Sentences with phrase «art gets presented»

Often, when art gets presented, the viewer doesn't get any hints from the curator; that information is the exhibition itself.

Not exact matches

11:20 am - 12:30 noon - Tony Ricci MS FISSN CSCS - Nutrition for the Mixed Martial Arts - Mr. Tony Ricci will present a series of case reports on what he actually does with MMA fighters in getting them ready for fights.

«Mindfulness is a way of noticing how our attention gets pulled in different directions, and it's a way of practicing the gentle, persistent art of returning our attention to the present moment,» says Dennis Tirch, cognitive therapist and author of Overcoming Anxiety.

There's an art to getting the balance of a thali just right, and to that end Saffron Soul presents you sets of recipes for three complete thalis.

I just got back from a 2 week art retreat in Greece, I love whiatlee and hockney at present.

Unlike Kaufman's Adaptation (Spike Jonze, 2002)-- which is directly concerned with the possibility of art in the cinema and ultimately lapses into a farcical parody of the Hollywood style — Eternal Sunshine presents its viewer with a classical boy - meets - girl, boy - loses - girl, boy - gets - girl romance structure.

Burton, with his customary flourish, gets to present that art of waifs with large eyes.

Finally, we get «Action Is Art: A Study of Ushio Shinohara's Boxing Painting» (3:39), a short that presents the artist's boxing glove methods, taken outside and applied to glass showing Manhattan skyline behind it, in highly artistic super slow motion.

A dashboard isn't present either, instead you get a piece of art with triangular cut sections to reduce weight that flows into a central console holding only three buttons: one to start the engine, one to get into reverse and one to put on the lights... that's it.

One of my alter email personas gets a continuous stream of daily spam, from seemingly legit and well presented Art Fair Competitions / Retrospectives / Biennales - «Please return your 50 dollar entry fee with only your finest works, and be sure to fill out all your intimate details, so we can sell them on to other spammers».

Kate Tilton presents Tips to Approach Your Arts and Humanities Council by C. Hope Clark posted at Kate Tilton's Blog, saying, «In order to get your art out there you are going to need funds.

Now don't get me wrong, all the hallmarks of a Compile Heart game is present in Mary Skelter: Nightmares: interesting setting, fantastic art, a diverse cast, unique mechanics and, of course, fanservice; however, even those might not be executed in the way you might expect.

As game artist James put it: «One morning we were getting ready to present the art we'd been working on and someone said «This just doesn't feel like Clash».

It actually varies game to game as we have taken a different approach to get each game in the collection represented the way you remember them, something like the original Xbox Grabbed by the Ghoulies we remastered completely into 1080p and 60 fps as the games cartoon art style worked well (cutscenes are still in 4:3 as the original), the Xbox 360 games are in their native resolutions and framerates as they are already HD, the older titles we made the call to put them in an arcade style themed windowed mode to retain the authenticity, we also added a CRT filter that accurately reproduced the scan lines and pixel bleed screens gave back then which you can toggle on and off — We did whatever made the most sense to keep the quality high and the nostalgia present.

2018 — Figurative Diaspora: The Migration of Academic Training from Russia to China in the Service of Progressive Art, Co-curated by Mark Tansey 2017 — Piss & Vinegar: Nina Chanel Abney, Robert Arneson, Sue Coe, Robert Colescott, R. Crumb, Nicole Eisenman, Natalie Frank, Hilary Harkness, Peter Saul, Robert Williams 2016 — Now and Then: Drawings from the 19th Century to the Present 2015 — Beautiful Beast: Ball, Cook, de Jong, Demetz, Dill, Dupont, Fischl, Fox, Mennin, King, Penny, Piccinini, Pondick, Silverthorne, Smith, Taplin, Wilkinson Gallery, New York, NY 2014 — The Big Picture, Desiderio, Fischl, Rauch, Saville, Tansey, Wilkinson Gallery, New York, NY 2011 — Iconomancy, Wilkinson Gallery, New York, NY 2011 — I've Got a Secret, The Forbes Galleries, New York, NY 2011 — Uncovered, Eden Rock Gallery, St. Barths 2010 — Just Off, Sloan Fine Art, New York, NY 2007 — Normal, Linda Warren Gallery, Chicago, IL 2006 — Uprising, Lower Manhattan Cultural Council Space, New York, NY 2005 — Primed, Parsons School of Design, New York, NY 2003 — The Burbs, DFN Gallery, New York, NY 2003 — Space Invaders, FishTank Gallery, New York, NY 1985 - 89 — The Drawing Center, New York, NY, Artist Curator, Responsible for interviewing artists, portfolio reviews and initial selections for group exhibitions.

