«Very few institutions have the same capacity to react quite as quickly and place international
art in a national context.
Not exact matches
PBE is jointly organized by FESBP and EPSO, as a result of a merger between the previous individual EPSO and FESPB conferences.With a multidisciplinary approach to plant science
in a global
context, the conference aims to collect speakers and presentations that cover wide ranging scientific and policy related themes within plant science, thereby showcasing state - of - the -
art scientific developments and contributions to policy shaping towards plants science at the European and
national levels.Plant Biology Europe is the biggest of its kind
in Europe.
And so,
in choosing it as the film from the past ten years I would most like to discuss
in the
context of the future of the medium, I might be asserting, against my better judgment, the primacy of the auteur over and above
national cinemas and identity
art — the ferocious and aggressively confrontational cinema of Lucrecia Martel serving as evidence that an ethos long - since debunked
in serious academic circles still has credence or at least value
in the second century of the movies.
DAVID ADJAYE, «Making Place: The Architecture of David Adjaye» @ The
Art Institute of Chicago Chicago «Making Place» is the first comprehensive museum survey of global architect David Adjaye «s portfolio of more than 50 built projects, which includes the forthcoming
National Museum of African American History and Culture on the
National Mall
in Washington, D.C.. His approach to design is unique: «Rather than advancing a signature architectural style, Adjaye's structures address local concerns and conditions through both a historical understanding of
context and a global understanding of modernism.»
On view at the
National Museum of Women
in the
Arts in Washington, D.C., through Jan. 21, 2018, the show considers their work
in context with each other and the larger history of abstraction.
Solo exhibitions include Centre Pompidou, Paris (1994), Museum of Contemporary
Art, Chicago, The New Museum of Contemporary
Art, New York (1997), MoMA, Oxford, the Scottish
National Gallery of Modern
Art, Edinburgh (1998), Tate Britain, London (2000) Hamburger Kunsthalle, Kunstmuseum Bonn, Magasin 3, Stockholm (2004), Museum of Contemporary
Art, Sydney (2005) and Palazzo Querini Stampalia
in the
context of the Venice Biennale (2009).
She continues to write critically but
in the academic
context, presenting papers at the past three College
Art Association conferences with a new paper, Baby doll: Boys and Their Virtual Toys, scheduled for the
National Women's Studies conference
in Denver this November.
The collection establishes a balance between regional,
national, and international relevance, generating compelling connections and situating the
art making of the Canadian Prairies
in a broader
context.
Propositions on the Permanent Collection, Studio Museum
in Harlem, New York, NY, 2009 Cinema Remixed and Reloaded: Black Women Artists and the Moving Image Since 1970, Spelman College of
Art, Atlanta, GA, 2007 and Contemporary
Arts Museum Houston, Houston, TX 2008 - 2009 Horizon, EFA Gallery, Curated by David Humphrey, New York, NY, 2007 Black Alphabet,
conTEXTS of Contemporary African American
Art, Zacheta
National Gallery of
Art, Warsaw, Poland, 2006 - 2007 Turn the Beat Around, Sikkema Jenkins & Co., New York, NY, 2006 The Manhattan Project, Fred Snitzer Gallery, Miami, FL, 2006 Frequency, Studio Museum
in Harlem, New York, NY, 2005 - 2006 MFA Thesis Exhibition, Columbia University, Curated by Jeffery Uslip, New York, NY, 2005 Recess: Images & Objects
in Formation, Rush Gallery, Curated by Derek Adams, New York, NY, 2005 Past Perfect, Kantor / Feuer Gallery, New York, NY, 2004 - 2005 After Goya, Leroy Neiman Gallery, Columbia University, Curated by Tomas Vu Daniel, New York, NY, 2004 Hungry Eyes, Columbia University, Ira D Wallach Gallery, New York, NY, 2004 Signs, Public
Art Installation, Chicago, IL, 2002 Brat (Wurst), A show of Chicago Artists, Vox Populi, Philadelphia, PA, 2001 Young Love, Mapreed Gallery, Los Angeles, CA, 2000
Art in St. Louis, Honorable Mention, Curated By Jerry Saltz,
Art St. Louis Gallery, St. Louis, MO, 1997
Together, the work of these two artists will demonstrate how the absence of certain figures and communities
in art has preempted their recognition
in national history, and,
in the process, will reclaim a space for them
in the
art historical
context.»
The Sculpture of Ruth Asawa establishes the importance of Asawa's work within the larger
national context of artists who redefined
art as a way of thinking and acting
in the world rather than as merely a stylistic practice.
Recommended reading The New York Times today published an impassioned op - ed by Metropolitan Museum of
Art director Thomas P. Campbell,
in which he argues for the importance of
arts and cultural programming in the US in the context of the current administration's proposed plans to defund the National Endowment for the A
arts and cultural programming
in the US
in the
context of the current administration's proposed plans to defund the
National Endowment for the
ArtsArts.
