Sentences with phrase «art fair booths»

The design eye behind gallery spaces for Anton Kern (newly located in a former townhouse in Midtown), Carpenters Workshop, Paul Kasmin, as well as several residences for art collectors, Dochantschi is also the prolific and well - traveled designer behind what must be a record - breaking number of art fair booths: As of this spring, the count was at a solid 81.

As with the Material Art Fair booths following one after the other, the VIP restaurant containing the SPF15 project containing the story of San Diego's beach, and Arunandonchai's film telling the story of an artist becoming an artist, there's something ambiguous at play here; something ungraspable yet contained between the being, wanting, acting and telling of art and existence.

Work like Pashigan's tends to be better served in less chaotic environs than art fair booths, but perhaps whatever Totah shows can introduce a moment of Zen into the madness of the fair's labyrinth.

Set in a stadium - sized space, artists were invited to present existing or commissioned large - scale sculptures, paintings, installations, projections, and live performances, free of the confines of the traditional walls of art fair booths.

Painted photographs have regularly been included on the gallery's art fair booths.

Opened in 2008 by Tyler Dobson and Ben Morgan - Cleveland, the space organized about 100 shows, events, and art fair booths.

Her paintings, which have been flying off the walls of art fair booths by Johannes Vogt Gallery, made a splash at the Carnegie International this year, and new films were featured in her first solo show at Callicoon Fine Arts.

Constructing work from materials such as lottery tickets, trophies, travel posters, romance novels, art fair booths, and art shipping crates, Ghost of a Dream transforms these items, supposedly drained of their use - value, into sculpture, video, and two - dimensional meditations on material and symbolic value.

Fittingly, I suppose, «14 Rooms» comes off more like 14 different art fair booths, and while the works here are not for sale, they advertise the possibility of collecting performances — but only the well - behaved ones that stay put in white boxes.

The installation is designed to look like a group of separate art fair booths — each space presents artworks by the different artists amidst the former museum walls.

Condo New York will be spread out across the Lower East Side and Chelsea, and features some of the city's best galleries lending their spots to international favorites including Mexico City's LABOR and Guatemala's Proyectos Ultravioleta (who always do art fair booths so well that I can't wait to see what they can do with a brick - and - mortar space).

Curated by the Hirshhorn Museum and Sculpture Garden's Gianni Jetzer, the Unlimited sector of Art Basel is a platform for large - scale installations and sculptures, projected video works, live performances, and anything else that can't be contained in the art fair booth.

Artsy news editorial highlights Anat Ebgi's Dallas Art Fair booth presentation, featuring sculptural works by An Te Liu.

The exhibition will be on view at 229 Hamilton Ave. from January 18 through February 25, 2018 with an opening reception on Wednesday, January 17 from 4 p.m. to 7 p.m. Pace Gallery will also highlight Nawa's works at the FOG Design + Art Fair booth 301, held in San Francisco from January 11 to 14, 2018.

The Kabinett Section of the fair ensures traditional curated shows are part of the art fair booth presentations.

In 2018 the Download is being adapted to display a wider selection of moving image, 360 ° and immersive works at foundations, museums and debuted as an art fair booth concept at the NADA New York (2018).

It's the size of a small art fair booth, nowhere near too big to fail... Click here to read on.

In town from Berlin, gallery Tanya Leighton blurred the lines between fashion boutique and art fair booth by selling men's shirts and jackets within bright orange walls.

The sector is dedicated to presenting ambitious sculptural installations, subverting the expectations of the traditional art fair booth.

Come visit us at ART021 Shanghai Contemporary Art Fair booth E20!

Works by hot, young artists like Ben Weiner, Joshua Dildine, and Stephanie Washburn are likely to be on view during one of the gallery's jam - packed exhibitions in Culver City or in an art fair booth in a city near you.

Not exact matches

I remember I walked past your booth [at The European Fine Art Fair in Maastricht, Netherlands, in 2013] and saw this coffee table.

5TH ANNUAL BLUES, JAZZ & ARTS ON THE RIDGE FESTIVAL: Live music, juried art and craft fair, children's games and activities, food booths.