The greatest draw is in Los Angeles where the Los Angeles County Museum of Art is presenting the first major museum retrospective of the late assemblage artist Noah Purifoy, and at the Hammer Museum, after exhibiting around the world, Los Angeles - based abstract artist Mark Bradford is finally getting a solo museum show in his hometown.

2009 The Embassy, Curated by Xerxes Cook and Alex Dellal, 33 Portland Place, London, UK Artists» Art / Artists» Books, Glenn Horowitz Bookseller, East Hampton, NY Elevator to the Gallows, Galerie im Regierungsviertel / Forgotten Bar Project, Berlin, Germany Story without a Name, Curated by Blair Taylor, Peres Projects, Berlin, GermanyPrivate, Con Der Hydt Museum, Wuppertal, Germany The Collectors, Curated by Elmgreen and Dragset, Danish and Nordic Pavillions, 53rd Venice Biennale, Venice, Italy Onedreamrush, Beijing Independent Film Forum, Beijing, China DLA Piper Series: This is Sculpture, Tate Liverpool, Liverpool, UK Mexico: Expected / Unexpected, Tenerife Espacio de Las Artes, Santa Cruz de Tenerif Imagine, There: Three Contemporary Mythologies, A Space Gallery, Toronto, Canada The Porn Identity, Kunsthalle Wien, Wien, Germany The Temptation to Exist: Douglas Gordon, Any Warhol, On Kawara, terence koh, Yvon Lambert Gallery, London, UK KKK: Featuring terence koh, Jeff koons, and Mike Kelley, Mary Boone Gallery, New York, NY A Tribute to Ron Warren, Mary Boone Gallery, New York, NY New York Minute, Macro Future Museum, Rome, Italy Objective Affection, Boffo, Brooklyn, NY Dancing with Rodin, The Brooklyn Museum, Brooklyn, NY Tompkins Square Park Procession, Tompkins Square Park, New York, NY Art History 1642 - 2009, National Arts Club, New York, NY Performa 09, Third Biennial of Visual Art Performace, New York, NY Degeneration / Regeneration, Marina Abramovic Institute, San Fransico, CA Compassion, Curated by AA Bronson, The Institute of Art, Religion and Social Justice, New York, NY Contemporary Artifices and Baroque Difformities, Arcos - Sannio Museum of Contemporary Art, Benevuto, Italy Marina Abramovic Presents..., The Whitworth Art Gallery at the Universtiy of Manchester, UK Get a Rope, Ctrl Gallery, Houston, TX

While in residence at the Torpedo Factory for the month of September, glass artist Joseph Cavalieri will present a lecture on the best ways to get the attention of editors and get your work into the press, based on his experiences as Art Director at GQ, People, and Good Housekeeping magazines.

A 37 - year - old Art Center graduate who was in Sterling Ruby's class, Joshua Nathanson is only now starting to get attention — he's currently having his first solo show at Various Small Fires — but the timing is fortuitous, because if Ruby's rambunctious sculptures and big - sky paintings capture the L.A. of the aughts, Nathanson's thoughtful, computery, sleek, and telegraphic paintings exemplify the city's present - day art momeArt Center graduate who was in Sterling Ruby's class, Joshua Nathanson is only now starting to get attention — he's currently having his first solo show at Various Small Fires — but the timing is fortuitous, because if Ruby's rambunctious sculptures and big - sky paintings capture the L.A. of the aughts, Nathanson's thoughtful, computery, sleek, and telegraphic paintings exemplify the city's present - day art momeart moment.

For our Art and Design issue, New York has been examining the art world's recent past — tracing the identity - politics revolution; catching up with Richard Prince, the Warhol of the Instagram age — and it's present, as we sit down with James Franco to let him make a case for his art and get a crash course in today's market from a Sotheby's advisArt and Design issue, New York has been examining the art world's recent past — tracing the identity - politics revolution; catching up with Richard Prince, the Warhol of the Instagram age — and it's present, as we sit down with James Franco to let him make a case for his art and get a crash course in today's market from a Sotheby's advisart world's recent past — tracing the identity - politics revolution; catching up with Richard Prince, the Warhol of the Instagram age — and it's present, as we sit down with James Franco to let him make a case for his art and get a crash course in today's market from a Sotheby's advisart and get a crash course in today's market from a Sotheby's advisor.

He accused the UPAs, some of whom were present, of lacking the «Romantic narcissism» necessary to fuel high ambition in art, of fearing to «get their fingernails and their jeans dirty» and of «a drive toward indirect expression.»

I was present at one of his famous lobster cookouts and after a feast fit for Henry the Eighth we got on the subject of illustration (I had become an advertising agency art director and had also been President of the Society of lllustrators, so I was knowledgeable on the subject).

