Sentences with phrase «art exhibitions highlighting»

October 8: This free art exhibition highlights the artworks of local and international local women artists (Chestnut Hill)

Art exhibition highlights differences in collections of LDS Church, state of Utah 03/26/15 — Deseret News

Chocolate Cities Group Exhibition — February 8, 2017 - September 26, 2017 Chocolate Cities Group Exhibition is a multidisciplinary art exhibition highlighting the changing cultural and economic landscape of Washington, DC and Prince George's County, MD through the eyes of local artists.

Not exact matches

In Italy, women will enjoy free entry to the country's museums and cultural sites, which will devote themselves to exhibitions that «celebrate the feminine world» by highlighting art by and about women.

The museum also houses an extensive number of exhibitions 19th - century art and history and highlights of the Dutch Masters.

Curbed article on Borough President Adams attending «Watershed» at the Red Hook Branch of the Brooklyn Public Library, an art exhibition aimed at highlighting the effects of climate change on rising sea levels.

EN: I love art, and some days ago I went to Ignacio Zuloaga exhibition which highlights his Parisian experience from the perspective of what is known as «Dark Spain» and however he is considered as a big referent in modern art.

Two past exhibitions offering images produced by black artists and about black subjects are «African American Masters: Highlights from the Smithsonian American Art Museum» and «African American Art: Harlem Renaissance, Civil Rights Era, and Beyond.»

New highlights include the Yves Saint Laurent Paris Museum; Lafayette Anticipations, a Rem Koolhaas - designed exhibition tower opened by Galeries Lafayette; the Atelier des Lumières, a digital arts center housed in a former foundry in the 11th; and La Monnaie de Paris (the Paris Mint), which has completed a transformation into a contemporary art center overlooking the Seine River.

The exhibition is highlighted in The Art Newspaper.

, our very own summer exhibition, presents an eclectic selection of highlights from our upcoming Post-War and Contemporary Art Day Sale and First Open auctions.

Meet one of our knowledgeable guides in the Temporary Exhibition Gallery for a 45 - minute guided tour of highlights fromSoul of a Nation: Art in the Age of Black Power.

Highlights of the exhibition include a rare Julia Margaret Cameron photograph made in Sri Lanka towards the end of her life; a self - portrait by Ellsworth Kelly drawn in Paris in 1949; the first collaborative work by Peter Fischli and David Weiss, a set of 10 photographs called the Sausage Series; a new painting on paper by Brice Marden; one of the art brut artist Adolph Wolfli's largest and most important drawings; a portrait of Lucian Freud by Walker Evans; and a mescaline drawing by Henri Michaux.

The exhibition highlights two monumental works including the DODO MUSEUM, 1980, which was recently exhibited at the Smithsonian American Art Museum in 2014 - 2015, and a mechanized self - portrait sculpture of the artist.

The exhibition at the Denver Art Museum, «Audacious: Contemporary Artists Speak Out», features highlights from the museum's collection of contemporary art as well as loans from local collectoArt Museum, «Audacious: Contemporary Artists Speak Out», features highlights from the museum's collection of contemporary art as well as loans from local collectoart as well as loans from local collectors.

Motherwell's exhibition highlights include MoMA's landmark «The New American Painting» exhibition in 1958 - 59; a traveling retrospectives presented by Albright - Knox Art Gallery of Buffalo plus numerous important gallery and museum exhibitions.

One of the highlights of Berlin Art Week is the abc art berlin contemporary, the exhibition platform for large - scale installations,Art Week is the abc art berlin contemporary, the exhibition platform for large - scale installations,art berlin contemporary, the exhibition platform for large - scale installations,...

Through the art, the exhibition highlights monochrome's persisting relevance, post avant - garde, to artists as well as a place for reflection.

