Sentences with phrase «art curator position»

Not exact matches

Prior to moving west, she held various curatorial positions in the Contemporary and Canadian departments of the Art Gallery of Ontario, ultimately that of Acting Curator, Canadian Art, and from 2002 - 2004, she was the Director of Programming at the Centre for Art Tapes in Halifax.

Since then she has held Senior Curator positions at the American Federation of Arts and Location One, both in New York City, and perhaps, most famously, was the Founding Curator of the Elizabeth A. Sackler Center for Feminist Art at the Brooklyn Museum, where she conceived and launched the very first exhibition and public programming space in a U.S. museum devoted exclusively to feminist aArt at the Brooklyn Museum, where she conceived and launched the very first exhibition and public programming space in a U.S. museum devoted exclusively to feminist artart.

Appointed to the position of Curator for Modern and Contemporary Art in 2000, Rosenthal delivered a series of significant exhibitions including Alan Kaprow - Art as Life (2006); Aernout Mik - Dispersions (2004); Abigail O'Brien - The Seven Sacraments (2003); and Stories.

Prior to this position, Gule was Curator of Contemporary Collections at the Johannesburg Art Gallery, where he organized a number of significant exhibitions including: Meschac Gaba's «Tresses and Other Projects» (2007), Kay Hassan's «Urbanation» (2008), and Tracey Rose's «Waiting for God» (at Johannesburg Art Gallery [2011] and the Bildmuseet, Umeå, Sweden [2011 — 12]-RRB-.

She also maintains a position as Assistant Curator at BRIC Contemporary Art a program of BRIC Arts Media Bklyn, and at BRIC Rotunda Gallery she has curated a number of public programs and exhibitions.

Anna Stothart, Brown Foundation Curator of Modern and Contemporary Art, has announced that she is taking a newly created position as a Director at Lehmann Maupin Gallery in New York City.

From her start at the Bronx Museum of the Arts in the late 1980s to her assistant curator position at MoMA — where from 1995 to 2001 she oversaw the first American solo museum exhibitions for pathbreaking artists like Luc Tuymans and John Currin — Hoptman has remained steadfast in her belief that good paintings will always be relevant.

Last year, Long Island's Stony Brook University hired the internationally renowned scholar and curator Katy Siegel as its Eugene V. and Clare E. Thaw Endowed Chair in Modern Art, strengthening its position as a center for the study of post-war and contemporary aArt, strengthening its position as a center for the study of post-war and contemporary artart.

Most recently, she held the position of Adjunct Curator of American Art at the Indianapolis Museum of Art, where she organized the major touring retrospective Hard Truths: The Art of Thornton Dial, an exhibition that Time Magazine called «triumphant» and The Wall Street Journal named one of the best shows of 2011.

Clayton Campbell (Curator) is an artist and arts organizer who has been with 18th Street Arts Center since 1995 and currently holds the position of Artistic Direcarts organizer who has been with 18th Street Arts Center since 1995 and currently holds the position of Artistic DirecArts Center since 1995 and currently holds the position of Artistic Director.

Though criticized at the time, his now legendary 1976 solo exhibition, organized by the visionary curator John Szarkowski at The Museum of Modern Art, New York — the first presentation of color photography at the museum — heralded an important moment in the medium's acceptance within the art - historical canon and solidified Eggleston's position in the pantheon of the greats alongside Henri Cartier - Bresson, Robert Frank, and Walker EvaArt, New York — the first presentation of color photography at the museum — heralded an important moment in the medium's acceptance within the art - historical canon and solidified Eggleston's position in the pantheon of the greats alongside Henri Cartier - Bresson, Robert Frank, and Walker Evaart - historical canon and solidified Eggleston's position in the pantheon of the greats alongside Henri Cartier - Bresson, Robert Frank, and Walker Evans.

Maxwell L. Anderson, The Eugene McDermott Director of the Dallas Museum of Art, announced that Kevin W. Tucker has been promoted to the position of The Margot B. Perot Senior Curator of Decorative Arts and Design, effective November 1.

Adrienne Edwards was recently appointed Engell Speyer Family Curator and Curator of Performance at the Whitney Museum of American Art (New York), a position she begins in May.

She also held positions as Director of the Rooms Provincial Art Gallery and Senior Curator of Confederation Centre Art Gallery.

