Sentences with phrase «art cinema on»

Was art cinema on the ropes?

Not exact matches

Today's #GoogleDoodle marks the 104th birthday of Mexican actress Maria Félix, whose impact on film, art, music and fashion established her as an icon of international cinema → https://t.co/ILDpw7IELh pic.twitter.com / jyEcICaahi

Located on the most influential spot of La Croisette, on the rooftop of the Palais des Festivals, the new space welcomes the world of cinema in a casual yet stylish atmosphere where «the French Art of Living» will be savored with a glass of the new limited edition of Mouton Cadet wine.

But researchers at the European Geosciences Union general assembly in Vienna attending the science and art session could sit on a chair attached to a transducer — as used in cinemas and by gamers looking for a 4D experience — and feel recordings of infrasound from the volcano.

Alternatively, stick to the classic date idea of going to the cinema, but make the evening feel more special by going to the art deco styled Dominion Cinema, which has comfy leather sofas to cuddle up on.

HI IM A YOUNG 54 I AM 5ft 7 TALL I HAVE A YOUNG OUT LOOK ON LIFE NOT BAD LOOKING I LIKE MOST THINGS LIKE THE CINEMA GOING TO PUBS / CLUBS LOVE MUSIC MANLY R / B SOUL A BIT OF HIP HOP LOVE DANCING HAVING FUN.I LIKE ART PHOTOGRAPHY WILL TRY MOST THINGS ONCE AND I HAVE AGSOH I AM A NICE GUY AND MONIST BUT...

I am seeking for a platonic conversationalist to enjoy seeing art, cinema, and taking coffee on our free time!

Toback quickly reveals himself as an insufferable, opinionated blowhard who pontificates shamelessly about the art of the cinema while indulging his own obsessions on film.

He studied art and cinema as a young adult, often spending a considerable amount of time on his father's movie sets, and honed his skills in his early twenties not in the arena of directing (as might be expected), but in that of painting.Danny Huston's directorial assignments began inconspicuously, at the age of 24, with the 1987 made - for - television comic fantasies Bigfoot and Mr. Corbett's Ghost (the second of which featured John Huston in the cast).

During the 1990s, when Kiarostami's reputation was growing, I was not that focused on international high - art cinema.

Allan Cameron's Modular Narratives in Contemporary Cinema, the subject of this review, does something similar — for the most part — to Puzzle Films and seems to sit clearly on the side of the debate that understands there is indeed something unique about the complex narratives of contemporary cinema, arguing that these films are different not only from classical Hollywood films but also from the art cinema and experimental films they often resemble.

It is a painful experience to endure; not only is it mind - numbingly boring, but watching a modern masterpiece of cinema dissolve into a mediocre work before your very eyes is like seeing an art gallery on fire and knowing there is nothing you can do.

The Seventh Art is a Toronto - based online magazine about cinema founded in 2012, with a focus on in - depth interviews with filmmakers.

Infused with elements from his Calvinist upbringing and 1950s art - house cinema (check out his newly reissued book Transcendental Style in Film on Bresson, Ozu, and Dreyer), First Reformed revolves around the Reverend Ernst Toller (portrayed with devastating restraint by Ethan Hawke).

Even critics of last year's Amores Perros have admitted that an insurgence of Mexican productions into the highly populated art house distribution crowd is increasingly inevitable (the best simile that could be imagined is that the rise of Mexican cinema is like the push for Germany and Japan's permanent inclusion on the UN Security Counsil — hey, as art film distributors are saying, we're still working with the inclusion of Iran and Taiwan).

Right out of the box, Pieta plays like the mean value of certain moronic conceptions of art - house cinema: a shapeless bundle of Provocations and Themes and Ideas verging on po - faced self - parody.

