Sentences with phrase «art in familiar places»

Not exact matches

The state - of - the - art 70,000 square foot museum brings the pages of the Bible to life, casting its characters and animals in dynamic form and placing them in familiar settings.

Though deceptive advertising is nothing new in movies, the DVD cover art of Coming & Going takes the practice far, keeping the wheelchair out of the picture (save for the title logo's odd twist on the familiar handicap symbol), portraying the leads as young and hip in their jeans and tall boots respectively, and, most egregiously, placing a chihuahua poodle hybrid that features in a single 1 - minute scene front, center, and large.

You will be able to admire fan art placed in familiar environments.

INSIDE LLEWYN DAVIS Director: Joel and Ethan Coen Starring: Oscar Isaac, Carey Mulligan, Justin Timberland, John Goodman, Garrett Hedlund, Adam Driver, Max Casella, F. Murray Abraham If you are involved in the arts in some fashion, you are probably familiar with that vagabond that is looking for his next gig traveling from place to place and bumming couches when needed.

If you are involved in the arts in some fashion, you are probably familiar with that vagabond that is looking for his next gig traveling from place to place and bumming couches when needed.

We're familiar with so many forms of art, but again, I'll lead you back to the question of why we should make art in the first place.

Tony Feher defined a unique place in contemporary art by creating elegant and poetic sculptures and installations using familiar, everyday objects.

In the NYTimes Friday art reviews, Karen Rosenberg reports: «The back rooms retreat into a too - familiar faux - naïveté via misspelled text, oddly placed works and a distracting sculpture of an erupting volcano.

Together with the Guston, these present a rare picture of the US at mid-20th century: not the familiar macho assertiveness, but an art of meditative subtlety and melancholy, resonant with an America that currently seems uncertain of its place in the world.

Sheena Wagstaff, the Museum's Leonard A. Lauder Chairman of Modern and Contemporary Art said, «In her large - scale installations, Cornelia opens our eyes to the special qualities — and sometimes darker significance — of familiar places and things we tend to overlook.

For anyone with knowledge of the cascading 1031 exchanges that take place in the art market, the deal sounds a bit familiar.

Ordinary / Extra / Ordinary, curated by David Thorp, has its origins in the idea that The Public is a place where visitors can encounter contemporary art that is accessible and which resonates with the familiar but extends and challenges perception at the same time.

Throughout the»70s, Benglis would return to aesthetics that were familiar in Louisiana but mostly thought out of place in the dominant art world: ornamentation and decoration, abstraction, and the sexuality of masquerade.

Rounding out the top ten are a host of familiar names representing the most significants precincts of the art world, from dealing (Iwan and Manuela Wirth, in fourth place, join Zwirner and Gagosian) and collecting (Leon Black at 8 and Sheikha Mayassa of the Qatar Museum Authority at 9) to curating (the New Museum's Massimiliano Gioni, 5) and auctions (Christie's CEO Stephen Murphy in third place, China Guardian's Wang Yannan in seventh, and Sotheby's jewelry guru David Bennett in tenth).

And so he remains, even now, an outlier, with a secure place neither in art history nor in art criticism's familiar hierarchies.

The «new» art history, Mr. McCaffrey pointed out, reveals that for numerous familiar places and periods, certain well - known artists, styles or movements «were not the only game in town.»

Nine years later there is a new generation who is not familiar with his work, and this exhibition gives everybody an opportunity to honor not only his paintings and drawings but also his significant place in the history of art in Texas.

Other familiar names in the top 10 include art dealer Larry Gagosian, ranked at four, and Tate director Sir Nicholas Serota, placed at six.

Here visitors will take on a journey through familiar imagery and obscure biographical references that mingle, repeat, trade places, and morph into new provocations that invite reflections upon memory, impulse, the stability of knowledge, and what constitutes value in a work of art.