Aphelion has since presented at numerous state and national conferences, hosted an information booth a popular art fair and held multiple performance events at EA Young Academy.

Bologna Book Fair: A Illustrator's View Guest post by Leslie Helakoski Illustrator Leslie Helakoski doing an art demo and book showcase in the SCBWI booth at the Bologna Book Fair.

I sold at arts and crafts shows, farmer's markets, the State Fair and basically anywhere I was able to set up a booth.

For Hollowell's first outing with the gallery, a selection of her recent paintings will be on view in Pace's booth at the FOG Design + Art fair in San Francisco, which runs from January 12 through 15.

To coincide with Frieze Week, the gallery's booth at the Frieze Art Fair will be displaying eight works by the Italian artist, including a neon light piece and drawings of leather... Read More

For Hollowell's first outing with the gallery, a selection of her recent paintings will be on view in Pace's booth at the FOG Design + Art fair in San Francisco,... Read More

Keep an eye on this continuously updated list of ARTnews reports from Armory Week 2018, including talk with artists and dealers about special projects and booths, slide shows from the fairs, and more from the Armory Show, NADA New York, Independent, the Spring / Break Art Show, and other happenings around town.

I was at an art fair last Summer and stopped in a booth to look at some amazing wire sculptures.

During the VIP opening of Art Basel yesterday afternoon, the booth of Zurich gallery RaebervonStenglin had a pretty solid crowd in it that was standing still — a fairly strange sight at an art fair, where one more typically sees people running from... Read MArt Basel yesterday afternoon, the booth of Zurich gallery RaebervonStenglin had a pretty solid crowd in it that was standing still — a fairly strange sight at an art fair, where one more typically sees people running from... Read Mart fair, where one more typically sees people running from... Read More

