Sentences with phrase «art in any space like»

When I enter the Los Angeles Contemporary Archive for the first time, I know that I have not viewed art in any space like it...

Not exact matches

I'd like to buy one, live in it, and convert the sanctuary into a performing arts space.

For example, referring to the «institutional field of cultural production» that «rapidly and radically transformed... the rigid dichotomy between «high» and «low» «(for academics like Professor Rainey, dichotomies are always «rigid» and high art always needs scare quotes), he tells us that «Modernism's ambiguous achievement... was to probe the interstices dividing that variegated field and to forge within it a strange and unprecedented space for cultural production, one that did indeed entail a certain retreat from the domain of public culture, but one that also continued to overlap and intersect with the public realm in a variety of contradictory ways.»

I became determined to establish a studio to offer children high level art education in a safe and nurturing environment, using artist quality tools, and in a space with like - minded children.

In many ways, it is more like a large multi-purpose room than a state - of - the - art theater space that the park district eventually wants to build.

Officials are calling their third - floor culinary arts room state - of - the - art because of its six stations that include counter space, a sink, stove and oven, «just like you'd find in your own home,» Wilson said.

Remember in martial arts your weapon is your own body and nothing can enhance your ability to move your body through space with speed and power like bodyweight exercises such as one arm pull ups and planche press ups.

I actually had my camera with me this time when I visited my friend at the Facebook HQ, it's an amazing work space with art, good light, and relaxing work nooks in a welcoming hometown city like setting with touches of modern industrial over at their new campus.

Like vintage lace, this antiqued metal wall art features intricate filigree in a mix of floral patterns to add texture and dimension to your space.

Inspire your space with art like this unique piece, entitled Surf in Black and White by Kira Noel Oschipok.

Okay, the fact that it is sprayed on historic brick isn't so wonderful, so don't go doing that, but you can make graffiti art in your own space by painting on stretched or non-stretched canvas, plywood, or any large piece of discarded construction material like plasterboard, or mdf.

The Magic Gardens is a three dimensional, immersive piece of installation art and a museum gallery space in Philly created by mosaic artist Isaiah Zagar, who were inspired by materials like used bottles, bike wheels and folk arts.

Actors leap in and out of virtual space, one minute occupying a snow globe tableau (white plastic snow; black Styrofoam trees), the next drifting down a river of pixels rendered like an enlarged detail from a Pop Art canvas.

«But we kind of also built a traditional game, like an entire traditional game, in the Cauldrons and in the bunkers [all underground], and it was a huge risk for us because we had to build completely new lighting technology and we had to design all these holograms too, to light those spaces and completely new art assets and gameplay and delivering narrative.»

It likely won't be in deep space like this art shows, though.

If you release a movie in April it has more space, more screens and time than a release in October, November or December, when heavy hitters from the studios like «The Post» with Hanks and Streep and Spielberg are hurting the art films.

Now the aliens (ant - like creatures called «Formics») are coming back, and the only apparent way to defeat them, at least according to Colonel Graff (an appropriately gruff Harrison Ford), is to train young minds — more receptive to technological and strategic innovation, apparently — in the art of space combat.

The initiative will focus on contexts of student learning not only in and across the disciplines, but also in diverse spaces that may function effectively and productively as a civic commons, such as museums and events like ISV's Arts Learning Festival.

Does it include students and teachers working collaboratively, creating learning spaces & opportunities in unlikely places, like bringing augmented reality into a classroom art show?

In a space that looks more like an art gallery than a shop, owner Mark Boldiston... Read More

Still in the Design District, meander the pedestrian - friendly maze of shops and office spaces to find various public art pieces like Neo-Futuristic architect Buckminster Fuller's «Fly's Eye Dome,» which is... just that.

For those of you who (like me) appreciate modern art in smaller doses, it's an ideal space to explore.

The lower floor is the largest children's library in the City of San Diego, featuring a simulated ship, reading desks shaped like surfboards, an art space and a Story Time Zone.

I love looking at art that makes the space feel real and inhabited (like the many posters littering Sevastapol station in Alien: Isolation) and taking my time to explore random areas (like running through the bayou in Mafia 3).

The tech company who are already pegged to design a state - of - the art controller for their new console might very well roll out two more keeping in mind different player requisites like analogue spacing, analogue flexibility and feather - touch buttons.

In other words, as we've struggled to affix labels like «art game» and «experiential game» to a broad stylistic spectrum, game makers - mostly, but not exclusively, in the indie space - continue to push ahead, challenging us to keep up and find new ways to critically engagIn other words, as we've struggled to affix labels like «art game» and «experiential game» to a broad stylistic spectrum, game makers - mostly, but not exclusively, in the indie space - continue to push ahead, challenging us to keep up and find new ways to critically engagin the indie space - continue to push ahead, challenging us to keep up and find new ways to critically engage.

Electronic Arts «s Need for Speed: Most Wanted looked like a solid bet for some end - of - year motoring entertainment this November, SimCity «s shaping up nicely for February 2013, and there are a good number of shooters in the works and on display: Medal of Honor: Warfighter for October, then Dead Space 3, Army of Two: The Devil's Cartel and Crysis 3 in 2013.

