Sentences with phrase «art historical research»

The publishes primary documents, art historical research, first monographs, anthologies of interviews and writings and editions.

Like nearly all of Yan Xing's oeuvre, this project is informed by a mix of art historical research, autobiographical narratives, aesthetic critique, and sheer confabulation.

In addition, the class focuses on the manner in which cultural definitions of art shift from one historical moment to the next, and how various methodologies in art historical research help make these transformations explicit, understandable, and, in some cases, predictable.

I will be curious to see what pedagogical models will be used to translate this art historical research to audiences that are likely unfamiliar with artists from Latin America, as well as the Chicanx and Latinx artists in their own backyards.

Schjerfbeck also produced a number of extraordinary portraits testifying an increased interest in the fashion of her time — an aspect that has only drawn little attention in art historical research to date and is now explored in more detail in the Schirn's presentation for the first time.

Using the ideas of art historical research as a platform from which to both animate his work and engage with the work of artists, Bick develops responses that are at the same time generative, methodical and haphazard.

The exhibition was curated by Elizabeth Gorayeb, the Executive Director of the Wildenstein Plattner Institute, Inc., a New York based non-profit committed to art historical research.

Curators and conservators from the team that prepared the catalog discuss the sculptures, offering a look at the technical and art historical research that yielded new discoveries about them.

Two years of in - depth art historical research will culminate in the three - week Biennial offering six programs: South African and Estonian Pavilion Without Walls, AFROGLOSSIA, Circulations, AFTERHOURS, and Dada's 100 year legacy.

Still we might do some more material and art historical research as we are not only researching the right attribution but also contextual information about the working process, materials used, etc..

Her original work adds to the canon of art historical research and also extends our own commitment to drawing connections across time and place in the continuing narrative of the history of visual culture.»

Not exact matches

Metamorphic analysis completes the basic approach to historical explanation derived from Whitehead's philosophy of organism and from related research in the arts and sciences.

That we do try to make Jesus over in our own images — in art, in historical research, in theology — is our sin, our idolatry.

Now in a collaborative effort between the arts and sciences, researchers at Kyoto University and Japan's National Institute of Polar Research (NIPR) and National Institute of Japanese Literature (NIJL) have used historical documents to garner better insight into the patterns of past solar events.

On Research Display Day, the students present their findings through many formats: posters, writing, art, PowerPoint presentations, video clips, historical reenactments, murals, speeches, and more.

Gridded drawings from historical African masks, fact sheet to support initial research and an artist annotation planning sheet for the artist Marcos Roman (a contemporary artist influence by African art).

My writing and speaking center on inspiring quality and character in students, specifically through project - based learning, original scientific and historical research, service learning, and the infusion of arts.

Visual - arts teacher Kelly Trpic, another Scholars» Academy teacher, retooled a research paper into a new assignment in which students analyze historical materials to interpret artworks in the context in which they were created.

Challenging the Research Base of the Common Core State Standards: A Historical Reanalysis of Text Complexity Educational Researcher, October 2013 Researchers find that contrary to the authors of the English Language Arts component of the Common Core State Standards (CCSS)-- which builds a case for higher complexity in textbooks and reading materials for students by pointing to research showing a steady decline in the difficulty of student textbooks over the past 50 years — text complexity actually has either risen or stabilized over thResearch Base of the Common Core State Standards: A Historical Reanalysis of Text Complexity Educational Researcher, October 2013 Researchers find that contrary to the authors of the English Language Arts component of the Common Core State Standards (CCSS)-- which builds a case for higher complexity in textbooks and reading materials for students by pointing to research showing a steady decline in the difficulty of student textbooks over the past 50 years — text complexity actually has either risen or stabilized over thresearch showing a steady decline in the difficulty of student textbooks over the past 50 years — text complexity actually has either risen or stabilized over this time.

These units of study can include community service activities, multi-grade performing arts and historical research projects.

His writing and speaking focus on inspiring quality and character in students, specifically through project - based learning, original scientific and historical research, service learning, and the infusion of arts.

- «The Philadelphia Inquirer» «Harsher, bleaker, and more mystical than» Seventh Son», this novel superbly demonstrates Card's solid historical research, keen understanding of religious experience, and, most of all, his mastery of the art of storytelling.»

The Philadelphia Inquirer Harsher, bleaker, and more mystical than Seventh Son, this novel superbly demonstrates Card's solid historical research, keen understanding of religious experience, and, most of all, his mastery of the art of storytelling.