2017 — LOG at LUMP Gallery, Raleigh, NC, curated by Maria Britton — AWKWARD MOMENTS, Lesley Heller Workspace, New York, NY 2015 — SACRED PLACES, Smithy Center for the Arts, Cooperstown, NY 2014 — MEMENTO MORI, Field Projects, New York, curated by Deborah Brown — CROWD, curated by Andrea Brown for The Outsider's Studio Collective, Liberty, NY 2013 — NYFA@GOVERNORS, curated by New York Foundation For The Arts for Governor's Island Art Fair, New York 2012 — DAY JOB, curated by Nina Katchadourian, Freedman Gallery, Albright College, Reading, PA, and Pacific Northwest College of Art, Portland, OR 2011 — HEAD CASE, Lesley Heller Workspace, New York, curated by Laurel Farrin — 30: A BROOKLYN SALON, BRIC, Brooklyn, NY, curated by Elizabeth Ferrer — CHAIN LETTER, Samsøn Projects, Boston, MA — NEXT Art Fair, Linda Warren Gallery booth, Merchandise Mart, Chicago 2010 — DAY JOB, The Drawing Center, New York, NY, curated by Nina Katchadourian 2009 — ONCE UPON A TIME AND NOW, Evanston Art Center, IL — THE HAIRY WHO AND IMAGIST LEGACY IN CONTEMPORARY ART, at ART CHICAGO, Merchandise Mart, curated by Lynne Warren, Museum of Contemporary Art, Chicago — ART CHICAGO, Linda Warren Gallery booth, Merchandise Mart (Also 2006, 2007, 2008) 2007 — THE MISSISSIPPI STORY, Mississippi Museum of Art 2006/7 — RAGDALE, Chicago Cultural Center, curated by Margaret Hawkins 2006 — SALTONSTALL: THE FIRST TEN YEARS, curated by Andrea Inselmann Herbert Johnson Museum, Cornell University, Ithaca, NY — RISD BIENNIAL, Exit Art, New York, NY, curated by Robert Storr — ARTLA, Linda Warren Gallery Booth, Santa Monica Civic Center, CA — ART ADORED: Icons from the Permanent Collection, Mississippi Museum of Art, JackArt Fair, New York 2012 — DAY JOB, curated by Nina Katchadourian, Freedman Gallery, Albright College, Reading, PA, and Pacific Northwest College of Art, Portland, OR 2011 — HEAD CASE, Lesley Heller Workspace, New York, curated by Laurel Farrin — 30: A BROOKLYN SALON, BRIC, Brooklyn, NY, curated by Elizabeth Ferrer — CHAIN LETTER, Samsøn Projects, Boston, MA — NEXT Art Fair, Linda Warren Gallery booth, Merchandise Mart, Chicago 2010 — DAY JOB, The Drawing Center, New York, NY, curated by Nina Katchadourian 2009 — ONCE UPON A TIME AND NOW, Evanston Art Center, IL — THE HAIRY WHO AND IMAGIST LEGACY IN CONTEMPORARY ART, at ART CHICAGO, Merchandise Mart, curated by Lynne Warren, Museum of Contemporary Art, Chicago — ART CHICAGO, Linda Warren Gallery booth, Merchandise Mart (Also 2006, 2007, 2008) 2007 — THE MISSISSIPPI STORY, Mississippi Museum of Art 2006/7 — RAGDALE, Chicago Cultural Center, curated by Margaret Hawkins 2006 — SALTONSTALL: THE FIRST TEN YEARS, curated by Andrea Inselmann Herbert Johnson Museum, Cornell University, Ithaca, NY — RISD BIENNIAL, Exit Art, New York, NY, curated by Robert Storr — ARTLA, Linda Warren Gallery Booth, Santa Monica Civic Center, CA — ART ADORED: Icons from the Permanent Collection, Mississippi Museum of Art, JackArt, Portland, OR 2011 — HEAD CASE, Lesley Heller Workspace, New York, curated by Laurel Farrin — 30: A BROOKLYN SALON, BRIC, Brooklyn, NY, curated by Elizabeth Ferrer — CHAIN LETTER, Samsøn Projects, Boston, MA — NEXT Art Fair, Linda Warren Gallery booth, Merchandise Mart, Chicago 2010 — DAY JOB, The Drawing Center, New York, NY, curated by Nina Katchadourian 2009 — ONCE UPON A TIME AND NOW, Evanston Art Center, IL — THE HAIRY WHO AND IMAGIST LEGACY IN CONTEMPORARY ART, at ART CHICAGO, Merchandise Mart, curated by Lynne Warren, Museum of Contemporary Art, Chicago — ART CHICAGO, Linda Warren Gallery booth, Merchandise Mart (Also 2006, 2007, 2008) 2007 — THE MISSISSIPPI STORY, Mississippi Museum of Art 2006/7 — RAGDALE, Chicago Cultural Center, curated by Margaret Hawkins 2006 — SALTONSTALL: THE FIRST TEN YEARS, curated by Andrea Inselmann Herbert Johnson Museum, Cornell University, Ithaca, NY — RISD BIENNIAL, Exit Art, New York, NY, curated by Robert Storr — ARTLA, Linda Warren Gallery Booth, Santa Monica Civic Center, CA — ART ADORED: Icons from the Permanent Collection, Mississippi Museum of Art, JackArt Fair, Linda Warren Gallery booth, Merchandise Mart, Chicago 2010 — DAY JOB, The Drawing Center, New York, NY, curated by Nina Katchadourian 2009 — ONCE UPON A TIME AND NOW, Evanston Art Center, IL — THE HAIRY WHO AND IMAGIST LEGACY IN CONTEMPORARY ART, at ART CHICAGO, Merchandise Mart, curated by Lynne