Sentences with phrase «art in a contemporary way»

Not exact matches

Chiang Mai had a lot of creative young people making contemporary art in a way that felt more organic than the artisan - style «maker movement» happening in Brooklyn, NY, and Portland, Ore..

One disciple of the school, indeed, has striven to impugn the value of works of genius in a wholesale way (such works of contemporary art, namely, as he himself is unable to enjoy, and they are many) by using medical arguments.

The Research Institute supports projects dealing with essential contemporary educational issues such as attention - related disorders, trends in adolescent development and innovations in the high school curriculum, learning expectations and assessment, computers in education, the role of art in education, and new ways to identify and address different learning styles.

Showcasing the many ways in which specialty finishes impart warmth, character and depth, Segreto: Secrets to Finishing Beautiful Interiors reveals how these techniques can give new construction an established feel, update an existing home, or serve as the perfect backdrop for contemporary or traditional furnishings and art.

Skewers the world of contemporary art in a way that's insightful and funny without becoming a broad parody.

Every step of the way, he was keying into ways in which filmmakers could access contemporary resources to make great art — and find an audience for it.

Art historian Michael Fried once wrote of the burgeoning war between theater and modernist painting, and in many ways, contemporary filmmaking is rife with similarly antagonistic, fiery battles.»

In addition to the contemporary aspects of poetry, this art form is a wonderful way for students to expand their vocabulary.

Bold and powerful forms and proportions are, upon closer inspection, contrasted with aspects of traditional Japanese craftsmanship expressed in a contemporary way,» said Alfonso Albaisa, senior vice president of global design at Nissan Motor Co., Ltd. «The exterior's combination of western and eastern concepts continues inside the Xmotion, where advanced connectivity and autonomous technologies mix with modern Japanese digital art and cultural craftsmanship.

The mission of Art & Theology is to help the church rediscover its rich heritage in the visual, literary, and musical arts and to open it up to the activity of contemporary artists, whose giftings can enable us to see God in new and different ways.

In the lobby, a permanent art installation of suspended golden leaves gives way to an understated contemporary lounge and the discreet Burle Bar, which serves a killer passion fruit caipirinha.

Besides the Museum, Vinci offers many itineraries to discover Leonardo's world: from the Castle of the Guidi Counts to the Villa del Ferrale, where the Leonardo Impossibile exhibition is set, or the birthplace in Anchiano — where visitors could actually meet Leonardo in a very special way — without forgetting naturalistic paths to explore on foot the hills loved by the Genius, or spots and contemporary art installations directly inspired by Leonardo.

Quilting has expanded to become a contemporary art form that adorns our homes in a variety of ways and is displayed in galleries.

Located half - way between Barceloneta Beach and Nova Icària Beach, contemporary Hotel Arts Barcelona boasts some of the best ocean views in the city.

Ni No Kuni: Wrath of the White Witch has too much in the way of problems to be one of the classics of the genre, though with its outstanding art direction, voluminous lifespan and absorbing mechanics, it narrowly misses out on being such, and also has the advantage of possessing some of the magic that has been lacking in many of the more contemporary Japanese RPG's.

Like Haacke, Asher, Broodthaers, Fraser, Robert Barry, Louise Lawler, and others, they effect change in ways that are both political and poetic, while responding to a diverse range of contemporary issues, from the rise of a speculative art market to cutbacks in public services.

The main grants from the Foundation for Contemporary Arts work in a similar way.

The textile arts, including materials and methods often associated with craft and women's work, appear in myriad ways in the works of contemporary artists.

2010 was an exciting year for contemporary painting, from a painting - heavy Whitney Biennial, to stand - out works in MoMA PS1 «s Greater New York, to huge showings at art fairs like NADA and Art Basel Miami Beach, and with each exhibition a new way of thinking about the medium itseart fairs like NADA and Art Basel Miami Beach, and with each exhibition a new way of thinking about the medium itseArt Basel Miami Beach, and with each exhibition a new way of thinking about the medium itself.