-- The Philadelphia Inquirer «Harsher, bleaker, and more mystical than Seventh Son, this novel superbly demonstrates Card's solid historical research, keen understanding of religious experience, and, most of all, his mastery of the art of storytelling.»

Morrell's moving in a new direction with his new novel, Murder as a Fine Art, a meticulously researched historical mystery set in Victorian London.

«Harsher, bleaker, and more mystical than Seventh Son, this novel superbly demonstrates Card's solid historical research, keen understanding of religious experience, and, most of all, his mastery of the art of storytelling.»

All Acting Vs. Writing Advertising Apps For Writers Art Author Collectives Banning Books Blogging Blog Tours Book Cover Design Book Marketing Booksellers Branding Character Development Character - Driven Fiction Christian Erotica Clichés In Writing Co-Authoring Construction Coping With Anxiety Coping With Rejection Letters Copyright Copyright Infringement Copywriting Creating A Business Plan Dealing With Fear Defining Success Depression Developing Setting Drug & / or Alcohol Abuse Editing Vs. Writing Editors Education Entrepreneurial Skills Ethical Issues In Fiction Evoking Emotion Expat Writers Fame Fantasy Finding Inspiration Finding Your Voice Follow Your Dreams For Aspiring Writers For Indie Authors Gender Issues Genre Getting Published Ghostwriting Grief Handling Critique Historical Fiction Horror Stories In Publishing Interdisciplinary Art Karma Lit Killing Off Characters Learning From Mistakes LGBT LGBT Literature Literary Adaptations Literary Journals Lyrics Mailing Lists Marketing Memoir Metaphysical Lit Multicultural Fiction Music Music Vs. Writing Nonfiction Nonfiction To Fiction Nurturing Creativity Packaging Advice Perfectionism Photography Playwriting Plotting Poetry Political Art Pornography Protagonist Development Public Speaking Publishing Religion Research Romance Novels Self - doubt Selfpublishing Setting Goals Social Effects Of Fiction Social Media Social Networking Spiritual Lit Staying Motivated Stereotypes Success Taking Care Of Yourself Taking Risks Target Audience Thrillers Time Management Time Travel Traditional Publishing Trilogy Trust Your Instincts Truth In Fiction Twitter For Writers Typesetting Websites Work / Life Balance Writer Quirks Writer's Block Writers» Conference Writer's Life Writing Advice Writing A Series Writing As Therapy Writing Book Reviews Writing Craft Writing Dialects Writing Erotica Writing For A Living Writing For Children Writing (General) Writing Groups Writing In A Foreign Language Writing Playlists Writing Sequels Writing Vs. Medicine Writing Workshops Writing Yourself Into Your Characters Youth Arts Youth Education

It is available both to the university community, which, in a sense, lives in the historical complex, and to those who, as external parties, are invited to take part in the cultural life generated here, as well as to visitors.The suggested itineraries are the result of a research plan carried out by students and teachers of the Master in Education Services for Artistic Heritage, Historical Museums and Visual Arts; for them CREA represents a possible field of reference after the education received.The e-book aims not onlyhistorical complex, and to those who, as external parties, are invited to take part in the cultural life generated here, as well as to visitors.The suggested itineraries are the result of a research plan carried out by students and teachers of the Master in Education Services for Artistic Heritage, Historical Museums and Visual Arts; for them CREA represents a possible field of reference after the education received.The e-book aims not onlyHistorical Museums and Visual Arts; for them CREA represents a possible field of reference after the education received.The e-book aims not only to bri...

It is these conflicts that have fueled Fraser's engagement with what is called institutional critique over the past 30 years, during which time she's researched, analyzed, and made visible — in alternately unsettling and humorous performances — the inescapable social, economic, historical, and even emotional and sexual contexts that frame a work of art.

Francis, PhD, teaches US art history and researches critical questions about minority identities and identifications represented in historical and contemporary visual cultures in the Americas and Europe.

For her exhibition at the SCAD Museum of Art, Castillo Deball presents the most recent iteration of the project «To - Day,» which combines historical research about a specific site and a physical form that contains this research, which the artist calls a «fictional character.»