FRUITVALE STATION (2013)-- I'm not hating on the world guys... RIDDICK (2013)-- I'm not hating on the world that allows this movie to keep going... THE EAST (2013)-- I'm hating on the world, and cinema for this movie... MUSEUM HOURS (2013)-- Let me think about art some more... FROZEN (2013)-- Let me wish for more great musical songs per film... THE HOBBIT: THE DESOLATION OF SMAUG (2013)-- Let me wish for shorter films... CALL ME KUCHU (2013)-- Let me wish for equality... THE TWELVE CHAIRS (1970)-- Young Frank Langela makes me feel weird... TOUCH OF EVIL (1958)-- Charlton Heston is badass guys...

Starting June 1, moviegoers can purchase discounted $ 8 tickets to watch «Raiders of the Lost Ark,» «Space Jam» and a new documentary on David Lynch at art - house cinemas as part of Miami Film Month.

Scholar Jeff Smith dives into this critically acclaimed gem in the latest episode of Observations on Film Art, exploring its playful experimentation with genre conventions and what it reveals about Altman's love - hate relationship with commercial cinema.

Return to Tehran By Godfrey Cheshire An expert in Iranian cinema reports from the country's capital on the state of the art, post-Kiarostami Plus: A festive visit with Jafar Panahi that is definitely not an interview

Film Movement opens the feature at the Quad Cinemas on today followed by the Laemmle Ahrya Fine Arts on January 19.

It's right in tune with the cinema of paranoia and conspiracy that bloomed in the seventies while also jumping on the martial arts craze with Caan taking on ninja warriors as well as his former partner (Robert Duvall).

«When I was studying at NYU, I took classes in critical studies, and one of my favorites was on queer cinema,» Franco says, explaining his fascination with queer art.

DISCLAIMER: This blog was set up to provide thoughts and commentary on movies through the eyes of someone who loves and appreciates the art of cinema.

The next Hollywood Film Awards will take place on Nov. 1, 2015, at the Beverly Hilton Hotel, in Beverly Hills, California The Hollywood Film Awards, the official launch of the awards season ®, has recognized excellence in the art of cinema and filmmaking for 18 years, honoring some of the world's biggest -LSB-...]

Toronto's films include Law as «Dom Hemingway,» Kline as Errol Flynn and docs on Burt's Bees, Berkeley and the art of cinema

Miller's parents, playwright Arthur Miller and photographer Inge Morath, initiated her into art - house cinema at an early age, fostering the eclectic taste that would go on to inform her creative life.

by H.G. Lewis; «Two Thousand Maniacs Can't be Wrong» filmmaker Tim Sullivan on H.G. Lewis» gore classic; «Hickspoitation: Confidential» visual essay on the depiction of the American South in exploitation cinema; «David Friedman: The Gentlemen's Smut Peddler» tribute to legendary producer David F. Friedman featuring interviews with H.G. Lewis, filmmakers Fred Olen Ray and Tim Sullivan and editor Bob Murawski; «Herschell's Art of Advertising» in which Lewis shares his expert opinion on the art of selling movies; «Two Thousand Maniacs!&raqArt of Advertising» in which Lewis shares his expert opinion on the art of selling movies; «Two Thousand Maniacs!&raqart of selling movies; «Two Thousand Maniacs!»

She is currently working on books including 1000 Women in Horror, a book on art and intertextuality in giallo cinema, and co-editing a collection about the film work of Elaine May for Edinburgh University Press's ReFocus series.

Nicholas Godfrey on The long game: Conversations with independent iconoclasts Roger Corman, George A. Romero, and Charles Burnett Douglas Gomery on America's Corporate Art: The Studio Authorship of Hollywood Motion Pictures Richard Martin on The Cinema of Michael Haneke Tessa Chudy on Polanski and Perception Cassandra Lovejoy on Deleuze and World Cinemas Martin Potter on Challenge for Change Ryan Taylor on Terrorism TV Vrasidas Karalis on Greek Cinema, Texts, Histories, Identities Ravi Sundaram on Shadow Economies of Cinema

The latest episode of Observations on Film Art, an exclusive Criterion Channel program that explores elements of cinema as used by great auteurs, features professor Kristin Thompson highlighting one device that has earned the film its permanent spot in the cinematic canon: Renoir's characteristically subtle yet elaborate staging.