Referencing past precedents of feminist art, installation, performance, and ideology, the artworks in the show present an expanded visual language that has resulted from a more inclusive art world, shaped in part by the social movements of the 1970's, thereby paying homage to a generation who has paved the way for contemporary female expression.

Today Morandi's art speaks to present day audiences in ways that the art of his once much better - known European contemporaries does not.

Rather, McCormick explains that the show is «[a] modest sampling of some of the ways in which baseball has entered the lexicon of contemporary visual art; Seventh - Inning Stretch is hopefully a meditation on how and why we care.

The reimagining and recycling of Hollywood iconography in contemporary art, and the way that movies live on in our personal and cultural memories, are explored in the exhibition Walkers: Hollywood Afterlives in Art and Artifaart, and the way that movies live on in our personal and cultural memories, are explored in the exhibition Walkers: Hollywood Afterlives in Art and ArtifaArt and Artifact.

I specialize in new art or art that needs to be looked at in a fresh way, in terms of contemporary practice.

October 19, 2014 — April 5, 2015 Kate Gilmore Kate Gilmore: A Roll in the Way The Aldrich Contemporary Art Museum Visit Website

2014 A Roll in the Way, The Aldrich Contemporary Art Museum, Ridgefield, CT Kate Gilmore: Top Drawer, Stony Brook University Gallery, Stony Brook, NY Beat It, H&R Block Artspace, Kansas City Art Institute, Kansas City, MO Broadway Billboard: Wall Bearer, Socrates Sculpture Park, Long Island City, NY

The United States is a very religious country, he noted, but very little contemporary art found in the mainstream galleries or museums presents religion in a positive way.

A rising figure in the contemporary art world, Wade Guyton uses accessible technology to create paintings, drawings, and sculptures that address his viewer's evolving relationship to the digital and the ways in which mechanized images become physical works.

Established in 1960 as a way to showcase the majestic paintings from the Hudson River School movement, Storm King Art Center has evolved into one of today's leading sculpture parks, with more than 100 contemporary works dotting a dramatic landscape of pastoral hills, breathtaking vistas, and tranquil ponds.

Conceived as a way to relieve the economic burden from artists while providing them a platform for publication, our belief is that artist's books and publications are perhaps the most democratic and socially responsible media available in the contemporary art market.

In all 72 association member galleries are scheduled to participate, displaying work from all major art - historical periods from the Old Masters all the way to Contemporary Aart - historical periods from the Old Masters all the way to Contemporary ArtArt.

