporary Art Theater, founded in 2004 by the collaboration between the BLM and the Teatro La Fenice in Venice, which featured artists Toderi, Kim Sooja, William Kentridge, Rebecca Horn, Jana Sterbak, Stephen Arientie Foofwa of Imobilité.

Over a period of 30 years the BIM has brought together the very best in video art, showing works by artists such as Bill Viola, Gary Hill, Steina and Woody Vasulka, Robert Filliou, Chris Marker, Guy Debord, Vito Acconci, William Wegman, Bruce Nauman, Chantal Akerman, Rebecca Horn, Jean - Luc Godard, Andy Warhol, Philippe Garrel, Nam June Paik, Laurie Anderson, Artavazd Pelechian, Harun Farocki, Matt Mullican, Anri Sala and the Straub / Huillet duo.