Selected Group Exhibitions 2016 — «Faculty Exhibition», Evanston Art Center, Evanston, IL 2015 — «Wish List», Gallery Project, curated by Gloria Pritschet and Rocco DePietro, Toledo, Ohio and Ann Arbor, Michigan 2015 — «Roots», Linda Warren Projects, Chicago, IL 2015 — Noyes Cultural Arts Center, Evanston, IL 2015 — «Faculty Exhibition», Evanston Art Center, Evanston, IL 2014 — «National Contemporary Painting», Weatherhead Gallery, University of Saint Francis, Fort Wayne, Indiana 2013 — «31st Juried Art Show», Wilmette Public Library, Wimette, IL 2012 — «30th Juried Art Show», Wilmette Public Library, Wimette, IL 2012 — «Narrative Fragments», Quidley & Company, Boston, MA 2011 — «Juxtaposed», juried by Alyssa Monks, Six Summit Gallery, Ivoryton, CT 2011 — «Paintworks», Gowanus Ballroom, curated by Kristin Kunc, Courtney Jordan & Hyeseung Marriage - Song, Brooklyn, NY 2011 — «Space Invaders», co-curated by Virginia Rose and John Nickle, Rose Contemporary, Portland, ME 2011 — «Cinematic Bodies», curated by Jamie Adams, Zolla Lieberman Gallery, Chicago, IL 2010 — «Snow», XL Projects, Syracuse University Gallery, Syracuse, NY 2010 — «Women Painting Women», Robert Lange Studios Gallery, Charleston, SC 2010 — «Remnants», Fuse Gallery, New York, NY 2010 — «Highlights» Island Weiss Gallery, New York, NY 2010 — «Conceptually Sound», Medialia Rack and Hamper Gallery, New York, NY 2010 — «Chicago Art Fair», shown by Linda Warren Gallery in Chicago, Illinois 2010 — «Looks good on Paper», DFN Gallery, New York, NY 2009 — «Water / Bodies», Eden Rock Gallery, St. Barths, F.W.I. 2009 — «Summer Exhibition 2009», curated by Eric Fischl, Matthew Flowers, Anne Strauss, New York Academy of Art, NY, NY 2009 — «Old School», Jack the Pelican, Brooklyn, NY 2009 — Caldwell Snyder, San Francisco, CA 2008 — «Small Works», Sarah Bain Gallery, Anaheim, CA 2008 — «City Lights», George Billis Gallery, New York, NY 2008 — «Chicago Art Fair», shown by Linda Warren Gallery in Chicago, Illinois 2008 — «Take Home a Nude» Art Auction at Phillips de Pury & Company, New York, NY 2007 — «Summer Exhibition 2007», curated by Eric Fischl, Jenny Saville, Vincent Desiderio, New York Academy of Art, NY, NY 2007 — «Four Handed Lift: Advocacy, Art, Spirit and Community», Moti Hasson Gallery, New York, NY 2007 — «Small Works», Sarah Bain Gallery, Anaheim, CA 2008 — «Chicago Art Fair», shown by Linda Warren Gallery in Chicago, Illinois 2006 — «Contemporary Imaginings, The Howard A. and Judith Tullman Collection», Mobile Museum of Art, Mobile, Alabama 2006 — «Night of a Thousand Drawings», Group Show, Artist's Space, New York, NY 2006 — «AAF», shown by DFN Gallery, New York, NY 2006 — «Salon 2006», New York Academy of Art, New York, NY 2006 — «LA Art Fair», shown by Linda Warren Gallery in Chicago, Los Angeles, CA 2005 — «New Works», curated by Eric Fischl, Jane Gallery, St. Barthelemy, F.W.I. 2005 — «A Terrible Beauty: Figurative painting in the 21st Century», Grey McGear Modern, Santa Monica, CA 2005 — «Small Works», Sarah Bain Gallery, Brea, CA 2005 — «Cityscapes», Sarah Bain Gallery, Brea, CA 2005 — «Take Home a Nude» Art Auction at Phillips de Pury & Company, New York, NY 2005 — «Go Figure», George Billis Gallery, New York, NY 2004 — «Postcards from the Edge, Visual Aids Benefit», Brent Sikemma Gallery, New York, NY 2004 — «Night of a Thousand Drawings», Group Show, Artist's Space, New York, NY 2004 — «Points of Muse», Linda Warren Gallery, Chicago, IL 2004 — «Separate Visions», Sarah Bain Gallery, Brea, CA 2004 — «Still Life», Sarah Bain Gallery, Brea, CA 2004 — «27th Small Works Exhibition», New York, NY 2003 — «Space Invaders», curated by Peter Drake, Fish Tank Gallery, New York, NY 2003 — «26th Small Works Exhibition», New York, NY 2002 — «National Arts Club 26th Annual Student Show», National Arts Club, New York, NY

In the context of the Center for Book Arts, Canceled highlights the book form as a crucial means of disseminating documentation and information on a wide and accessible scale, potentially in ways that are more historically stable, and more effective, than the original exhibition would have been.