What started as a plan to remodel the north entrance of the Dallas Museum of Art quickly became an opportunity, in the words of curator Gavin Delahunty, «to completely refresh the space in keeping with the idea of a facelift and the belief that a sculpture at the entrance occupies a privileged position.»

According to a statement from the High, the creation of the Merrie and Dan Boone Curator of Folk and Self - Taught Art gives the museum its seventh endowed curatorial position, reflecting its seven collecting departments.

Prior to SculptureCenter Katrib held positions at the Museum of Contemporary Art (MOCA), North Miami since 2007, first as Assistant Curator and then as Associate Curator.

Museum of Modern Art painting and sculpture curator Laura Hoptman, who since the late 1980s has served as a curator at the Bronx Museum of the Arts, the Carnegie Museum of Art, and the New Museum before settling into her current position at MoMA, experienced this shift firsthand.

Previously, Hoptman was the Assistant Curator of Drawings at the Museum of Modern Art, and held positions as Guest Curator at the Museum of Contemporary Art, Chicago; and Curator of The Bronx Museum of the Arts, New York.

From 1991 - 2001, Hodge was director of exhibitions and publications at Harvard University's Graduate School of Design, where she also held the positions of adjunct curator of architecture at the Fogg Art Museum and assistant dean of arts programs at the Graduate School of Design.

He brings to deCordova extensive administrative and curatorial experience, having served as President of the Association of Art Museum Curators (AAMC), and having held curatorial positions at the Philadelphia Museum of Art and at the Wadsworth Atheneum, where he worked on the museum's first showing of the Sol LeWitt collection.

Previous to this position she was the Curator at The Aldrich Contemporary Art Museum in Ridgefield, Connecticut, and prior to The Aldrich, she was Assistant Curator of architecture and design at the Solomon R. Guggenheim Museum, New York.

Prior to this position, she spent sixteen years at the Contemporary Arts Museum Houston, Texas, where she was senior curator.

On Wednesday, June 20, Suzanne Weaver assumed her new position as the Brown Family curator of modern and contemporary art at the San Antonio Museum of Aart at the San Antonio Museum of ArtArt.

Previous positions include Chief Curator of Contemporary Art at the City Gallery in Kfar Saba, Israel and Founding Director and Curator of the New Media Center at the Haifa Museum of Art.

Their donation of $ 3 million will endow the Chief Curator position held by Anthony Elms, who joined ICA in 2011 from Performa where he was part of the organizational team behind the 2011 visual art performance biennial in New York, along with other independent curatorial projects.

Helen Molesworth assumed her current position at as Chief Curator at the Institute of Contemporary Art in Boston in 2010.

For every position he took, he also explored the opposite perspective,» said John Lukavic, associate curator of Native Arts at the DAM and curator of Super Indian.

Prior to joining the High Museum, Schleuning served as Curator at the Wolfsonian - Florida International University, having previously held positions as a Fellowship Coordinator and Assistant Curator at the institution, where she produced exhibitions, publications, and programs with a focus on highlighting the power and impact of art and design in daily life.

Between 2002 and 2009, she held the positions of Senior Curator and later Deputy Director at the Modern Art Oxford.

Last year, while traveling the country to make studio visits for the Biennial, he took on a new position as chief curator for media and performance at New York's Museum of Modern Art.

Stulen, who is currently curator of audience experience and performance at the Indianapolis Museum of Art, succeeds Rand Suffolk, who accepted a position at Atlanta's High Museum of Art last year.

Similarly positioning himself as collector, curator or even naturalist, Dion reinscribes himself below artist as auteur in the art taxonomy.

Previously, she held the position of Chief Curator and Deputy Director of Programs at Chicago's Museum of Contemporary Art, and was Curator at The Museum of Contemporary Art in Los Angeles.

Previously, Bedford held the positions of chief curator and curator of exhibitions at the Wexner Center for the Arts at The Ohio State University (2008 - 2012), where he organized a nationally traveling exhibition of the work of Mark Bradford.