«As home to one of the most comprehensive American
art collections, we have an incredible opportunity to engage students and the public
in ways that advance the
national dialogue around American identity
in context of the full sweep of U.S. history represented
in our holdings.
The Metropolitan Museum of
Art in collaboration with the
National Gallery, London, has opened their exhibition, Thomas Cole's Journey: Atlantic Crossings, which will explore Cole's impact as a major 19th - century landscape artist within a global
context.
As construction of his design for the
National Museum of African American History and Culture
in Washington D.C. nears its completion, slated for next year, and news of Adjaye's selection to redesign the Studio Museum
in Harlem, where a solo exhibition of his work Making Public Buildings was presented
in 2007, the
Art Institute's exhibition
context is important to Adjaye's buildings, which continue to identify him
in the United States.
Through its exhibitions and programs, SJMA addresses major trends
in international contemporary
art, architecture, and design, with an ongoing commitment to also place the work of California artists
in national and international
context.
It presents approximately eighty works — paintings, sculptures, prints, and photographs — by American artists, while exploring
national context and changes
in art between 1850 and 1945.
James Welling lectures on «The Perception of Andrew Wyeth: Birds, Wind, Water» as part of Andrew Wyeth
in Context: Contemporary
Art and Scholarship at the
National Gallery of
Art, Washington, DC
Collection, Cornell Fine
Arts Museum, Orlando, FL Commemorating 30 Years (1976 — 2007): Part Three (1991 — 2007), Rhona Hoffman Gallery, Chicago, IL The Blake Byrne Collection, The Nasher Museum of Contemporary
Art, Duke University, Durham, NC 2006 Do Not Stack, Roberts & Tilton, Los Angeles, CA Black Alphabet:
ConTEXTS of Contemporary African - American
Art, Zacheta,
National Gallery of
Art, Warsaw, Poland Down By Law, Wrong Gallery at the Sondra Gilman Gallery, Whitney Museum, New York, NY Hangar — 7 Edition 4, Salzburg Airport, Salzburg, Austria Redefined: Modern and Contemporary
Art from the Collection, Corcoran Gallery of
Art, Washington, D.C. Relics and Remnants, Jamaica Center for
Arts and Learning, Jamaica, NY 2005 Maximum Flavor, ACA Gallery, Atlanta College of
Art, Atlanta, GA Neo-Baroque, Tema Celeste, Verona, Italy Neovernacular, Turner Gallery, Los Angeles, CA Kehinde Wiley / Sabeen Raja: New Paintings, Conner Contemporary
Art, Washington, D.C. 2004 Eye of the Needle, Roberts & Tilton, Los Angeles, CA Glory, Glamour & Gold, The Proposition, New York, NY She's Come Undone, Greenberg Van Doren, New York, NY The New York Mets and Our
National Pastime, Queens Museum of
Art, Queens, NY Beauty, Kravets + Wehby, New York, NY African American Artists
in Los Angeles, A Survey Exhibition: Fade, City of Los Angeles Cultural Affairs Department, Los Angeles, CA 2003 Peripheries Become the Center, Prague Biennale 1, Galleria Nazionale Veletrzni Palac Dukelskych Hrdinu 47, Prague, Czech Republic Superreal, Marella, Milan, Italy New Wave, Kravets Wehby Gallery, New York, NY Re: Figure, College of DuPage, The Guhlberg Gallery, Glen Ellyn, IL 2002 Painting as Paradox, Artists Space, New York, NY Mass Appeal, Gallery 101, Ottawa, Canada Ironic / Iconic, The Studio Museum of Harlem, New York, NY Black Romantic, The Studio Museum of Harlem, New York, NY 2001 It's Bigger Than Hip Hop, Rush
Arts, New York, NY
2016 SP - Arte / Videobrasil award solo exhibition, Galpão VB, São Paulo, Brazil 2016
In Context: Where We Are, Goodman Gallery, Cape Town, South Africa 2016 The
Art of Disruptions, Iziko South African
National Gallery, Cape Town, South Africa 2016 New Revolutions: Goodman Gallery at 50, Goodman Gallery, Cape Town, South Africa 2016 Making Africa: A Continent of Contemporary Design, Centre de Cultura Contemporania de Barcelona, Barcelona, Spain
Maria studied at the
National University of
Arts in Bucharest, the Academy of Fine
Arts Brera, Milan, and is currently studying MA
Art in Context at Universität der Künste Berlin.
We can confidently call the biennial a flagship project of the
National Centre for Contemporary
Arts as part of ROSIZO, since development and comprehensive support of the regional artistic community, and engaging a wide audience
in the cultural
context are among priority areas of our work», — Sergey Perov, Director general of the ROSIZO State Museum and Exhibition Center.