Dr Omar Kholeif, Manilow Senior Curator at the Museum of Contemporary Art Chicago, enthused: «Frieze 2016 presented me as a curator with a wonderful opportunity to not only get a snapshot of what was happening in art globally but also to see different kinds of experimentation happening at the edges of film and performance, which were so evocatively provoked through the Frieze Live and Film programmArt Chicago, enthused: «Frieze 2016 presented me as a curator with a wonderful opportunity to not only get a snapshot of what was happening in art globally but also to see different kinds of experimentation happening at the edges of film and performance, which were so evocatively provoked through the Frieze Live and Film programmart globally but also to see different kinds of experimentation happening at the edges of film and performance, which were so evocatively provoked through the Frieze Live and Film programmes.

It becomes impossible to get lost in the work: instead, you are constantly reminded of yourself, standing in Koons's commodified vision of art, an ever - present consumer.

That brings one last question: if divisions, then, characterize the present, how does that change what kind of art gets made?

While getting practical experience on the equipment is a core component of the camp, each instructor will also present DJing as an art form with a rich culture and history, with portions of each class covering the history of the DJ and basic music theory.

While getting practical experience on the equipment is a core component of the camp, Bigface will also present DJing as an art form with a rich culture and history, with portions of each class covering the history of the DJ and basic music theory.

Commenting on his unorthodox artistic practice, Wilson has said that, although he studied art, he no longer has a strong desire to make things with his hands: «I get everything that satisfies my soul from bringing together objects that are in the world, manipulating them, working with spatial arrangements, and having things presented in the way I want to see them.»

Admittedly, I've yet to get up to Boston to see «Fiber: Sculpture 1960 - present» firsthand, but it is arguably the mother lode of textile / fiber arts exhibitions — certainly this season.

For this, her only major curatorial project, Murray ransacked the storage vaults and brought to light a wealth of work by women usually consigned to the shadows — reminding us that women have always been a part of art history, even insofar as MOMA»S acquisition policies are concerned, but rarely get their due when that history is presented as images and objects on exhibition.

Concurrently with Personal Protocols and Other Preferences, CCS Bard presents I've Got Something in My Eye in the Hessel Museum of Art, a new project by Rotterdam - based artist team Bik Van der Pol.

She talked with A+C visual arts editor Devon Britt - Darby about the show and CAMH's role in presenting artists who often get overlooked or pigeonholed by standard art histories.

For their second consecutive participation in ART - O-RAMA, Munich - based gallery Deborah Schamoni is pleased to present a new project by Davide Stucchi: a sculpture that consists in casts, scale 1:1 of the bodies of the artist and his boyfriend while swimming - sleeping, made of soap and then «washed» so that the facial features of the figures get «dispersed».

Roman Fine Art is pleased to present Get With The Program I, the first of its two part inaugural exhibition opening Saturday, Oct 8th.

SOHO20 and The Feminist Art Project (TFAP) NYC are pleased to present Getting Basic: Misappropriation, Plagiarism, Fair Use, and Grey Areas, a panel and discussion hosted by artist Sue Jeong Ka about the issues surrounding copyright, power, and the unfair appropriation of individuals» work in art, pedagogical, and institutional settinArt Project (TFAP) NYC are pleased to present Getting Basic: Misappropriation, Plagiarism, Fair Use, and Grey Areas, a panel and discussion hosted by artist Sue Jeong Ka about the issues surrounding copyright, power, and the unfair appropriation of individuals» work in art, pedagogical, and institutional settinart, pedagogical, and institutional settings.

The selected artists get an opportunity for which many young artists strive: to present their art at a site - specific exhibition.

Of course quality was the first selection criterion to bring these 36 artists from different countries together, but for curator Janice Whittle there was another important reason to select the artists she liked to present: she wanted to give the floor to artists who have not had many chances over the years to show their work because of the limited infrastructure of the island: Barbados — as most of the Caribbean countries — does not have a museum for modern or contemporary art; a National Gallery has been a subject for discussion for countless years, but it never got of the ground; the Queen's Park Gallery — a governmentally managed institution — was closed for years and commercial galleries came and went.