SHOWS (selection) 2014 still on view: Kunst im Bau 5, installation in the former engineering workshops of the Isarthal Railway, Munich (curator Christoph Nicolaus) UNPAINTED media art fair, Munich, lab 3.0: positions of media art (curator Li Zhenhua) 2013 ikono On Air Festival on ikonotv, ikono Menasa and numerous locations in Berlin Villa Biesental, Berlin, K - Geist 100 Economy Pack Installation in the studio building of the City of Munich, K - Geist 100 Studio, (with Jutta Burkhardt) 2012 Satellite For Contemporary Art, Platform 3, Munich, Raw Material Artistic Spirit Repository For Knowledge And Art in the Syntopic Salon, Potsdam, Germany, a collaboration with the Berlin Brandenburg Academy of Science Biennale For One, KloHäuschen Munich, Germany German Consulate General, New York, Etsi Omnes Ego Non 2011 532 Gallery Thomas Jaeckel, New York, USA, The Shadows of the Fire in my Mind, (solo show) Regensburg New Art Society, Regensburg, Germany, kitchnapping goes shopping Kunstherberge Birkenau, Munich, Germany, The Driftwood Project (Feb — Mai) Salon, ISCP Gallery, Brooklyn, New York, USA Künstlerforum Bonn, Germany (solo show) 2010 Open Studios, International Studio & Curatorial Program (ISCP), Brooklyn, New York, USA Gallery Bezirk Oberbayern, Munich, Germany, Et In Arcadia Ego, (solo catalogue) 2009 Ebersberg Art Society, Ebersberg, Germany Brainwash, performance at St Luke's Church, Munich Art Meets Fashion, nurjungekunst.de, Prater Island, Munich 2008 The Medium of Drawing, Great Art Show, Haus der Kunst, Munich, Germany 2007 The Dark Side of Beauty, nurjungekunst.de, Munich, Germany real, sortiert, fingiert, Linhof - Gallery, Munich, Germany Centre for Contemporary Art, Plovdiv, Bulgaria Goethe Institute, Sofia, Bulgaria 2006 Landshut Art Society, Landshut 2005 Ebersberg Art Society, Ebersberg art / s / hopping, Munich, Germany, (solo show) 2004 lab 30, Laboratory for Experimental Video and Sound, Kulturhaus abraxas, Augsburg, Germart fair, Munich, lab 3.0: positions of media art (curator Li Zhenhua) 2013 ikono On Air Festival on ikonotv, ikono Menasa and numerous locations in Berlin Villa Biesental, Berlin, K - Geist 100 Economy Pack Installation in the studio building of the City of Munich, K - Geist 100 Studio, (with Jutta Burkhardt) 2012 Satellite For Contemporary Art, Platform 3, Munich, Raw Material Artistic Spirit Repository For Knowledge And Art in the Syntopic Salon, Potsdam, Germany, a collaboration with the Berlin Brandenburg Academy of Science Biennale For One, KloHäuschen Munich, Germany German Consulate General, New York, Etsi Omnes Ego Non 2011 532 Gallery Thomas Jaeckel, New York, USA, The Shadows of the Fire in my Mind, (solo show) Regensburg New Art Society, Regensburg, Germany, kitchnapping goes shopping Kunstherberge Birkenau, Munich, Germany, The Driftwood Project (Feb — Mai) Salon, ISCP Gallery, Brooklyn, New York, USA Künstlerforum Bonn, Germany (solo show) 2010 Open Studios, International Studio & Curatorial Program (ISCP), Brooklyn, New York, USA Gallery Bezirk Oberbayern, Munich, Germany, Et In Arcadia Ego, (solo catalogue) 2009 Ebersberg Art Society, Ebersberg, Germany Brainwash, performance at St Luke's Church, Munich Art Meets Fashion, nurjungekunst.de, Prater Island, Munich 2008 The Medium of Drawing, Great Art Show, Haus der Kunst, Munich, Germany 2007 The Dark Side of Beauty, nurjungekunst.de, Munich, Germany real, sortiert, fingiert, Linhof - Gallery, Munich, Germany Centre for Contemporary Art, Plovdiv, Bulgaria Goethe Institute, Sofia, Bulgaria 2006 Landshut Art Society, Landshut 2005 Ebersberg Art Society, Ebersberg art / s / hopping, Munich, Germany, (solo show) 2004 lab 30, Laboratory for Experimental Video and Sound, Kulturhaus abraxas, Augsburg, Germart (curator Li Zhenhua) 2013 ikono On Air Festival on ikonotv, ikono Menasa and numerous locations in Berlin Villa Biesental, Berlin, K - Geist 100 Economy Pack Installation