Sentences with phrase «art historical position»

Lehmann Maupin Adds 70 - year - old Chilean Artist to Stable: The trend of reclaiming the art historical position of aging artists hasn't abated yet with the news released late last week through the Financial Times that Lehmann Maupin has taken on the artist Cecila Vicuna:

In describing Rauschenberg and Johns as bridge figures whose work links Abstract Expressionism and Pop art, Rose offers one of the first articulations of what has become the prevailing art historical positioning of these two artists.

Not exact matches

Designed to facilitate more authentic and deeper learning, teachers will brainstorm ways to integrate the Essential Skills in Economics to also develop students» mastery of other K - 12 English / language arts and social studies skills such as analyzing and synthesizing primary and secondary sources; using evidence to draw conclusions and make generalizations; articulating and defending positions using content vocabulary; comparing and contrasting historical, cultural, and political perspectives; explaining cause - and - effect relationships; and practicing good citizenship skills while collaborating and compromising.

In the past decade, interest in her work has grown exponentially, with a series of landmark exhibitions and art historical studies firmly cementing her position on the international stage.

Alums have gone on to curatorial positions at the Harvard Art Museums, the Peabody Historical Society, the Menil Collection, and the DeCordova Sculpture Park and Museum, among other institutions.

Though criticized at the time, his now legendary 1976 solo exhibition, organized by the visionary curator John Szarkowski at The Museum of Modern Art, New York — the first presentation of color photography at the museum — heralded an important moment in the medium's acceptance within the art - historical canon and solidified Eggleston's position in the pantheon of the greats alongside Henri Cartier - Bresson, Robert Frank, and Walker EvaArt, New York — the first presentation of color photography at the museum — heralded an important moment in the medium's acceptance within the art - historical canon and solidified Eggleston's position in the pantheon of the greats alongside Henri Cartier - Bresson, Robert Frank, and Walker Evaart - historical canon and solidified Eggleston's position in the pantheon of the greats alongside Henri Cartier - Bresson, Robert Frank, and Walker Evans.

The exhibition and its accompanying catalogue are organized around two seminal art - historical moments: the display of Dubuffet's collection at the home of artist and collector Alfonso Ossorio in the 1950s, and Dubuffet's provocative speech «Anticultural Positions» delivered at the Arts Club of Chicago in 1951.

As markets, scholarship and historical perspective all advance in the field of Post War Italian art, it is becoming more and more apparent that Alighiero Boetti was one of the most forward thinking of this group, and his position among his contemporaies is being reevaluated.

The Art of the Flower positions floral paintings within a broader art historical and cultural narrative and reveals how the traditional genre was reinvented through artistic experimentation in the 19th and early 20th centuriArt of the Flower positions floral paintings within a broader art historical and cultural narrative and reveals how the traditional genre was reinvented through artistic experimentation in the 19th and early 20th centuriart historical and cultural narrative and reveals how the traditional genre was reinvented through artistic experimentation in the 19th and early 20th centuries.

We can assume that appreciation of his work will increase as his historical position in the art of our time becomes more firmly established, and his work can be seen in proper perspective and in relationship to both his contemporaries and to his spiritual forebears.

As the first significant presentation of his work outside the US, the Kunstverein exhibition naturally foregrounded the uncertainty surrounding his precise art - historical position.

In this «conversation» with the works, he is not commenting on the historical image itself, but rather questioning the direction of his own work and his position within art history.

Previously he held positions as Chief Curator at the Contemporary Art Museum St. Louis and curator at the Museum of Contemporary Art, Chicago, where he organized major thematic survey exhibitions with a broad international and historical scope such as Production Site: The Artist's Studio Inside - Out (2010), which addressed the pivotal role of the studio in artists» practice.

The catalog contains a foreword by Dean Anthony Vidler that places Slutzky's paintings in dialogue with his seminal essay, Transparency: Literal and Phenonmenal, (written with Colin Rowe in 1955); an interview with Slutzky by Emmanuel J. Petit that discusses the painter's critical strategies of artistic production; an essay by Robert C. Morgan that examines Slutzky's conceptual position in the art historical tradition of Leon Battista Alberti and Josef Albers; and an essay by Robert Slutzky with Joan Ockman on metaphor in his work.

The exhibition seeks to map the positions from which art - historical assertions — about the continuities between objects and subjects, institutions and selves, pasts and present — are made.

She has served as inaugural director and chief curator of other college exhibition and museum programs, including Columbus College of Art & Design and Denison University, in addition to numerous additional positions with seven other academic museums, commercial galleries, historical collection and house museums and contemporary arts centers.

Examining both Haring's street art and studio practice, as well as his distribution techniques, the show positions Haring on an art historical timeline that later includes Shepard Fairey, Rosson Crow, SWOON and others.

Anne Ellegood, the Hammer Museum curator whose labor of love was the Art + Practice show «Rag Man» has wondered the same — and is super happy to be in something of a position to help correct / amend the art historical recoArt + Practice show «Rag Man» has wondered the same — and is super happy to be in something of a position to help correct / amend the art historical recoart historical record.

