Sentences with phrase «art exhibition space which»

Not exact matches

The exhibition, which took place in the Castelli Art Space in Los Angeles from March 23 to 25 also contains a direct stream of changing values of tokens in each section private.

The Bronx Council on the Arts, located at the Longwood Art Gallery at Hostos Community College, 450 Grand Concourse (at 149th Street), hosts three exhibitions through May 7: In the City: Memory, Places and Spaces, which includes works on migration and urban planning; Transmit - Transit: Hatuey Ramos - Fermin @ The Project Room, featuring traveling in the city and ethnic diversity; and Impractical Hats: Indie Crafts Reinvent Everyday Gear, featuring construction of hats in unorthodox ways.

Back in the 1800s, the warehouses which formed a large part of the city's commerce started to become the unlikely setting for old school dates, as they gradually got converted into restos, shops and art exhibition spaces, including the well regarded Arnolfini.

Barcelona's Joan Miró Foundation has managed to become a major point of reference in the world art scene and offers its visitors not only the greatest and most complete single collection of Miró's work but also a pioneering exhibition space named Espai 13, which stimulates research and experimentation among young artists and offers impressive exhibitions of contemporary experimental and avant - garde artists.

As a preview event, we're talking with Los Angeles Contemporary Exhibitions (L.A.C.E), which describes itself as «an LA - based nonprofit contemporary art space and creative laboratory that pushes boundaries to expand the definition of contemporary art practices and inspire the public imagination.»

In January 2015 the gallery opened its new 4500 sq. ft. exhibition space in the warehouse art district of downtown Los Angeles at 1923 S. Santa Fe Ave., consisting of three CB1 exhibition galleries, plus an addition «Guest Annex» which serves as an exhibition gallery for national and international commercial galleries as well as non-profit organizations.

«If the exhibition space has been the means to back up works of art it houses — which is also the case in many other exhibitions — this exhibition is more space - centric,» said Kim Hae - ju, Art Sonje deputy directart it houses — which is also the case in many other exhibitions — this exhibition is more space - centric,» said Kim Hae - ju, Art Sonje deputy directArt Sonje deputy director.

Guest Contributor Joshua Sevits / The Hall Art Foundation in bucolic Reading, Vermont, is located in a faithfully restored stone farmhouse with three large barns, each of which has been turned into exhibition space.

The sculpture, which was recently reconstructed, was on view at the time of the interview as part of the exhibition «Vito Acconci: Thinking Space,» at the Middlebury College Museum of Art.

Building on Artists Space's history as an institution whose program has increasingly emphasized community participation and political organization (see last year's Decolonize This Place, which turned the gallery into a weekly activist meeting hub), Coop Fund foregoes traditional media like painting or sculpture in favor of video, art - science hybrids, updated junk sculpture, and institutional critique, making an implicit statement about these media that, for their associations with high - modernist seriousness, are appropriate to a politically engaged exhibition.

«If the exhibition space has been the means to back up works of art it houses — which is also the case in many other exhibitions — this exhibition is more space - centric,» said Kim

'' «Point Counter Point,» which opened on March 3, comprises works of art that specifically play with and respond to the exhibition space, which first opened some 20 years ago.

Art writer Joyce Beckenstein writes: «At first glance these two wildly different exhibitions, which are in fact consigned to separate gallery spaces, have absolutely nothing to do with one another.

Moreover, the exhibition will coincide with The Museum of Contemporary Art San Diego's exhibition Phenomenal: California Light, Space, Surface, which focuses on perceptual investigations undertaken by artists during the 1960s and 70s.

As an experimental space for art production, Kunsthal NORD annually produces up to eight exhibitions of new Danish and international contemporary art at the highest level, which crosses media, generations and regional borders.

Recent exhibitions include: Two Forward, One Back at 65 Grand (Chicago IL), Interstice, curated by Rachel Adams and Rob Greene at 308 at 156 Project Art Space (New York, NY), and The Tyranny of Good Taste, curated by Danny Orendorff at Glass Curtain Gallery, Columbia College (Chicago, IL)- an exhibition which travelled to La Esquina Gallery, Kansas City, MO..

In London, Adjaye Associates recently designed the Marian Goodman Gallery space (2014), while in the US, the firm delivered a museum for contemporary art in Denver (2007) and the Ethelbert Cooper Gallery of African & African American Art at Harvard's Hutchins Center (2014)-- for which Adjaye co-curated the inaugural exhibitiart in Denver (2007) and the Ethelbert Cooper Gallery of African & African American Art at Harvard's Hutchins Center (2014)-- for which Adjaye co-curated the inaugural exhibitiArt at Harvard's Hutchins Center (2014)-- for which Adjaye co-curated the inaugural exhibition.

The Audrey Flack exhibition at Hollis Taggart's downtown space, whimsically subtitled «Master Drawings from Crivelli to Pollock,» takes visitors along a broad sweep of art history, from which mythical and historical persona are gathered into reconfigurations spanning high and low, reverent and irreverent, ancient and modern.