in the studio building of the City of Munich, K - Geist 100 Studio, (with Jutta Burkhardt) 2012 Satellite For Contemporary Art, Platform 3, Munich, Raw Material Artistic Spirit Repository For Knowledge And Art in the Syntopic Salon, Potsdam, Germany, a collaboration with the Berlin Brandenburg Academy of Science Biennale For One, KloHäuschen Munich, Germany German Consulate General, New York, Etsi Omnes Ego Non 2011 532 Gallery Thomas Jaeckel, New York, USA, The Shadows of the Fire in my Mind, (solo show) Regensburg New Art Society, Regensburg, Germany, kitchnapping goes shopping Kunstherberge Birkenau, Munich, Germany, The Driftwood Project (Feb — Mai) Salon, ISCP Gallery, Brooklyn, New York, USA Künstlerforum Bonn, Germany (solo show) 2010 Open Studios, International Studio & Curatorial Program (ISCP), Brooklyn, New York, USA Gallery Bezirk Oberbayern, Munich, Germany, Et In Arcadia Ego, (solo catalogue) 2009 Ebersberg Art Society, Ebersberg, Germany Brainwash, performance at St Luke's Church, Munich Art Meets Fashion, nurjungekunst.de, Prater Island, Munich 2008 The Medium of Drawing, Great Art Show, Haus der Kunst, Munich, Germany 2007 The Dark Side of Beauty, nurjungekunst.de, Munich, Germany real, sortiert, fingiert, Linhof - Gallery, Munich, Germany Centre for Contemporary Art, Plovdiv, Bulgaria Goethe Institute, Sofia, Bulgaria 2006 Landshut Art Society, Landshut 2005 Ebersberg Art Society, Ebersberg art / s / hopping, Munich, Germany, (solo show) 2004 lab 30, Laboratory for Experimental Video and Sound, Kulturhaus abraxas, Augsburg, GermArt, Platform 3, Munich, Raw Material Artistic Spirit Repository For Knowledge And Art in the Syntopic Salon, Potsdam, Germany, a collaboration with the Berlin Brandenburg Academy of Science Biennale For One, KloHäuschen Munich, Germany German Consulate General, New York, Etsi Omnes Ego Non 2011 532 Gallery Thomas Jaeckel, New York, USA, The Shadows of the Fire in my Mind, (solo show) Regensburg New Art Society, Regensburg, Germany, kitchnapping goes shopping Kunstherberge Birkenau, Munich, Germany, The Driftwood Project (Feb — Mai) Salon, ISCP Gallery, Brooklyn, New York, USA Künstlerforum Bonn, Germany (solo show) 2010 Open Studios, International Studio & Curatorial Program (ISCP), Brooklyn, New York, USA Gallery Bezirk Oberbayern, Munich, Germany, Et In Arcadia Ego, (solo catalogue) 2009 Ebersberg Art Society, Ebersberg, Germany Brainwash, performance at St Luke's Church, Munich Art Meets Fashion, nurjungekunst.de, Prater Island, Munich 2008 The Medium of Drawing, Great Art Show, Haus der Kunst, Munich, Germany 2007 The Dark Side of Beauty, nurjungekunst.de, Munich, Germany real, sortiert, fingiert, Linhof - Gallery, Munich, Germany Centre for Contemporary Art, Plovdiv, Bulgaria Goethe Institute, Sofia, Bulgaria 2006 Landshut Art Society, Landshut 2005 Ebersberg Art Society, Ebersberg art / s / hopping, Munich, Germany, (solo show) 2004 lab 30, Laboratory for Experimental Video and Sound, Kulturhaus abraxas, Augsburg, GermArt in the Syntopic Salon, Potsdam, Germany, a collaboration with the Berlin Brandenburg Academy of Science Biennale For One, KloHäuschen Munich, Germany German Consulate General, New York, Etsi Omnes Ego Non 2011 532 Gallery Thomas Jaeckel, New York, USA, The Shadows of the Fire in my Mind, (solo show) Regensburg New Art Society, Regensburg, Germany, kitchnapping goes shopping Kunstherberge Birkenau, Munich, Germany, The Driftwood Project (Feb — Mai) Salon, ISCP Gallery, Brooklyn, New York, USA Künstlerforum Bonn, Germany (solo show) 2010 Open Studios, International Studio & Curatorial Program (ISCP), Brooklyn, New York, USA Gallery Bezirk Oberbayern, Munich, Germany, Et In Arcadia Ego, (solo catalogue) 2009 Ebersberg Art Society, Ebersberg, Germany Brainwash, performance at St Luke's Church, Munich Art Meets Fashion, nurjungekunst.de, Prater Island, Munich 2008 The Medium of Drawing, Great Art