(New York, USA) Simultaneously an art fair, an exhibition, and a curatorial platform, Independent Projects will explore a dialogue between historical, established, and emerging practices while also embracing more maverick positions including folk and outsider art.

The exhibition reestablishes Marisol as a major figure in postwar American art, fosters a broader understanding of her work, and positions it within a larger historical context.

The choice of medium is significant: painting, with all its stately, Art Historical baggage, provides Mellor a perfectly elegant, antiquated and bourgeois platform for her rabidly funny, expressly immature and politically subversive positions.

Underlining and highlighting the transition from the past to the present, the complex identity of which it is important to conserve, it has been decided to graft the exhibition in its totality — walls, floors, installations and art objects, including their relative positions — onto the historical architectural and environmental structure of Ca» Corner della Regina, thereby inserting — on a full - size scale — the modern rooms of the Kunsthalle, delimited by white wall surfaces, into the ancient frescoed and decorated halls of the Venetian palazzo.

Soon after the ground - breaking Le Mouvement show, Denise René's position as the champion of Op and Kinetic art were cemented, and by 1965, the Museum of Modern Art (MoMA) solicited her help in assembling the historical exhibition, The Responsive Eye, where the term «Op and Kinetic Art» was first formally recognisart were cemented, and by 1965, the Museum of Modern Art (MoMA) solicited her help in assembling the historical exhibition, The Responsive Eye, where the term «Op and Kinetic Art» was first formally recognisArt (MoMA) solicited her help in assembling the historical exhibition, The Responsive Eye, where the term «Op and Kinetic Art» was first formally recognisArt» was first formally recognised.

This meant that Arte Povera artists mined their particular social and historical moment to express something distinctly precise about the Italian condition through the use of installation, assemblage, and performance art, explaining why art historians have usually positioned them alongside artists working in the style known as Post Minimalism; American artists such as Keith Sonnier, Richard Serra, and Eva Hesse, and with artists in Europe included in the famous show When Attitudes Become Form (1969), such as Joseph Beuys, Yves Klein, and Hans Haacke.

Through a series of intriguing and insightful essays by Thomas Crow (New York Univ.), Jonathan Katz (Univ. of Buffalo, SUNY), and others, this fresh analysis of Indiana's career places the artist's exploration of iconic imagery (stenciled letters, symbols, signage, and more) into an expanded art historical context, revealing that Indiana's limited canonical position has resulted partly from a creative breadth that was difficult to categorize.

This claim isn't made from a position of favoring figurative work to abstraction or of failing to notice the rigor and research behind Ingram's work, but its art - historical cleverness leaves something to be desired in an exhibition so acutely concerned with interior life.

Positioning Durham within an art - historical lineage, however, feels like an equivalent act of smashing; it wouldn't do justice to his efforts to stand aside from the dominant historical narratives.

A few booths down, in the Art Positions section, another New York dealer, Miguel Abreu, was displaying a suite of recent paintings by Pieter Schoolwerth, complex compositions that also seemed to revel in oblique art historical quotations, and that effected a delicate balancing act between abstraction and figuratiArt Positions section, another New York dealer, Miguel Abreu, was displaying a suite of recent paintings by Pieter Schoolwerth, complex compositions that also seemed to revel in oblique art historical quotations, and that effected a delicate balancing act between abstraction and figuratiart historical quotations, and that effected a delicate balancing act between abstraction and figuration.

Ordinary Things offers a counter position: this exhibition of thirty sculptures turns to the sculptural rather that the sensational, positioning Lucas» work within an art historical lineage that addresses the materials and processes of sculpture.

Sims, who went on to hold executive positions at the Studio Museum in Harlem and New York's Museum of Arts and Design, is quick to point out, however, that while the field for contemporary African - American artists has developed steadily, and works by more historical figures have become increasingly sought - after by museums and collectors, there is still much work to be done.

Prior to her investing career, Ms. Volent was a paper conservator who held conservation positions at the New - York Historical Society, the Palace of the Legion of Fine Arts in San Francisco, the Los Angeles County Museum of Art, and the National Gallery of Art, Washington, DC.

Despite his untimely death, Gorky's position in the art historical canon is indisputable.

From an art - historical perspective, Liz Magor's decades - long engagement with the world of material things and their resonance has led her to stake out a highly idiosyncratic position.

Special sections include «Nova» (works created within the last three years), «Positions» (focusing on new talent), «Survey» (art historical shows; don't miss Judith Bernstein at The Box) and more.

Gagosian announced the opening of the new gallery in early September, stating that Paris is «an historical capital of art and is reclaiming its position within the international art circuit through its high quality museum installations and a growing art market.»

The lecture positions complex issues associated with the art of our time, including replication and 3D printing, in the historical context of art conservation.

His was not an easy position to occupy; he didn't fit any established art historical narrative.