Since Ritchie exhibited «The Universal Adversary» at Andrea Rosen Gallery in 2006, his work has been included in numerous exhibitions including: the Venice Architecture Biennale; the Seville Biennale; the Havana Bienal; «Matthew Ritchie, The Iron City,» St. Louis Art Museum; «Wunderkammern» Museum of Modern Art, New York; «The Guggenheim Collection,» Guggenheim Bilbao, Spain; «Not For Sale» PS1, New York; «Confines,» IVAM, Valencia, Spain; «The Shapes of Space,» Guggenheim Museum, New York; «Between Art and Life,» San Francisco Museum of Modern Art; «The Kaleidoscopic Eye,» Mori Art Museum, Tokyo; «In the Beginning: Artists Respond to Genesis,» Contemporary Jewish Museum, San Francisco; «Experimental Marathon Reykjavik, Reykjavik Art Museum; «The Last Scattering, Phase Two,» London, «To the Milky Way by Bicycle,» Staatliche Kunstsammlungen Dresden, Germany; «The Architectural Imaginary in Contemporary Art,» Museum of Contemporary Art, San Diegin 2006, his work has been included in numerous exhibitions including: the Venice Architecture Biennale; the Seville Biennale; the Havana Bienal; «Matthew Ritchie, The Iron City,» St. Louis Art Museum; «Wunderkammern» Museum of Modern Art, New York; «The Guggenheim Collection,» Guggenheim Bilbao, Spain; «Not For Sale» PS1, New York; «Confines,» IVAM, Valencia, Spain; «The Shapes of Space,» Guggenheim Museum, New York; «Between Art and Life,» San Francisco Museum of Modern Art; «The Kaleidoscopic Eye,» Mori Art Museum, Tokyo; «In the Beginning: Artists Respond to Genesis,» Contemporary Jewish Museum, San Francisco; «Experimental Marathon Reykjavik, Reykjavik Art Museum; «The Last Scattering, Phase Two,» London, «To the Milky Way by Bicycle,» Staatliche Kunstsammlungen Dresden, Germany; «The Architectural Imaginary in Contemporary Art,» Museum of Contemporary Art, San Diegin numerous exhibitions including: the Venice Architecture Biennale; the Seville Biennale; the Havana Bienal; «Matthew Ritchie, The Iron City,» St. Louis Art Museum; «Wunderkammern» Museum of Modern Art, New York; «The Guggenheim Collection,» Guggenheim Bilbao, Spain; «Not For Sale» PS1, New York; «Confines,» IVAM, Valencia, Spain; «The Shapes of Space,» Guggenheim Museum, New York; «Between Art and Life,» San Francisco Museum of Modern Art; «The Kaleidoscopic Eye,» Mori Art Museum, Tokyo; «In the Beginning: Artists Respond to Genesis,» Contemporary Jewish Museum, San Francisco; «Experimental Marathon Reykjavik, Reykjavik Art Museum; «The Last Scattering, Phase Two,» London, «To the Milky Way by Bicycle,» Staatliche Kunstsammlungen Dresden, Germany; «The Architectural Imaginary in Contemporary Art,» Museum of Contemporary Art, San DiegIn the Beginning: Artists Respond to Genesis,» Contemporary Jewish Museum, San Francisco; «Experimental Marathon Reykjavik, Reykjavik Art Museum; «The Last Scattering, Phase Two,» London, «To the Milky Way by Bicycle,» Staatliche Kunstsammlungen Dresden, Germany; «The Architectural Imaginary in Contemporary Art,» Museum of Contemporary Art, San Diegin Contemporary Art,» Museum of Contemporary Art, San Diego.

From 2012 until 2015 he was the Manilow Senior Curator at the Museum of Contemporary Art Chicago where he curated and co-curated, among other shows: Kerry James Marshall: Mastry (2016), The Freedom Principle: Experiments in Art and Music, 1965 to Now (2015), Simon Starling: Metamorphology (2014), and The Way of the Shovel: Art and Archaeology (2013).

Starting with a desire to «know what's happening» in contemporary terms, plus what's simultaneously going on in the «art world, Mode finds her way through unpredictable passages of pure process.

The Artist and the Model, a portfolio of twelve intaglio prints, is published by Sylvan Cole at Associated American Artists, New York; receives a Tamarind Artist Fellowship and travels to the Tamarind Lithography Workshop in Los Angeles, where he produces thirty - four editions of primarily black - and - white lithographs that continue the Artist and the Model theme; begins using the airbrush, which he had learned from the artist Billy Al Bengston while at Tamarind; sees the exhibition Edgar Degas: Monotypes at the Fogg Art Museum and subsequently begins making monotypes; in Boston co-founds Artists against Racism and the War and collaborates with Fred Stone on The American Way Room (fig), an antiwar installation piece that is shown throughout the Boston area and subsequently travels to New York, Atlanta, Syracuse, and Philadelphia; solo exhibitions: Associated American Artists, New York (The Artist and the Model); Comsky Gallery, Los Angeles; group exhibitions: Contemporary American Graphic Artists, Rijksakademie van Beeldende Kunsten, Amsterdam (travels); New Expressions in Fine Printmaking, National Collection of Fine Arts, Washington, D.C. (travels in Germany and Belgium); 16th National Print Exhibition, Brooklyn Museum, New York; Annual Exhibition, Whitney Museum of American Art, New York; Graphics» 68: Recent American Prints, University of Lexington, Kentucky.

«Through exhibitions, performances, lectures and panel discussions, SCAD's deFINE ART program gives SCAD students and our communities unparalleled access to contemporary artists who are at the forefront of what is going on in the art world and who are, in many ways, pioneering new creative platforms,» said Laurie Ann Farrell, SCAD executive director of exhibitioART program gives SCAD students and our communities unparalleled access to contemporary artists who are at the forefront of what is going on in the art world and who are, in many ways, pioneering new creative platforms,» said Laurie Ann Farrell, SCAD executive director of exhibitioart world and who are, in many ways, pioneering new creative platforms,» said Laurie Ann Farrell, SCAD executive director of exhibitions.