2009 The die is cast, Villa Arson, Nice, FR We Are Constant, Frieze Art Fair Projects, London, UK It's a right Heath Robinson affair, gb agency, Paris, FR It's a right Heath Robinson affair, Kadist Art Foundation, Paris, FR As it presents itself, Picture This, Bristol, UK Heralded as the new black, Museum Boijmans Van Beuningen, Rotterdam, NL I let somebody get under my skin, Annet Gelink Gallery, Amsterdam, NL

2008 Never let the truth get in the way of a good story, Site Gallery, Sheffield, UK A Recent History of Drawing & Writing, ICA, London, UK Playtime, Betonsalon, Paris, FR Panorámica ciclo de video, Bailando sin salir de casa, Museo Tamayo arte contemporáneo, Bosque de Chapultepec, Mexico, MX Wouldn't it be nice, Somerset House, London, UK Out of sight, Proyectos Monclova, Mexico, MX AWOL — Biennale of Young Artists, META Cultural Foundation, Bucharest, RO Wouldn't it be nice, Centre d'art Contemporain, Zurich, CHSelf Storage, Curatorial Industries, San Francisco, US I desired what you were, I need what you are, Galleria Maze, Torino, IT Within the big Structure, Megastructure, Berlin - Mitte, Berlin, DE Delirious Beijing, PKM Gallery, Beijing, CN Life on Mars, 55th Carnegie International, Carnegie Museum of Art, Pittsburgh, US Revolutions — forms that turn, 16th Biennale of Sydney, AU As it presents itself, Whitstable Biennale, Whitstable, UK Featuring, Galerie Chez Valentin, Paris, FR The flight of the Dodo, Project Arts Centre, Dublin, IE One of these things is not like other things, Unosunove Gallery, Rome, IT Art Now Curate, Tate Modern, London, UK Inaugural Show, Marz Galleria, Lisbon.

, Spencer Brownstone Gallery, New York Forms of Melncholy, Sego Art Center, Provo, Utah Treasure Room, (Loshadka) Light Industry, Brooklyn IRL presented by iheartphotograph (Loshadka) Capricious Space, Brooklyn Rhizome's The Long Gallery, 7 x 7 Series, Why Wherefore, whyandwherefore.com Women Get Fucked, Alogon Gallery, Chicago Need Cover Page, Neen.org Endelss Pot of Gold, CD - Rs (Nasty Nets) Sundance International Film Festival

Kadist has brought a very special collection of artists, that we rarely get to see in San Francisco, by presenting an exhibition composed of Vietnamese and Cambodian contemporary artists in a show titled, «Poetic Politic: a Sàn Art exhibition» curated by Zoe Butt.

The interactive nature of the art makes the overall space and visitors present become part of the creation.The artist gets rid of the narrative structure, concrete language or any transferable information belonging to the object to return to a way of seeing more independently, freely.

Each of the artists will produce an art work for Istanbul by the end of 2010; a collection of 77 pieces of art will be presented to Istanbul.Visibility a one day intense programme October 2010, intends to make contemporary art, artist and Galata Visible to the people just like a flash of Lightning aiming to make visible historical architectural and sociological richness richness of Galata and the industry in Sishane.Highly regarded artists, organizers and museum executitives visiting Istanbul offered a platform where they can get to know the local production.Photography parade in December 2010, will aim to document an important cultural art and life a total of 12 photography exhibitions will be opened at the Fototrek photography centre or Istanbul street including works by local and foreign photographers.

All present seemed to agree that life is more interesting when it includes your critics, and that art is more interesting when you get to know the artist, as it enriches your understanding of the work, even if you think that the work is hateful.

Founded in 1977, the Mattress Factory is a contemporary art museum and experimental lab featuring site - specific installations that present art you can get into in room - sized environments created by artists in residence from around the world.

With BABY DOC Rip Currents, Permanent Dew the audience gets an insight in to the third issue of the magazine and a world of fiction, politics, poetry, art and personal experiences — presented in an exhibition and a magazine.

In 2002, when the Walker Art Gallery in Liverpool presented «The Art of Paul McCartney,» his professed aim was not to win critical acclaim but to further his artistic and creative output by getting a little feedback.

David Pagel, curator, art critic, and associate professor of art at Claremont University in Claremont, California, presents Getting It Wrong in Just the Right Way: Diebenkorn's West Coastism, addressing the various ways some prominent California artists, including Richard Diebenkorn, have been out of step with prevailing trends and tendencies, often doing things wrong to get their art right.

Operating simultaneously as an artist and arts institution since its founding on September 11, 2001, the Bruce High Quality Foundation presents It's About Time, a talk covering the paradoxes of working simultaneously as an artist and organization, issues of timelessness, the construction of history, the progress of garbage, the politics of specificity, how to run a free art school, how to get rich, branding, the internet, the auction market from 1973 to present, community spirit, drinking in public, and how to build a better tomorrow.

Commenting on his unorthodox artistic practice, Fred Wilson has said that, although he studied art, he no longer has a strong desire to make things with his hands: «I get everything that satisfies my soul from bringing together objects that are in the world, manipulating them, working with spatial arrangements, and having things presented in the way I want to see them.»