«Seeing contemporary
art in a domestic setting like this makes for a more intimate experience.»
Not exact matches
The day will conclude with a panel discussion with
art historian and philanthropist Sarah Elson, who will talk about her project «Launch Pad» as a new model for exhibiting artists
in a
domestic setting.
Significantly, the exhibition does not present the viewer with a series of period rooms; instead, visitors are invited to use or inhabit examples of relatively unique
domestic furniture while they look at the
art on display, an interactive opportunity virtually unheard of
in a museum
setting.
She has an extensive exhibition history, including shows at Western Project, & Kim Light / LIGHTBOX Gallery
in Los Angeles, Traywick Contemporary
in Berkeley, Melanee Cooper Gallery
in Chicago, The Armory Center for the
Arts in Pasadena, Solway Jones Gallery
in Los Angeles, Dirt Gallery
in Los Angeles, POST Gallery
in Los Angeles,
Domestic Setting Gallery
in Mar Vista, California, Suzanne Hilberry Gallery
in Detroit, Lemberg Gallery
in Birmingham, Michigan, The Jones Center for Contemporary
Art in Austin, Texas, and Galerie Enholm Englehorn
in Vienna, Austria.
She has an extensive exhibition history, including shows at Kim Light / LIGHTBOX Gallery, Melanee Cooper Gallery
in Chicago, The Armory Center for the
Arts in Pasadena, Solway Jones Gallery
in Los Angeles, Dirt Gallery
in Los Angeles, POST Gallery
in Los Angeles,
Domestic Setting Gallery
in Mar Vista, California, Suzanne Hilberry Gallery
in Detroit, Lemberg Gallery
in Birmingham, Michigan, The Jones Center for Contemporary
Art in Austin, Texas, and Galerie Enholm Englehorn
in Vienna, Austria.
Similar concerns can be seen
in Black Sea 1977 (Tate T03364), where a solitary pink - red form (with black dots suggestive of nails again prominent) sails on a dark sea, and
in Green Rug 1976 (Museum of Modern
Art, New York),
in which a collection of legs are found
in a
domestic setting.
In addition to Brummer Society Member benefits, members of the Director's Circle also enjoy unlimited access to all special exhibitions; exclusive invitations for domestic and international travel with the museum director and curators including New York Sculpture Tour 2018, Spain 2019; exclusive opportunities to meet and dine with distinguished visiting artists, collectors and scholars in intimate settings; invitations to private, artist studio tours; and VIP art fair passes and tours with the curator
In addition to Brummer Society Member benefits, members of the Director's Circle also enjoy unlimited access to all special exhibitions; exclusive invitations for
domestic and international travel with the museum director and curators including New York Sculpture Tour 2018, Spain 2019; exclusive opportunities to meet and dine with distinguished visiting artists, collectors and scholars
in intimate settings; invitations to private, artist studio tours; and VIP art fair passes and tours with the curator
in intimate
settings; invitations to private, artist studio tours; and VIP
art fair passes and tours with the curators.
The exhibition features an intricate ensemble of
domestic interiors and
settings, housed
in the antechambers of Victor Horta's Centre for Fine
Art at BOZAR
in Brussels
The reception of
art in a
domestic context is entirely different to that of a professional gallery
setting, and we want to celebrate this at Satis House — we want to focus on the present and future potential of the space as a site for contemporary
art whilst always being acutely aware of its previous varied identities.
At the time, while I recognized
in the installations
in which Tonoshiki threw together and brought into dynamic coexistence waste lumber from demolished houses, driftage from the ocean, abandoned televisions and other
domestic waste, and scrapped vehicles on the one hand and natural outdoor
settings or orderly exhibition rooms
in art museums on the other, a common spirit with the cyber-punk-like junk aesthetic that was then reaching its peak (see the work of Seiko Mikami, for example), the only thing I sensed Tonoshiki was stressing — particularly given that he had been influenced by the social sculpture of Joseph Beuys — was probably that the concept of «reversal» could be found
in the act of almost violently recycling useless objects that had served their function and were merely waiting to be disposed.
She draws aesthetic inspiration for her animated videos from a combination of Japanese
art forms — ukiyoe woodcuts, manga, and anime — while she often
sets her layered, surrealistic narratives
in domestic interiors and communal spaces such as public restrooms, commuter trains, and bathhouses.
Kettle's Yard, the creation and home of H.S. «Jim» Ede and his wife, Helen, was developed by Ede
in 1957 to display his collection of European and British modernist
art in «a
domestic setting, where young people could be at home... [and] an informality might infuse an underlying formality».
While
Art 14 (1) states that member states shall exempt from taxation energy products supplied for use as aviation fuel other than
in private pleasure flying,
Art 14 (2) gives member states the discretion to apply a refuelling tax for
domestic purposes subject to the tax level being below that
set by the Energy Products Directive.
In Cheshire West, the justices held that disabled people have the same right to liberty as everyone else, and laid down a test for determining Art 5 deprivation of liberty where a person lacked the capacity to consent, even in a domestic settin
In Cheshire West, the justices held that disabled people have the same right to liberty as everyone else, and laid down a test for determining
Art 5 deprivation of liberty where a person lacked the capacity to consent, even
in a domestic settin
in a
domestic setting.
The court considered that even if the applicants»
Art 8 complaint was before the secretary of state and the Court of Appeal, the policy
set the threshold so high against them from the outset that it did not allow a balancing of the competing individual and public interests and a proportionality test by the secretary of state or by the
domestic courts
in their case, as required by the Convention.