Warren, Museum of Contemporary Art, Chicago — ART CHICAGO, Linda Warren Gallery booth, Merchandise Mart (Also 2006, 2007, 2008) 2007 — THE MISSISSIPPI STORY, Mississippi Museum of Art 2006/7 — RAGDALE, Chicago Cultural Center, curated by Margaret Hawkins 2006 — SALTONSTALL: THE FIRST TEN YEARS, curated by Andrea Inselmann Herbert Johnson Museum, Cornell University, Ithaca, NY — RISD BIENNIAL, Exit Art, New York, NY, curated by Robert Storr — ARTLA, Linda Warren Gallery Booth, Santa Monica Civic Center, CA — ART ADORED: Icons from the Permanent Collection, Mississippi Museum of Art, JackArt Center, IL — THE HAIRY WHO AND IMAGIST LEGACY IN CONTEMPORARY ART, at ART CHICAGO, Merchandise Mart, curated by Lynne Warren, Museum of Contemporary Art, Chicago — ART CHICAGO, Linda Warren Gallery booth, Merchandise Mart (Also 2006, 2007, 2008) 2007 — THE MISSISSIPPI STORY, Mississippi Museum of Art 2006/7 — RAGDALE, Chicago Cultural Center, curated by Margaret Hawkins 2006 — SALTONSTALL: THE FIRST TEN YEARS, curated by Andrea Inselmann Herbert Johnson Museum, Cornell University, Ithaca, NY — RISD BIENNIAL, Exit Art, New York, NY, curated by Robert Storr — ARTLA, Linda Warren Gallery Booth, Santa Monica Civic Center, CA — ART ADORED: Icons from the Permanent Collection, Mississippi Museum of Art, JackART, at ART CHICAGO, Merchandise Mart, curated by Lynne Warren, Museum of Contemporary Art, Chicago — ART CHICAGO, Linda Warren Gallery booth, Merchandise Mart (Also 2006, 2007, 2008) 2007 — THE MISSISSIPPI STORY, Mississippi Museum of Art 2006/7 — RAGDALE, Chicago Cultural Center, curated by Margaret Hawkins 2006 — SALTONSTALL: THE FIRST TEN YEARS, curated by Andrea Inselmann Herbert Johnson Museum, Cornell University, Ithaca, NY — RISD BIENNIAL, Exit Art, New York, NY, curated by Robert Storr — ARTLA, Linda Warren Gallery Booth, Santa Monica Civic Center, CA — ART ADORED: Icons from the Permanent Collection, Mississippi Museum of Art, JackART CHICAGO, Merchandise Mart, curated by Lynne Warren, Museum of Contemporary Art, Chicago — ART CHICAGO, Linda Warren Gallery booth, Merchandise Mart (Also 2006, 2007, 2008) 2007 — THE MISSISSIPPI STORY, Mississippi Museum of Art 2006/7 — RAGDALE, Chicago Cultural Center, curated by Margaret Hawkins 2006 — SALTONSTALL: THE FIRST TEN YEARS, curated by Andrea Inselmann Herbert Johnson Museum, Cornell University, Ithaca, NY — RISD BIENNIAL, Exit Art, New York, NY, curated by Robert Storr — ARTLA, Linda Warren Gallery Booth, Santa Monica Civic Center, CA — ART ADORED: Icons from the Permanent Collection, Mississippi Museum of Art, JackArt, Chicago — ART CHICAGO, Linda Warren Gallery booth, Merchandise Mart (Also 2006, 2007, 2008) 2007 — THE MISSISSIPPI STORY, Mississippi Museum of Art 2006/7 — RAGDALE, Chicago Cultural Center, curated by Margaret Hawkins 2006 — SALTONSTALL: THE FIRST TEN YEARS, curated by Andrea Inselmann Herbert Johnson Museum, Cornell University, Ithaca, NY — RISD BIENNIAL, Exit Art, New York, NY, curated by Robert Storr — ARTLA, Linda Warren Gallery Booth, Santa Monica Civic Center, CA — ART ADORED: Icons from the Permanent Collection, Mississippi Museum of Art, JackART CHICAGO, Linda Warren Gallery booth, Merchandise Mart (Also 2006, 2007, 2008) 2007 — THE MISSISSIPPI STORY, Mississippi Museum of Art 2006/7 — RAGDALE, Chicago Cultural Center, curated by Margaret Hawkins 2006 — SALTONSTALL: THE FIRST TEN YEARS, curated by Andrea Inselmann Herbert Johnson Museum, Cornell University, Ithaca, NY — RISD BIENNIAL, Exit Art, New York, NY, curated by Robert Storr — ARTLA, Linda Warren Gallery Booth, Santa Monica Civic Center, CA — ART ADORED: Icons from the Permanent Collection, Mississippi Museum of Art, JackArt 2006/7 — RAGDALE, Chicago Cultural Center, curated by Margaret Hawkins 2006 — SALTONSTALL: THE FIRST TEN YEARS, curated by Andrea Inselmann Herbert Johnson Museum, Cornell University, Ithaca, NY — RISD BIENNIAL, Exit Art, New York, NY, curated by Robert Storr — ARTLA, Linda Warren Gallery Booth, Santa Monica Civic Center, CA — ART ADORED: Icons from the Permanent Collection, Mississippi Museum of Art, JackArt, New York, NY, curated by Robert Storr — ARTLA, Linda Warren Gallery Booth, Santa Monica Civic Center, CA — ART ADORED: Icons from the Permanent Collection, Mississippi Museum of Art, JackART ADORED: Icons from the Permanent Collection, Mississippi Museum of Art, JackArt, Jackson