One of the dangers of gorging yourself on four or five films per day is festival fatigue, by which I don't mean physical exhaustion (though that happens too) but rather a certain involuntary weariness in the face of so much exacting, challenging, or otherwise «difficult» art cinema.

With all eyes on the current escalating international crisis and flexing of nuclear arms, this film is compelling in its relevance to our present reality, and uses it as a platform to raise some appropriate questions about the boundaries of art and the role of cinema.

What writer / director Alejandro G. Iñárritu has done for cinema was craft a imaginative, clever, and thought provoking masterpiece on the same levels of what Shakespeare did for the theater, Hemingway did for literature, and DaVinci did for art.

Here is an intriguing documentary made for BBC Four's arts strand Arena on surrealist cinema.

On the one hand it has a suspiciously art - cinema - by - numbers feel to it (riffing off a Michael Haneke template), but on the other hand it is full of original, startling, daring moments and provocationOn the one hand it has a suspiciously art - cinema - by - numbers feel to it (riffing off a Michael Haneke template), but on the other hand it is full of original, startling, daring moments and provocationon the other hand it is full of original, startling, daring moments and provocations.

When a film like Prince appears out of nowhere, with its pseudo-incendiary electronic score and sophisticated examination of revenge, it revives hope for a pop - art cinema that's not only capable of balancing enraged critique with playful, irreverent aesthetics, but also treats its characters like actual human beings rather than pawns on a chess board.

Although its overwhelming logic is hence from video games — «I've never made it this far,» Cage tells his followers at one point, when asked what comes next — Edge of Tomorrow works best as a gleeful riff on the narrative tricks endemic to the cinema, an art defined more by editing than by images.

Of my year's best, I only saw four in commercial cinemas — and then on limited art house seasons.

In the latest episode of Observations on Film Art, Professor Kirstin Thompson explores the sonic innovations that Fritz Lang pioneered in a masterpiece of early sound cinema.

In recent years, the CFCA has expanded its presence on the Chicago arts scene, promoting critical thinking about cinema to a wider base through several initiatives, including the re-launch of a late - winter film awards ceremony; CFCA - hosted film screenings throughout Chicagoland; and a Young People's Film Criticism Workshop at Facets Multimedia.

This t - shirt features a large watercolour art style print of Thanos and the infinity gauntlet on the front and also a small Avengers print logo on the left sleeve — it's 100 % official Marvel merchandise, and is also cotton, with a low price and unique design this t - shirt is perfect for your first (or second... or third...) trip to the cinema to see Infinity war.

So while Annihilation bypasses cinemas in this country, do call out the movie industry for its lack of faith in filmmakers and film lovers; petition Netflix to team up with Curzon cinemas more to release its original movies theatrically in the UK; support smaller titles that do have cinema releases where possible; but don't spend your time lamenting the decline of cinema when the art of the visual medium is alive and kicking through Annihilation, in US theatres and on UK computers, phones, tablets and TVs.

The critic and WCP executive director offers a personal take on art cinema and a primer on the project's scope and mission.

As with all art, a sign of the times lives on through the world of cinema.

by Walter Chaw Zacharias Kunuk's Atanarjuat (The Fast Runner), the first motion picture presented entirely in the Inuit language Inutkikuk, is what it means to be transported by the cinema: taken to another place and another time on the flickering wings of film's lunar art.

Somehow, despite its focus on commercial cinema, a couple of outstanding art movies make it into FEFF every year.

Nathalie has lectured on costume design (in which she takes a special interest) and the early history of cinema and conducted feature interviews at literary events like the International Festival of Authors and the Toronto Comics Arts Festival.

And one needn't take a stand on the validity of auteurism as a framework for discussing movies to acknowledge the way it continues to dominate discussions of current works of international art cinema; those of us invested in movies as art continue to latch on to the director as artist.

While 2018 festival goers have packed the Egyptian, the Ray, the Eccles and the Library to catch buzzy titles like «Search,» «Juliet, Naked,» «Monster,» and «Blindspotting» on the big screen, the visual arts in Park City are going beyond traditional single - screen cinema.