The 1971 exhibition at the UCLA Art Gallery «Transparency, Reflection, Light, Space,» which included works by Larry Bell, Robert Irwin, Craig Kauffman, John McCracken, and Peter Alexander, was art history's formative introduction to the informal movemeArt Gallery «Transparency, Reflection, Light, Space,» which included works by Larry Bell, Robert Irwin, Craig Kauffman, John McCracken, and Peter Alexander, was art history's formative introduction to the informal movemeart history's formative introduction to the informal movement.

So, when the rents for my three spaces on Grand Street, Wooster Street, and Windward Avenue combined were under $ 50,000, that allowed me to maintain the program that I want to maintain, which means being able to afford doing exhibitions that do not sell work and being able to show whatever I want at any art fair without worrying about making sales or not making sales.

Curated by Andrea Lissoni in the «Shed» space, the exhibition offers a selection of Condorelli's most significant works, which reveal her ability to work with the relationships between art and architecture, space and socio - historical contexts.

NGA to Renovate — In (so far) unrelated news, the National Gallery has also announced a $ 30 million renovation to their East Building — which houses the museum's Modern and contemporary art collection — with galleries to begin closing in July in preparation for the planned construction, which will add a rooftop sculpture garden and more than 12,000 square feet of exhibition space.

At the opening of the exhibition, Saint Phalle summoned visitors to take up her.22 caliber rifle and contribute to a collective firing at the encrusted reliefs.24 Transforming the art gallery into a shooting gallery, the artist equipped the space with a mechanical rotating target created by Tinguely and a staging platform from which her participants could take aim.

As Minturn explains in his essay accompanying the exhibition catalogue, «When composing the book [on Ossorio], Dubuffet had many of the works he was writing about right in front of him, some of which had been executed just hours before... Dubuffet makes it clear that his study is not art history written from afar (in time or space), rather, it is art writing «on the spot,» and as such, much closer to journalistic reportage.

In 2014 they set up two exhibition spaces, Art House in Santa Fe and Orange Door in Chicago, where they display the four distinct areas of their collection: Spanish Colonial, Japanese Bamboo, Post-War Painting and Sculpture (notably color field and hard - edge abstraction), and Digital and Electronic Art, which is the focus of this article.

The exhibition is part of The Untitled Magazine «s Women in Art series, which will feature a wide range of contemporary female artists in a series of pop up solo exhibitions and group shows at The Untitled Space on an ongoing basis.

Flora / Fauna is an exhibit of The Untitled Magazine «s Women in Art series, which will feature a wide range of contemporary female artists in a series of pop up solo exhibitions and group shows at The Untitled Space through 2015.

Kelly has published widely and organized dozens of exhibitions, including Nobody's Property: Art, Land, Space 2000 - 2010, Felix Gonzalez - Torres: Untitled; and most recently New Jersey as Non-Site, for which she received a Warhol Curatorial Research Fellowship.

Using archival pigment print and processing techniques that isolate the aircraft in the image, Milstein focuses on color and design to achieve maximum clarity in his images, which the Smithsonian National Air and Space Museum mounted in a solo exhibition entitled AirCraft: The Jet as Art in 2011.

NSK Folk Art is part of a London wide presentation in cooperation with Tate, who will be hosting a Symposium and which will also include a music performance at Tate Modern's Turbine Hall, an exhibition of archival material at Chelsea Space (Chelsea College of Art) and a seminar at UCL.

Neighboring Hanart TZ Gallery has invested all its energy in Gu Wenda, organizing three simultaneous solo exhibitions: an eponymous show at the gallery; one at the gallery's booth at Art Basel Hong Kong; and another at the art fair's Encounter section, which featured the artist's much - documented United Nations — Man and Space (1999 — 2000), comprising 188 flags made from human haArt Basel Hong Kong; and another at the art fair's Encounter section, which featured the artist's much - documented United Nations — Man and Space (1999 — 2000), comprising 188 flags made from human haart fair's Encounter section, which featured the artist's much - documented United Nations — Man and Space (1999 — 2000), comprising 188 flags made from human hair.

more than fifty gigantic, real firs hanging from the ceiling presents a monumental sculptural challenge: the trees must be placed in a specific relationship to the exhibition space and simultaneously provide a dialogue with more than forty other works of art in and around the site — sixteen of which have been created especially for the show.

Among the numerous upcoming exhibitions, book releases, and residencies for each of the artists inSum of the Parts are: Kate Gilmore in The Fourth Moscow Biennale of Contemporary Art, Russia (September 22 - October 30, 2011); Quisqueya Henriquez in Cut & Paste, 21st Century Collage, Book release, London, England (October 3, 2011); Susan Lee - Chun, Artist - in - Residence at McColl Center for Visual Art, Charlotte, North Carolina (September 6 - November 22, 2011); Jillian Mayer» sFanimaltastic at de la Cruz Collection Contemporary Art Space, Miami, Florida (December 2011); and Xaviera Simmons in The Record, Miami Art Museum, Miami, FL & The Record, Henry Art Gallery, Seattle, WA (both in 2012), which originated in 2010 at The Nasher Museum at Duke University, Durham, NC.