2009 A Season
in Hell, Alison Jacques Gallery, London, England Portraits: Robert Mapplethorpe, Center for Creative Photography, Tucson, USA Centro de Arte Contemporáneo (CAC) de Málaga, Malaga, Spain Polaroids And Silver Prints In Context, Galerie Stefan Röpke, Cologne, Germany Es Baluard Museu d'Art Modern i Contemporani de Palma, Palma de Mallorca, Spain TR3 Gallery and National Gallery, Ljubljana, Slovenia Polaroids: Mapplethorpe, Modern Art, Oxford, Engla
in Hell, Alison Jacques Gallery, London, England Portraits: Robert Mapplethorpe, Center for Creative Photography, Tucson, USA Centro de Arte Contemporáneo (CAC) de Málaga, Malaga, Spain Polaroids And Silver Prints
In Context, Galerie Stefan Röpke, Cologne, Germany Es Baluard Museu d'Art Modern i Contemporani de Palma, Palma de Mallorca, Spain TR3 Gallery and National Gallery, Ljubljana, Slovenia Polaroids: Mapplethorpe, Modern Art, Oxford, Engla
In Context, Galerie Stefan Röpke, Cologne, Germany Es Baluard Museu d'
Art Modern i Contemporani de Palma, Palma de Mallorca, Spain TR3 Gallery and
National Gallery, Ljubljana, Slovenia Polaroids: Mapplethorpe, Modern
Art, Oxford, England
Themes
in the narrative include the Imagists» emergence within the
national context of Abstract Expressionism and Pop
Art, the rise and fall of taste within art history, and the uncharacteristic equality afforded to women artists among this Chicago gro
Art, the rise and fall of taste within
art history, and the uncharacteristic equality afforded to women artists among this Chicago gro
art history, and the uncharacteristic equality afforded to women artists among this Chicago group.
His work has been featured
in Recognize,
National Portrait Gallery, Smithsonian Institution, Washington, DC (2008); Black Alphabet —
contexts of contemporary African - American
art, Zacheta National Gallery of Art, Warsaw, Poland (2006); Down By Law, Wrong Gallery at the Sondra Gilman Gallery, part of the Whitney Biennial, New York, NY (2006); and Redefined: Modern and Contemporary Art from the Collection, Corcoran Gallery of Art, Washington, DC (200
art, Zacheta
National Gallery of
Art, Warsaw, Poland (2006); Down By Law, Wrong Gallery at the Sondra Gilman Gallery, part of the Whitney Biennial, New York, NY (2006); and Redefined: Modern and Contemporary Art from the Collection, Corcoran Gallery of Art, Washington, DC (200
Art, Warsaw, Poland (2006); Down By Law, Wrong Gallery at the Sondra Gilman Gallery, part of the Whitney Biennial, New York, NY (2006); and Redefined: Modern and Contemporary
Art from the Collection, Corcoran Gallery of Art, Washington, DC (200
Art from the Collection, Corcoran Gallery of
Art, Washington, DC (200
Art, Washington, DC (2006).
SJMA's permanent collection of more than 2,000 twentieth - and twenty - first - century works of
art, including paintings, sculpture, installation, new media, photography, drawings, prints, and artist books, has a special focus on West Coast
art, seen
in an
national and international
context.
«AIDS, A Community
in Crisis,» Jamaica
Arts Center, Jamaica, NY, 1991 «Language: Body and Dream,» PS 122, New York, NY, 1991 «1991 Biennial Exhibition,» Whitney Museum of American
Art, New York, NY, 1991; catalogue «We Interrupt Your Regularly Scheduled Programming,» White Columns, New York, NY, 1991 «Interrogating Identity, Grey
Art Gallery and Study Center,» New York, NY 1991; traveled to the Museum of Fine
Arts, Boston, MA; Walker
Art Center, Minneapolis, MN; Madison
Art Center, WI; Center for the Fine
Arts, Miami, FL; Allen Memorial
Art Museum, Oberlin College, Oberlin, OH; catalogue «Positions of Authority,»
Art in General, New York, NY, 1991 «Color Theory,» Amelie A Wallace Gallery, State University of New York at Old Westbury, Old Westbury, NY, 1991 «Text Out of
Context,» SoHo Center, New York, NY, 1991 «New Work,» PS 122, New York, NY, 1991 «Spent: Currency, Security and
Art on Deposit,» The New Museum of Contemporary
Art at Marine Midland Bank, New York, NY, 1991 «Works on Paper,» Selena
Art Gallery,» Long Island University, Brooklyn, NY, 1991 «Rutgers
National «90: Works on Paper, Stedman
Art Gallery,» Camden, NJ, 1991; brochure «
Art of Resistance,» El Bohio, New York Public Mirror,
Art against Racism, The Clocktower Gallery, New York, NY, 1991
«A Year and a Half of
Art in San Francisco,» Mission 17 Gallery San Francisco, CA: M17 Books Publishing, 2010 2009 «Outwin Boochever Portrait Exhibition,»
National Portrait Gallery Catalog, Smithsonian, Washington DC 2007 Uda, Motoko, «Lien Truong,» ARTit Japan's Bilingual
Art Quarterly, Issue 16, 2007 2005 «Out of
Context,» The Huntington Beach
Art Center Exhibition Catalogue, CA, 2005 2004 Ellegood, Anne.