Tony Feher will present a site - specific installation as part of the IN / SITU program at Art Expo Chicago, alongside D'Amelio Gallery's booth at the fair.

On an overcast afternoon last week, while the bold - faced names of the international art world roamed the booths at the Frieze Art Fair, including the one occupied by Mr. de Balincourt's gallery, Salon 94, the lanky, silver - haired, 39 - year - old artist sat in his spacious, sun - filled Bushwick studio, lighting up a joiart world roamed the booths at the Frieze Art Fair, including the one occupied by Mr. de Balincourt's gallery, Salon 94, the lanky, silver - haired, 39 - year - old artist sat in his spacious, sun - filled Bushwick studio, lighting up a joiArt Fair, including the one occupied by Mr. de Balincourt's gallery, Salon 94, the lanky, silver - haired, 39 - year - old artist sat in his spacious, sun - filled Bushwick studio, lighting up a joint.

In La Bella Crisis, Puerto Rican artist José Lerma revisits MOCAD's history by transforming the museum's main gallery, once an auto showroom, into a series of booths like those typically found at international art fairs, where art is routinely displayed and sold to the public.

Lesley Heller Workspace, New York, NY Claxons (four - person exhibition, curated by Walter Robinson), Haunch of Venison, New York, NY Grey Area, New York, NY The Queen's Feathers (one - person exhibition), John Tevis Gallery, Paris France 2011 Peacocks and Bottles (one - person exhibition) Organized by Nana Kipiani in conjunction with Artisterium, National Gallery of Georgia, Tbilisi, Georgia Forever and Never, One More Time (two - person exhibition), Season, Seattle, WA Color Theory, Storefront, Brooklyn, NY 2010 Birdbaths and Birdhouses (one person exhibition), Le Petit Versailles, New York, NY The Visible Vagina, Francis M. Naumann Fine Art & David Nolan Gallery, New York, NY 2009 Modern & Contemporary Ceramics, A.M. Richard Fine Art, Brooklyn, NY Bazvalon (one person exhibition), Rose Burlingham Living Room Gallery, New York, NY 2007 Momenta Art (one person exhibition), Brooklyn, NY French Kiss, organized by Rob Wynne, JGM Galerie, Paris The Demoiselles Revisited, Francis M. Naumann Fine Art, New York, NY NADA Art Fair, Miami, FL (Momenta Art booth) 2006 The Studio Visit, Exit Art, New York, NY 2005 Picture Window, (site specific, city organized), Baltimore, Maryland 2004 Hall of Portraits, Pinkard Gallery, Maryland College Institute of Art, Baltimore, MD 2003 The Recurrent, Haunting Ghost, Francis M. Naumann Fine Art, New York, NY Sleight of Hand, Salena Gallery, Brooklyn Campus, Long Island University, Brooklyn, NY 2002 Kismet, The Work Space, New York, NY 2001 Bad Touch, Lump gallery / projects, Raleigh, NC (also traveled to Keith Talent Gallery, London, Rose Museum, Brandeis University, Boston, Space (1026, Philidelphia & UIMA, Chicago) Beautiful You, curated by Larry Krone, Mark Pasek Gallery, New York, NY Your Humble Servant the Genius (two person exhibition with Rob Wynne), Rupert Goldsworthy Gallery, New York, NY Nijinsky, Rupert Goldsworthy Gallery, New York, NY 1999 The Fin - de-Siécle Salon, curated by J. A. Poisson, P.S. 122, New York, NY 1998 Re: Duchamp (organized by Mike Bidlo), Abraham Lubelski Gallery, New York, NY Bowie, Rupert Goldsworthy Gallery, New York, NY 1997 Galerie du Tableau, Marseille, France (one person exhibition) The Whole World in a Small Painting, Trans Hudson Gallery, New York, NY 1996 Cadmium Cathode, Sauce, Brooklyn, NY

