Not exact matches
«s run time - which I thought was two hours, but it really seemed to be
like four - seems devoted to a tertiary subplot in the
art house Coherence, a
film that lacks traditional narrative structure and drips with the ideas mother!
Cutting his losses at home (where ethnic actors
like Al Pacino and, interestingly enough, Robert DeNiro were getting the plum roles), Dullea returned to Canada for a number of interesting but distinctly B - grade
films (Welcome to Blood City with a pre-comeback Jack Palance) and the continent for guest starring roles in poorly - received
art house productions (Pope Joan with Liv Ullmann) and the occasional thriller (as Mia Farrow's disbelieving stuffed shirt of a husband in The Haunting of Julia).
We always
like to end our weekend box office reports with a little reminder to «Support your local indie theater, boys and girls,» and with the roster of
films hitting
art house and repertory cinemas in 2011, it was an especially great time to stray away from the sticky floors and text friendly megaplexes.
While names
like Claude Chabrol, Jacques Rivette, Eric Rohmer and Francois Truffaut may not be familiar to even
film - buffs without an extensive education in European
art house (though most would certainly recognise the name of Jean - Luc Godard) they have gone on to influence filmmakers such as Quentin Tarantino, Martin Scorcese and Michel Gondry.
Even critics of last year's Amores Perros have admitted that an insurgence of Mexican productions into the highly populated
art house distribution crowd is increasingly inevitable (the best simile that could be imagined is that the rise of Mexican cinema is
like the push for Germany and Japan's permanent inclusion on the UN Security Counsil — hey, as
art film distributors are saying, we're still working with the inclusion of Iran and Taiwan).
Featuring all sorts of titles ranging from the greatest hits of Sundance, highly - anticipated studio
films,
art -
house darlings, foreign imports, special screenings of classic
films, and much more, it's slowly turning into a juggernaut that can rival the
likes of Tribeca and SXSW.
OK, $ 56 million might not sound
like a mega-hit, but considering it's a Woody Allen
film, an
art -
house comedy, that's a very impressive box office take.
Daggers, however, is director Zhang Yimou's follow - up to the callowly beautiful Hero and,
like that movie and a number of others (Ashes of Time, Bride with the White Hair, Crouching Tiger, Hidden Dragon, Kill Bill, Zatoichi, Warriors of Heaven and Earth, and, in a way, Goodbye Dragon Inn), it belongs to a martial
arts /
art -
house genre of
films by hip young directors upgrading genres they loved as teenagers - «martial
arts plus.»
It certainly seems
like director David Gordon Green is on the road to becoming a household name, which is a bit odd considering that the guy started his career with such acclaimed
art house films as George Washington and All The Real Girls.
But Focus will need to make some nifty marketing moves to reach them; despite the age and appeal of the cast, the dialogue is often expressed in a kind of stylized formality, while
art house touches
like a scene backdropped by «Ave Maria» and an upper - crust manor setting can belie the
film's quicker, looser rhythms.
Alain Resnais, the French filmmaker who helped introduce literary modernism to the movies and became an international
art -
house star with nonlinear narrative
films like «Hiroshima Mon Amour» and «Last Year at Marienbad,» died on Saturday in Paris.
Mr. Resnais helped introduce literary modernism to the movies and became an international
art -
house star with nonlinear narrative
films like «Hiroshima Mon Amour.»
The lineup also features a number of anticipated titles from new directors, including the sophomore
film from Jonas Carpignano (A Ciambra), and some eclectic
art -
house genre titles (
like the delicious sounding Marlina the Murderer in Four Acts from Indonesia's Mouly Surya).
Filmed with handicams, starring a pair of
art -
house favorites, and scored by blog buzz band Grizzly Bear, «Blue Valentine» couldn't look
like more of a stereotypical indie romance if it tried — but who wants to ring in the New Year with hopeful thoughts for 2011 and a round of «Auld Lang Syne,» when you can head to the theater and watch Ryan Gosling and Michelle Williams getting it on in this bleak romantic drama, already the center of a ratings controversy over the NC - 17 the MPAA slapped on it for an «emotionally intense» sex scene?
Like Noah Baumbach, Perry portrays the sorts of people who go to
art house cinemas and might even make the
films shown in them.
Like Tangerine, Baker
films with a sun - dappled luminosity that's all but anathema in the European
art house tradition of
films about poverty.
And
like all of Jarmusch's
films, it is
art house fare with no disguise.
The
art house elements of Demon are obvious, from the glossy, perfectly framed neon visuals to the haute couture — borrowed from fashion
houses like Schiaparelli and Yves Saint Laurent — to thematic touches
like the presence of predator animals strewn throughout the
film.
Naomi has tried to balance her career between mainstream and independent
films, but her past performances in
art -
house sleeper hits
like «21 Grams» and «I Heart Huckabees» have displayed her amazing talent for diving no - holds - barred into any character.
We'd go to the late - shows on 42nd street to see first - run Hollywood
films like Apocalypse Now and Taxi, or to the
art film houses to see foreign
films and old movies — a lot of Goddard, Fassbinder, and Herzog, and oldies by Douglas Sirk, Sam Fuller, and others.