Conceived as a series of interrelated and rotating stand - alone exhibitions, this presentation will highlight major singular works from the collection, such as a newly acquired monumental cut - paper silhouette tableau by Kara Walker, as well as the Barbara Lee Collection of Art by Women, groupings of work by artists held in depth such as Louise Bourgeois and Nan Goldin, and thematic and art - historical groupinArt by Women, groupings of work by artists held in depth such as Louise Bourgeois and Nan Goldin, and thematic and art - historical groupinart - historical groupings.

The exhibition, which marks the 40th anniversary of the pioneering Public Art Fund, features work from the 1960s — when public art was allowed to become more than war memorials, civic - minded murals or the like — and highlights of the hundreds of innovative works that followArt Fund, features work from the 1960s — when public art was allowed to become more than war memorials, civic - minded murals or the like — and highlights of the hundreds of innovative works that followart was allowed to become more than war memorials, civic - minded murals or the like — and highlights of the hundreds of innovative works that followed.

It is the first exhibition to highlight the voices and experiences of women of color — distinct from the primarily white, middle - class mainstream feminist movement — in order to reorient conversations around race, feminism, political action, art production, and art history in this significant historical period.

Although unfortunately Hans Hofmann was left out of this exhibition, his arrival in America in 1930 was one of the most hopeful highlights of the early thirties for the American art world.

Drawn From, includes highlights from 15 years of exhibitions organized by GW's Luther W. Brady Art Gallery.

This exhibition highlights a variety of art practices, dating from the late 1960s and continuing through present day.

Thiebaud has been honored with gallery and museum exhibitions almost every year since 1960, highlighted by a 1985 retrospective at the San Francisco Museum of Modern Art and a 2001 retrospective that traveled from the de Young Fine Arts Museum of San Francisco, to the Modern Art Museum of Fort Worth, the Phillips Collection in Washington D.C., and the Whitney Museum of American Art.

«Souls Grown Deep: African - American Vernacular Art of the South,» a groundbreaking exhibition of over 450 artworks by some 30 contemporary artists, highlighting a significant artistic tradition that has risen in concert with the Civil Rights Movement.

A highlight of the exhibition is Randall Deihl's painting, Nick's Nest, 1981, which relates closely to his painting Sweets, 1980, in the collection of the Metropolitan Museum of Art, New York.

This week, highlights include the long - awaited opening of the Smithsonian National Museum of African American History and Culture; the announcement of the MacArthur Foundation's 2016 fellows, including Kellie Jones and Joyce J. Scott; a new report from the National Endowment for the Arts; and solo exhibitions featuring Julie Mehretu and Willie Cole.

The premiere NYC exhibition highlights Andy Warhol, James Rosenquist, Roy Lichtenstein and Tom Wesselmann, influential artists who changed 20th century art.

Supported by an Art Fund Jonathan Ruffer curatorial grant, the exhibition brings together work by more than 70 artists working from 1850 to the present, and highlights the many connections between the author, her contemporaries and those who share an affinity with her work.

MACAAL Another highlight will be the inauguration of the Museum of African Contemporary Art Al Maaden (MACAAL) with the exhibition Africa is no Island, a group exhibition curated by Afrique in Visu, featuring 40 emerging and established African and Diaspora photographers.

Spanning from a drawing from the workshop of Raphael, to the first - ever watercolor by Winslow Homer to enter a museum collection, to works produced in the past five years by Natalie Frank, William Kentridge, and Titus Kaphar, the exhibition highlights the role of draftsmanship in artistic practice through a diverse selection of masterworks from artists across a wide range of art history.

Drawing from the British context as point of departure, and the wave of exhibitions by Black British artists — highlighting the recurrence of the issues they addressed in the 1980s and demonstrating the continued relevance of their art to this day — this project is the result of ongoing conversations with artists who have always been alert to the fragility of democracies and concerned with the pockets of exclusions that exist in the so - called «Free World».

Comprised of contemporary art acquired through SFMOMA's Campaign for Art, this exhibition highlights works in a variety of mediums that reflect the diversity of art being made since 19art acquired through SFMOMA's Campaign for Art, this exhibition highlights works in a variety of mediums that reflect the diversity of art being made since 19Art, this exhibition highlights works in a variety of mediums that reflect the diversity of art being made since 19art being made since 1980.