Show, Haus der Kunst, Munich, Germany 2007 The Dark Side of Beauty, nurjungekunst.de, Munich, Germany real, sortiert, fingiert, Linhof - Gallery, Munich, Germany Centre for Contemporary Art, Plovdiv, Bulgaria Goethe Institute, Sofia, Bulgaria 2006 Landshut Art Society, Landshut 2005 Ebersberg Art Society, Ebersberg art / s / hopping, Munich, Germany, (solo show) 2004 lab 30, Laboratory for Experimental Video and Sound, Kulturhaus abraxas, Augsburg, GermArt Society, Regensburg, Germany, kitchnapping goes shopping Kunstherberge Birkenau, Munich, Germany, The Driftwood Project (Feb — Mai) Salon, ISCP Gallery, Brooklyn, New York, USA Künstlerforum Bonn, Germany (solo show) 2010 Open Studios, International Studio & Curatorial Program (ISCP), Brooklyn, New York, USA Gallery Bezirk Oberbayern, Munich, Germany, Et In Arcadia Ego, (solo catalogue) 2009 Ebersberg Art Society, Ebersberg, Germany Brainwash, performance at St Luke's Church, Munich Art Meets Fashion, nurjungekunst.de, Prater Island, Munich 2008 The Medium of Drawing, Great Art Show, Haus der Kunst, Munich, Germany 2007 The Dark Side of Beauty, nurjungekunst.de, Munich, Germany real, sortiert, fingiert, Linhof - Gallery, Munich, Germany Centre for Contemporary Art, Plovdiv, Bulgaria Goethe Institute, Sofia, Bulgaria 2006 Landshut Art Society, Landshut 2005 Ebersberg Art Society, Ebersberg art / s / hopping, Munich, Germany, (solo show) 2004 lab 30, Laboratory for Experimental Video and Sound, Kulturhaus abraxas, Augsburg, GermArt Society, Ebersberg, Germany Brainwash, performance at St Luke's Church, Munich Art Meets Fashion, nurjungekunst.de, Prater Island, Munich 2008 The Medium of Drawing, Great Art Show, Haus der Kunst, Munich, Germany 2007 The Dark Side of Beauty, nurjungekunst.de, Munich, Germany real, sortiert, fingiert, Linhof - Gallery, Munich, Germany Centre for Contemporary Art, Plovdiv, Bulgaria Goethe Institute, Sofia, Bulgaria 2006 Landshut Art Society, Landshut 2005 Ebersberg Art Society, Ebersberg art / s / hopping, Munich, Germany, (solo show) 2004 lab 30, Laboratory for Experimental Video and Sound, Kulturhaus abraxas, Augsburg, GermArt Meets Fashion, nurjungekunst.de, Prater Island, Munich 2008 The Medium of Drawing, Great Art Show, Haus der Kunst, Munich, Germany 2007 The Dark Side of Beauty, nurjungekunst.de, Munich, Germany real, sortiert, fingiert, Linhof - Gallery, Munich, Germany Centre for Contemporary Art, Plovdiv, Bulgaria Goethe Institute, Sofia, Bulgaria 2006 Landshut Art Society, Landshut 2005 Ebersberg Art Society, Ebersberg art / s / hopping, Munich, Germany, (solo show) 2004 lab 30, Laboratory for Experimental Video and Sound, Kulturhaus abraxas, Augsburg, GermArt Show, Haus der Kunst, Munich, Germany 2007 The Dark Side of Beauty, nurjungekunst.de, Munich, Germany real, sortiert, fingiert, Linhof - Gallery, Munich, Germany Centre for Contemporary Art, Plovdiv, Bulgaria Goethe Institute, Sofia, Bulgaria 2006 Landshut Art Society, Landshut 2005 Ebersberg Art Society, Ebersberg art / s / hopping, Munich, Germany, (solo show) 2004 lab 30, Laboratory for Experimental Video and Sound, Kulturhaus abraxas, Augsburg, GermArt, Plovdiv, Bulgaria Goethe Institute, Sofia, Bulgaria 2006 Landshut Art Society, Landshut 2005 Ebersberg Art Society, Ebersberg art / s / hopping, Munich, Germany, (solo show) 2004 lab 30, Laboratory for Experimental Video and Sound, Kulturhaus abraxas, Augsburg, GermArt Society, Landshut 2005 Ebersberg Art Society, Ebersberg art / s / hopping, Munich, Germany, (solo show) 2004 lab 30, Laboratory for Experimental Video and Sound, Kulturhaus abraxas, Augsburg, GermArt Society, Ebersberg art / s / hopping, Munich, Germany, (solo show) 2004 lab 30, Laboratory for Experimental Video and Sound, Kulturhaus abraxas, Augsburg, Germart / s / hopping, Munich, Germany, (solo show) 2004 lab 30, Laboratory for Experimental Video and Sound, Kulturhaus abraxas, Augsburg, Germany