This, alongside Lichtenstein's 1978 sculpture of the same fish bowl, is a striking example of how American artists have expanded Matisse's place in history: Matisse arrived on the scene as a window into the European avant - garde, but along the way was transformed for a uniquely American cause, becoming a vital foundation for contemporary art.

Now, we're looking to explore ways contemporary art meets sustainability right in our own city.

The best known of these essays was Roelstraete's «The Way of the Shovel: On the Archaeological Imaginary in Art», which in 2013 became the basis of his group exhibition that debuted at the Museum of Contemporary Art in Chicago.

The displays of modern British art start in the late 19th century with Sickert and his contemporaries, and move through the decades to the present day, covering artists such as Henry Moore, Ben Nicholson, Eduardo Paolozzi and Peter Blake along the way.

The exhibition brings to Gallery - Legacy Čolakovićy, a satellite venue of Belgrade's Museum of Contemporary Art, twenty - one artists whose works engage with the ways the visual arts are portrayed in movies.

The two were encouraged to seek out artists making work about sports after a Google image search for «sports related fine art» brought up little in the way of contemporary art.

The way in which the exhibited art work has drawn inspiration from theatre, as well as theatre's significance for contemporary art and art theory, is discussed during two whole - day events that offer open lectures by artists and researchers.

In this way, Huang built a bridge that is now being crossed by many young contemporary Chinese artists, who are developing their art in all directionIn this way, Huang built a bridge that is now being crossed by many young contemporary Chinese artists, who are developing their art in all directionin all directions.

At that time Chinese contemporary art wasn't established in the way it is today.

It welcomes feeling in a way I find contemporary art rarely seems to want to do.

Artist and educator Lubaina Himid, Professor of Contemporary Art at the University of Central Lancashire and winner of the Turner Prize 2017, and collaborators will explore how learning to think like artists can open up fresh ways for young people to perceive the world and their place in it.