In addition to an art - historical overview by Laurence Madeline, the catalog includes essays by Bridget Alsdorf, Associate Professor, History of Art, Princeton University; Jane R. Becker, Collections Management Assistant, Metropolitan Museum of Art; Joëlle Bolloch, former Head of Research, Musée d'Orsay; Vibeke Hansen, Curator, Nasjonalmuseet, Oslo; and Richard Kendall, former Curator at Large, Clark Art Instituart - historical overview by Laurence Madeline, the catalog includes essays by Bridget Alsdorf, Associate Professor, History of Art, Princeton University; Jane R. Becker, Collections Management Assistant, Metropolitan Museum of Art; Joëlle Bolloch, former Head of Research, Musée d'Orsay; Vibeke Hansen, Curator, Nasjonalmuseet, Oslo; and Richard Kendall, former Curator at Large, Clark Art InstituArt, Princeton University; Jane R. Becker, Collections Management Assistant, Metropolitan Museum of Art; Joëlle Bolloch, former Head of Research, Musée d'Orsay; Vibeke Hansen, Curator, Nasjonalmuseet, Oslo; and Richard Kendall, former Curator at Large, Clark Art InstituArt; Joëlle Bolloch, former Head of Research, Musée d'Orsay; Vibeke Hansen, Curator, Nasjonalmuseet, Oslo; and Richard Kendall, former Curator at Large, Clark Art InstituArt Institute.

Transnational Belonging and Subjectivity - in - Process: Contemporary Women Artists» Encounters with Space Chairs: Catherine Dormor, Ph.D., Head of Research Programmes, Royal College of Art and Basia Sliwinska, Ph.D., Senior Lecturer, Critical & Historical Studies, London College of Fashion Speakers: Kathy Battista, Sotheby's Institute of Art, Jane Chin Davidson, California State University, and Aliza Edelman, Independent Curator

The works are typically generated in response to specific historical material encountered in the process of making, researching and reflecting, often incorporating pre-existing forms, structures and art - historical narratives which are recreated, replayed and restaged as a means of exploring more contemporary stakes.

This course places a strong emphasis on art - historical writing and research practices.

This day - long conference taking place at the Paul Mellon Centre brings together current research and scholarship, opening up new art historical, literary and intellectual connections to the artist.

Originally trained as a botanist, Babajide Olatunji is a visual artist and autodidact, having spent many years of self - directed study researching art historical movements and modes of production.

Berkeley Art Museum, University of California, Berkeley, CA Birmingham Museum of Art, Birmingham, AL Bowdoin College Museum of Art, Bowdoin College, Brunswick, ME Cameron Art Museum, Wilmington, NC Colby College Museum of Art, Colby College, Waterville, ME Hampton University Museum, Hampton University, Hampton, VA Harvard Art Museums, Harvard University, Cambridge, MA La Salle University Art Museum, La Salle University, Philadelphia, PA Library of Congress, Washington, DC The Metropolitan Museum of Art, New York, NY Museum of Modern Art, New York, NY Nasher Museum of Art, Duke University, Durham, NC National Collections of France, Ministry of Culture, Paris, France National Museum of African American History & Culture, Smithsonian Institution, Washington, DC Newark Museum, Newark, NJ New Orleans Museum of Art, New Orleans, LA New - York Historical Society Museum & Library, New York, NY The Galleries at Pasadena City College, Pasadena City College, Pasadena, CA Pennsylvania Academy of the Fine Arts, Philadelphia, PA Philadelphia Art Alliance, Philadelphia, PA Philadelphia Board of Education, Philadelphia, PA Philadelphia Museum of Art, Philadelphia, PA Schomburg Center for Research in Black Culture, New York Public Library, New York, NY Ruth Chandler Williamson Gallery, Scripps College, Claremont Colleges, Claremont, CA St. John's University, Queens, NY Smithsonian American Art Museum, Washington, DC Stuart A. Rose Manuscript, Archives, and Rare Book Library, Emory University, Atlanta, GA The State Museum of Pennsylvania, Harrisburg, PA The Studio Museum in Harlem, New York, NY United States General Services Administration, Washington, DC

The result of intensive research and collaboration with the artist, Hans Haacke 1967 will revisit this significant body of work as well as document part of MIT's historical contribution to contemporary art.»

Joseph Masheck, «Historical Present: Essays of the 1970s,» Contemporary American Art Critics, No. 3, edited by Donald Kuspit, UMI Research Press, Michigan, 1984, Chapter 22, pp249 — 257, «Thornton Willis and Abstract Identity»

Spanning practice and theory, Hockney's investigation of artistic techniques has also developed through art - historical research, resulting in Secret Knowledge (2001), his publication on the optical devices used by the Old Masters, as well as A History of Pictures: From the Cave to the Computer Screen (2016), written in collaboration with art critic Martin Gayford and further exploring the many ways artists have pictured the world.

The initiative has been overseen by New York's Frick Collection, and will make images of paintings, photographs and art - historical documents from institutions including the Courtauld, the Getty Research Institute and the Yale Center For British Art available to students, professors and researcheart - historical documents from institutions including the Courtauld, the Getty Research Institute and the Yale Center For British Art available to students, professors and researcheArt available to students, professors and researchers.