«Ernest C Withers and Glenn Ligon: I Am A Man Teaching Galleries One and Two,» Contemporary
Art Museum St Louis, MO, January 20 — March 28, 2006 «Down by Law, curated by The Wrong Gallery,» Whitney Museum of American Art, New York, NY, January 21 — May 15, 2006 «Collective Histories / Collective Memories: California Modern,» Orange County Museum of Art, Newport Beach, CA, February 6 — September 24, 2006 «Exhibition of Work by Newly Elected Members and Recipients of Honors and Awards,» American Academy of Arts and Letters, New York, NY, May 19 — June 12, 2006 «Legacies: Contemporary Artists Reflect on Slavery,» New - York Historical Society, New York, NY, June 16, 2006 — January 7, 2007; catalogue «The Past Made Present: Contemporary Art and Memory,» Museum of Fine Arts, Houston, TX, September 2, 2006 — January 15, 2007 «Group Dynamic: Portfolios, Series, and Sets,» Des Moines Art Center, Des Moines, IA, September 15 — December 29, 2006 «black alphabet: conTEXTS of contemporary african - american art,» Zacheta National Gallery of Art, Warsaw, Poland, September 22 — November 19, 2006 «Interstellar Low Ways,» Hyde Park Art Center, Chicago, IL, October 15, 2006 — January 14, 2007 «Process and Collaboration: Celebrating Twelve Years at 1315 Cherry Street,» The Fabric Workshop and Museum, Philadelphia, PA, December 2, 2006 — January 6, 2007 «Defamation of Character,» organized by Neville Wakefield, PS 1 Contemporary Art Center, Long Island City, New York, October 29, 2006 — January 8, 2007 «Voodoo Macbeth,» curated by David A Bailey, De La Warr Pavilion, East Sussex, UK, October 7, 2006 — January 22, 2007 «Yes Bruce Nauman,» Zwirner & Wirth, New York, NY, July 7 — September 9, 2006 «Gifts go in one direction,» curated by Alexander Nagel, apexart, New York, NY, July 5 — August 12, 2006 «SUBJECT,» Lyman Allyn Museum, New London, CT, May 13 — August 14, 2006 «Invitational Exhibition of Painting and Sculpture,» American Academy of Arts and Letters, New York, NY, March 7 — April 9, 2006 «Dark Places,» Santa Monica Museum of Modern Art, Los Angeles, CA, January 21 — April 22, 2006 «Skin Is a Language,» Whitney Museum of American Art, New York, NY, January 12 — May 21, 2006 «Portraits of Artists: A selection of photographic works from the collection,» Luhring Augustine, New York, NY, January 7 — February 11, 2
Art Museum St Louis, MO, January 20 — March 28, 2006 «Down by Law, curated by The Wrong Gallery,» Whitney Museum of American
Art, New York, NY, January 21 — May 15, 2006 «Collective Histories / Collective Memories: California Modern,» Orange County Museum of Art, Newport Beach, CA, February 6 — September 24, 2006 «Exhibition of Work by Newly Elected Members and Recipients of Honors and Awards,» American Academy of Arts and Letters, New York, NY, May 19 — June 12, 2006 «Legacies: Contemporary Artists Reflect on Slavery,» New - York Historical Society, New York, NY, June 16, 2006 — January 7, 2007; catalogue «The Past Made Present: Contemporary Art and Memory,» Museum of Fine Arts, Houston, TX, September 2, 2006 — January 15, 2007 «Group Dynamic: Portfolios, Series, and Sets,» Des Moines Art Center, Des Moines, IA, September 15 — December 29, 2006 «black alphabet: conTEXTS of contemporary african - american art,» Zacheta National Gallery of Art, Warsaw, Poland, September 22 — November 19, 2006 «Interstellar Low Ways,» Hyde Park Art Center, Chicago, IL, October 15, 2006 — January 14, 2007 «Process and Collaboration: Celebrating Twelve Years at 1315 Cherry Street,» The Fabric Workshop and Museum, Philadelphia, PA, December 2, 2006 — January 6, 2007 «Defamation of Character,» organized by Neville Wakefield, PS 1 Contemporary Art Center, Long Island City, New York, October 29, 2006 — January 8, 2007 «Voodoo Macbeth,» curated by David A Bailey, De La Warr Pavilion, East Sussex, UK, October 7, 2006 — January 22, 2007 «Yes Bruce Nauman,» Zwirner & Wirth, New York, NY, July 7 — September 9, 2006 «Gifts go in one direction,» curated by Alexander Nagel, apexart, New York, NY, July 5 — August 12, 2006 «SUBJECT,» Lyman Allyn Museum, New London, CT, May 13 — August 14, 2006 «Invitational Exhibition of Painting and Sculpture,» American Academy of Arts and Letters, New York, NY, March 7 — April 9, 2006 «Dark Places,» Santa Monica Museum of Modern Art, Los Angeles, CA, January 21 — April 22, 2006 «Skin Is a Language,» Whitney Museum of American Art, New York, NY, January 12 — May 21, 2006 «Portraits of Artists: A selection of photographic works from the collection,» Luhring Augustine, New York, NY, January 7 — February 11, 2