Works from the Thyssen - Bornemisza Art Contemporary Collection, Museo de Arte Zapopan, Guadalajara, México Under the Same Sun: Art from Latin America Today, Solomon R. Guggenheim Museum, New York, USA, travelling to Museu de Arte Moderna de São Paulo, São Paulo, Brazil; Fundación Jumex Arte Contemporáneo, México City, México Les Ateliers de Rennes, PLAY TIME, Contemporary art biennial, 4th edition, Halle de la Courrouze, FRAC Bretagne, Musée des Beaux - Arts and associated venues in Rennes and Brittany, France Tupi or no Tupi», Museu Oscar Niemeyer, Paraná, Brasil The Bigger Picture: Work from the 1990s, Tanya Bonakdar Gallery, New York, USA Allan Kaprow: Yard 1961/2014, The Hepworth Wakefield, UK New ways not to do, Kunsthalle Wien, Vienna, Austria Fractured Narratives: a strategy to engage, Cornell Museum of Fine Art, Florida, USA On another scale, Galleria Continua, San Gimignano, Italy 2013 - 2014 Permission to Be Global, Cisneros Fontanals Art Foundation, Miami, USA; travelled to Museum of Fine Arts Boston, Massachusetts, USA Inhabiting Time, Museo Jumex, Mexico City, MexArt Contemporary Collection, Museo de Arte Zapopan, Guadalajara, México Under the Same Sun: Art from Latin America Today, Solomon R. Guggenheim Museum, New York, USA, travelling to Museu de Arte Moderna de São Paulo, São Paulo, Brazil; Fundación Jumex Arte Contemporáneo, México City, México Les Ateliers de Rennes, PLAY TIME, Contemporary art biennial, 4th edition, Halle de la Courrouze, FRAC Bretagne, Musée des Beaux - Arts and associated venues in Rennes and Brittany, France Tupi or no Tupi», Museu Oscar Niemeyer, Paraná, Brasil The Bigger Picture: Work from the 1990s, Tanya Bonakdar Gallery, New York, USA Allan Kaprow: Yard 1961/2014, The Hepworth Wakefield, UK New ways not to do, Kunsthalle Wien, Vienna, Austria Fractured Narratives: a strategy to engage, Cornell Museum of Fine Art, Florida, USA On another scale, Galleria Continua, San Gimignano, Italy 2013 - 2014 Permission to Be Global, Cisneros Fontanals Art Foundation, Miami, USA; travelled to Museum of Fine Arts Boston, Massachusetts, USA Inhabiting Time, Museo Jumex, Mexico City, MexArt from Latin America Today, Solomon R. Guggenheim Museum, New York, USA, travelling to Museu de Arte Moderna de São Paulo, São Paulo, Brazil; Fundación Jumex Arte Contemporáneo, México City, México Les Ateliers de Rennes, PLAY TIME, Contemporary art biennial, 4th edition, Halle de la Courrouze, FRAC Bretagne, Musée des Beaux - Arts and associated venues in Rennes and Brittany, France Tupi or no Tupi», Museu Oscar Niemeyer, Paraná, Brasil The Bigger Picture: Work from the 1990s, Tanya Bonakdar Gallery, New York, USA Allan Kaprow: Yard 1961/2014, The Hepworth Wakefield, UK New ways not to do, Kunsthalle Wien, Vienna, Austria Fractured Narratives: a strategy to engage, Cornell Museum of Fine Art, Florida, USA On another scale, Galleria Continua, San Gimignano, Italy 2013 - 2014 Permission to Be Global, Cisneros Fontanals Art Foundation, Miami, USA; travelled to Museum of Fine Arts Boston, Massachusetts, USA Inhabiting Time, Museo Jumex, Mexico City, Mexart biennial, 4th edition, Halle de la Courrouze, FRAC Bretagne, Musée des Beaux - Arts and associated venues in Rennes and Brittany, France Tupi or no Tupi», Museu Oscar Niemeyer, Paraná, Brasil The Bigger Picture: Work from the 1990s, Tanya Bonakdar Gallery, New York, USA Allan Kaprow: Yard 1961/2014, The Hepworth Wakefield, UK New ways not to do, Kunsthalle Wien, Vienna, Austria Fractured Narratives: a strategy to engage, Cornell Museum of Fine Art, Florida, USA On another scale, Galleria Continua, San Gimignano, Italy 2013 - 2014 Permission to Be Global, Cisneros Fontanals Art Foundation, Miami, USA; travelled to Museum of Fine Arts Boston, Massachusetts, USA Inhabiting Time, Museo Jumex, Mexico City, MexArt, Florida, USA On another scale, Galleria Continua, San Gimignano, Italy 2013 - 2014 Permission to Be Global, Cisneros Fontanals Art Foundation, Miami, USA; travelled to Museum of Fine Arts Boston, Massachusetts, USA Inhabiting Time, Museo Jumex, Mexico City, MexArt Foundation, Miami, USA; travelled to Museum of Fine Arts Boston, Massachusetts, USA Inhabiting Time, Museo Jumex, Mexico City, Mexico

This access, which has broadly democratized the field, has created not only a larger and more engaged audience for this kind of art, but has also created more opportunities for this work to be contextualized within the larger narratives of contemporary art, as can be seen in the various approaches of curators such as Lynne Cooke, Massimiliano Gioni and Daniel Baumann, for example, all of whom have, in different ways, framed the work of self - taught artists within their curatorial projects.

In 2017, Liu's large - scale video installation work The Best is Yet to Come was featured in Cold Night at Ullens Center for Contemporary Art, Beijing, and her installation work This Way or That Way was shown in .COIn 2017, Liu's large - scale video installation work The Best is Yet to Come was featured in Cold Night at Ullens Center for Contemporary Art, Beijing, and her installation work This Way or That Way was shown in .COin Cold Night at Ullens Center for Contemporary Art, Beijing, and her installation work This Way or That Way was shown in .COin .COM.