In addition to the exhibition itself, catalogue essays help inscribe the work into the art - historical canon, contribute new research, and add to the archival record — ensuring future generations can discover and engage with the artist's work.

Brown's artistic practice engages archives and research to place historical content within contemporary performance and visual art.

Her work is in the permanent collections of AT&T, Bibliothèque Nationale de France, Brooklyn Historical Society, Library of Congress, Islip Art Museum, Metropolitan Transit Authority, Pfizer, Reuters, Columbia University, YIVO Institute for Jewish Research and within artist books in the collections of Carnegie Mellon, Centre Georges Pompidou, Chrysler Museum, Metronome, Museum of the City of New York, Museum of Modern Art, and the Whitney Museum of American Art.

Likewise, we have participated in and provided research materials for use in conferences, panels, and seminars at the Turner Contemporary, the Albright - Knox, the Portland Art Museum, the Sterling and Francine Clark Art Institute, and academic institutions, including the Institute of Fine Arts at New York University, which convened a symposium on art - historical reconsiderations of Helen Frankenthaler's work in fall 20Art Museum, the Sterling and Francine Clark Art Institute, and academic institutions, including the Institute of Fine Arts at New York University, which convened a symposium on art - historical reconsiderations of Helen Frankenthaler's work in fall 20Art Institute, and academic institutions, including the Institute of Fine Arts at New York University, which convened a symposium on art - historical reconsiderations of Helen Frankenthaler's work in fall 20art - historical reconsiderations of Helen Frankenthaler's work in fall 2015.

Their work, which has been exhibited widely in major international spaces, locates them in the intersections of contemporary art, historical enquiry, philosophical speculation, research, and theory.

Cooper Union students and faculty have access to the collections of the Research Library Association of South Manhattan (the Consortium) as well as the extensive resources found in the New York Metropolitan area, including the Art and Architecture Research Division of the New York Public Library, the Avery Architectural & Fine Arts Library of Columbia University, the New - York Historical Society and the multitude of museums and municipal libraries and archives.

African - American Museum, Philadelphia, PA Akron Art Museum, Akron, OH The Anacostia Museum, Smithsonian Institution, Washington, DC The Art Gallery, University of Maryland, College Park, MD Art Institute of Chicago, Chicago, IL Baltimore Museum of Art, Baltimore, MD Bowdoin College Museum of Art, Bowdoin College, Brunswick, ME Brooklyn Museum, Brooklyn, NY California African American Museum, Los Angeles, CA Carl Van Vechten Gallery of Fine Arts, Fisk University, Nashville, TN Colby College Museum of Art, Colby College, Waterville, ME Columbus Museum, Columbus, GA Corcoran Gallery of Art, Washington, DC Crocker Art Museum, Sacramento, CA Crystal Bridges Museum of American Art, Bentonville, AR David C. Driskell Center, University of Maryland, College Park, MD Detroit Institute of Arts, Detroit, MI Dimock Gallery, George Washington University, Washington, DC Fort Wayne Museum of Fine Arts, Fort Wayne, IN H.C. Taylor Art Gallery, North Carolina Agricultural and Technical State University, Greensboro, NC Heckscher Museum of Art, Huntington, NY Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC Howard University Gallery of Art, Howard University, Washington, DC LaSalle University Art Museum, LaSalle University, Philadelphia, PA The Metropolitan Museum of Art, New York, NY The Museum of African American Art, Tampa, FL National Air and Space Museum, Smithsonian Institution, Washington, DC National Gallery of Art, Washington, DC National Museum of Women in the Arts, Washington, DC New Jersey State Museum, Trenton, NJ New Orleans Museum of Art, New Orleans, LA Newark Museum, Newark, NJ Philadelphia Museum of Art, Philadelphia, PA The Phillips Collection, Washington, DC Schomburg Center for Research in Black Culture, New York, NY Smithsonian American Art Museum, Washington, DC Tampa Museum of Art, Tampa, FL Tougaloo College Art Collection, Tougaloo College, Tougaloo, MS University of Iowa Museum of Art, University of Iowa, Iowa City, IO Wadsworth Atheneum Museum of Art, Hartford, CT The Watkins Collection, American University, Washington, DC The White House Historical Association, Washington, DC Whitney Museum of American Art, New York, NY

Students come away with the ability to write clearly about their personal artistic practice and to examine methods of inquiry for art making and research, artistic influences and relationships to historical and contemporary printmaking.