Art, New York, NY, January 21 — May 15, 2006 «Collective Histories / Collective Memories: California Modern,» Orange County Museum of
Art, Newport Beach, CA, February 6 — September 24, 2006 «Exhibition of Work by Newly Elected Members and Recipients of Honors and Awards,» American Academy of Arts and Letters, New York, NY, May 19 — June 12, 2006 «Legacies: Contemporary Artists Reflect on Slavery,» New - York Historical Society, New York, NY, June 16, 2006 — January 7, 2007; catalogue «The Past Made Present: Contemporary Art and Memory,» Museum of Fine Arts, Houston, TX, September 2, 2006 — January 15, 2007 «Group Dynamic: Portfolios, Series, and Sets,» Des Moines Art Center, Des Moines, IA, September 15 — December 29, 2006 «black alphabet: conTEXTS of contemporary african - american art,» Zacheta National Gallery of Art, Warsaw, Poland, September 22 — November 19, 2006 «Interstellar Low Ways,» Hyde Park Art Center, Chicago, IL, October 15, 2006 — January 14, 2007 «Process and Collaboration: Celebrating Twelve Years at 1315 Cherry Street,» The Fabric Workshop and Museum, Philadelphia, PA, December 2, 2006 — January 6, 2007 «Defamation of Character,» organized by Neville Wakefield, PS 1 Contemporary Art Center, Long Island City, New York, October 29, 2006 — January 8, 2007 «Voodoo Macbeth,» curated by David A Bailey, De La Warr Pavilion, East Sussex, UK, October 7, 2006 — January 22, 2007 «Yes Bruce Nauman,» Zwirner & Wirth, New York, NY, July 7 — September 9, 2006 «Gifts go in one direction,» curated by Alexander Nagel, apexart, New York, NY, July 5 — August 12, 2006 «SUBJECT,» Lyman Allyn Museum, New London, CT, May 13 — August 14, 2006 «Invitational Exhibition of Painting and Sculpture,» American Academy of Arts and Letters, New York, NY, March 7 — April 9, 2006 «Dark Places,» Santa Monica Museum of Modern Art, Los Angeles, CA, January 21 — April 22, 2006 «Skin Is a Language,» Whitney Museum of American Art, New York, NY, January 12 — May 21, 2006 «Portraits of Artists: A selection of photographic works from the collection,» Luhring Augustine, New York, NY, January 7 — February 11, 2
Art, Newport Beach, CA, February 6 — September 24, 2006 «Exhibition of Work by Newly Elected Members and Recipients of Honors and Awards,» American Academy of
Arts and Letters, New York, NY, May 19 — June 12, 2006 «Legacies: Contemporary Artists Reflect on Slavery,» New - York Historical Society, New York, NY, June 16, 2006 — January 7, 2007; catalogue «The Past Made Present: Contemporary
Art and Memory,» Museum of Fine Arts, Houston, TX, September 2, 2006 — January 15, 2007 «Group Dynamic: Portfolios, Series, and Sets,» Des Moines Art Center, Des Moines, IA, September 15 — December 29, 2006 «black alphabet: conTEXTS of contemporary african - american art,» Zacheta National Gallery of Art, Warsaw, Poland, September 22 — November 19, 2006 «Interstellar Low Ways,» Hyde Park Art Center, Chicago, IL, October 15, 2006 — January 14, 2007 «Process and Collaboration: Celebrating Twelve Years at 1315 Cherry Street,» The Fabric Workshop and Museum, Philadelphia, PA, December 2, 2006 — January 6, 2007 «Defamation of Character,» organized by Neville Wakefield, PS 1 Contemporary Art Center, Long Island City, New York, October 29, 2006 — January 8, 2007 «Voodoo Macbeth,» curated by David A Bailey, De La Warr Pavilion, East Sussex, UK, October 7, 2006 — January 22, 2007 «Yes Bruce Nauman,» Zwirner & Wirth, New York, NY, July 7 — September 9, 2006 «Gifts go in one direction,» curated by Alexander Nagel, apexart, New York, NY, July 5 — August 12, 2006 «SUBJECT,» Lyman Allyn Museum, New London, CT, May 13 — August 14, 2006 «Invitational Exhibition of Painting and Sculpture,» American Academy of Arts and Letters, New York, NY, March 7 — April 9, 2006 «Dark Places,» Santa Monica Museum of Modern Art, Los Angeles, CA, January 21 — April 22, 2006 «Skin Is a Language,» Whitney Museum of American Art, New York, NY, January 12 — May 21, 2006 «Portraits of Artists: A selection of photographic works from the collection,» Luhring Augustine, New York, NY, January 7 — February 11, 2
