So
art conservation scientists have turned to nanotechnology for help.
Not exact matches
This is the first time that the raw materials of Picasso's sculptures have been scrutinized in detail,
conservation scientist Francesca Casadio of the
Art Institute of Chicago said...
«Science plays a big role in deepening our understanding of these iconic masterpieces,» said Francesca Casadio, A.W. Melon senior
conservation scientist at the
Art Institute of Chicago, which is hosting a new exhibition, Van Gogh's Bedrooms.
«It's a complex process that
scientists are still trying to understand,» says James Martin, a chemist from the Williamstown
Art Conservation Center.
For an exhibit on display through May 10 at the
Art Institute of Chicago,
conservation scientist Francesca Casadio and colleagues conducted a number of tests to reveal the pigments van Gogh used.
Cambridge
conservation scientist Spike Bucklow uncovered the knock - down cost of the 1260 AD «Westminter Retable» while researching his latest book «Riddle of the Image», which delves into the materials used in medieval works of
art.
Now in the collection of the University of Iowa Museum of
Art, in 2012 Mural came to the Getty Center, where a team of
scientists and conservators in the J. Paul Getty Museum and Getty
Conservation Institute began analyzing, conserving, and researching this important painting.
With new knowledge about the pigments and techniques used in the painting,
art historians,
scientists, and conservators from the Getty Research Institute, the Getty
Conservation Institute, and the Getty Museum, along with a distinguished group of invited scholars, consider how these findings modify an understanding of Pollock's process and larger body of work.
The work's time at the Getty also allowed for extensive study and research by a range of experts led by Getty conservators and
scientists and including Jay Krueger, the National Gallery of
Art's head of painting
conservation, and John Delaney, the National Gallery of
Art's senior imaging
scientist.
Narayan Khandekar, senior
conservation scientist, Straus Center for Conservation and Technical Studies, Harvard Art Museums, holding up a white card which shows the digital projection on Mark Rothko's Panel Fourin the exhibition Mark Rothko's Harvard Murals, on display at the Harvard Art Museums November 16, 2014 — Ju
conservation scientist, Straus Center for
Conservation and Technical Studies, Harvard Art Museums, holding up a white card which shows the digital projection on Mark Rothko's Panel Fourin the exhibition Mark Rothko's Harvard Murals, on display at the Harvard Art Museums November 16, 2014 — Ju
Conservation and Technical Studies, Harvard
Art Museums, holding up a white card which shows the digital projection on Mark Rothko's Panel Fourin the exhibition Mark Rothko's Harvard Murals, on display at the Harvard
Art Museums November 16, 2014 — July 26, 2015.
You can also download the
Conservation Brochure for the Braque exhibition, developed by Patricia Favero (associate conservator, The Phillips Collection), Erin Mysak (Andrew W. Mellon Postdoctoral Fellow, Harvard
Art Museums), and Narayan Khandekar (Senior
Conservation Scientist, Harvard
Art Museums).
The Painted Surface (73:00) Jack Cowart, Founding Executive Director, Roy Lichtenstein Foundation Heather Galloway, Conservator of Paintings, Intermuseum
Conservation Association, Cleveland IJsbrand Hummelen, Senior Research Conservator, Netherlands Institute for Cultural Heritage Nancy Troy, Professor of
Art History, University of Southern California Stephanie Wiles, John G. W. Cowles Director, Allen Memorial
Art Museum, Oberlin College Julie Wolfe, Associate Conservator, J. Paul Getty Museum Chair: Tom Learner, Senior
Scientist, Getty
Conservation Institute
«Should it be a conservator with some knowledge of coding, or a computer
scientist with enough understanding of
art and
conservation?»
•
Conservation scientists who hold relevant analytical or heritage science qualifications and have experience in analysing art and conservation materials, including using microscopy and / or FTIR or GCMS
Conservation scientists who hold relevant analytical or heritage science qualifications and have experience in analysing
art and
conservation materials, including using microscopy and / or FTIR or GCMS
conservation materials, including using microscopy and / or FTIR or GCMS techniques.