LM: Recently, I had the pleasure of viewing your paintings at the Richard Heller Gallery booth during the Untitled Miami Art Fair.

After leaving the New York outpost of Paris gallery Balice Hertling, Lewis worked as a nomadic curator, staging pop - up exhibitions like Lucy Dodd's at No54 and his booth at the Dallas Art Fair, showing works by Viola Yesiltac and Charles Mayton.

The Christopher Moller Gallery booth presented a solo exhibition of works by Cape Town - based artist Tony Gum at the Miami Beach Pulse Art Fair.

Two solo booths at the city's Frieze Art Fair will be dedicated to the British artist's work A solo show of 17 new paintings is on view at Pace Gallery «s 25th Street location plus A Hockney painting is expected to shatter his auction record will be on view at Sotheby's Upper East Side headquarters on May 4.

Last but far from least among our highlights is Blum & Poe, which somehow manages to pack their booth with an array of works by gallery artists without falling into the cleaning - out - inventory art fair aesthetic.

Given this diversity, it is unsurprising that Frieze Masters continues to spawn collaborative projects that buck the art fair trend for single - gallery booths.

Of those I visited, Art Miami reprised its welcome survey of Latin American artists; Untitled lit its beach tent with wide, carefully curated booths showing refreshingly unfamiliar material from all over the world; Pulse drew the young to accomplished work by mid-career artists who remain affordable; and the Design Fair played curated interiors of mid-century masters against the technological marvels of space - age lighting and the the largest - ever 3D printed work from sustainable materials — SHoP architects» outdoor pavilion digitised out of recycled bamboo whose combined airiness and tensile strength stand to revolutionise building.

Now, taking another step in that direction, United Talent Agency is participating in its first art fair — with a booth showcasing two never - before - exhibited paintings by Kurt Cobain at the Seattle Art Fair, from Aug. 3 through Aug.art fair — with a booth showcasing two never - before - exhibited paintings by Kurt Cobain at the Seattle Art Fair, from Aug. 3 through Augfair — with a booth showcasing two never - before - exhibited paintings by Kurt Cobain at the Seattle Art Fair, from Aug. 3 through Aug.Art Fair, from Aug. 3 through AugFair, from Aug. 3 through Aug. 6.

An art review on Friday about the Photography Show art fair, which concluded Sunday, misstated the surname of an artist whose work appeared at the Etherton Gallery booth.

Part 2 of the interview at the gallery's booth at PULSE art fair New York.

The most curious and unusual sculpture of the fair was found at Dublin - based Kerlin Gallery's booth: a tiny, stunningly lifelike rendering of a crab whose front claws were molded from artist Dorothy Cross's own index fingers was painted silver, mounted on a small white plinth no more than two feet high (I'm not great with numbers, but as a reference, it's roughly as tall as my friend's art - going, Instagram - celebrity French Bulldog named Miss Pickle, if she sits upright).

Pulse aims for the art fairs in miniature, with a separate floor in Chelsea's Metropolitan Pavilion for single - artist booths like a fine one for Peter Brock at Black & White, plus a few installations.

Tempted to relate to the tech crowd, the fair could not fail to show the following art world's most notorious utilizers of computer technology who also epitomize its effect on visual arts: Takashi Murakami, with a canvas entitled Enso: Wind (2015) at Blum and Poe's booth; Wade Guyton, whose Untitled (2017) was featured by Galerie Chantal Crousel; the German photographer Thomas Struth (Marian Goodman Gallery) with computer - enhanced photographs of NASA - produced space - bound equipment; and Christopher Wool, whose work occupies the entire Luhring Augustine booth.