The 16 - screen theater is a state - of - the -
art cinema using DLP technology, the standard in digitized movies and the format used in all MJR theaters.
Not exact matches
But researchers at the European Geosciences Union general assembly in Vienna attending the science and
art session could sit on a chair attached to a transducer — as
used in
cinemas and by gamers looking for a 4D experience — and feel recordings of infrasound from the volcano.
All in all, the 150 - minute Mr. Turner is an impressive accomplishment, laudable for the way it
uses the figure of a single artist to explore both
art and
cinema.
Already widely cited and
used in courses in film studies, film genre, and
art and avant garde film, this updated edition situates «Transcendental Style», forty - five years later, as part of a larger movement in post-war
cinema, the Slow
Cinema movement.
Unemployed
art school graduates Mingming and Yue take turns filming each other with a small camera, exploring a range of issues rarely shown in any national
cinema with such deadpan accuracy — from the complex waters of female friendship to «pussy» as a commodity, from the desire to
use filmmaking as a weapon to the decision to make a baby — an up - in - your face, playful, sassy deconstruction of what it means to be a young woman now.
The latest episode of Observations on Film
Art, an exclusive Criterion Channel program that explores elements of
cinema as
used by great auteurs, features professor Kristin Thompson highlighting one device that has earned the film its permanent spot in the cinematic canon: Renoir's characteristically subtle yet elaborate staging.
The nudity of New Hollywood was sometimes
used to emulate European
art cinema.
The film
uses Meyers» words, but they're read by voice actor Yuri Lowenthal in an animated framing device that has a laid - back martial -
arts expert indoctrinating a young know - nothing into the world of Hong Kong action
cinema.
With all eyes on the current escalating international crisis and flexing of nuclear arms, this film is compelling in its relevance to our present reality, and
uses it as a platform to raise some appropriate questions about the boundaries of
art and the role of
cinema.
When you ponder the landscape of
cinema as it exists today, it can feel as if a movie like «Get Out» or «Dunkirk,» and — indeed — the holy trinity of popularity, acclaim, and relevance, which
used to go such a long way toward defining movies as an
art form, now lines up about as often as an eclipse.
Over the coming decades, Varda became a force in
art cinema, conceiving many of her films as political and feminist statements, and
using a radical objectivity to create her unforgettable characters.
Coming to Hollywood to open his own studio — Liberty Pictures, Capra determined to
use the
art of
cinema to remind audiences of the real purpose of life.
It can be viewed
using a link on the Diamond Light Source website from September 3rd and will also be shown in a variety of Oxfordshire
cinemas and
art centres throughout the remainder of 2014.
Library, community service, museum, performing
arts, theater,
cinema, church, Florida College System institution, college, and university facilities may provide space to charter schools within their facilities under their preexisting zoning and land
use designations WITHOUT OBTAINING A SPECIAL EXCEPTION, REZONING, A LAND USE CHARTER, OR ANY OTHER FORM OF APPROV
use designations WITHOUT OBTAINING A SPECIAL EXCEPTION, REZONING, A LAND
USE CHARTER, OR ANY OTHER FORM OF APPROV
USE CHARTER, OR ANY OTHER FORM OF APPROVAL.
She
uses imagery culled from
cinema and
art history to create works in video, sculpture, painting, and drawing, which set up ambiguous juxtapositions of time and space.
In addition, Grasso
uses imagery culled from the
cinema and
art history and, working in video, sculpture and, most recently, painting and drawing, he recreates phenomena — both human and natural — that set up surreal and ambiguous juxtapositions of time and space.
But the New Realism movement has often been compared to the pop
art movement in New York for their
use and critique of mass - produced commercial objects (Villeglé's ripped
cinema posters, Arman's collections of detritus and trash), although Nouveau Réalisme maintained closer ties with Dada than with pop
art.
SAMSON KAMBALU: NYAU
CINEMA This is the first United States solo museum exhibition for the Malawi - born, London - based filmmaker Samson Kambalu, a steady presence on the international scene who has shown at the Venice, Liverpool and Dakar Biennials; he
uses humor to challenge official histories,
art and religions.
Art and
cinema theorist Jean - Christophe Royoux
uses his Survey to dissect the multiple layers of time — durational and historical — at play in Tacita Dean's work.
Participating artist Elaine Cameron - Weir will build a rudimentary structure based on plans for a backyard air - raid shelter; Jon Rafman will transform a gallery stand into a secret
cinema; and Dora Budor will supplement the
art fair's usual routine by
using cinematic doubling to question perception and reality.
With the introduction of the
use of industrial artifacts in
art, movements such as Cubism, Dada and Surrealism as well as techniques such as collage and artforms such as
cinema and the rise of reproduction as a means of creating artworks.
Referencing both historical and contemporary
uses of illusion, Knox challenges an understanding of special effects that relies on a linear conception of technological evolution, and incorporates devices that range from trompe l'oeil, proto -
cinema and dioramas, to op
art, video,
cinema and computer games.
Against the backdrop of the histories of
cinema, postmodern dance and performance
art, Dance with Camera focuses on the myriad ways visual artists
use dance to explore broader themes.
He plans to
use the
cinema facilities to show video
art on a big screen.
By
using photorealism and graphic design to create each artwork, Geebird & Bamby are able to merge
art, design, architecture, photography and
cinema from the last century.
Hawser's new work seeks to analyse the theoretical and physical attributes of a variable electronic resistor
used to illuminate the
art deco surround of the instrument during cinematic performances, known as the
cinema organ colour changer.
Reading
Cinema, Finding Words:
Art after Marcel Broodthaers will focus on artistic presentations
using photograph, film, video in reference to «
cinema» since the end of 1960s to the present.
The earnest «reflexivity» of the narration, which constantly draws attention to its modes of discourse; the smug female voice - over artist, who bizarrely mispronounces the numerous French words; the
use of another medium — in this case dance — to create a kind of abstract demonstration of the film's content — these things all hark weirdly back to the «materialist» theory that influenced
art school teaching in the Nineties, and further back to the frequently soul - destroying «deconstructed narrative»
cinema of the late Seventies and early Eighties.
Contemporary
art from elsewhere gave me far more — the Kabakovs with their tremendous lament for a mother Russia that might have been,
using the illusion of
cinema as the purest of metaphors; the lissome visions of the Lebanese artist Saloua Raouda Choucair in painting and sculpture at Tate Modern — Islam meeting modernism.
While Lichtenstein
used hand - painted comics to develop a relationship between
art and popular culture, Warhol focused on photography, silkscreen printing, and
cinema to push his avant - garde imperatives.