Sentences with phrase «art house horror»
Being and time The oft antagonistic American indie filmmaker Todd Haynes first forced my attention with his 1995 revisionist art house horror film Safe, and I've been a supporter of his ever since.
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The Texas Theater presents a rare screening of a 35 mm print of the classic art house horror flick Possession (1981), 9:30 pm, August 19, at the theater.
While the Polynesian - themed Disney feature «Moana» received four nominations, so did the bizarre, love - it - or - hate - it art house horror «The Neon Demon.»
It feels so different, and is in ways an art house horror about children's social anxiety, among other reasons I would certainly recommend it as a simple piece of Hollywood entertainment mixed with elements of a classic ghost story.
I was thrilled that the trophy for Director, Motion Picture went to the maker of a different film, Guillermo Del Toro, for one of my favorites of 2017, the highly imaginative art house horror The Shape of Water.
Lights Out by George Wolf While fright fans continue to argue about the merits of art house horror vs. torture porn, there is another option in 2016.
Not exact matches
Still, it is an interesting film that can be recommended to both fans of sci - fi and art house, though be warned that it has a fair amount of non-violent / psychological horror.
The studio also boasted one of the year's most varied lineups of films, with everything from documentaries to horror films to foreign imports to art house fare.
The distributor is targeting horror fans — primarily young adults, 17 — 25 — as well as art house and foreign film audiences 18 — 45 as it heads out with the feature this weekend.
It's scary but it's not a horror film, and it's philosophical without ever coming across as a «meaningful» art - house drama.
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Established in 2010 and based in New York City, IFC Midnight is a leading U.S. distributor of genre entertainment including horror, science fiction, thrillers, erotic art house, action and more.
Like Lanthimos» 2009 art - house breakthrough, «Dogtooth,» still his finest and most sustained achievement, «The Killing of a Sacred Deer» offers a grimly funny reminder that home is where the horror is.
Subtly blended together with Michael Haneke's Time of the Wolf (of which, Girl shares a key image) and Alfonso Cuaron's Children of Men, and you have that heady mix of art - house and genre which is rare due to the difficulty of calibrating both sensibilities into a satisfying package; on of far less head - shot horror and far more thinking - woman's speculative fiction.
As gloriously crude as it is excessive and insane, this is unashamedly sleazy horror, beautifully mounted as Euro art - house.
In Red State, he effortlessly writes, directs and edits horror, action and comedy in what could arguably be considered an «art house» flick.
If producer Jason Blum made the found footage horror movie commonplace in the multiplex, then this is a thankful return to art house strangeness and announces, in Brice, a bold new voice in the horror genre; he's scary good.
Most recently Creative Time organized Pedro Reyes's sold - out political house of horrors, Doomocracy, Duke Riley's Fly By Night, Kara Walker's A Subtlety, and the annual Creative Time Summit, a global convening at the intersection of arts and politics held in Washington, DC, last October, and formerly in Venice and Stockholm.
At Art in America Constance Mallinson reported that the initial impression was of a grisly house of horrors or a makeup shop for an alien movie, but then a wider range of references emerged — Gothic grotesques, Buddhist demon iconography, Goya's Caprichos, a repertoire of Surrealist and Expressionist facial distortions, and even animated characters like Shrek and the Incredible Hulk.
, Somerset House, London, UK (2013); Glasstress: White Light White Heat, Fashion Space Gallery, London, UK (2013); Frida Kahlo: A Life in Art, Arken Museum of Modern Art, Skovvej, DE (2013); ArTricks, The Israel Museum, Jerusalem, IS (2013), GLASSTRESS: White Light / White Heat, collateral Event of 55th Venice Biennale, Venice, IT (2013), The Art of Chess, Saatchi, London, UK (2012); Burning, Bright: A Short History of the Light Bulb, The Pace Gallery, New York, US (2011); Family Ties, GALERIE THOMAS, Munich, DE (2011); The Unconscious in Everyday Life, Science Museum, London, UK (2010); Rude Britannia — British Comic Art, Tate Britain, London, UK (2010); The Surreal House, Barbican Art Gallery, London, UK (2010); Distortion: 53rd Venice Biennale, The Gervasuti Foundation, Venice, IT (2009); Statuephilia: Contemporary sculptors at the British Museum, The British Museum, London, UK (2008); and Apocalypse — Beauty and Horror in Contemporary Art, The Royal Academy, London, UK (2000).
Like an «art house of horrors,» someone said of the fetishy content (Damien Hirst grinning With Dead Head, Andra Ursuta's noose suspended by a balloon, Dash Snow's pill bottles, a Jivaro shrunken head, stuff like that.)