Art and Memory,» Museum of Fine
Arts, Houston, TX, September 2, 2006 — January 15, 2007 «Group Dynamic: Portfolios, Series, and Sets,» Des Moines
Art Center, Des Moines, IA, September 15 — December 29, 2006 «black alphabet: conTEXTS of contemporary african - american art,» Zacheta National Gallery of Art, Warsaw, Poland, September 22 — November 19, 2006 «Interstellar Low Ways,» Hyde Park Art Center, Chicago, IL, October 15, 2006 — January 14, 2007 «Process and Collaboration: Celebrating Twelve Years at 1315 Cherry Street,» The Fabric Workshop and Museum, Philadelphia, PA, December 2, 2006 — January 6, 2007 «Defamation of Character,» organized by Neville Wakefield, PS 1 Contemporary Art Center, Long Island City, New York, October 29, 2006 — January 8, 2007 «Voodoo Macbeth,» curated by David A Bailey, De La Warr Pavilion, East Sussex, UK, October 7, 2006 — January 22, 2007 «Yes Bruce Nauman,» Zwirner & Wirth, New York, NY, July 7 — September 9, 2006 «Gifts go in one direction,» curated by Alexander Nagel, apexart, New York, NY, July 5 — August 12, 2006 «SUBJECT,» Lyman Allyn Museum, New London, CT, May 13 — August 14, 2006 «Invitational Exhibition of Painting and Sculpture,» American Academy of Arts and Letters, New York, NY, March 7 — April 9, 2006 «Dark Places,» Santa Monica Museum of Modern Art, Los Angeles, CA, January 21 — April 22, 2006 «Skin Is a Language,» Whitney Museum of American Art, New York, NY, January 12 — May 21, 2006 «Portraits of Artists: A selection of photographic works from the collection,» Luhring Augustine, New York, NY, January 7 — February 11, 2
Art Center, Des Moines, IA, September 15 — December 29, 2006 «black alphabet:
conTEXTS of contemporary african - american
art,» Zacheta National Gallery of Art, Warsaw, Poland, September 22 — November 19, 2006 «Interstellar Low Ways,» Hyde Park Art Center, Chicago, IL, October 15, 2006 — January 14, 2007 «Process and Collaboration: Celebrating Twelve Years at 1315 Cherry Street,» The Fabric Workshop and Museum, Philadelphia, PA, December 2, 2006 — January 6, 2007 «Defamation of Character,» organized by Neville Wakefield, PS 1 Contemporary Art Center, Long Island City, New York, October 29, 2006 — January 8, 2007 «Voodoo Macbeth,» curated by David A Bailey, De La Warr Pavilion, East Sussex, UK, October 7, 2006 — January 22, 2007 «Yes Bruce Nauman,» Zwirner & Wirth, New York, NY, July 7 — September 9, 2006 «Gifts go in one direction,» curated by Alexander Nagel, apexart, New York, NY, July 5 — August 12, 2006 «SUBJECT,» Lyman Allyn Museum, New London, CT, May 13 — August 14, 2006 «Invitational Exhibition of Painting and Sculpture,» American Academy of Arts and Letters, New York, NY, March 7 — April 9, 2006 «Dark Places,» Santa Monica Museum of Modern Art, Los Angeles, CA, January 21 — April 22, 2006 «Skin Is a Language,» Whitney Museum of American Art, New York, NY, January 12 — May 21, 2006 «Portraits of Artists: A selection of photographic works from the collection,» Luhring Augustine, New York, NY, January 7 — February 11, 2
art,» Zacheta
National Gallery of
Art, Warsaw, Poland, September 22 — November 19, 2006 «Interstellar Low Ways,» Hyde Park Art Center, Chicago, IL, October 15, 2006 — January 14, 2007 «Process and Collaboration: Celebrating Twelve Years at 1315 Cherry Street,» The Fabric Workshop and Museum, Philadelphia, PA, December 2, 2006 — January 6, 2007 «Defamation of Character,» organized by Neville Wakefield, PS 1 Contemporary Art Center, Long Island City, New York, October 29, 2006 — January 8, 2007 «Voodoo Macbeth,» curated by David A Bailey, De La Warr Pavilion, East Sussex, UK, October 7, 2006 — January 22, 2007 «Yes Bruce Nauman,» Zwirner & Wirth, New York, NY, July 7 — September 9, 2006 «Gifts go in one direction,» curated by Alexander Nagel, apexart, New York, NY, July 5 — August 12, 2006 «SUBJECT,» Lyman Allyn Museum, New London, CT, May 13 — August 14, 2006 «Invitational Exhibition of Painting and Sculpture,» American Academy of Arts and Letters, New York, NY, March 7 — April 9, 2006 «Dark Places,» Santa Monica Museum of Modern Art, Los Angeles, CA, January 21 — April 22, 2006 «Skin Is a Language,» Whitney Museum of American Art, New York, NY, January 12 — May 21, 2006 «Portraits of Artists: A selection of photographic works from the collection,» Luhring Augustine, New York, NY, January 7 — February 11, 2