I love that vector games looked like this in 1977, when the state of the art in raster graphics was, maybe, Space Invaders.

Like I stated before briefly, the art direction in Dead Space 3 is like no other title out thLike I stated before briefly, the art direction in Dead Space 3 is like no other title out thlike no other title out there.

Between this and MoMA's continued partnership with Volkswagen, there seems to be a real influx of automakers in the art space, where things like seeing a noise performance in the upscale car convention - like «VW Dome» seems par for the course.

Whether it's the work of Keith Sonnier and Joe Zucker (both of whom had shows in 2010 at Mary Boone Gallery in New York) or the prototypes of «Rowing Needles» (1970) by Buckminster Fuller, on view at Meulensteen in a recent show that paired Fuller's streamlined pieces with the lumpy «Floor Cushions» of the 33 - year - old artist - designer Eli Levenstein, or the new crop of alternative spaces (like the intimate and racy Honey Space for site - specific art, on 11th Avenue), a»70s esthetic rules.

Like the landscape, the historical record of postwar art in Southern California is diffuse, held in the archives of individual collectors, alternative art spaces, and university galleries.

Limitations in some templates; too much wasted white space (would love my work to be displayed much larger); integration of pages to sell prints and / or products with my work on it in pages with the original artwork (lower priced or alternative options for folks who aren't yet ready to invest in fine art); room setting view where customers can see the size / shape of a painting / print in an actual room like over a couch or bed, in a kitchen, etc; greater options in template layout (social buttons and email NL signup at top of page, etc).

Each entry augments discussion of an art - or design - centric topic (like how to «bling» up your space with some metallic art) with beautiful photos that showcase art in both residential and commercial settings.

I think critics like Cotter (in this instance) and Saltz (in many) spend too much time and ink bemoaning the vacuity of the art and artists presented in Blue Chip spaces and too little time outside the borough of Manhattan writing about artists and galleries that make and show sincere, good, and genuine work because they have to.

Her work has been exhibited internationally in cities like London, Cape Town, and Berlin and locally at various DC spaces including Transformer, the Katzen Art Museum, and Civilian Art Projects, where she held her first solo exhibition.

Although predominately a painter, I have recently expanded my art into video and animation, «In effect I have always thought of my work cinematically, I set the stage and then fill it with props and actors so with video it feels like I'm still painting, just in time and space.&raquIn effect I have always thought of my work cinematically, I set the stage and then fill it with props and actors so with video it feels like I'm still painting, just in time and space.&raquin time and space.»

While I was knee - deep in the planning stages of «What I Like About You» (for Parallel Art Space, Bushwick Open Studios 2013) Garry mentioned that I should visit Imogen Holloway Gallery in Saugerties, NY to take in the current show, and to meet the energetic Diane Dwyer.

In this sense, her work is more aligned with artists who prioritized sensorial experience, like James Turrell, Mary Corse, and others of the Light and Space movement of the 1960s, than with film or other such time / media - based art.

It is the one «American» Piero that gives a clear taste of an aspect of his art that made him a particularly exciting figure for painters and writers in the early twentieth century — when he crowds together a number of figures in a tight space, making them feel full - bodied yet flat, like overlapping cards you hold in your hand in a game.

Now the site of an installation called «Be My Guest,» it's the latest brainchild of Lisa Cohen, founder of Galerie magazine, and No Longer Empty, a nonprofit New York arts group that sets up art installations in unused spaces, usually in underserved areas like the Bronx.

Building on Artists Space's history as an institution whose program has increasingly emphasized community participation and political organization (see last year's Decolonize This Place, which turned the gallery into a weekly activist meeting hub), Coop Fund foregoes traditional media like painting or sculpture in favor of video, art - science hybrids, updated junk sculpture, and institutional critique, making an implicit statement about these media that, for their associations with high - modernist seriousness, are appropriate to a politically engaged exhibition.