Thomas J. Lax is Associate Curator of Media and Performance Art at MoMA, a position he's held since 2014.

Gass, who has been chief curator at Stanford University's Cantor Arts Center since 2014, began her curatorial career at New York's Jewish Museum and has since held positions at institutions including SFMOMA, and served as acting director of the Eli and Edythe Broad Art Museum at Michigan State University.

From 2004 — 2014, Pirotte has held the position of Senior Advisor of the Rijksakademie for Visual Arts in Amsterdam, and in 2012 he became Adjunct Senior Curator at the UC Berkeley Art Museum and Pacific Film Archive where he curated the first retrospective of acclaimed Chinese film artist Yang Fudong.

For her part, Rachel M. Saunders will begin next month in her role as the Abby Aldrich Rockefeller Associate Curator of Asian Art in the Division of Asian and Mediterranean Art, also a newly endowed position.

Alison Gass to become director of Smart Museum of Art Curator Alison Gass has been appointed director of the University of Chicago's Smart Museum of Art, and will take up the position on 1 May.

Guided by the one surviving photograph of this exhibition, with which Malevich unveiled his vision of Suprematist art, the curators positioned the 1929 version of Malevich's Black Square in the upper corner of one room.

Michelle formerly held the position of Acting Curator of Canadian Art at the Art Gallery of Ontario.

Currently the curator of contemporary art at the Carnegie Museum of Art in Pittsburgh, Fogle replaces Gary Garrels, who departed the Hammer in the fall for a position at SFMoart at the Carnegie Museum of Art in Pittsburgh, Fogle replaces Gary Garrels, who departed the Hammer in the fall for a position at SFMoArt in Pittsburgh, Fogle replaces Gary Garrels, who departed the Hammer in the fall for a position at SFMoMA.

He has been president of the Association of Art Museum Curators, and held curatorial positions at the Philadelphia Museum of Art and the Wadsworth Atheneum in Hartford.

Originally conceived by the Michener's former director Bruce Katsiff, these exhibitions were juried from submissions by some of the most accomplished artists in the Philadelphia region, using the experience and skills both of Michener staff members and two distinguished curatorial consultants: writer and independent curator Judith E. Stein and Judith Tannenbaum, who recently retired from her position as Richard Brown Baker Curator of Contemporary Art at the Museum of Art Rhode Island School of curator Judith E. Stein and Judith Tannenbaum, who recently retired from her position as Richard Brown Baker Curator of Contemporary Art at the Museum of Art Rhode Island School of Curator of Contemporary Art at the Museum of Art Rhode Island School of Design.

An accomplished painter, writer, critic and curator, Robert Storr came to Yale as dean of the School of Art in 2006, shortly after he was named the commissioner of the 2007 Venice Biennale, becoming the first American invited to assume that position.

Curator Branka Benčić elaborates further: «Artistic positions engage with issues of (re) presentation, structure and construction of the work of art, or the act of «exhibiting» itself, pointing to tensions between the observer and the observed, exploring spatial relationships and interactions between objects.»

I was the first Curator of Modern and Contemporary Art at the Museum of Fine Arts, Boston, a position which I held for thirteen years.

Recent staff changes at San Antonio Museum of Art, namely the elimination of the position of Assistant Curator of Latin American Art, Nancy Fullerton, and the sudden resignation of Contemporary Curator David S. Rubin, came as a complete surprise to arts community.