Art, Warsaw, Poland, September 22 — November 19, 2006 «Interstellar Low Ways,» Hyde Park
Art Center, Chicago, IL, October 15, 2006 — January 14, 2007 «Process and Collaboration: Celebrating Twelve Years at 1315 Cherry Street,» The Fabric Workshop and Museum, Philadelphia, PA, December 2, 2006 — January 6, 2007 «Defamation of Character,» organized by Neville Wakefield, PS 1 Contemporary Art Center, Long Island City, New York, October 29, 2006 — January 8, 2007 «Voodoo Macbeth,» curated by David A Bailey, De La Warr Pavilion, East Sussex, UK, October 7, 2006 — January 22, 2007 «Yes Bruce Nauman,» Zwirner & Wirth, New York, NY, July 7 — September 9, 2006 «Gifts go in one direction,» curated by Alexander Nagel, apexart, New York, NY, July 5 — August 12, 2006 «SUBJECT,» Lyman Allyn Museum, New London, CT, May 13 — August 14, 2006 «Invitational Exhibition of Painting and Sculpture,» American Academy of Arts and Letters, New York, NY, March 7 — April 9, 2006 «Dark Places,» Santa Monica Museum of Modern Art, Los Angeles, CA, January 21 — April 22, 2006 «Skin Is a Language,» Whitney Museum of American Art, New York, NY, January 12 — May 21, 2006 «Portraits of Artists: A selection of photographic works from the collection,» Luhring Augustine, New York, NY, January 7 — February 11, 2
Art Center, Chicago, IL, October 15, 2006 — January 14, 2007 «Process and Collaboration: Celebrating Twelve Years at 1315 Cherry Street,» The Fabric Workshop and Museum, Philadelphia, PA, December 2, 2006 — January 6, 2007 «Defamation of Character,» organized by Neville Wakefield, PS 1 Contemporary
Art Center, Long Island City, New York, October 29, 2006 — January 8, 2007 «Voodoo Macbeth,» curated by David A Bailey, De La Warr Pavilion, East Sussex, UK, October 7, 2006 — January 22, 2007 «Yes Bruce Nauman,» Zwirner & Wirth, New York, NY, July 7 — September 9, 2006 «Gifts go in one direction,» curated by Alexander Nagel, apexart, New York, NY, July 5 — August 12, 2006 «SUBJECT,» Lyman Allyn Museum, New London, CT, May 13 — August 14, 2006 «Invitational Exhibition of Painting and Sculpture,» American Academy of Arts and Letters, New York, NY, March 7 — April 9, 2006 «Dark Places,» Santa Monica Museum of Modern Art, Los Angeles, CA, January 21 — April 22, 2006 «Skin Is a Language,» Whitney Museum of American Art, New York, NY, January 12 — May 21, 2006 «Portraits of Artists: A selection of photographic works from the collection,» Luhring Augustine, New York, NY, January 7 — February 11, 2
Art Center, Long Island City, New York, October 29, 2006 — January 8, 2007 «Voodoo Macbeth,» curated by David A Bailey, De La Warr Pavilion, East Sussex, UK, October 7, 2006 — January 22, 2007 «Yes Bruce Nauman,» Zwirner & Wirth, New York, NY, July 7 — September 9, 2006 «Gifts go
in one direction,» curated by Alexander Nagel, apexart, New York, NY, July 5 — August 12, 2006 «SUBJECT,» Lyman Allyn Museum, New London, CT, May 13 — August 14, 2006 «Invitational Exhibition of Painting and Sculpture,» American Academy of
Arts and Letters, New York, NY, March 7 — April 9, 2006 «Dark Places,» Santa Monica Museum of Modern
Art, Los Angeles, CA, January 21 — April 22, 2006 «Skin Is a Language,» Whitney Museum of American Art, New York, NY, January 12 — May 21, 2006 «Portraits of Artists: A selection of photographic works from the collection,» Luhring Augustine, New York, NY, January 7 — February 11, 2
Art, Los Angeles, CA, January 21 — April 22, 2006 «Skin Is a Language,» Whitney Museum of American
Art, New York, NY, January 12 — May 21, 2006 «Portraits of Artists: A selection of photographic works from the collection,» Luhring Augustine, New York, NY, January 7 — February 11, 2
Art, New York, NY, January 12 — May 21, 2006 «Portraits of Artists: A selection of photographic works from the collection,» Luhring Augustine, New York, NY, January 7 — February 11, 2006
SELECTED EXHIBITIONS 2018