2017 — Take Care of Yourself, Linda Warren Projects, Chicago, IL 2014 — It Ended With My Putting it On, The Comfort Station, Chicago, IL Could Almost Feel it in My Hands Like an Egg of Air in the Water, Purdue University, Indiana 2013 — The Forgiveness Beneath the Mountain or Sleep, Repose and Duration in the Broken Hearted Year, Linda Warren Projects, Chicago, IL 2012 — View From the Birth Day, The Chicago Cultural Center, Chicago, IL A Note on Assembly / Glory, The University Club, Chicago, Chicago, IL A Proud and Soaring Thing, The Rosemary Duffy Larson Gallery, Broward College, Ft. Lauderdale, FL 2011 — The Tremendous Alone, The Elmhurst Museum of Art, Elmhurst, IL A Loss Like the Rome of Waiting, Linda Warren Gallery, Chicago, IL Or to Append the Cancelled Lyrics, The Union League Club, Chicago, IL 2010 — Not Again, The Old Men With Beautiful Manners, Linda Warren Gallery, Project Space, Chicago, IL Bare Ruined Choirs, Gallery in the Library, Barrington Hills, IL Bent Gathering the Boney Apples, Indianapolis Art Center, in My Hands Like an Egg of Air in the Water, Purdue University, Indiana 2013 — The Forgiveness Beneath the Mountain or Sleep, Repose and Duration in the Broken Hearted Year, Linda Warren Projects, Chicago, IL 2012 — View From the Birth Day, The Chicago Cultural Center, Chicago, IL A Note on Assembly / Glory, The University Club, Chicago, Chicago, IL A Proud and Soaring Thing, The Rosemary Duffy Larson Gallery, Broward College, Ft. Lauderdale, FL 2011 — The Tremendous Alone, The Elmhurst Museum of Art, Elmhurst, IL A Loss Like the Rome of Waiting, Linda Warren Gallery, Chicago, IL Or to Append the Cancelled Lyrics, The Union League Club, Chicago, IL 2010 — Not Again, The Old Men With Beautiful Manners, Linda Warren Gallery, Project Space, Chicago, IL Bare Ruined Choirs, Gallery in the Library, Barrington Hills, IL Bent Gathering the Boney Apples, Indianapolis Art Center, in the Water, Purdue University, Indiana 2013 — The Forgiveness Beneath the Mountain or Sleep, Repose and Duration in the Broken Hearted Year, Linda Warren Projects, Chicago, IL 2012 — View From the Birth Day, The Chicago Cultural Center, Chicago, IL A Note on Assembly / Glory, The University Club, Chicago, Chicago, IL A Proud and Soaring Thing, The Rosemary Duffy Larson Gallery, Broward College, Ft. Lauderdale, FL 2011 — The Tremendous Alone, The Elmhurst Museum of Art, Elmhurst, IL A Loss Like the Rome of Waiting, Linda Warren Gallery, Chicago, IL Or to Append the Cancelled Lyrics, The Union League Club, Chicago, IL 2010 — Not Again, The Old Men With Beautiful Manners, Linda Warren Gallery, Project Space, Chicago, IL Bare Ruined Choirs, Gallery in the Library, Barrington Hills, IL Bent Gathering the Boney Apples, Indianapolis Art Center, in the Broken Hearted Year, Linda Warren Projects, Chicago, IL 2012 — View From the Birth Day, The Chicago Cultural Center, Chicago, IL A Note on Assembly / Glory, The University Club, Chicago, Chicago, IL A Proud and Soaring Thing, The Rosemary Duffy Larson Gallery, Broward College, Ft. Lauderdale, FL 2011 — The Tremendous Alone, The Elmhurst Museum of Art, Elmhurst, IL A Loss Like the Rome of Waiting, Linda Warren Gallery, Chicago, IL Or to Append the Cancelled Lyrics, The Union League Club, Chicago, IL 2010 — Not Again, The Old Men With Beautiful Manners, Linda Warren Gallery, Project Space, Chicago, IL Bare Ruined Choirs, Gallery in the Library, Barrington Hills, IL Bent Gathering the Boney Apples, Indianapolis Art Center, in the Library, Barrington Hills, IL Bent Gathering the Boney Apples, Indianapolis Art Center, ININ

Engaging and surreal, walking into what feels like such a private space in one of the most public environments in the art world, this stand has more detail than most artworks — worth a visit of its own, it would be worth the gallery creating this installation around the world.

In groundbreaking works from the 1970s like Mary Kelly's Post-Partum Document (1973 — 79) and Martha Rosler's Semiotics of the Kitchen (1975), the tenets of conceptual art — with its integration of language and image, its embrace of photography and the video camera, and its unfolding over time and space — are enmeshed with questions of subjectivity, the body, and indeed, emotional affect, subjects generally avoided by an earlier generation of conceptual artists.

Peter Brant told us about antiquing with Warhol in Europe and what it's like to sell a $ 58.4 million Jeff Koons balloon dog, Rosa de la Cruz detailed her vision of transforming Miami into an intellectual art capital, Zöe and Joel Dictrow talked about devoting themselves to chasing emergent art, UOVO's Steven Guttman described his quest to build the world's greatest art - storage facility, and Alden Pinnell of Austin's Power Plant space described how one builds a contemporary art scene from scratch.

Again like Frank Stella, Farmanfarmaian can also claim a focus on both structure in space and decorative arts in the plane.

Like Exit Art after its move in 2003 or the more intimate landscape of an artist's book, it allows artists to participate in defining one's future understanding of the space.

Those who toured the Whitney Museum of American Art's new building before it opened saw what its fifth floor looked like as a single vast gallery — reputedly the largest column - free museum exhibition space in New York.

«I rationalized to myself that it was just a pop - up,» just like any number of group shows she'd been to or participated in, Moy told the 200 people who crammed into Artists Space Saturday night for Decolonize This Place, Artists Space, and the Chinatown Art Brigade» sevent, «Chinatown Is Not For Sale.»