Highlights include a 2014 solo exhibition at the Paint Creek Center for the Arts (Rochester, MI) and inclusion in the exhibition «The Sum of Many Parts: 25 Quiltmakers in 21st Century America» which toured China, where she was a guest lecturer.

A highlight from the Hammer Museum's Grunwald Center Collection is currently on display in the San Diego Museum of Art exhibition The Art of Music.

Highlighting the forthcoming sale is the masterpiece Afro Apparition by Chris Ofili (b. 1968)-- who will be the subject of a major survey exhibition of his work early next year at Tate Britain — which is this Contemporary Art Auction's catalogue cover lot.

His recent solo exhibitions at the Museum of Contemporary Native Arts in Santa Fe, New Mexico (2012) and at Urban Shaman Contemporary Aboriginal Art in Winnipeg, Manitoba (2013) highlighted his most recent work — a striking series of small works on paper and panels and an impressive collection of large scale paintings on canvas — work he describes as «rooted in Indigenous abstraction and Modernist aesthetics».

Published on the occasion of an exhibition celebrating Thea Westreich Wagner and Ethan Wagner's gift of nearly five hundred fifty works of art to the Whitney Museum and more than three hundred to the Centre Pompidou, Paris, this catalogue presents highlights of the extraordinary contemporary art collection the couple has accumulated over the course of more than thirty years.

Thomas Cole National Historic Site and Olana State Historic Site will co-host a landmark exhibition of contemporary art to highlight the pivotal role that the two historic properties - and the artists who lived and w...

The Spring 2018 Graduate Theses Exhibition at the Fine Arts Gallery highlights the works of seven graduate students: Alexandra Cao Ying, MFA, Studio Arts, Let One Hundred Flowers Blossom, # 087, oil on panel, 6x6 inches; Bianka Miranda, MFA, Studio Arts, Aa, acrylic on panel, 18x24 inches; Gabriela Melendez, MA, Studio Arts, Beneath the Skin, wood, plaster, silicone, 34x16x72 inches; Raquel Rojas, MFA, Studio Arts, Aborto, acrylic on canvas, 9x12 inches; Saul Aguilera, MFA, Studio Arts, En Los Tiempos de Las Golondrinas: Sun Frida, mixed media; Sean Kelly, MFA, Studio Arts, Mythic Landscape, (detail pieces of two - part installations) ceramic, wood, 78x99x51 inches and 78x39x39 inches; Teresa Carrasco, MFA, Studio Arts, Shoot Em Up Bang Bang!

Her most recent exhibition, Drawing Now: Eight Propositions at the Museum of Modern Art, Queens, New York highlighted 26 international artists.

Art Basel's official annual publication documents the exhibitions in Basel, Miami Beach and Hong Kong, and goes beyond them, featuring interviews, portfolios, essays and personal highlights from artists, curators, collectors and museum directors.

The specific mission and environment differ at each venue, highlighting curatorial nodes of the overall exhibition project: strategies of display via an encyclopedic museum (LACMA), pedagogy — or methods of teaching — through a school (Charles White Elementary School), and artist research at an artist residency complex (18th Street Arts Center).

Recent projects such as Crash Pad for the 8th Berlin Biennial, Every End is a Beginning at the National Museum of Contemporary Art in Athens and Fin de Siècle at Swiss Institute will be used to highlight aspects from Angelidakis's exhibition practice where the artist becomes curator, the exhibition becomes a medium and the exhibition device an exhibited object.

The exhibition also highlights archival materials including event flyers by artists Keith Haring and David Wojnarowicz, as well as ephemera from clubs such as MEAT and the Clit Club that merged activism, art, performance and parties.

The exhibition highlights groundbreaking practices that shaped the feminist art movement and provides a timely reminder of the wide impact of a generation of artists.

Major group exhibitions include the Fifth International Biennial: Disparities and Deformations, Our Grotesque, SITE Santa Fe, Santa Fe, NM (2004); Supernova: Art of the 1990s from the Logan Collection, San Francisco Museum of Modern Art, San Francisco, CA (2003); de Kooning to Today: Highlights from the Permanent Collection, Whitney Museum of American Art, New York, NY (2003); 2000 Whitney Biennial, The Whitney Museum of American Art, New York, NY (2000); and Greater New York, P.S. 1 / The Museum of Modern Art, New York, NY (2000).