In (di) visible, Station Museum of Contemporary
Art, Houston, TX; Cameron Museum of
Art, Wilmington, NC 2017 Translatio Imperii, Gutterbox Gallery, Raleigh, NC Digiscapes, Curated by Anthony Hamilton, Lump, Raleigh, NC
Art on Paper, Curated by Emily Stamey, Weatherspoon
Art Museum, Greensboro, NC Objectifying Myself: Works by Women Artists from the Pennsylvania Academy of Fine
Arts, William Benton Museum of
Art, Storrs, CT For Liberty and Justice for Some, Walter Maciel Gallery, Los Angeles, CA Shimmer, Light and Design Gallery, Chapel Hill, NC 2016 Seeping of a Ghost, Gallery Bastejs, Riga, Latvia (solo) Musings on an Origin, Spectre
Arts, Durham, NC Typecast, Hillyer
Art Space, Washington, DC 2015 Heterotopias as Other, Nha San Collective, Hanoi, Vietnam (solo) 2014 The Orient, The Occident, Galerie Quynh, Ho Chi Minh City, Vietnam (solo) Summer Shuffle: Contemporary
Art @ PAFA Remixed, Pennsylvania Academy of Fine
Arts The Mother Load, The Center for Creative Connections, Dallas Museum of
Art, TX 2013 Contemporary Vietnamerican
Art, Maier Museum of
Art, Lynchburg, VAThe Linda Lee Alter Collection of
Art by Women, Pennsylvania Academy of Fine
Arts, PA 2012 Alter / Altar: Meditations on the Past, The Morris and Gwendolyn Cafritz Foundation
Art Center Collisions of Clamor and Calm, Galerie Quynh, HCMC, Vietnam
Art HK 12, Hong Kong International
Art Fair, with Galerie Quynh 2011 Bite Sized Monsters, Modern Eden, San Francisco, CA 2010 Twombly House / Ephemeral Museum, Portland, OR Outwin Boochever Portrait Exhibition,
National Portrait Gallery, Smithsonian Institution, Washington D.C 2009 Family Pictures, Root Division, San Francisco, CA 2008
In Transition Russia, Municipal Centre for Contemporary
Art, Yekaterinburg
National Centre for Contemporary
Arts, Moscow, Russia 2007 House of Adoration, Galerie Quynh Contemporary
Art, HCMC, Vietnam (solo) House of Adoration, Ryllega Experimental
Art Gallery, Hanoi, Vietnam (solo) Small Works, Morris Graves Museum of
Art, Eureka, CA 2006 Portrait of a Contemporary Family, First Street Gallery, Eureka, CA Portrait of a Family, Southern Exposure, San Francisco, CA
National Juried Exhibition, Marin
Art Center, Marin, CA Juror: Rene de Guzman Small Works Invitational, Gallery Dog, Eureka, CA Out of
Context, Huntington Beach
Art Center, Huntington Beach, CA Face Paint, Bucheon Gallery, San Francisco, CA 2004 Monster Drawing Rally, Southern Exposure, San Francisco, CA Supernatural, Southern Exposure, San Francisco, CA Go West!
This restaging offers an opportunity to consider the photographs both
in the
context of the newly central role photography was playing
in 1970s contemporary
art as well as
in relation to the period's prevailing cultural concerns, such as land use,
national identity, environmentalism, and nostalgia.
At Tate St Ives, the summer exhibition, Relocating St Ives, will explore the wider
national and international
contexts which shaped
art in St Ives from the 1940s to 60s with works by Wilhelmina Barns - Graham, Peter Lanyon, Barbara Hepworth, Patrick Heron, Bernard Leach and, for international comparison, Constantin Brancusi.
His interest
in photography began within the
context of
art history and has been developed since 1982 through various curatorial roles
in museums and galleries, including the
National Portrait Gallery, London (1982 - 88) and The Photographers» Gallery, London (1988 - 95).
The symposium was proposed by Courthouse Studios as a way of developing links with other artists
in a
national and international
context and exchanging experiences of
art - making.
2006 Black Alphabet (
Contexts In Contemporary African American
Art), Zacheta
National Gallery Of
Art, Warsaw, Poland Peekskil Project, Hudson Valley Center For Contemporary
Art, Peekskill, NY E7, Aljira Center for
Art, Newark, NJ Harlem
Art Project, Saatchi and Saatchi, New York, Curators Choice, Scope
Art Fair, curated by Franklin Sirmans, NY Performance
Art Fair, curated by Dean Dedirko First Open, Christies, New York, NY When Artists Say We, Artist Space, New York, NY This Strangest Of Theatres, Roebling Hall, New York, NY Artificial Afrika, Gigantic
Art Space, New York, NY From The Living Room, curated by Franklin Sirmans,
Art Basel, Miami