One New York gallery in particular, Untitled Space, is currently inviting multidisciplinary women artists to submit work to an upcoming exhibition titled «Angry Women,» which will channel the feelings of election - related rage and anxiety into challenging and confrontational works of feminist art.

The narrative about their contribution to abstract art lays behind the exhibition An Eccentric View: Works by Tauba Auerbach, Jo Baer, Marsha Cottrell, Tara Donovan, Eva Hesse, Kathleen Jacobs, Yayoi Kusama, Agnes Martin, and Mira Schendel, which is going to be presented at Mignoni Gallery, New York's brand new exhibition space.

CB1 also includes a separate exhibition space across the building's common hall, CB1 - G, which is offered as a temporary lease (30 - or 60 - day only) «pop up» gallery for vetted and professional art dealers (public and private) and independent curators from across the world, covering a multitude of both contemporary and historical art disciplines.

The exhibition «The «F» Word: Feminism in Art» was curated in celebration of The #GirlPower Issue of The Untitled Magazine, and is part of the gallery's «Women in Art» series, which features a wide range of contemporary female artists in a series of solo exhibitions and group shows at The Untitled Space on an ongoing basis.

Her work has been included in group exhibitions, including «Lines and Spaces», Hartford Art School, CT; «About Painting» and «Twice Drawn», Tang Museum, Skidmore College, Saratoga Springs, NY; and the traveling exhibitions «Drawn by New York: Six Centuries of Watercolors and Drawings at the New - York Historical Society», and «Drawing is Another Kind of Language» which originated at the Harvard University Art Museums and traveled to museums in the U.S. and Europe.

Curated by LeVine, Urban Alchemists will occupy a 2,200 square - foot space within Goldman Properties» Wynwood Walls — a project that began in 2009 as an open - air art park, which will expand its permanent exhibition this year with the addition of several new murals and museum - quality works of art.

The multi-purpose cultural centre Technopolis (which is better known as «Gazi») hosts exhibitions and other events, as does the Xwra cultural space, which sponsored a four - day video and media art festival in August.

The experimental performances, which began in Provincetown and unfolded in New York City in a number of alternative exhibition spaces and galleries, forever changed the definition of art and the possibilities for what it could be.

The Contemporary Arts Center is holding an exhibition by the Internationally - acclaimed French Street Artist JR, featuring what he calls «Pervasive Art,» which has been displayed in public spaces throughout the world.

J.W. Anderson Signed copies of the J.W. Anderson «Disobedient Bodies» catalogue — a book which brings together all of the pieces of sculpture, fashion photography and art that are on display in the Hepworth Wakefield exhibition — will be available within the J.W. Anderson space on First Floor.

The foundation's deep commitment to developing and sustaining the cultural life and heritage of Sharjah is reflected through year - round exhibitions, performances, screenings, and educational programmes in the city of Sharjah and in arts spaces across the Emirate, many of which are housed in historic buildings.

Focusing its energies on the mounting of exhibitions onsite and off - space, and on the publishing of artist books, La Salle de Bains is working towards new exhibition formats and methods of mediation, such as the 2012 show Tell the Children / Abstraction pour Enfants (an echo of Andy Warhol's Painting for Children Pop art show at Galerie Bruno Bischofberger, Zürich, in 1983), which introduced children (and adults) to very contemporary abstract paintings by artists including Claudia Comte, Lisa Beck and Olivier Mosset — all hung at children's eye height, on vividly patterned wallpaper.

On the second floor visit the exhibition Art and Space which features such works as Advice to Space V (Consejo al espacio V)(1993) by Eduardo Chillida (Gallery 205), Cosmic Thing (2002) by Damian Ortega (Gallery 209) and Diagonal Section (Seção diagonal)(2008) by Marcius Galan (Gallery 204)(Second floor)

Future Lab Africa hopes to create lasting networks and public engagements which extend beyond the exhibition incorporating research and multidisciplinary methodologies as a basis of understanding new developments in the African digital art space.

Art received the International Art Critics Association (AICA - USA)'s 2010 Second Place award for «Best Project in a Public Space» for the organization's exhibition of Antony Gormley: Event Horizon, which featured 31 sculptures of the human form placed in and around Madison Square Park and on the rooftops of architectural treasures throughout New York City's Flatiron District and environs.

Febrik, a collaborative platform for participatory art and design research, present an exhibition which unravels the politics of the right to public space and explores relationships between invented, inherited and modified play practices.

In other words, the exhibition does not aim to track a historical development, but to identify precedents for the particular mix of instruction - based art making amongst close acquaintances or intimates that characterizes the more recent art in the show, and the spaces and contexts within which these works are set.